I stayed with them there for three days. And then I went to Jacksville. Yawk City, too. That was enormous. It stretched over—well, from well north of where Boston is today to well south of Washington—that was what they called Yawk City.
I never believed that, when he said it, said Jim, interrupting himself. I knew he didn't. If he had I think he'd have bought land somewhere along there and held for a rise in value. I know Jim. He'd have the idea that seven million years was something like seven hundred, and maybe his great-grandchildren would be able to sell it.
Anyway, went on Jim, he said it was all because the cities had spread so. Boston spread south. Washington, north. And Yawk City spread all over. And the cities between grew into them.
And it was all one vast machine. It was perfectly ordered and perfectly neat. They had a transportation system that took me from the North End to the South End in three minutes. I timed it. They had learned to neutralize acceleration.
Then I took one of the great space liners to Neptune. There were still some running. Some people, you see, were coming the other way.
The ship was huge. Mostly it was a freight liner. It floated up from Earth, a great metal cylinder three quarters of a mile long, and a quarter of a mile in diameter.
Outside the atmosphere it began to accelerate. I could see Earth dwindle. I have ridden one of our own liners to Mars, and it took me, in 3048, five days. In half an hour on this liner Earth was just a star, with a smaller, dimmer star near it. In an hour we passed Mars. Eight hours later we landed on Neptune. M'reen was the city. Large as the Yawk City of my day—and no one living there.
The planet was cold and dark—horribly cold. The sun was a tiny, pale disk, heatless and almost lightless. But the city was perfectly comfortable. The air was fresh and cool, moist with the scent of growing blossoms, perfumed with them. And the whole giant metal framework trembled just slightly with the humming, powerful beat of the mighty machines that had made and cared for it.
I learned from records I deciphered, because of my knowledge of the ancient tongue that their tongue was based on, and the tongue of that day when man was dying, that the city was built three million, seven hundred and thirty thousand, one hundred and fifty years after my birth. Not a machine had been touched by the hand of man since that day.
Yet the air was perfect for man. And the warm, rose-silver glow hung in the air here and supplied the only illumination.
I visited some of their other cities where there were men. And there, on the retreating outskirts of man's domain, I first heard the Song of Longings, as I called it.
And another, The Song of Forgotten Memories. Listen:
He sang another of those songs. There's one thing I know, declared Jim. That bewildered note was stronger in his voice, and by that time I guess I pretty well understood his feelings. Because, you have to remem-P«r, I heard it only secondhand from an ordinary man, and Jim had heard lt from an eye-and-ear witness that was not ordinary, and heard it in that organ voice. Anyway, I guess Jim was right when he said: "He wasn't ^y ordinary man." No ordinary man could think of those songs. They Aren't right. When he sang that song, it was full of more of those plain-live minors. I could feel him searching his mind for something he had forgotten, something he desperately wanted to remember—something he knew he should have known—and I felt it eternally elude him. I felt it get further away from him as he sang. I heard that lonely, frantic searcher attempting to recall that thing—that thing that would save him.
And I heard him give a little sob of defeat—and the song ended. Jim tried a few notes. He hasn't a good ear for music—but that was too powerful to forget. Just a few hummed notes. Jim hasn't much imagination, I guess, or when that man of the future sang to him he would have gone mad. It shouldn't be sung to modern men; it isn't meant for them. You've heard those heart-rending cries some animals give, like human cries, almost? A loon, now—he sounds like a lunatic being murdered horribly.
That's just unpleasant. That song made you feel just exactly what the singer meant—because it didn't just sound human—it was human. It was the essence of humanity's last defeat, I guess. You always feel sorry for the chap who loses after trying hard. Well, you could feel the whole of humanity trying hard—and losing. And you knew they couldn't afford to lose, because they couldn't try again.
He said he'd been interested before. And still not wholly upset by those machines that couldn't stop. But that was too much for him.
I knew after that, he said, that these weren't men I could live among. They were dying men, and I was alive with the youth of the race. They looked at me with the same longing, hopeless wonder with which they looked at the stars and the machines.
They knew what I was, but couldn't understand.
I began to work on leaving.
It took six months. It was hard because my instruments were gone, of course, and theirs didn't read in the same units. And there were few instruments, anyway. The machines didn't read instruments; they acted on them. They were sensory organs to them.
But Reo Lantal helped where he could. And I came back.
I did just one thing before I left that may help. I may even try to get back there sometime. To see, you know.
I said they had machines that could really think? But that someone had stopped them a long time ago, and no one knew how to start them?
I found some records and deciphered them. I started one of the last and best of them and started it on a great problem. It is only fitting it should be done. The machine can work on it, not for a thousand years, but for a million, if it must.
I started five of them actually, and connected them together as the records directed.
They are trying to make a machine with something that man had lost. It sounds rather comical. But stop to think before you laugh. And remember that Earth as I saw it from the ground level of Neva City just before Reo Lantal threw the switch.
Twilight—the sun has set. The desert out beyond, in its mystic, changing colors.
The great, metal city rising straight-walled to the human city above, broken by spires and towers and great trees with scented blossoms. The silvery-rose glow in the paradise of gardens above.
And all the great city-structure throbbing and humming to the steady gentle beat of perfect, deathless machines built more than three million years before—and never touched since that time by human hands. And they go on. The dead city. The men that have lived, and hoped, and built—and died to leave behind them those little men who can only wonder and look and long for a forgotten kind of companionship. They wander through the vast cities their ancestors built, knowing less of them than the machines themselves.
And the songs. Those tell the story best, I think. Little, hopeless, wondering men amid vast unknowing, blind machines that started three million years before—and just never knew how to stop. They are dead—and can't die and be still.
So I brought another machine to life, and set it to a task which, in time to come, it will perform.
I ordered it to make a machine which would have what man had lost. A curious machine.
And then I wanted to leave quickly and go back. I had been born in the first full light of man's day. I did not belong in the lingering, dying glow of man's twilight.
So I came back. A little too far back. But it will not take me long to return—
accurately this time.
"Well, that was his story," Jim said. "He didn't tell me it was true—didn't say anything about it. And he had me thinking so hard I didn't even see him get off in Reno when we stopped for gas.
"But—he wasn't an ordinary man," repeated Jim, in a rather belligerent tone.
Jim claims he doesn't believe the yarn, you know. But he does; that's why he always acts so determined about it when he says the stranger wasn't an ordinary man.
No, he wasn't, I guess. I think he lived and died, too, probably, sometime in the thirty-first century. And I think he saw the twilight of the race, too.
HEL
EN O'LOY
by Lester del Rey
First published in 1938
I am an old man now, but I can still see Helen as Dave unpacked her, and still hear him gasp as he looked her over.
"Man, isn't she a beauty?"
She was beautiful, a dream in spun plastics and metals, something Keats might have seen dimly when he wrote his sonnet. If Helen of Troy had looked like that the Greeks must have been pikers when they launched only a thousand ships; at least, that's what I told Dave.
"Helen of Troy, eh?" He looked at her tag. "At least it beats this thing—K2W88.
Helen ... Mmmm ... Helen of Alloy."
"Not much swing to that, Dave. Too many unstressed syllables in the middle.
How about Helen O'Loy?"
"Helen O'Loy she is, Phil." And that's how it began—one part beauty, one part dream, one part science; add a stereo broadcast, stir mechanically, and the result is chaos.
Dave and I hadn't gone to college together, but when I came to Messina to practice medicine, I found him downstairs in a little robot repair shop. After that, we began to pal around, and when I started going with one twin, he found the other equally attractive, so we made it a foursome.
When our business grew better, we rented a house near the rocket field—noisy but cheap, and the rockets discouraged apartment building. We liked room enough to stretch ourselves. I suppose, if we hadn't quarreled with them, we'd have married the twins in time. But Dave wanted to look over the latest Venus-rocket attempt when his twin wanted to see a display stereo starring Larry Ainslee, and they were both stubborn. From then on, we forgot the girls and spent our evenings at home.
But it wasn't until "Lena" put vanilla on our steak instead of salt that we got off on the subject of emotions and robots. While Dave was dissecting Lena to find the trouble, we naturally mulled over the future of the mechs. He was sure that the robots would beat men some day, and I couldn't see it.
"Look here, Dave," I argued. "You know Lena doesn't think—not really. When those wires crossed, she could have corrected herself. But she didn't bother; she followed the mechanical impulse. A man might have reached for the vanilla, but when he saw it in his hand, he'd have stopped. Lena has sense enough, but she has no emotions, no consciousness of self."
"All right, that's the big trouble with the mechs now. But we'll get around it, put in some mechanical emotions, or something." He screwed Lena's head back on, turned on her juice. "Go back to work, Lena, it's nineteen o'clock."
Now I specialized in endocrinology and related subjects. I wasn't exactly a psychologist, but I did understand the glands, secretions, hormones, and miscellanies that are the physical causes of emotions. It took medical science three hundred years to find out how and why they worked, and I couldn't see men duplicating them mechanically in much less time.
I brought home books and papers to prove it, and Dave quoted the invention of memory coils and veritoid eyes. During that year we swapped knowledge until Dave knew the whole theory of endocrinology, and I could have made Lena from memory.
The more we talked, the less sure I grew about the impossibility of homo mechanensis as the perfect type.
Poor Lena. Her cuproberyl body spent half its time in scattered pieces. Our first attempts were successful only in getting her to serve fried brushes for breakfast and wash the dishes in oleo oil. Then one day she cooked a perfect dinner with six wires crossed, and Dave was in ecstasy.
He worked all night on her wiring, put in a new coil, and taught her a fresh set of words. And the next day she flew into a tantrum and swore vigorously at us when we told her she wasn't doing her work right.
"It's a lie," she yelled, shaking a suction brush. "You're all liars. If you so-and-so's would leave me whole long enough, I might get something done around the place."
When we calmed her temper and got her back to work, Dave ushered toe into the study. "Not taking any chances with Lena," he explained.
'We'll have to cut out that adrenal pack and restore her to normalcy. But we've got to get a better robot. A housemaid mech isn't complex enough."
"How about Dillard's new utility models? They seem to combine everything in one."
"Exactly. Even so, we'll need a special one built to order, with a full range of memory coils. And out of respect to old Lena, let's get a female case for its works."
The result, of course, was Helen. The Dillard people had performed a miracle and put all the works in a girl-modeled case. Even the plastic and rubberite face was designed for flexibility to express emotions, and she was complete with tear glands and taste buds, ready to simulate every human action, from breathing to pulling hair.
The bill they sent with her was another miracle, but Dave and I scraped it together; we had to turn Lena over to an exchange to complete it, though, and thereafter we ate out.
I'd performed plenty of delicate operations on living tissues, and some of them had been tricky, but I still felt like a pre-med student as we opened the front plate of her torso and began to sever the leads of her "nerves." Dave's mechanical glands were all prepared, complex little bundles of radio tubes and wires that heterodyned on the electrical thought impulses and distorted them as adrenalin distorts the reaction of human minds.
Instead of sleeping that night, we pored over the schematic diagrams of her structures, tracing the thoughts through mazes of her wiring, severing the leaders, implanting the heterones, as Dave called them. And while we worked, a mechanical tape fed carefully prepared thoughts of consciousness and awareness of life and feeling into an auxiliary memory coil. Dave believed in leaving nothing to chance.
It was growing light as we finished, exhausted and exultant. All that remained was the starting of her electrical power; like all the Dillard mechs, she was equipped with a tiny atomotor instead of batteries, and once started would need no further attention.
Dave refused to turn her on. "Wait until we've slept and rested," he advised. "I'm as eager to try her as you are, but we can't do much studying with our minds half dead. Turn in, and we'll leave Helen until later."
Even though we were both reluctant to follow it, we knew the idea was sound. We turned in, and sleep hit us before the air-conditioner could cut down to sleeping temperature. And then Dave was pounding on my shoulders.
"Phil! Hey, snap out of it!"
I groaned, turned over, and faced him. "Well? ... Uh! What is it? Did Helen—"
"No, it's old Mrs. van Styler. She 'visored to say her son has an infatuation for a servant girl, and she wants you to come out and give counter-hormones. They're at the summer camp in Maine."
Rich Mrs. van Styler! I couldn't afford to let that account down, now that Helen had used up the last of my funds. But it wasn't a job I cared for.
"Counter-hormones! That'll take two weeks' full time. Anyway, I'm no society doctor, messing with glands to keep fools happy. My job's taking care of serious trouble."
"And you want to watch Helen." Dave was grinning, but he was serious, too. "I told her it'd cost her fifty thousand!"
"Huh?"
"And she said okay, if you hurried."
Of course, there was only one thing to do, though I could have wrung fat Mrs. van Styler's neck cheerfully. It wouldn't have happened if she'd used robots like everyone else—but she had to be different.
Consequently, while Dave was back home puttering with Helen, I was racking my brain to trick Archy van Styler into getting the counter- hormones, and giving the servant girl the same. Oh, I wasn't supposed to, but the poor kid was crazy about Archy. Dave might have written, I thought, but never a word did I get.
It was three weeks later instead of two when I reported that Archy was "cured,"
and collected on the line. With that money in my pocket, I hired a personal rocket and was back in Messina in half an hour. I didn't waste time in reaching the house.
As I stepped into the alcove, I heard a light patter of feet, and an eager voice called out, "Dave, dear?" For a minute I couldn't answe
r, and the voice came again, pleading, "Dave?"
I don't know what I expected, but I didn't expect Helen to meet me that way, stopping and staring at me, obvious disappointment on her face, little hands fluttering up against her breast.
"Oh," she cried. "I thought it was Dave. He hardly comes home to eat now, but I've had supper waiting hours." She dropped her hands and managed a smile. "You're Phil, aren't you? Dave told me about you when ... at first. I'm so glad to see you home, Phil."
"Glad to see you doing so well, Helen." Now what does one say for tight conversation with a robot? "You said something about supper?" 'Oh, yes. I guess Dave ate downtown again, so we might as well go "i- It'll be nice having someone to talk to around the house, Phil. You don't mind if I call you Phil, do you? You know, you're sort of a godfather to me."
We ate. I hadn't counted on such behavior, but apparently she considered eating as normal as walking. She didn't do much eating, at that; most of the time she spent staring at the front door.
Dave came in as we were finishing, a frown a yard wide on his face. Helen started to rise, but he ducked toward the stairs, throwing words over his shoulder.
"Hi, Phil. See you up here later."
There was something radically wrong with him. For a moment, I'd thought his eyes were haunted, and as I turned to Helen, hers were filling with tears. She gulped, choked them back, and fell to viciously on her food.
"What's the matter with him... and you?" I asked.
"He's sick of me." She pushed her plate away and got up hastily. "You'd better see him while I clean up. And there's nothing wrong with me. And it's not my fault, anyway." She grabbed the dishes and ducked into the kitchen; I could have sworn she was crying.
Maybe all thought is a series of conditioned reflexes—but she certainly had picked up a lot of conditioning while I was gone. Lena in her heyday had been nothing like this. I went up to see if Dave could make any sense out of the hodgepodge.
He was squirting soda into a large glass of apple brandy, and I saw that the bottle was nearly empty. "Join me?" he asked.
Robert Silverberg The Science Fiction Hall Of Fame Volume One, 1929-1964 Page 7