The Magazine of fantasy and science fiction : a 30-year retrospective

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The Magazine of fantasy and science fiction : a 30-year retrospective Page 4

by Edward L Ferman


  "No more warmth for us," I said. "No more heat. We're safe when we're cold. We'll hole up in Scotland, make a little money, get across to Norway, build a bankroll and then ship out. We'll settle on Pollux. We're safe. We've licked it. We can live again."

  There was a startling bleep from overhead, and then a ragged roar:

  "ATTENTION JAMES VANDALEUR AND ANDROID. ATTENTION JAMES VANDALEUR AND ANDROID!"

  Vandaleur started and looked up. The lone helicopter was floating above them. From its belly came amplified commands: "you are

  SURROUNDED. THE ROAD IS BLOCKED. YOU ARE TO STOP YOUR CAR AT ONCE AND SUBMIT TO ARREST. STOP AT ONCE!"

  I looked at Vandaleur for orders.

  "Keep driving," Vandaleur snapped.

  The helicopter dropped lower: "attention android, you are in

  CONTROL OF THE VEHICLE. YOU ARE TO STOP AT ONCE. THIS IS A STATE DIRECTIVE SUPERSEDING ALL PRIVATE COMMANDS."

  "What the hell are you doing?" I shouted.

  "A state directive supersedes all private commands," the android answered. "I must point out to you that "

  "Get the hell away from the wheel," Vandaleur ordered. I clubbed the android, yanked him sideways and squirmed over him to the wheel. The car veered off the road in that moment and went churning through the frozen mud and dry reeds. Vandaleur regained control and continued westward through the marshes toward a parallel highway five miles distant.

  "We'll beat their God damned block," he grunted.

  The car pounded and surged. The helicopter dropped even lower. A searchlight blazed from the belly of the plane.

  "ATTENTION JAMES VANDALEUR AND ANDROID. SUBMIT TO ARREST. THIS IS A STATE DIRECTIVE SUPERSEDING ALL PRIVATE COMMANDS."

  "He can't submit," Vandaleur shouted wildly. "There's no one to submit to. He can't and I won't."

  "Christ!" I muttered. "We'll beat them yet. We'll beat the block. We'll beat the heat. We'll "

  "I must point out to you," I said, "that I am required by my prime

  directive to obey state directives which supersede all private commands. I must submit to arrest."

  "Who says it's a state directive?" Vandaleur said. "Them? Up in that plane? They've got to show credentials. They've got to prove it's state authority before you submit. How d'you know they're not crooks trying to trick us?"

  Holding the wheel with one arm, he reached into his side pocket to make sure the gun was still in place. The car skidded. The tires squealed on frost and reeds. The wheel was wrenched from his grasp and the car yawed up a small hillock and overturned. The motor roared and the wheels screamed. Vandaleur crawled out and dragged the android with him. For the moment we were outside the circle of light boring down from the helicopter. We blundered off into the marsh, into the blackness, into concealment . . . Vandaleur running with a pounding heart, hauling the android along.

  The helicopter circled and soared over the wrecked car, searchlight peering, loudspeaker braying. On the highway we had left, lights appeared as the pursuing and blocking parties gathered and followed radio directions from the plane. Vandaleur and the android continued deeper and deeper into the marsh, working their way toward the parallel road and safety. It was night by now. The sky was a black matte. Not a star showed. The temperature was dropping. A southeast night wind knifed us to the bone.

  Far behind there was a dull concussion. Vandaleur turned, gasping. The car's fuel had exploded. A geyser of flame shot up like a lurid fountain. It subsided into a low crater of burning reeds. Whipped by the wind, the distant hem of flame fanned up into a wall, ten feet high. The wall began marching down on us, crackling fiercely. Above it, a pall of oily smoke surged forward. Behind it, Vandaleur could make out the figures of men ... a mass of beaters searching the marsh.

  "Christ!" I cried and searched desperately for safety. He ran, dragging me with him, until their feet crunched through the surface ice of a pool. He trampled the ice furiously, then flung himself down in the numbing water, pulling the android with us.

  The wall of flame approached. I could hear the crackle and feel the heat. He could see the searchers clearly. Vandaleur reched into his side pocket for the gun. The pocket was torn. The gun was gone. He groaned and shook with cold and terror. The light from the marsh fire was blinding. Overhead, the helicopter floated helplessly to one side,

  unable to fly through the smoke and flames and aid the searchers who were beating far to the right of us.

  "They'll miss us," Vandaleur whispered. "Keep quiet. That's an order. They'll miss us. We'll beat them. We'll beat the fire. We'll "

  Three distinct shots sounded less than a hundred feet from the fugitives. Blam! Blam! Blaml They came from the last three cartridges in my gun as the marsh fire reached it where it had dropped, and exploded the shells. The searchers turned toward the sound and began working directly toward us. Vandaleur cursed hysterically and tried to submerge even deeper to escape the intolerable heat of the fire. The android began to twitch.

  The wall of flame surged up to them. Vandaleur took a deep breath and prepared to submerge until the flame passed over them. The android shuddered and burst into an ear-splitting scream.

  "All reet! All reet!" it shouted. "Be fleet be fleet!"

  "Damn you!" I shouted. I tried to drown it.

  "Damn you!" I cursed him. I smashed his face.

  The android battered Vandaleur, who fought it off until it exploded out of the mud and staggered upright. Before I could return to the attack, the live flames captured it hypnotically. It danced and capered in a lunatic rumba before the wall of fire. Its legs twisted. Its arms waved. The fingers writhed in a private rumba of their own. It shrieked and sang and ran in a crooked waltz before the embrace of the heat, a muddy monster silhouetted against the brilliant sparkling flare.

  The searchers shouted. There were shots. The android spun around twice and then continued its horrid dance before the face of the flames. There was a rising gust of wind. The fire swept around the capering figure and enveloped it for a roaring moment. Then the fire swept on, leaving behind it a sobbing mass of synthetic flesh oozing scarlet blood that would never coagulate.

  The thermometer would have registered 1200° wondrously Fahrenheit.

  Vandaleur didn't die. I got away. They missed him while they watched the android caper and die. But I don't know which of us he is these days. Projection, Wanda warned me. Projection, Nan Webb told him. If you live with a crazy man or a crazy machine long enough, I become crazy too. Reet!

  But we know one truth. We know they were wrong. The new robot and Vandaleur know that because the new robot's started twitching too.

  Reet! Here on cold Pollux, the robot is twitching and singing. No heat, but my fingers writhe. No heat, but it's taken the little Talley girl off for a solitary walk. A cheap labor robot. A servo-mechanism ... all I could afford . . . but it's twitching and humming and walking alone with the child somewhere and I can't find them. Christ! Vandaleur can't find me before it's too late. Cool and discreet, honey, in the dancing frost while the thermometer registers 10° fondly Fahrenheit.

  And Now the News...

  Theodore Sturgeon

  Theodore Sturgeon had a story, "The Hurkle Is a Happy Beast" in the first issue of F&SF, Fall 1949. I chose "And Now the News . . ." for this volume because I liked the story a bit better and believe it is more representative of the author's work. Sturgeon produced some of his best writing in the mid-fifties, including the classic novel More Than Human.

  The man's name was MacLyle, which by looking at him you can tell wasn't his real name, but let's say this is fiction, shall we? MacLyle had a good job in—well—a soap concern. He worked hard and made good money and got married to a girl called Esther. He bought a house in the suburbs and after it was paid for he rented it to some people and bought a home a little farther out and a second car and a freezer and a power mower and a book on landscaping, and settled down to the worthy task of giving his kids all the things he never had.

  He had habits
and he had hobbies, like everybody else and (like everybody else) his were a little different from anybody's. The one that annoyed his wife the most, until she got used to it, was the news habit, or maybe hobby. MacLyle read a morning paper on the 8:14 and an evening paper on the 6:10, and the local paper his suburb used for its lost dogs and auction sales took up forty after-dinner minutes. And when he read a paper he read it, he didn't mess with it. He read Page 1 first and Page 2 next, and so on all the way through. He didn't care too much for books but he respected them in a mystical sort of way, and he used to say a newspaper was a kind of book, and so would raise particular hell if a section was missing or in upside down, or if the pages were out of line. He also heard the news on the radio. There were three stations in town with hourly broadcasts, one on the hour, one on the half-hour, and one five minutes before the hour, and he was usually able to catch them all. During these five-minute periods he would look you right in the eye while you talked to him and you'd swear he was listening to you, but he wasn't. This was a particular trial to his wife, but only for five years or so. Then she stopped trying to be heard while the radio talked about floods and murders and scandal and suicide. Five more years, and she went back to talking right through the broadcasts, but by the time people are married ten years, things like that don't matter; they talk in code anyway, and nine tenths of their speech can be picked up anytime like ticker tape. He also caught the 7:30 news on Channel 2 and the 7:45 news on Channel 4 on television.

  Now it might be imagined from all this that MacLyle was a crotchety character with fixed habits and a neurotic neatness, but this was far from the case. MacLyle was basically a reasonable guy who loved his wife and children and liked his work and pretty much enjoyed being alive. He laughed easily and talked well and paid his bills. He justified his preoccupation with the news in a number of ways. He would quote Donne: ". . . any man's death diminishes me, because I am involved in mankind . . ." which is pretty solid stuff and hard to argue down. He would point out that he made his trains and his trains made him punctual, but that because of them he saw the same faces at the same time day after endless day, before, during, and after he rode those trains, so that his immediate world was pretty circumscribed, and only a constant awareness of what was happening all over the earth kept him conscious of the fact that he lived in a bigger place than a thin straight universe with his house at one end, his office at the other, and a railway track in between.

  It's hard to say just when MacLyle started to go to pieces, or even why, though it obviously had something to do with all that news he exposed himself to. He began to react, very slightly at first; that is, you could tell he was listening. He'd shh! you, and if you tried to finish what you were saying he'd run and stick his head in the speaker grille. His wife and kids learned to shut up when the news came on, five minutes before the hour until five after (with MacLyle switching stations) and every hour on the half-hour, and from 7:30 to 8 for the TV, and during the forty minutes it took him to read the local paper. He was not so obvious about it when he read his paper, because all he did was freeze over the pages like a catatonic, gripping the top corners until the sheets shivered, knotting his jaw and breathing from his nostrils with a strangled whistle.

  Naturally all this was a weight on his wife Esther, who tried her best to reason with him. At first he answered her, saying mildly that a man has to keep in touch, you know; but very quickly he stopped responding altogether, giving her the treatment a practiced suburbanite gets so expert in, as when someone mentions a lawn mower just too damn early on Sunday morning. You don't say yes and you don't say no, you don't even grunt, and you don't move your head or even your eyebrows. After a while your interlocutor goes away. Pretty soon you don't hear these ill-timed annoyances any more than you appear to.

  It needs to be said again here that MacLyle was, outside his peculiarity, a friendly and easygoing character. He liked people and invited them and visited them, and he was one of those adults who can really listen to a first-grade child's interminable adventures and really care. He never forgot things like the slow leak in the spare tire or antifreeze or anniversaries, and he always got the storm windows up in time, but he didn't rub anyone's nose in his reliability. The first thing in his whole life he didn't take as a matter of course was this news thing that started so small and grew so quickly.

  So after a few weeks of it his wife took the bull by the horns and spent the afternoon hamstringing every receiver in the house. There were three radios and two TV sets, and she didn't understand the first thing about them, but she had a good head and she went to work with a will and the can-opening limb of a pocket knife. From each receiver she removed one tube, and one at a time, so as not to get them mixed up, she carried them into the kitchen and meticulously banged their bases against the edge of the sink, being careful to crack no glass and bend no pins until she could see the guts of the tube rolling around loose inside. Then she replaced them and got the back panels on the sets again.

  MacLyle came home and put the car away and kissed her and turned on the living-room radio and then went to hang up his hat. When he returned the radio should have been warmed up but it wasn't. He twisted the knobs for a while and bumped it and rocked it back and forth a little, grunting, and then noticed the time. He began to feel a little frantic, and raced back to the kitchen and turned on the little ivory radio on the shelf. It warmed up quickly and cheerfully and gave him a clear sixty-cycle hum, but that was all. He behaved badly from then on, roaring out the information that the sets didn't work, either of them, as if that wasn't pretty evident by that time, and flew upstairs to the boys' room, waking them explosively. He turned on their radio and got another sixty-cycle note, this time with a shattering microphonic when he rapped the case, which he did four times, whereupon the set went dead altogether.

  Esther had planned the thing up to this point, but no further, which was the way her mind worked. She figured she could handle it, but she figured wrong. MacLyle came downstairs like a pallbearer, and he was silent and shaken until 7:30, time for the news on TV. The living-room set wouldn't peep, so up he went to the boys' room again, waking them just as they were nodding off again, and this time the little guy started to cry. MacLyle didn't care. When he found out there was no picture on the set, he almost started to cry too, but then he heard the sound come in. A TV set has an awful lot of tubes in it and Esther didn't know audio from video. MacLyle sat down in front of the dark screen and listened to the news. "Everything seemed to be under control in the riot-ridden border country in India," said the TV set. Crowd noises and a background of Beethoven's "Turkish March." "And then " Cut music. Crowd noise up: gabble-wurra and a scream. Announcer over: "Six hours later, this was the scene." Dead silence, going on so long that MacLyle reached out and thumped the TV set with the heel of his hand. Then, slow swell, Ketelbey's "In a Monastery Garden." "On a more cheerful note, here are the six finalists in the Miss Continuum contest." Background music, "Blue Room," interminably, interrupted only once, when the announcer said through a childish chuckle ". . . and she meant it!" MacLyle pounded himself on the temples. The little guy continued to sob. Esther stood at the foot of the stairs wringing her hands. It went on for thirty minutes like this. All MacLyle said when he came downstairs was that he wanted the paper—that would be the local one. So Esther faced the great unknown and told him frankly she hadn't ordered it and wouldn't again, which of course led to a full and righteous confession of her activities of the afternoon.

  Only a woman married better than fourteen years can know a man well enough to handle him so badly. She was aware that she was wrong but that was quite overridden by the fact that she was logical. It would not be logical to continue her patience, so patience was at an end. That which offendeth thee, cast it out, yea, even thine eye and thy right hand. She realized too late that the news was so inextricably part of her husband that in casting it out she cast him out too. And out he went, while whitely she listened to the rumble of the garage door, t
he car door speaking its sharp syllables, clear as Exit in a playscript; the keen of a starter, the mourn of a motor. She said she was glad and went in the kitchen and tipped the useless ivory radio off the shelf and retired, weeping.

  And yet, because true life offers few clean cuts, she saw him once more. At seven minutes to three in the morning she became aware of faint music from somewhere; unaccountably it frightened her, and she tiptoed about the house looking for it. It wasn't in the house, so she pulled on MacLyle's trench coat and crept down the steps into the garage. And there, just outside in the driveway, where steel beams couldn't interfere with radio reception, the car stood where it had been all along, and MacLyle was in the driver's seat dozing over the wheel. The music came from the car radio. She drew the coat tighter around her and went to the car and opened the door and spoke his name. At just that moment the radio said ". . . and now the news" and MacLyle sat bolt upright and shh'd furiously. She fell back and stood a moment in a strange transition from unconditional surrender to total defeat. Then he shut the car door and bent forward, his hand on the volume control, and she went back into the house.

  After the news report was over and he had recovered himself from the stab wounds of a juvenile delinquent, the grinding agonies of a derailed train, the terrors of the near-crash of a C-119, and the fascination of a cabinet officer, charter member of the We Don't Trust Nobody Club, saying in exactly these words that there's a little bit of good in the worst of us and a little bit of bad in the best of us, all of which he felt keenly, he started the car (by rolling it down the drive because the battery was almost dead) and drove as slowly as possible into town.

  At an all-night garage he had the car washed and greased while he waited, after which the automat was open and he sat in it for three hours drinking coffee, holding his jaw set until his back teeth ached, and making occasional, almost inaudible noises in the back of his throat. At nine he pulled himself together. He spent the entire day with his astonished attorney, going through all his assets, selling, converting, establishing, until when he was finished he had a modest packet of cash and his wife would have an adequate income until the children went to college, at which time the house would be sold, the tenants in the older house evicted, and Esther would be free to move to the smaller home with the price of the larger one added to the basic capital. The lawyer might have entertained fears for MacLyle except for the fact that he was jovial and loquacious throughout, behaving like a happy man—a rare form of insanity, but acceptable. It was hard work but they did it in a day, after which MacLyle wrung the lawyer's hand and thanked him profusely and checked into a hotel.

 

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