Lucien got back upstairs just in time, because once again Emily called him from the bottom of the stairs. When he jogged down, she said, “Come outside.” Lucien went. Tied to the big cottonwood was a buckskin horse. “That’s for you to use. His name is Buck and he needs shoes.” The yard darkened in passing clouds, and Lucien saw the old buildings for the first time.
“The tack is in the partitioned half of the chicken house. Use my husband’s saddle.”
“I’m not going to try to paint today,” Lucien said.
“Nobody expects you to!” A cruel, merry laugh followed her words, cause for thought.
Immediately Lucien began seeing the surface of the ground and the ranch buildings. Then the Crazies seemed to ignite upon the gloomy sky, something he had set off with his own fuse. But it wasn’t quite enough. It had been only a month since he left Suzanne and James. He was still immobilized. He really wanted to paint because since boyhood he had associated it with peace and wholeness. In the Crazies the land stuck out in every possible way, and there was not much water visible. And rock. Lucien was really up against it; but Emily needed his help. It was all-important to preserve this sense of mission.
Lucien used to shoe his own saddle horses when he was a kid and could do it all day. Now he was merely neat, though the horse ended up standing square to the world and Lucien didn’t swallow the nails. Buck’s hoofs were the same color as the bottom of the draw Lucien could see from the bedroom and had transverse grooves under the coronal band that looked like the watercourses just below the snow line on the mountains. He had a good light source to shoe by and he was out of the wind. There were no flies.
Lucien saddled Buck and let him stand because he was cinchy and humped his back up. Then he climbed on and jogged him down the road, picked up the newspaper and came straight back up the creek bottom, right in the water, kind of floundering on the slippery rocks, approaching pools where trout fed on the projectile-clumsy grasshoppers. It was an old publicity stunt of the dude ranches to fly-fish on horseback for gullible mountain trout, a trick that had not lost its savor for Lucien; and he decided to bring some tackle for his next ride. Now he could look out through the tall wild prairie grasses on the stream bank and start to lose his sense of irony.
The telescope was on the kitchen table, secure in its tripod. It was early evening, and Emily and Lucien had their heads close together as they took turns looking at the wild goats crossing the granite ledge in the trembling mystery of magnification. There were five of them, and they moved in cautious flickers, dining on lichen and moss that only they could see. Their white was the purest opulent white, a yield from the surrounding mountains more absolute than an ounce of gold from a half million tons of gravel. One of the males stopped and looked into the deep vitreous lens, and his horns were fine and black as thorns.
“Is there anything you want from town?”
“No, but why do you want to go there?” he asked.
“I’m not embarrassed, if that’s what you mean.”
She took the truck, and when she was safely down the road, Lucien shot into her room for a bit of inventory. Stuck up in the edge of her dressing mirror was a photograph of Eric, her husband. He was wearing his surgical gown and hat, and smiled with blind triumph into the flashbulbs. Lucien thought of him undoing the strings of the cap and flinging forth the dramatic curls.
He’s dead. Soon she’ll love me again.
“Get your slicker and help me gather up some yearlings,” said the hired man. Lucien borrowed a pair of spurs from a hook behind the door, and got a yellow slicker and a sweater. He got a pint of sour-mash and a hopeless little sketch pad. He got sunglasses and peanut butter. He didn’t bring Sadie because he didn’t want her hunting unless he was going to shoot, and he didn’t want to get her kicked by a cow.
The hired man’s name was W. T. Austinberry. He knew his job. The two rode for a few miles without speaking. Lucien happily remembered the ranch work of his school years. Though the sky was blue, Lucien kept expecting a storm because he could hear raindrops knocking upon the crown of his hat. Lucien mentioned the rain to W. T. Austinberry, who looked at Lucien like he’d been locoed. They rode on, and Lucien listened to the kind of heavy drops that portend a cloudburst, the sun beating down all the while. It wasn’t until he removed his straw hat that he realized he had inadvertently trapped a few grasshoppers inside.
The two men ascended to the flat top of the first bench. They could look down from here and see the broad plan of the ranch with clarity, as well as the ascent of the agrarian valley floor to the imperial rock of the Crazies. The whole thing was forged together by glacial buttresses and wedges of forested soil that climbed until stone or altitude discouraged the vegetation. In springtime the high wooded passes exhaled huge clouds of pollen like smoke from hidden fires, which in a sense they were. These sights seemed to draw Lucien’s life together.
W. T. Austinberry dogtrotted along with one elbow held out from his body like the old-timers one saw when Lucien was a boy. He had jinglebobs on his spurs, which tinkled merrily as he went. How Lucien loved this vaguely ersatz air of the old days! Or better yet, that the frontier lingered in these draws where Indian spirits were as smoky and redolent as the pollen exhalations of the forest!
They rode on and crossed a creek where W. T. Austinberry said that he had poured Clorox to kill a couple of hundred pounds of trout for his freezer.
“What was Emily’s husband like?” Lucien asked nervously.
“He was a doctor.”
“I know he was a doctor. I mean, what kind of a fellow was he?”
“Is it any of your business?” asked W. T. Austinberry.
They rode a little bit farther.
“I guess I take it to be my business, or I wouldn’t have asked.” W. T. Austinberry stopped and stared at him like an owl. Lucien rode past him up the trail. “The husband, W.T., what was the husband like?” Lucien heard him click back into formation and come along.
“He had it coming,” said W. T. Austinberry. He cut around in front of Lucien and pulled down a passing twig to pick his teeth with.
“Would a jury understand that?”
“Not necessarily.”
The first bunch of yearlings jumped off the trail into a ravine and crashed through the underbrush like game animals. Lucien rode in pursuit, setting a suicidal course for W. T. Austinberry, who was obliged to follow Lucien through clouds of offended magpies, snapping branches and descending leaves until they turned the cattle against a wren-filled cliff and started their small herd on its proper course. Buck was a good horse who leapt off the rowel. He pinned his ears at laggard cattle and stole in for a nip. Lucien was excited to feel the horse’s knowledge.
They were in a damp woods supplied by springs that stained the rocks and nurtured ferns, then brush, then trees. They found some cattle in there. The cattle stood with their legs sheathed in mud from the spring and watched their approach with the little gather they already had. The cows had mouths full of long grass but did not chew. W.T. and Lucien whooped them out onto hard ground and added them to the herd, and kept on moving. Lucien felt the distance of Emily’s house, the height of the mountains, her endangerment from insult among the townies, and the strong autumn light that fell upon them and upon their horses.
The last bunch advanced out atop a thousand-yard avalanche of slide rock, innumerable pieces of shale that looked like they had just paused in violent flow, though their next move might have been a hundred years away. These cattle seemed to challenge them to come their way.
“Maybe we ought to look further on,” said W. T. Austinberry. “We only need six more to make a pot.” Lucien suspected W.T. had run out of guts; so he rode Buck out, floundering in pursuit onto the dangerous slide, and he soon turned the cattle back into the band. In a way, he was auditioning for Emily.
Buck was tired as they made their way down. He hung his head and they descended into thermals that held red-tailed hawks like kites on rigid strings
. He flung his big forefeet in lazy quarter circles and skidded slightly with his rear as they made their way through the changing air, and Lucien viewed the uniform backs of the flowing cattle with satisfaction. The old cows led the way like oxen on immigrant wagons. W. T. Austinberry dashed about returning the herd quitters, but they were on easy ground now and he must have known Lucien suspected him for a fool.
Emily came in with armloads of groceries, buoyant as a bride. Lucien had manure sprayed up to his shins from driving yearlings the last quarter mile down an alleyway alongside the pens. To him, unpacking the bags, the bright cans and bottles seemed in the old kitchen to be savage and modern and kind of exciting. The housewife on the laundry-soap box would have been taken for a prostitute at the time the kitchen was built. In Emily’s cheer at these fresh supplies, she appeared dauntless; her indictment seemed to apply to someone neither of them knew.
“And now if you would—” she motioned him to the table, fanning contracts from a broad envelope onto its surface. She had already signed them and there was a dotted line just for Lucien. He scanned through and got the drift: Lucien owned the ranch if she jumped bail.
“For some reason,” said Lucien, “I don’t like the feeling this is giving me.”
“The feeling this is giving you isn’t the point at all. You had to borrow that money.”
“Tell me what the point is, Emily.”
“A fair arrangement between adults.”
“I don’t want a fair arrangement between adults,” said Lucien. “I want a heartfelt gesture.” He tapped his fingers on the tabletop without letting the nails hit.
“You won’t get one from me,” she said. “You’ll get an arrangement.”
“Where do I sign?” Lucien said with a flagging spirit. He was losing his self-sufficiency by leaps and bounds. Once in college when Lucien’s roommate had kept a picture of his sweetheart on the drawer, Lucien had proudly displayed a framed photograph of his own hand. But now he had an uncomfortable sense that he was circling downwind of his best instincts. He sort of didn’t like that. Lucien’s nicest side was ruining his life. He signed the papers, and the distance from him to his wife and son was suddenly greater. It seemed he was never quite under control unless he was angry.
“There,” she said, “I feel much better.” She had her off-center smile, and the distant cast of her eyes which was not romantic or faraway but otherwise occupied. The smile brightened and the eyes focused on Lucien with a sexual glaze.
“You’re still carrying that old torch for me, aren’t you?” she asked with some pride.
“Yes.”
“Why, how nice for you,” she said. “To have a life’s theme. An old flame. An old flame that never dies is like those overbuilt goddamn English shoes rich ladies used to wear. The illusion of everlasting life. That’s what came with them. You buy a pair of those beauties when you get out of Miss Whozit’s, and forty years later they haul you to the boneyard in the same brown shoes with the shiny eyelets. That’s about how much the old-flame number is doing for me.”
“May I have a blow job?”
“Pure poetry, Lucien.… I met a couple at Alabama Jack’s restaurant in Florida who said they ran into you in South America. They said you had a wonderful wife, a beautiful girl, but you were inattentive to her and looked like you wanted to join the space program.”
“I joined the USIA. Wasn’t that enough for them?”
“Apparently not. They were absolutely sober.”
Lucien scratched at the dial of his watch with a fingernail. “Look,” he said, “is it all that terrible that I’ve gone on having these feelings? Not everyone has such a happy view of his own past.”
“Was I the first girl you ever slept with?” she asked with terrific glee.
“Pretty darn close.”
“ ‘Pretty darn close’!” She was put out. “How far did I miss by?”
“There was a real sweet Assiniboin girl at Plentywood when I was on the baseball team.”
“It seems you have an array of genuinely happy memories,” Emily said with unconcealed indignation.
Lucien raised a cautioning finger. “Remember, now, you were sleeping with the doctor. My dear.”
“That guy,” said Emily. “Don’t worry about that bastard. I shot him dead.”
4
The saw-whet owl, an occasional predator of the river lowlands, burned through Lucien’s view and got something past the granary. There was a small cry, and it wasn’t the owl’s. Lucien walked and puffed on a bait-shack-style corncob pipe, a Missouri meerschaum he’d bought on a stateside trip with his aunt. He had been away from the area for years, some years in which English was his second language. He was an iron man of information, but just maybe what passed for strength of character was nothing more than a low resting pulse rate.
Using the corncob pipe as a prop, Lucien imagined himself old and alone on the ranch. In front of the frame house a piebald domestic duck cruised by itself on the green pond. Inside, an old man (the Lucien of the future) felt himself cooling, felt the heat of the light bulb on his hands as he turned the pages of his book.
Lucien started to get nervous.
That night the hired man had him down for ice cream and checkers. Though he scarcely knew him, Lucien played as though his life depended on it. Lucien knew W.T. took his frenzy for the creaking of a harsh and unremitting soul, but he played on.
Twice Lucien got up and stared at the lights of the main house. The third time W. T. Austinberry said, “Jump, and king me.”
Lucien sat down and pressed three fingers on a checker he wasn’t sure he’d play. He was suddenly afraid of something. Maybe he was just tired.
“Let’s finish this game.”
“Not till she’s over,” said W.T.
Lucien floundered onto his elbows. “Can’t play any more.” He was drunk.
“You gettin’ you a little up to the big house?”
“Don’t start that.”
W.T. threw his head back. “Lord!” he bayed. “It’s a little bitty world.”
They fought bitterly but briefly, bloodying each other’s faces on the floor, then refilled their drinks and resumed the checker game. The checkers were all over the board.
“You with the FBI?” asked W.T.
“ ‘No, the USIA.”
“Hunh. Thought she said the FBI. Thought you was a Federale.”
“King, king, king!” Lucien splattered the checkers good. “I win, you lose … talk that way about my girl, you—”
“When’s the last time you had a date with Emily?”
“What’s it to you?”
“Go on, tell me.”
“Years and years ago.”
“Son, she’s changed since that time.” W.T. laughed deep in his throat.
“How?”
“She’s a better shot,” said W.T. with a wide cowboy smile. Then he grew alcohol-pensive. “This time I’m thinking about, I was trying to prove up on a lease I had over at Kid Royal. And we was getting ready to load out at Deadrock. I had the heeler up front with me, the radio on, when I threw a recap right on the scale. I was with Boyd, and he cusses and dumps a set of dead batteries from his hot shot, throws it in the jockeybox and said he’s got a come-along to get our outfit to dry ground with. This was supposed to be the last of a big run of yearlings. And it turns out we got a five-hole spare for a six-hole rim. I knew right then and there my luck was shot. I knew them yearlings would bring next to nothing. God, it was bad. Also at this time I had a girl name of Shawna who wore a mood ring which was always nearly black. She cooked at the brandings and made eyes at the ropers. She was dumb. She read love comics and used her Chapstick as if it was a cigarette, and she was about as dumb as a stick. She lived at Parade Rest Trailer Park, which is no more than a breeding pen, and she was stick-ass dumb. But right about then, I met ole Emily. She come into the sale yard and bought that set of cattle. She gave me my break, and I ain’t looked back since. She liked me.”
> “I can’t tell you what this story does to me.”
“I’d follow her to the gates of hell.”
“That’s her most famous effect, all right.”
Lucien refilled the drinks while W.T. talked. “You gotta make them women happy. Plow ’em, take ’em on a trip, put a little smile on their lips. They like to spend, spend, spend. So what I say is, let ’em.” The thermostat on the baseboard heater turned on and forced W. T. Austinberry to get up and go a good part of the way across the room.
He lay out on the floor, barely moving. Then it got quiet. “Hundred-proof whiskey is a cowboy’s color TV,” said W. T. Austinberry from his own world on the bunkhouse floor, and passed out. Lucien looked at him: he could no longer be reached.
Lucien had an awkward time getting back to his room. He thanked W. T. Austinberry for the lovely evening, then did the hurricane walk across the yard from tree to tree until he achieved the main house. He did his best going up the stairs, whereupon Sadie began barking at him in sharp yelps. He smothered her against the floor long enough for her to recognize him, then dragged her into bed.
“Lucien, what’s going on there?”
Lucien froze, clutching his dog. He heard Emily start up the stairs. Then she appeared, eclipsing the dangling bulb that threw a circle of electrical light around her. She glittered in vengeful beauty.
“What’ve you been doing?”
“I’m afraid we got damn well good and drunk,” said Lucien.
“You and W.T.…”
“Yes.”
“What’d he say?”
“About what?”
“About anything.”
“God, I don’t know,” said Lucien. “We were playing checkers.”
“Let’s take a walk.”
“Let’s take a walk!”
“Yeah,” she said. “By the moonlight.”
“All right,” Lucien said and got out of bed fully dressed. Sadie shot repeatedly in the direction of the door, indicating her readiness for some hunting.
Something to Be Desired Page 4