Here were legends, stories, tales going back thousands of years, repeating again and again the mythology of the werewolf. And then suddenly, in the latter part of the nineteenth century, silence.
The legends died.
The stories were no longer told.
But why? To Ferguson’s mind the answer was simple: the werewolves, tormented for generations by humanity’s vigilance and fear, had found a way to hide from man. Their cover was now perfect. They lived among us, fed off our living flesh, but were unknown to all except those who didn’t live to tell the tale. They were a race of living ghosts, unseen but very much a part of the world. They understood human society well enough to take only the abandoned, the weak, the isolated. And toward the end of the nineteenth century the human population all over the world had started to explode, poverty and filth had spread. Huge masses of people were ignored and abandoned by the societies in which they lived. And they were fodder for these werewolves, who range through the shadows devouring the beggars, the wanderers, those without name or home.
And no doubt the population of werewolves had exploded right along with the human population. Ferguson pictured hundreds, thousands of them scavenging the great cities of the earth for their human prey, rarely being glimpsed, using their sensitive ears and noses to keep well distant of all but the weak and helpless, taking advantage of man’s increasing multitudes and increasing poverty. Their faculties combined with their intelligence must make them fearsome indeed—but what an opportunity they also represented to science—to him—as another intelligence capable of study, even perhaps communication.
But there was something else about Summers’ book, something even more disquieting, and that was the continual references to men and werewolves in communication with one another. “Two gentlemen who were crossing a forest glade after dark suddenly came upon an open space where an old woodsman was standing, a man well-known to them, who was making passes in the air, weaving strange signs and signals. The two friends concealed themselves behind a tree, whence they saw thirteen wolves come trotting along. The leader was a huge grey wolf who went up to the old man fawning upon him and being caressed. Presently the forester uttered a sing-song chant and plunged into the wood followed by the wolves.”
Just a story, but tremendously interesting in the context of the information that the two detectives had brought him. Obviously the references to signs and a “sing-song” chant referred to human attempts to mimic the language of the werewolves, to communicate. Why did men once run with the werewolves?
Summers said that vampires were often connected to werewolves. Vampires—the eaters of blood. In other words, cannibals. To a less knowledgeable person such an idea might have seemed fantastic, but Ferguson knew enough about old Europe to understand the probable truth behind the legend. Men did indeed run with werewolves, and those men were called vampires because they fed off human flesh like the wolves themselves. Cannibalism must have been common in the Europe of the Dark Ages, when grinding poverty was the fate of all except a tiny minority. When men were the weakest and most numerous creatures around it must have tempted the hungry . . . to go out and find the werewolves, somehow build up a rapport, and then hunt with them living like a scavenger off the pickings.
So much for the image of the vampire as a count with a castle and a silk dinner jacket. The truth was more like Summers’ description—a filthy old forester scrabbling along with a pack of werewolves to glean the leavings of their monstrous feasts.
Man the scavenger, in the same role among werewolves that dogs play among men! And the human prey, unsuspecting now, but in those days it knew. People approached the night with terror crackling in their hearts. And when darkness fell only the desperate and the mad remained out of doors.
What, then, was the role of the human scavenger, the vampire, that ran with the werewolves? Why did they tolerate him? Simple enough, to coax people out of their houses, to lure them into the shadows where they would be ripped apart. It was ugly but it also meant that there had been communication of a sort between man and werewolf in the past, and could be again. And how immeasurably richer communication between this extraordinary species and modern science might be. There could be no comparison between the promise of the future and the sordid mistakes of the distant past.
It had gotten much easier for the werewolves in recent centuries. No longer were the human vampires needed. Nowadays the werewolves could do it on their own. Just take up residence in any big city, live in abandoned buildings among the city’s million byways, and prey on the human strays.
Man and wolf. It had been an age-old animosity. The image of the wolf baying at the moon on a winter’s night still calls primitive terrors to the heart of man.
And with good reason, except that the innocent timber wolf with his loud howling and once conspicuous presence was not the enemy. Lurking back there in the shadows, perhaps along the path to the well, was the real enemy, unnoticed, patient, lethal beyond imagining. The wolf-being with its long finger-like paws, the werewolf, the other intelligent species that shared this planet.
We killed off the innocent timber wolf and never even discovered the real danger. While the timber wolf bayed to the oblivious moon the real enemy crept up the basement steps and used one of those clever paws to throw the bolt on the door.
Ferguson ran his fingers through his hair, his mind trying to accept the fearful truth he had uncovered. That damn detective—Wilson was his name—had an absolutely uncanny intuition about this whole matter. It was Detective Wilson who had first said the word werewolf, the word that had gotten Ferguson really thinking about that strange paw. And Wilson had claimed that the werewolves were hunting him and the woman down. With good reason! Once their secret was out the life of the werewolf would be made immeasurably harder, like it was in the old days in Europe when humanity bolted its doors and locked its windows, or in the Americas where the Indian used his knowledge of the forest to play a deadly game of hide and seek, a game commemorated to this day in the traditional dances of many tribes. The werewolf undoubtedly followed man to this continent across the Bering land bridge eons ago. But always and everywhere he kept himself as well hidden as he could. And it made good sense. You wouldn’t find beggars sleeping on sidewalks if the werewolf was common knowledge. A wave of terror would sweep the city and the world unlike anything known since the Middle Ages. Unspeakable things would be done in the name of human safety. Man would declare all-out war on his adversary.
And at last he would have a fair fight on his hands. With all our technology, we have never faced an alien intelligence before, have never faced a species with its own built-in technology far superior to our own. Ferguson could not imagine what the mind behind the nose and ears of the werewolf must be like. The sheer quantity of information pouring in must literally be millions of times greater than that reaching a man through his eyes. The mind that gave meaning to all that information must be a miracle indeed. Maybe even greater than the mind of man. And man must, this time, react responsibly. If there was intelligence there it could be reasoned with, and eventually the two enemy species could learn to live together in peace. If Carl Ferguson had any part in this at all it was as the missionary of reason and understanding. Man could either declare war on this species or try to come to an understanding. Carl Ferguson raised his head, closed his eyes and hoped with every fiber of his being that reason would for once prevail.
He was surprised to notice somebody was standing beside him.
“You’ve got to take this call slip to the rare books department. We don’t have this book in the reading room. All of our stuff is post-1825 and this book was written in 1597.” The call clerk dropped the card on the table in front of Ferguson and went away. Ferguson got up and headed for the rare books collection, card clutched in his hand.
He moved through the empty, echoing halls of the great library, finally arriving at the rare books collection. A middle-aged woman sat at a desk working on a catalogue under a gr
een-shaded lamp. The only sound in the room was the faint clatter of the steam pipes and the snow-muted mutter of the city beyond the windows.
“I’m Carl Ferguson of the Museum of Natural History. I’d like to take a look at this book.” He handed her the card.
“Do we have this?”
“It’s catalogued.”
She got up and disappeared behind a wire-covered doorway. Ferguson waited standing expectantly for a few moments, then found a chair. There was no sound from the direction the woman had gone. He was alone in the room. The place smelled of books. And he was impatient for her to return. It was urgent that she produce the book he needed. It was by Beauvoys de Chauvincourt, a man considered an authority on werewolves in his day, and more interestingly, a familiar of them. The manner of his death was what had excited Ferguson—it indicated that the man may indeed have known the creatures firsthand. Beauvoys de Chauvincourt had gone out one night in search of his friends the werewolves and had simply disappeared. The dark suspicions of the time notwithstanding, Ferguson felt that he almost certainly had met his end observing the ancestors of the very creatures whose work the two cops had uncovered.
“Do you know books, Mr. Ferguson?”
“It’s Doctor. Y-yes, I do. I can handle antique books.”
“That’s exactly what shouldn’t be done with them.” She eyed him. “I’ll turn for you,” she said firmly. “Let’s go over there.” She placed the book before him at a table and turned on one of the green shaded lights.
“Discours de la Lycanthropie, ou de la transformation des hommes en loups,” read the title page.
“Turn.”
She opened the book, turning the stiff pages to the frontispiece. And Ferguson felt sweat trickling down his temples. What he was seeing was so extraordinary that it was almost too much to bear without crying out. For there on the frontispiece of the ancient book was engraved a most amazing picture.
In this ancient engraving a sparse plain was shown lit by a full moon. And walking through the plain was a man surrounded by things that looked somewhat like wolves but were not wolves. The man appeared at ease, strolling along playing a bagpipe that was slung over his shoulder. And the werewolves walked with him. The artist had rendered his subjects faithfully, Ferguson guessed. The heads with their high, wide brain cases and large eyes, the delicate and sinister paws, the voracious, knowing faces—it all fit the image Ferguson had created in his own mind of what the creatures must look like. And the man with them—incredible. In those days there must certainly have been communication between humans—some humans—and werewolves. De Chauvincourt himself must have . . . known them. And in the end they destroyed him.
“Turn.”
Ferguson cursed his French. Here were lists of names—no, they were invocations of demons. Nothing to be learned here. “Turn.”
More invocations.
“Keep turning.”
The pages rolled past until something caught Ferguson’s eye. “The Language They Assume.”
Here followed a description of a complex language composed of tail movements, ear movements, growls, changes in facial expression, movements of the tongue and even clicks of the nails. It was as if human language had consisted not only of words but also of myriad gestures to augment those words.
And Ferguson knew something he hadn’t known before. The creatures had vocal cords inadequate to the needs of true verbal language. How fast their brain must have evolved! Perhaps it took only fifty or a hundred thousand years and there they were, strange intelligent beings roaming the world in pursuit of man, engaged in the age-long hunt that occupied them to this day.
“Turn.”
Here the book had another engraving—hand movements. “Can I get a Xerox of this page?”
“We can’t copy this book.”
He had brought paper and pencil and made rough sketches of the positions shown, noting the meaning of each: stop, run, kill, attack, flee.
Stop—the tips of the fingers drawn down to the edge of the palm.
Run—the hands held straight out before the face.
Kill—the fists clenched, held against the throat.
Attack—the hands clutching the stomach like claws.
Flee—the palms against the forehead.
But these were human signals. Obviously the werewolves did not use such gestures among themselves because they were four-legged. There must have been a mutual language composed of signals like these between the werewolves and—
“Les vampires.” The book said it. And there was the source of another legend, the vampires again. This must be the language they used to communicate with the werewolves. The vampires, those who followed the wolves and scavenged the remains. And the wolves needed them to induce people to come out of their locked houses.
What a different world it had been then! Werewolves and vampires stalking the night, the vampires luring people from their homes to be devoured. No wonder the Middle Ages were such a dark and cruel time. The terrors of the night were not imaginary at all, but stark realities faced from birth by everybody. Only as the sheer numbers of mankind had increased had the threat seemed to disappear. Man grew so numerous that the work of the werewolves was no longer noticed. In the days of de Chauvincourt the human helpers must already have been unnecessary in most places . . . and so as soon as the vampire weakened with age the werewolves turned on him. The librarian turned the page.
Ferguson jumped up. He tried to stop himself, but took an involuntary step backward and knocked over the chair.
“Sir!”
“I-I’m sorry!” He grabbed the chair, righted it. Now he felt like a fool. But the engraving that covered both of the pages facing was so terrible that he almost could not look at it.
He was seeing the werewolf close-up, face-to-face. This would be a reliable rendition of the features. Even in this three-hundred-and-eighty-year-old engraving he could see the savagery, the sheer voraciousness of the creature. The eyes stared out at him like something from a nightmare.
And they were from a nightmare. His mind was racing now as he remembered, an incident that had occurred when he was no more than six or seven. They were in the Catskills, spending the summer near New Paltz in upstate New York. He was asleep in his ground-floor bedroom. Something awakened him. Moonlight was streaming in the open window. And a monstrous animal was leaning in, poking its muzzle toward him, the face clear in the moonlight.
He had screamed and the thing had disappeared in a flash. Nightmare, they said. And here it was staring at him again, the face of the werewolf.
The librarian closed the book. “That will be enough,” she said. “I think you’re upset.”
OSCAR WILDE
(1854–1900)
Born in Dublin, Oscar Fingal O’Flahertie Wills Wilde was the son of a mother who was a poet and a father who was a noted surgeon. After attending Trinity College in Dublin, where he won a scholarship, he went on to complete his education at Oxford’s Magdalen College, where he distinguished himself as a student of the classics. He settled in London,where he began to publish poetry and fiction, but he is best known as a witty, comic dramatist who brilliantly satirized Victorian values and institutions. His works include the novel The Picture of Dorian Gray (1891) and the highly successful plays Lady Windermere’s Fan (1892), A Woman of No Importance (1893), An Ideal Husband (1895), and The Importance of Being Earnest (1895). Wilde was convicted of engaging in homosexual acts in 1895 and served a prison sentence of two years at hard labor. After his release from prison, he lived in France in poor health for the remaining three years of his life.
The Canterville Ghost
A Hylo-Idealistic Romance
(1887)
I
When Mr. Hiram B. Otis, the American Minister, bought Canterville Chase, everyone told him he was doing a very foolish thing, as there was no doubt at all that the place was haunted. Indeed, Lord Canterville himself, who was a man of the most punctilious honour, had felt it his duty to menti
on the fact to Mr. Otis, when they came to discuss terms.
“We have not cared to live in the place ourselves,” said Lord Canterville, “since my grand-aunt, the Dowager Duchess of Bolton, was frightened into a fit, from which she never really recovered, by two skeleton hands being placed on her shoulders as she was dressing for dinner, and I feel bound to tell you, Mr. Otis, that the ghost has been seen by several living members of my family, as well as by the rector of the parish, the Rev. Augustus Dampier, who is a fellow of King’s College, Cambridge. After the unfortunate accident to the Duchess, none of our younger servants would stay with us, and Lady Canterville often got very little sleep at night, in consequence of the mysterious noises that came from the corridor and the library.”
“My Lord,” answered the Minister, “I will take the furniture and the ghost at a valuation. I come from a modern country, where we have everything that money can buy; and with all our spry young fellows painting the Old World red, and carrying off your best actresses and prima donnas, I reckon that if there were such a thing as a ghost in Europe, we’d have it at home in a very short time in one of our public museums, or on the road as a show.”
“I fear that the ghost exists,” said Lord Canterville, smiling, “though it may have resisted the overtures of your enterprising impresarios. It has been well known for three centuries, since 1584 in fact, and always makes its appearance before the death of any member of our family.”
“Well, so does the family doctor for that matter, Lord Canterville. But there is no such thing, sir, as a ghost, and I guess the laws of nature are not going to be suspended for the British aristocracy.”
“You are certainly very natural in America,” answered Lord Canterville, who did not quite understand Mr. Otis’s last observation, “and if you don’t mind a ghost in the house, it is all right. Only you must remember I warned you.”
Vampires, Zombies, Werewolves And Ghosts - 25 Classic Stories Of The Supernatural Page 42