Shut Up & Write!

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Shut Up & Write! Page 18

by Judy Bridges


  Tone = The Mood of the Piece

  Example

  Putting It All Together

  Chapter Six

  Show and Tell

  A Side-by-Side Look at “Show” and “Tell”

  Use Your Senses

  An Exercise in Showing

  Example

  Now, Take It Another Step

  Example

  Make “Showing” a Part of Your Life

  Chapter Seven

  Writing from the Inside

  Writing from Inside Yourself

  Writing from Inside the Scene

  Example

  A Step-by-Step Guide to Writing from the Inside

  1. Focus on a Scene

  2. Select a Point of View

  3. Position Your Adoring Reader

  4. Arrange Your Tools

  5. “Walk” into the Scene

  Use Your Imagination

  Close Your Eyes

  Picture the Scene

  Take a Deep Breath

  Position the Narrator

  Use Your Senses

  6. Write the First Draft Quickly

  A Field of Daffodils

  Examples

  Chapter Eight

  Nonfiction and the Organized Mind

  The “O” Word

  The Big “O” for Creative Types

  Alligator Outline

  Step 1. Define Your Readers

  Step 2. Focus Your Message

  Step 3. Decide on a Voice

  Step 4. Brainstorm Main Points

  Step 5. Brainstorm Supporting Points

  Step 6. Brainstorm Sub-points

  Step 7. Sequence the Points

  Tips for Using the Alligator Outline

  To Use the Alligator Outline for a Non-writing Project

  Sample Alligator Outlines

  Chapter Nine

  Critiques and Writers’ Groups

  Why Join a Critique Group?

  How to Find the Right Writers’ Group

  Does the Structure Work for You?

  Is the Group Task Oriented or Primarily Social?

  Does the Group Welcome Your Type of Writing?

  Does the Group Serve the Members or the Organizer?

  Does the Group Have a Good Leader?

  Do You Feel Welcome?

  Is Membership Limited So Everyone Gets Feedback?

  Are Writers in the Group Successful?

  Is There Enough Expertise in the Group to Challenge You?

  Is the Critique Process Fair and Supportive?

  Do You Feel Comfortable?

  How to Get and Give Useful Feedback

  The “Get” Side of the Critique Coin

  Guidelines for Participating in Critique Sessions

  To Get Feedback on Your Writing

  To Give Feedback to Other Writers

  The “Give” Side of the Critique Coin

  The Shut Up & Write! Critique List

  Chapter Ten

  A Hatful of Rabbits

  When the Going Gets Tough

  Rabbit #1: Stake Your Claim

  Rabbit #2: Surround Yourself with Support

  Rabbit #3: Ditch the Glommers

  Rabbit #4: Go through Your Orchid File

  Rabbit #5: AC-cent-tchu-ate the Positive

  Rabbit #6: Hire a Dutch Uncle

  Rabbit #7: Do It Anyway

  When You Put It All Together

  Chapter Eleven

  Spit-and-Polish

  Should You Do the Editing or Get Help?

  The Part You Do Yourself

  Pass One: Read Through

  Pass Two: Grammar

  Pass Three: Spelling

  Pass Four: Punctuation

  Pass Five: Outside Reader

  Style Guides

  For Your Reading Pleasure

  Chapter Twelve

  Getting Published

  It’s a New Day

  1. Write Well

  2. Study the Markets

  Markets for Shorter Work

  Markets for Book-length Work

  3. Understand the Process

  The Two Paths to Publication

  The Write-First Path to Publication

  The Write-First Path for Shorter Works

  The Write-First Path for Book-length Works

  The Sell-First Path to Publication

  The Sell-First Path for Shorter Works

  The Sell-First Path for Book-length Works

  Oh, No. Not a Rejection!

  4. Be Creative

  Writers Find a Way

  The Big Secret

  Two Paths to Publication—Summary

  Appendixes

  Appendix A

  Sample Format for a Manuscript

  Appendix B

  Sample Format for a Cover or Query Letter

  References

  Acknowledgments

  About Me

  Index - Keyword Search Terms

 

 

 


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