by Ed Dee
The Yonkers neighborhood where the Dunne brothers were bora and raised was known as "the End of the Line." The "End" got its name when it was the northernmost trolley stop in the city of Yonkers. The Yonkers trolley line took local residents to and from their jobs in New York City, connecting them with the subway station at West 242nd Street in the Bronx. In the early fifties, the Yonkers trolleys were replaced by buses, and the burnished steel tracks had been paved over with blacktop. Kieran Dunne, father of Eddie and Kevin, was one of several old trolley motormen who never got the hang of driving a bus. Out of work, he took the next step in Irish logic. He bought a bar.
The North End Tavern was located just steps from that last bus stop. Every evening, dozens of workers coming off the bus from their "city" jobs stopped in for "just one" before going home to face the bride. For three decades, Kieran Dunne's North End was the social center of the neighborhood's bustling business district, a two-block thoroughfare on Palisade and Roberts avenues. But times changed. Kids went to college, then moved to tonier parts of the county, old-timers died, or retired to the Sun Belt. The neighborhood hung tough, but fewer and fewer people piled off the bus each evening.
Almost all the stores were still mom-and-pop concerns, many of them remaining in the same family for generations-among them a pharmacy, a small supermarket, a barbershop/beauty shop, and two bars. The glory days of the North End Tavern were in the past, but the new owners, Kevin and Martha Dunne, had somehow managed to keep the place afloat.
With all his heart, Kevin Dunne believed the city of Yonkers would rise from the ashes. The waterfront alone was too valuable to leave dormant for long. The City of Gracious Living had beautiful treed hills sloping down to the Hudson, and a fabulous view of the Palisades of New Jersey. Yonkers was an easier commute to Manhattan than Staten or Long Island, and closer than most of Brooklyn and Queens. Just ask Uncle Kev-o.
It was after 9:00 a.m. when Eddie Dunne walked through the open doors of his brother's bar. The front doors of the North End stood open until noon in all but the worst weather to allow the night's accumulation of smoke and stale beer to escape. Eddie paused to allow his pulse to slow down and let his eyes adjust to the dark. A trio of elderly men sat together in the far corner of the bar, each reading his own newspaper. The TV above them was set to CNBC, the financial channel, the stock market ticker tape running nonstop. Their father, Kieran Dunne, had never allowed the television on unless it was boxing, the World Series, or a NASA space shot. Behind the bar, a full-figured brunette washed glasses.
"I'll get some ice for that eye," Martha Dunne said. Steam rose from the low sink as Eddie's sister-in-law dried her hands on a bar towel.
"I don't need ice," Eddie said. "Is my brother here?"
"You should get yourself up to St. John's and have that looked at."
"I'm glad you're concerned about my eye, but right now I'm looking for Kevin."
Martha had a gravelly voice and long brown hair that hung in bangs, almost covering her eyes. Some said she had the sexy manner reminiscent of an actress filmed only in black and white. Eddie thought they mistook cunning for sexy.
"Then how about coffee?" she said. "I've made fresh coffee."
"Martha. Where is he?"
"At the market, squeezing the tomatoes, or so he'll tell us. A regular comedian, your brother."
"Why didn't you tell me Scott's sister was here?"
"Is that how it's going to be, Eddie? No chitchat, get right to the fighting."
"You know damn well you should have called me."
"I thought Grace would tell you."
"She didn't. She hardly said anything last night. But you definitely should have."
"It was too late when I got home," she whispered, trying to keep the volume down.
"Nine o'clock is too late? You knew that son of a bitch sent her here, and you didn't think it was important enough to call me?"
"Kevin and I needed our sleep, and I didn't want you to frighten Grace. I knew you'd be furious, flying out the door. I thought it could wait until morning."
"You decided that on your own."
"At least we all got a night's sleep."
"Kevin didn't know, did he?" Eddie said. "You didn't tell him last night because you knew he would have called me."
"I saved you both a night of lunacy."
A chin-high wooden partition separated the bar from the back room. The back room consisted of half a dozen wooden booths hidden along the far wall. At night, they were used only by sleeping drunks and cheating spouses, but Martha and Kevin had been building a respectable lunch trade, and the booths were now getting some daytime use. He could see Babsie Panko's blondish gray hair in a back booth.
"You going to tell me what my ex-son-in-law wanted?" Eddie said. "Or do I have to ask Grace?"
"Your ex-son-in-law wasn't here," Martha said. "His sister was. And if you ask me, she's a nice person. Scott asked her to find out how Kate was, and that's what she did."
"Suddenly, he's concerned."
"Grace is still his daughter."
"Jesus Christ, whose side are you on?"
Eddie's voice hung in the sudden quiet of the bar. A scraggly brown mutt named James Joyce padded through the door and flopped down near the heat register. Eddie knew his brother wasn't far behind.
"I'm on Grace's side," Martha said softly. "One of us has to be realistic… for her sake. I think the average person would agree that the father has his rights, too."
Eddie wanted to lean across the bar and shake his brother's wife until a sense of family loyalty filtered into her head. He hated when Martha cited her personal opinion of what the "average person" would do as unarguable evidence for her narrow-minded views. He knew deep down that Martha was worried that the responsibility of caring for Grace might fall to her. Eddie told her he'd wait for his brother in the back booth.
"I heard it all," Babsie said. "When did you find this out?"
"I stopped at school before I came over here. Father Quakers said he saw her talking to Martha. Makes me wonder how the hell Scott found out in the first place."
"Yonkers is still a small town, Eddie. Besides, it's in the paper today."
She showed him a copy of the Westchester News Journal. The story was on page one. A new picture of their house, and an old one of Eddie in boxing trunks-a posed shot taken when he was barely twenty years old. Inside, a group photo of Kate's nursing class, a circle around the face of his daughter.
"You were a little hard on Martha," Babsie said. "It wasn't your most attractive moment."
Coming from a huge clan, Babsie understood family politics, but she didn't know Martha that well. Whatever had happened to Martha, she seemed unable to find joy in anything. Eddie's personal gripe with her stemmed from his belief that Martha had turned Eileen into the same rigid, unforgiving "good" Catholic she was. Kevin blamed it all on Martha's hysterectomy, and the marked change in her after the doctors "didn't put me back together right."
"That eye looks ripe," Babsie said. "But I should see the other guy, right?"
Eddie touched it gingerly. "No. Actually, he escaped untouched."
Scar tissue had permanently thinned the skin above his eyes and left it fragile. Many nights, he'd find blood spots on his pillow for no reason.
"Maybe you're just too old for the club scene," Babsie said.
He knew Babsie had noticed the welts on his hands and arms from where they'd beaten him when he was holding on to Misha. But she'd said enough about his injuries. She seemed to know the right things to say, and not to say. Eddie gave her a decent play-by-play of his night in the Eurobar, including the lost gun. He didn't mention paying money to the Parrot or the bar pro Tatiana. He told her that he'd found Misha and that he'd said a "she" forced his participation in the theft of the BMW.
"Who's 'she'?" Babsie said. "I went over Borodenko's associates list pretty good. I didn't see a woman on there, and I notice things like that."
"Women in Russia rarely have power. It
's a cultural thing. I never heard of a woman in any of the Russian crime organizations. Certainly not in Lukin's operation. Not even in a minor role."
"The FBI list is based mostly on reports from Immigration," Babsie said. "She might be local talent."
"They don't like American men on the inside. I definitely don't see any Russian man taking orders from an American woman."
"What about Borodenko's wife, the model?"
"From everything I've heard, Yuri doesn't trust her to balance the checkbook. She spends her time shopping or drunk, or both."
Kevin Dunne arrived, all fuss and bluster. He was breathing hard and lugging two bags of groceries. The polar opposite of his squared-off younger brother, Kevin was the round and jolly Dunne. Kevin had inherited their father's big Irish personality, as well as the uncommon jet black hair and pale white complexion. Martha pulled Kevin into the kitchen to get her side of the story across first.
"We did have one interesting call last night," Babsie said. "About five in the morning. A guy speaking in Russian. He talked for about two seconds."
"You're sure it was Russian?"
"I made a copy and played it over the phone for the FBI translator. I can't pronounce it, but I wrote it down for you." Babsie turned her notebook around for Eddie. The words in Russian were "Prishli mne kapustu." Eddie knew more Russian by ear than in writing. "The translator said it literally means 'Send me the cabbage.' She says it's what you say when someone owes you money."
Babsie handed him the extra tape.
"Somebody is playing games, Babsie. When I hear the voice on the tape, maybe I can figure it out. In the meantime, let's concentrate on finding Misha."
"You're being straight with us about the money?"
"I do not have Anatoly Lukin's money, Babsie. Or Yuri Borodenko's. Get a search warrant if you want."
"I believe you. Just don't get your hopes up about finding this Latvian kid. He's a corpse looking for a place to lie down. Let's start thinking outside the box. What about an old PD case? Think back. Some scumbag from your past who thinks he has a score to settle."
For two nights, Eddie had done little else but think about old cases. There were a hundred possibilities: guys he'd collared, guys he'd embarrassed or beaten up, those he'd screwed out of money, or their women. He couldn't even come up with a short list. The old faces all ran together. He'd been an equal-opportunity bastard.
"The only people I can think of who might have a reason to hurt me this bad are dead."
"I guess someone came back to life," she said.
Chapter 13
Wednesday
1:30 P.M.
Eddie's old partner, Paulie "the Priest" Caruso, said his brother Angelo, a capo in the Gambino crime family, once told him this story about being in a restaurant on Mulberry Street one midweek afternoon with a bunch of young goodfellas from the neighborhood. They'd been sitting there for several hours sipping vino, picking at the an-tipasto, and arguing about why bartenders always put exactly three coffee beans in the sambuca. Joking around, they asked the waitress for her opinion. The waitress was an attractive young girl from the Midwest, working her way through NYU. She didn't have a clue, but she was enjoying herself. Everything was flirty and fun, and both the girl and the wise guys were enjoying the banter. The girl finally worked up the courage to ask if they were in the mob. "The mob?" said Angelo, shocked. "Why do you say that?" The girl said, "Well, I just figured: a group of young guys sitting around all afternoon on a Tuesday, with nothing to do, nowhere to be. What kind of job would let you do that?" Angelo looked at her and said, "We could be cops."
None of the wise guys were laughing when ex-cop Eddie Dunne parked in the bus stop outside the Bronx Knights Social Club. Eight or nine of the locals were hanging around out front, some of them on folding chairs they'd dragged out of the club to check out the spring parade of women young enough to be their granddaughters. Eddie reached under the seat and pulled a purple velveteen bag from the springs. The logo of Seagram's Crown Royal dressed up the front of the bag; inside was a Smith & Wesson.38 Special, Eddie's old NYPD service revolver. In the NYPD, you bought your own gun; he'd kept his and gotten a gun license when he resigned. Eddie shoved the gun in his waistband, slammed the car door, and walked toward the club. A pair of older thugs who recognized him wandered off, as if a lime gelato had suddenly beckoned them from the corner bistro. A young guy in a Yankees jacket stood up and put his hand on Eddie's chest.
"Whoa, where you going, pal?"
For his trouble, the baseball fan wound up on his ass, taking two folding chairs down with him. Across the street, old women in housedresses stopped hanging wet clothes on the squeaky pulley lines that crisscrossed between buildings. Arms folded, they leaned on the window ledges of third-and fourth-floor apartments. The neighborhood, accustomed to violent men in the social club, tuned in.
Quick and graceful, Eddie weaved his way through the mismatched tables and chairs in the front bar area. None of the club members had a chance to warn Richie Costa, who was stretched out in the barber chair in the back room, getting his Wednesday facial and trim. Eddie flashed the S &W, then grabbed Richie by the hair and yanked him out of the chair, back through the bar, and out into the street, his white barber's cape flying like the flag of surrender. Eddie wanted the stadium audience outside: the old ladies across the street, the schoolgirls walking home, the packed city bus going by. If he decided not to kill him, at least he wanted to humiliate him on his home turf.
From a window across the street, Sinatra sang "Fly Me to the Moon." Eddie stuck the gun back in his pocket. He stood still on the sidewalk and let Richie throw the first punch. A roundhouse right, the stupid bastard. Eddie blocked it two feet away from his head, then threw a pair of low combinations. Bim, bam, bim, bam. Then high, a right hook. Blood shot out of Richie's mouth. Bad gums, Eddie remembered. Richie had always had bad gums. He rested a beat, then allowed Richie another free punch. A piss-poor off-balance right hook. Hadn't he learned anything? Eddie went low, low, low, high, low, high. Still fast and rhythmic. The last one a brutal overhand right flush on the left temple. Down went Richie. He rolled on his side, pretending he wanted to drag his fat ass up and fight, but then he decided to work on just keeping his eyes open. Eddie turned to the goombah chorus behind him. The guys lounging against the wall stopped jingling their change.
"You want to know why I'm pissed?" Eddie said. "Anyone want to know?" In the yard next to the club, a German shepherd chained to a picnic table began to whine and claw at the hard-packed dirt. "Yuri Borodenko kidnapped my daughter," he said. "My only daughter… and this guy here… this scumbag… is helping him. I thought you people didn't hurt families. Where the hell is the 'honor' you're always bragging about? Snatching kids now. You should be ashamed of yourselves, acting like low-life bastards. Richie, this low-life bastard here, should tell me everything, right? He should tell me where my daughter is. Anyone disagree with that?"
Eddie leaned over Richie.
"They want you to tell me," he said.
"I only got business with those people, Eddie. I didn't even know about your daughter. That's the truth. I swear on my mother."
"Your mother would spit in your face, Richie. Last night, you stopped me from grabbing the kid who knew where she was. You helped him get away."
"How the fuck was I supposed to know that?" he said, spraying blood on the sidewalk.
With a fistful of hair and a fistful of shirt collar, Eddie pulled Richie to his feet. Blood dribbled down his chin. Richie leaned back against a car. Eddie moved around him, shuffling playfully, his fist raised, measuring Richie. He knew no one would call the police.
"How about the 'she' the kid mentioned?" Eddie said. "Who is the 'she' that steals cars?"
"I don't know what the fuck you're talking about, man."
The smell of garlic wafted from an open kitchen window.
"Left jab, right hook," Eddie said, then hit him twice. Richie's knees buckled. Eddie propped him up
against a parked car. "I'm calling my shots, Richie. Making it easy for you."
"I didn't know about your daughter, I swear."
"Where's my gun?" Eddie said. "The Sig Sauer. I know you took it."
"Sergei has it. That crazy fuck Sergei. Last I saw him, he had your gun and the kid."
"Left jab," Eddie said, but he threw a sharp right cross to Richie's face. The sound of cartilage snapping. "Oops, I lied," Eddie said. "I guess it's catching." Richie's nose would need work; that much was true.
But not as true as the next straight left jab. Richie went down face-first. He caught himself with his hands, but his arms buckled like rubber bands. He fell forward, cracking his chin on the sidewalk.
"Get me some answers or we do this again tomorrow," Eddie said. He grabbed Richie's barber cape and rubbed most of the blood off his hands.
As soon as Eddie went to his car, the guys on the folding chairs jumped up, flew into action, dancing around like they were in the rumble scene in West Side Story. On his knees, Richie Costa held his face, blood oozing through his fingers. His friends helped him to his feet. Step by baby step, they pulled him toward the club. Eddie started the car, then took one last look. The part of Richie's face not covered with blood was whiter than the sheets on the third-floor clothesline, snapping in the afternoon breeze.
Eddie stopped at a Burger King across from the southern border of Fordham University, washed up, and bought two large cups of ice. He rummaged through the trunk of his Olds until he found two old running T-shirts. He wrapped the ice in the shirts and tied them around his knuckles. Old scar tissue caused his hands to swell up quickly. Every year, he could feel his hands stiffening more, aching in particular when he had to do something small and delicate, like putting panty hose on a Barbie doll.
The cell phone rang just before the toll on the Whitestone Bridge. "When Irish Eyes Are Smiling." With swollen hands, he managed to hit the wrong button. He lost the call. The toll collector was a woman. Her hair was in cornrows and she was wearing gold hoop earrings bigger than her head. He handed her a fifty, the first bill he managed to pull off the roll. No way he was digging around for exact change. The radio in her booth was playing the same song he'd recognized last night in the Eurobar.