by Sam Blake
LITTLE BONES
SAM BLAKE
Contents
Part One
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Part Two
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Part Three
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Part Four
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Acknowledgements
About the Author
Copyright
For everyone who has ever wanted to write a book and get published: you can – just keep writing.
This is for you.
PART ONE
Coming Apart at the Seams
In clothing: where two pieces of material come apart and the garment can no longer be worn. Often caused by a weakness or break in the thread.
1
The door to the back bedroom hung open.
Pausing at the top of the narrow wooden stairs, Garda Cathy Connolly could just see inside, could see what looked like the entire contents of the wardrobe flung over the polished floorboards, underwear scattered across the room like litter. The sun, winter weak, played through a window opposite the door, its light falling on something cream, illuminating it bright against the dark denim and jewel colours of the tumbled clothes on the floor.
Cathy’s stomach turned again and she closed her eyes, willing the sickness to pass. There was a riot of smells up here, beeswax, ghostly layers of stale perfume, something musty. She put her gloved hand to her mouth and the smell of the latex, like nails on a blackboard, set her teeth on edge.
Until thirty-six hours ago Cathy had been persuading herself that her incredibly heightened sense of smell and queasiness were the start of a bug. Some bug. But right now her problems were something she didn’t have the headspace to deal with. She had a job to do. Later, when she was on her own in the gym, when it was just her and a punchbag, that was when she’d be able to think. And boy did she have a lot to think about.
Pulling her hand away from her mouth, Cathy impatiently pushed a dark corkscrew curl that had escaped from her ponytail back behind her ear. Too thick to dry quickly, her hair was still damp from her early-morning training session in the pool, but that was the least of her worries. She folded her arms tightly across her chest and breathed deeply, slowly fighting her nausea. Inside her head, images of the bedroom whirled, slightly out of focus, blurred at the edges.
When the neighbour had called the station this morning, this had presented as a straightforward forced entry. That was until the lads had entered the address into the system and PULSE had thrown up a report from the same property made only the previous night. The householder, Zoë Grant, had seen a man lurking in the garden. Watching her. Cathy would put money on him doing a bit more than just watching. One of the Dún Laoghaire patrol cars had been close by, had arrived in minutes, blue strobes illuminating the lane. But the man had vanished. More than likely up the footpath that ran through the woods from the dead end of the cul-de-sac to the top of Killiney Hill.
And now someone had broken in.
It was just as well Zoë Grant hadn’t been at home.
Cathy thrust her hands into the pockets of her combats and fought to focus. Christ, she was so sick of feeling sick. The one thing that Niall McIntyre, her coach – ‘The Boss’ – drilled into her at every single training session was that winning was about staying in control. Staying in control of her training; her fitness; her diet.
Staying in control of her breakfast.
And she’d got to be the Women’s National Full-Contact Kickboxing champion three times in a row by following his advice.
Below in the hallway, Cathy could hear Thirsty, the scenes-of-crime officer, bringing in his box of tricks, its steel shell reverberating off the black and white tiles as he called up to her.
‘If this one is Quinn, O’Rourke will be delighted. Have a look at her shoes; he’s got a thing about bloody shoes. Lines them up and does his thing . . .’ The disgust was loud in his voice.
Trying to steady herself, Cathy took a deep breath. DI Dawson O’Rourke might be dying to nail ‘Nifty’ Quinn, but she knew he wouldn’t be at all impressed if he could see her now. Dún Laoghaire was a new patch for him, but they went way back. And . . . Christ, this wasn’t the time to throw up.
Shoes. Look for the shoes.
‘The place is upside down, there’s . . .’ Her voice sounded hollow. But what could she say, there’s a bad smell? No question that would bring guffaws of laughter from Thirsty. And she was quite sure no one else would be able to smell it; it was like the kitchen back at her shared house. If Decko, their landlord, or one of the other lads she rented with had left the fridge open or the lid off the bin, she couldn’t even get in the door. Thank God they hadn’t noticed. Yet. Decko fancied himself as an impersonator and there was no way she was ready to be the butt of his jokes.
Taking a deep breath, Cathy edged through the door, the heels on her boots echoing on the wooden floorboards. Downstairs she heard another voice. The neighbour this time, calling from outside the front door.
‘How are you getting on?’
‘Grand, thanks. A member of the detective unit is examining upstairs.’ Cathy could tell from his response that Thirsty had his public smile in place. ‘Any sign of Miss Grant?’
‘Zoë? Not yet. I’ll try her again in a minute. It’s going to be an awful shock. He didn’t take that big painting, did he? The old one of the harbour? I’ve always loved that.’ The neighbour paused, then before Thirsty could comment continued: ‘Is there anything I can do? Can I get you a cup of tea?’
Listening to Thirsty making small talk, Cathy focused back on the room. She needed to pull herself together and get on with this. They couldn’t hold Nifty Quinn for ever. She could hear O’Rourke’s voice in her head.
What had he been looking for? Cash? Jewellery? Or some sort of trophy? This didn’t feel like a Nifty job to Cathy, and she’d seen enough that were. Whatever about him being picked up in the area this morning acting suspiciously, and his thing for single women, this felt different, more personal. But only Zoë Grant would know for sure if anything was missing. A lipstick? A pair of knickers?
Cathy had seen worse, but standing here in the ransacked bedroom, her six years on the force didn’t help make her feel any less unclean. How would the woman who lived here feel when she got home? Someone had been in her bedroom . . .
Cathy scanned the tumble of fabrics on the floor. The cream silk was a misfit with the blacks, purples and embroidered blue denim. The colour of sour milk, it looked like a . . . wedding dress?
Bobbing down on her haunches, Cathy let the folds of milky fabric play through her fingers. The dis
turbance released more of the ancient perfume, the scent jangling like a set of keys. The silk had torn where it had caught on a nail in the wardrobe door, minute stitches unravelling along the hem, opening a deep cleft in the fabric. Tugging gently, Cathy tried to lift it from the pin. The seam widened and she caught a glimpse of something dark inside.
What the feck was that?
Whatever it was had fallen in deeper as she moved the silk. Leaning forward, Cathy teased the two edges apart with her fingertips, trying to get a better look.
She needed more light.
‘Thirsty, have you got a torch down there?’ Cathy’s voice was too loud in the stillness of the room. Then she heard Thirsty’s footsteps on the stairs and a moment later his greying head appeared in the doorway, a heavy rubber torch in his hand.
‘Got something?’
‘Not sure.’ Frowning, she stood up to take the torch. ‘There’s –’ A voice calling from downstairs interrupted her.
Thirsty rolled his eyes. ‘Jesus, it’s the bloody neighbour back. Call me if you need me.’
Cathy flashed him a grin and, crouching down again beside the pile of clothes, played the torch over them, double-checking before she went back to the dress. Looking for what? She wasn’t sure. Fibres? Blood? She shook her head half to herself.
This was something different. She could feel it in the pit of her stomach, could feel the hairs rising on the back of her neck.
What was she expecting to find? Had the guy who had been here left some sort of gift? Like Nifty? Christ, she hoped not. Normally she could take all of that in her stride, but today she wasn’t so sure.
Cathy suddenly realised she was feeling nervous – which was stupid. What could possibly be in an old dress, in a room like this, that was making her heart pound? She’d been in the force too long, had seen too much for this to spook her. But for some reason it was, and spooking her badly. Cathy could feel her palms sweating, absorbing the talc on the inside of her blue latex gloves. Were her hormones making her supersensitive? This was crazy.
Clearing her throat, she swung the beam of the torch onto the gap she had made in the creamy silk. There was definitely something there. Cathy eased back the seam, opening the fabric to the torchlight.
Pale grey shards. Hidden deep within the folds.
Shards of what? Something old. The rhyme took off like a kite inside her head. Something old, something new . . . Shaking it away, she lifted the weight of the silk and, holding the torch up, slipped her fingers into the seam, prising it apart. The stitches were minute, little more than a whisper along the hemmed edge.
Then she saw them. More shards. Tiny, twig-like, tumbling as the fabric moved. And in a moment of absolute clarity she realised what they were.
And the nausea came like a tidal wave.
Bones. Tiny bones. The unmistakable slant of a jaw, the curve of a rib.
‘Thirsty, I need you up here now!’
This was going to make O’Rourke’s day. First the FBI – and now this.
2
‘And tell me about this one?’ Max Igoe indicated three canvas panels hanging on the smooth white wall of his loft office in the heart of Dublin’s Temple Bar. From his art gallery below, the strains of Mozart were filtering through the polished boards, the hubbub of voices indicating that it was already getting busy. Max took a step backwards, a step closer to a young woman who was nervously fiddling with the loose ribbons on her white gypsy blouse, her ringless fingers stained blue with indigo pigment.
‘It’s a triptych. Three panels telling different parts of the same story.’ Answering tentatively, as if she was skating on a frozen pond, Zoë Grant avoided his eye, instead focusing on the cobalt and phthalo blue-green of the tumultuous waters that raged across the canvas, iridescent white illuminated by a shaft of sunlight from the Velux window above.
‘And the embroidery?’
‘Originally I trained in textiles. I use a lot of stitching to add texture and life to the pieces. There’s embroidery in all of them. In this one it’s text.’
‘In the dark blue sea, an open shell, shy and sure. Under closed eyelids, thunder. Nice.’ Max pulled up the sleeves of his deep purple cashmere sweater and crossed his arms, looking speculatively at the pieces Zoë had brought. ‘And they’re all of the sea?’
The triptych was the only unframed piece, the other twenty or so paintings captured in broad, brightly coloured frames. Max rubbed the designer stubble on his chin. Zoë could feel him watching her. She’d pulled her waist-length chestnut hair back from her face with a glittering butterfly clip this morning and every time she moved her reflection was caught in the picture glass, her grey eyes two pools in pale unfreckled skin, picking up the dusky ripe plum of her long velvet skirt like the sea reflected the sky.
‘Yes, always water.’ It took Zoë a moment to answer Max’s question. ‘Everyone says a writer’s work is autobiographical – it’s the same with an artist. With me I suppose it’s a way of getting to grips with my phobias. I’ve been terrified of water for as long as I can remember.’ Zoë’s sudden laugh was hollow. ‘I’m not good with spiders either, but people prefer pictures of the sea.’
It had been after midnight the night before when she’d finally finished the last, most important piece in the collection: the triptych. Trying to blank out the roll of the waves hitting the rocks beyond the end of her garden, the sound magnified by the darkness, nagging at her like a schoolyard bully, Zoë had plunged the needle back through the painted fabric, pulling the thread taut, a blue so dark it was almost black, its triple strand parting slightly as she knotted it off. Standing, stretching her cramped body, she’d laid the final section beside its sisters, taking a moment to admire it, a maelstrom of emotions whirling in her stomach. Would her work be good enough? Would Max Igoe like it?
Beyond the long windows of the timber-built studio, naked trees in the neighbouring wood cast grotesque shadows on the grass. Zoë couldn’t see the trees from inside – beyond the windows the garden was black, deep black. Mars black. But she knew they were there. Could feel them watching her through the glass, making the hairs stand up on the back of her neck.
Zoë had shivered. There always seemed to be someone, something, watching, waiting for her to trip. At school it had been the nuns who had hovered like great black birds ready to swoop on the smallest transgression; but they were nothing compared to Lavinia, her grandmother, her pencilled-on eyebrows raised in permanent disapproval. Nothing Zoë did was ever good enough for her.
It had been at that moment, as the shadows of the trees outside moved gently in the night air, that she’d felt rather than seen the movement in the garden. She’d reached, puzzled, to dim the studio lights and had clearly seen a man’s outline stark against the weak light from the street lamp. In her driveway.
And she had known for sure that whoever he was, he was between her and the back door of the house.
For a moment she hadn’t been able to breathe, had just stood there staring, terrified. Then she’d grabbed her phone, dialled 999, her voice shaking as she’d relayed her address to the controller.
The Guards had arrived fast, had searched the overgrown bushes with torches and nightsticks, but the man had vanished into the night as quickly as he had appeared. Part of her had begun to wonder then if he’d been there at all, if maybe it had been a trick of the shadows or of her overanxious mind. The Guards had made sure she was safely inside the house, doors and windows locked, before they left, but she hadn’t been able to sleep.
Zoë pushed a stray strand of hair from her face; between that and her nervousness at the prospect of this meeting with Max, at the chance of having her first solo show in one of Dublin’s most prestigious galleries, it had been a stressful twenty-four hours. And even now, even hearing – incredibly – that he liked her work, her pleasure was tinged with a sadness that ached. Even if she did have her own show, the one person who would not be there to see her success was the one person she wanted there the mo
st – her mother.
Lavinia had made it perfectly clear right from the time that Zoë had been old enough to ask that there was no point in trying to contact her. Despite Lavinia’s money, her influence, she had always refused to help whenever Zoë had brought it up. ‘She didn’t want you, Zoë, didn’t give a damn about either of us. She’s gone and that’s that.’
Her mother had abandoned her, and the pain of facing up to the reasons why had stopped Zoë from searching for her when she’d become old enough to do it on her own – up till now. Now she had a real reason to find her. Hurt and resentment swirled inside her like acid. Lavinia thought she was God and Zoë hated her for it.
Max turned to his desk to pick up his mug of coffee.
‘And how long have you been painting?’
It took Zoë a moment to clear her thoughts and find an answer. Shrugging, she avoided his eye. ‘Since I was in school, I suppose. My mother was an artist . . .’ For a moment Zoë faltered, then, gathering herself, banishing the bad thoughts, she turned a dazzling smile on Max, her words coming out in a rush. ‘My life’s all about colour, how it affects your mood, how it influences behaviour. I think we all have our own palette and if you get on with someone it’s because your colours complement each other – does that sound mad?’