The Illustrated Gormenghast Trilogy

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The Illustrated Gormenghast Trilogy Page 46

by Mervyn Peake


  Her hand moved to her brow and pushed away a cold lock of hair that clung blackly to her cheek. ‘I must bear my child,’ she said to herself, her lips framing the soundless words, ‘and then I shall be complete and only myself and all will be over.’ Her pupils grew vast. ‘You shall be free. From the very beginning you shall be free of me, as I shall be free of you; and I shall follow my knowledge – ah, so soon, so soon into the julip darkness.’

  She folded her hands and moved slowly towards the dwellings. High on her right hand the great outer wall had become colder; its inner face was draped with shadow and in the depths of the castle Titus sending forth a great tear-filled cry began to struggle with an unnatural strength in the old nurse’s arms. All at once an eyelid of the rich dusk lifted and Hesper burned over Gormenghast as under Keda’s heart her burden struggled.

  IN PREPARATION FOR VIOLENCE

  The twelve month cycle was ended. Titus had begun his second year – a year which, though hardly fledged, was so soon to bring forth violence. There was a sickness in the atmosphere.

  Of all this suspicion and restlessness, he knew nothing, and he will have no memories of these days. Yet the aftermath of all that was happening in his infancy will soon be upon him.

  Mrs Slagg watched him querulously as he tottered in his efforts to keep balance, for Titus had almost learned to walk. ‘Why won’t he smile?’ she whispered. ‘Why won’t his little Lordship ever smile?’

  The sound of Barquentine’s crutch echoed down the hollow corridors. His withered leg padded beside it and the red sacking flapped its tatters in hot gusts. His edicts went forth like oaths.

  Drear ritual turned its wheel. The ferment of the heart, within these walls, was mocked by every length of sleeping shadow. The passions, no greater than candle flames, flickered in Time’s yawn, for Gormenghast, huge and adumbrate, out-crumbles all. The summer was heavy with a kind of soft grey-blue weight in the sky – yet not in the sky, for it was as though there were no sky, but only air, an impalpable grey-blue substance, drugged with the weight of its own heat and hue. The sun, however brilliantly the earth reflected it from stone or field or water, was never more than a rayless disc this summer – in the thick, hot air – a sick circle, unrefreshing and aloof.

  The autumn and winter winds and the lashing rain storms and the very cold of those seasons, for all their barbarism, were of a spleen that voiced the heart. Their passions were allied to human passions – their cries to human cries.

  But it was otherwise with this slow pulp of summer, this drag of heat, with the incurious yellow eye within it, floating monotonously, day after day.

  At the river’s edge the shallow water stank and mists of insects drifted over the scum, spinning their cry of far forgotten worlds, thinner than needles.

  Toads in the green ooze belched. In the river’s bosom the reflection of the topmost crags of Gormenghast Mountain hung like stalactities, and in the scarcely perceptible motion of the water appeared to crumble momently – yet never to diminish or to disintegrate for all their crumbling. Across the river a long field of sparse grey-green grasses and dove-grey dust lay stretched as though stunned between its low flint walls.

  Little clouds of the fine dust were rising at the every footfall of a small mottled horse, on whose back sat a man in a cape.

  At every fifth step forward of his mount’s left leg the rider stood up in his stirrups and placed his head between the horse’s ears. The river wound beside them, the fields undulating and fading in a blur of heat. The mottled horse and the capped rider moved on. They were very small. In the haze to the extreme north the Tower of Flints arose like a celluloid ruler set floating upon its end, or like a water-colour drawing of a tower that has been left in the open and whose pigment has been all but washed away by a flirt of rain.

  Distance was everywhere – the sense of far-away – of detachment. What might have been touched with an outstretched arm was equally removed, withdrawn in the grey-blue polliniferous body of the air, while overhead the inhuman circle swam. Summer was on the roofs of Gormenghast. It lay inert, like a sick thing. Its limbs spread. It took the shape of what it smothered. The masonry sweated and was horribly silent. The chestnuts whitened with dust and hung their myriads of great hands with every wrist broken.

  What was left of the water in the moat was like soup. A rat floundered across it, part swimming, part walking. Thick sepia patches of water were left in the unhealthy scum where its legs had broken through the green surface.

  The quadrangles were soft with dust. It had settled along the branches of the nearby trees. Footmarks were left deeply until the dry gusts came again. The varying lengths of stride – the Doctor’s, Fuchsia’s, the Countess’s, Swelter’s, could all be measured here, crossing and recrossing one another as though at the same time, yet hours, days and weeks divided them.

  In the evening the bats, those fabulous winged mice, veered, tacked and slid through the hot gloom.

  Titus was growing older.

  It was four days since the Dark Breakfast. It was one year and four days since he was born in the room of wax and birdseed. The Countess would see no one. From daybreak to sunset she turned her thoughts, like boulders, over. She set them in long lines. She rearranged their order as she cogitated upon the Burning. She watched from her window as figures passed below. She turned her impressions over heavily. She was pondering all who passed by. From time to time Steerpike passed, as she sat at her window. Her husband was going mad. She had never loved him and she did not love him now, her heart being awakened to tenderness only by her birds and her white cats. But though she did not love him for himself, her unthinking and rooted respect for the heritage which he personified and her dumb pride in the line of his descent had filled her since her discovery of his illness.

  Flay had gone, at her orders, to what lay beyond the great walls. He had gone, and though she would no more have thought of recalling him than of ceasing to tend the cat which he had bruised, yet she was aware of having uprooted a part of Gormenghast, as though from an accustomed skyline of towers one had been broken down. He had gone – but not altogether. Not for a little while, completely.

  On the five nights following the day of his banishment – Titus’ first birthday – he had returned unobserved when light had fallen.

  He had moved like a stick-insect through the grey star-pricked, summer night, and knowing every bay, inlet and headland of the great stone island of the Groans, of its sheer cliffs, of its crumbling outcrops, he had pursued his way without hesitation on a zig-zag course. He had only to lean against the cliff face and he was absorbed. For the five last nights he had come, after long, sultry days of waiting among the skirting trees of the twisted woods, through a gap in the castle walls to the western wing. In his banishment he had felt the isolation of a severed hand, which realizes that it is no more part of the arm and body it was formed to serve and where the heart still beats. As yet, for him, the horror of his ostracization was too close for him to grasp – only the crater-like emptiness. The stinging nettles had not had time to fill the yawning hollow. It was loneliness without pain.

  His loyalty to the castle, too deep for him to question, was his heart’s background: to all that was implied by the broken line of the towers. With his knees drawn up to his chin he pored upon that skyline as he sat at the base of an outcrop of rock among the trees. At his side lay the long sword he had sharpened. The sun was going down. In another three hours he would be on his way, for the sixth time since his banishment, to the cloisters he had known since his youth. To the cloisters in whose northern shadows was an entrance to the stairhead of the wine vaults and the kitchens. A thousand recollections attached themselves to these cloisters alone. Sudden happenings – the awakening of ideas that had borne fruit or had withered at his touch – the memories of his youth – of his infancy even, for a brightly coloured vignette at the back of his dark skull recurred from time to time, a vignette of crimson, gold and grey. He had had no recollection of who
it was who led him by the hand, but he recalled how, between two of the southerly arches, he and his guardian were stopped – how the air had been filled with sunshine – how a giant, for so he must then have appeared to the child, a giant in gold had given him an apple – the globe of crimson which he had never released from his mind’s empyric grasp, nor the grey of the long hair that fell across the brow and over the shoulders of his first memory.

  Few of Flay’s memories were as colourful. His early years had been hard, grinding and monotonous. His recollections were associated with fears and troubles and hardships. He could remember how beneath the very cloister arches to which he was so soon to make his way he had received in grim silence, insult and even violence, no less than twinges of pleasure. He had leaned there, against the fourth pillar, on the afternoon following his unexpected summons to Lord Sepulchrave’s study, where he had been told of his advancement – of his being chosen as the Earl’s first servant; of how the Earl had noticed and approved of his silent and taciturn bearing, and of his reward. He had leaned there, his heart thumping; and he recalled how he had for a moment weakened, wishing he had a friend to whom he might speak of his happiness. But that was long ago. Clicking his tongue he dismissed recollections from his mind.

  A gibbous moon was rising and the earth and the trees about him were dappled and striped with slowly shifting blotches of black and pearlish white. Radiance, in the shape of an oyster, moved across his head. He turned his eyes to the moon among the trees and scowled at it. This was no night for a moon. He cursed it, but in a childlike way for all the grim formation of his bones, stretching out his legs, on whose knees his chin had been supported.

  He moved his thumb along the edge of his sword, and then unrolled a misshapen parcel at his side. He had not forgotten to bring some food with him from the castle, and now, five nights later, he made a meal upon all that was left of it. The bread had gone dry, but it tasted sweet to him after a day’s abstinence, with the cheese and the wild blackberries he had gathered in the wood. He left nothing but a few crumbs on his black trousers. There was no rational reason why he should feel, as he finished the berries, that horror lay between his last mouthful and his next meal – whenever it might be, and however he might acquire it.

  Perhaps it was the moon. On his five previous nocturnal journeys to the castle there had been no light. Thick rainless clouds had provided a perfect cover. Schooled to adversity he took it as a sign that the hour was approaching. Indeed, it seemed more natural that Nature should be his enemy.

  He rose slowly, and from beneath a heap of ferns he drew forth into the moonlight great lengths of cloth – and then began a most peculiar operation. Squatting down, he began, with the concentration of a child, to bind the cloth about his knees, around and around endlessly, until they were swathed to a depth of five thick inches, loosely at the joint and more tightly as they wound below and above it and as the binding thickened. This business took him the best part of an hour, for he was very scrupulous and had several times to unwind long swathes to adjust and ease the genuflexions of his knees.

  Finally, however, all was ready and he got to his feet. He took a step forward; then another, and it seemed as though he was listening for something. Was there no sound? He took three more paces, his head lowered and the muscles behind his ears working. What was that that he heard? It was like a muffled clock that ticked three times, and stopped. It sounded very far away. There were a few lengths of cloth left over and he bound his knees to another half inch of thickness. When he next stepped forward the silence was absolute.

  It was still possible for him to move with comparative freedom. His legs were so long that he had become accustomed to use them as stilts, and it was only with the slightest bending of the knee that they were wont to detonate.

  The moonlight lay in a gauze-like sheet of whiteness over the roof of the Twisted Woods. The air was hot and thick, and the hour was late when he began to move towards the castle. To reach the cloisters would take him an hour of rapid walking. The long sword gleamed in his hand. At the corners of his lipless mouth was the red stain of blackberries.

  The trees were left behind and the long slopes where the juniper bushes crouched like animals or deformed figures in the darkness. He had skirted the river and had found a clammy mist lying like a lover along its length, taking its curves and hugging its croaking body, for the bull-frogs had made the night air loud. The moon behind the miasmic wraiths swam and bulged as though in a distorting mirror. The air was sickly with an aftermath of the day’s heat, as lifeless as though it had been breathed before, thrice exhaled and stale. Only his feet felt cold as they sank ankle-deep in the dew. It was as though he trod through his own sweat.

  With every step he became more conscious that he was narrowing the distance between himself and something horrible. With every step the cloisters leapt forward to meet him and his heart pounded. The skin was puckered between his eyes. He strode on.

  The outer wall of the castle was above him. It mouldered in the moon. Where colonies of lizards clung to its flaking surfaces it shone.

  He passed through an arch. The unchecked growth of ivy which clung about it had almost met at the centre of the aperture, and Flay, bending his head, forced his way through a mere fissure. Once through and the grounds of Gormenghast opened balefully out with an alien intimacy as though an accustomed face should, after confining itself for years to a score of cardinal expressions, take on an aspect never known before.

  Keeping as much in the shadows as he could, Flay made rapid progress over the uneven ground towards the servants’ wing. He was treading on forbidden ground. Excommunicated by the Countess, each footfall was a crime committed.

  During the final stages of his progress to the cloisters he moved with a kind of angular stealth. At times he would come to a halt and genuflect in rapid succession, but he could hear no sound; then he would move on again, the sword in his hand. And then, suddenly, before he realized it, he was in the servants’ quadrangle and skirting the wall to the cloisters. Within a minute and he was part of the charcoaled shadow of the third pillar where he had waited so patiently for the last five moonless nights.

  BLOOD AT MIDNIGHT

  Tonight the atmosphere was alive – a kind of life made even more palpable by the torpor of the air – the ghastly summer air of Gormenghast. By day, the heat of the dead light; by darkness, the vomitings of the sick room. There was no escaping. The season had come down.

  As Mr Flay waited, his shoulder-blades against the stone pillars, his thoughts flowed back to the day of the Christening when he had slashed at the great soft face – to the night when he had watched the rehearsal of his murder – to that horrible sack that had been he – to the day of the debauchery of the Great Kitchens – to the horrors of the hooting Earl – to a hundred memories of his tormentor, whose face in his imagination opened out before him in the darkness like something septic.

  His ears were strained with listening and his muscles ached. He had not moved for over an hour, save to turn his head upon his neck. And then, suddenly, what was it that had changed? He had shut his eyes for a moment and on opening them the air had altered. Was the heat even more horrible? His torn shirt was stuck to his shoulders and belly. It was more than that – it was that the darkness was omnipresent. The quadrangle was as inky as the shadows in which he had been shrouded. Clouds had moved over the moon. Not even the bright sword in his hand could be seen as he moved it out into what had been moonlight.

  And then it came. A light more brilliant than the sun’s – a light like razors. It not only showed to the least minutiae the anatomy of masonry, pillars and towers, trees, grass-blades and pebbles, it conjured these things, it constructed them from nothing. They were not there before – only the void, the abactinal absences of all things – and then a creation reigned in a blinding and ghastly glory as a torrent of electric fire coursed across heaven.

  To Flay it seemed an eternity of nakedness; but the hot black eyelid of t
he entire sky closed down again and the stifling atmosphere rocked uncontrollably to such a yell of thunder as lifted the hairs on his neck. From the belly of a mammoth it broke and regurgitated, dying finally with a long-drawn growl of spleen. And then the enormous midnight gave up all control, opening out her cumulous body from horizon to horizon, so that the air became solid with so great a weight of falling water that Flay could hear the limbs of trees breaking through a roar of foam.

  There was no longer any necessity for Flay, shielded from the rain by the roof of the cloisters, to hold his body in so cramped a manner. What little sound he made would be inaudible now that the falling rain hissed and drummed, beat across the massive back of Gormenghast and swarmed down its sides, bubbling and spurting in every cranny of stone, and swilling every niche where had lain for so long the white dust.

  Even more so now had he to listen for the sound of approaching paces, and it is doubtful whether he would have been able to disengage the sound of the chef’s feet from the drumming background. What he had never expected happened and his heart broke into an erratic hammering, for the impalpable darkness to his left was disturbed by a faint light, and, immediately after, the source of this hazy aura moved through the midnight. It was a strip of vertical light that appeared to float on end of its own volition. The invisible bearer of the octagonal lantern had closed all but one of the shutters.

 

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