SATAN’S FIRE
PAUL DOHERTY
headline
Copyright © 1995 P. C. Doherty
The right of P. C. Doherty to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
First published as an Ebook by Headline Publishing Group in 2012
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.
This Ebook produced by Jouve Digitalisation des Informations
All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
eISBN: 978 0 7553 5036 0
HEADLINE PUBLISHING GROUP
An Hachette UK Company
338 Euston Road
London
NW1 3BH
www.headline.co.uk
www.hachettelivre.co.uk
Table of Contents
Title Page
Copyright Page
Letter to the Reader
About the Author
Also by Paul Doherty
Praise for Paul Doherty
Dedication
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Author’s Note
History has always fascinated me. I see my stories as a time machine. I want to intrigue you with a murderous mystery and a tangled plot, but I also want you to experience what it was like to slip along the shadow-thronged alleyways of medieval London; to enter a soaringly majestic cathedral but then walk out and glimpse the gruesome execution scaffolds rising high on the other side of the square. In my novels you will sit in the oaken stalls of a gothic abbey and hear the glorious psalms of plain chant even as you glimpse white, sinister gargoyle faces peering out at you from deep cowls and hoods. Or there again, you may ride out in a chariot as it thunders across the Redlands of Ancient Egypt or leave the sunlight and golden warmth of the Nile as you enter the marble coldness of a pyramid’s deadly maze. Smells and sounds, sights and spectacles will be conjured up to catch your imagination and so create times and places now long gone. You will march to Jerusalem with the first Crusaders or enter the Colosseum of Rome, where the sand sparkles like gold and the crowds bay for the blood of some gladiator. Of course, if you wish, you can always return to the lush dark greenness of medieval England and take your seat in some tavern along the ancient moon-washed road to Canterbury and listen to some ghostly tale which chills the heart . . . my books will take you there then safely bring you back!
The periods that have piqued my interest and about which I have written are many and varied. I hope you enjoy the read and would love to hear your thoughts - I always appreciate any feedback from readers. Visit my publisher’s website here: www.headline.co.uk and find out more. You may also visit my website: www.paulcdoherty.com or email me on: [email protected].
Paul Doherty
About the Author
Paul Doherty is one of the most prolific, and lauded, authors of historical mysteries in the world today. His expertise in all areas of history is illustrated in the many series that he writes about, from the Mathilde of Westminster series, set at the court of Edward II, to the Amerotke series, set in Ancient Egypt. Amongst his most memorable creations are Hugh Corbett, Brother Athelstan and Roger Shallot.
Paul Doherty was born in Middlesbrough. He studied history at Liverpool and Oxford Universities and obtained a doctorate at Oxford for his thesis on Edward II and Queen Isabella. He is now headmaster of a school in north-east London and lives with his wife and family near Epping Forest.
Also by Paul Doherty
Mathilde of Westminster
THE CUP OF GHOSTS
THE POISON MAIDEN
THE DARKENING GLASS
Sir Roger Shallot
THE WHITE ROSE MURDERS
THE POISONED CHALICE
THE GRAIL MURDERS
A BROOD OF VIPERS
THE GALLOWS MURDERS
THE RELIC MURDERS
Templar
THE TEMPLAR
THE TEMPLAR MAGICIAN
Mahu (The Akhenaten trilogy)
AN EVIL SPIRIT OUT OF THE WEST
THE SEASON OF THE HYAENA
THE YEAR OF THE COBRA
Canterbury Tales by Night
AN ANCIENT EVIL
A TAPESTRY OF MURDERS
A TOURNAMENT OF MURDERS
GHOSTLY MURDERS
THE HANGMAN’S HYMN
A HAUNT OF MURDER
Egyptian Mysteries
THE MASK OF RA
THE HORUS KILLINGS
THE ANUBIS SLAYINGS
THE SLAYERS OF SETH
THE ASSASSINS OF ISIS
THE POISONER OF PTAH
THE SPIES OF SOBECK
Constantine the Great
DOMINA
MURDER IMPERIAL
THE SONG OF THE GLADIATOR
THE QUEEN OF THE NIGHT
MURDER’S IMMORTAL MASK
Hugh Corbett
SATAN IN ST MARY’S
THE CROWN IN DARKNESS
SPY IN CHANCERY
THE ANGEL OF DEATH
THE PRINCE OF DARKNESS
MURDER WEARS A COWL
THE ASSASSIN IN THE GREENWOOD
THE SONG OF A DARK ANGEL
SATAN’S FIRE
THE DEVIL’S HUNT
THE DEMON ARCHER
THE TREASON OF THE GHOSTS
CORPSE CANDLE
THE MAGICIAN’S DEATH
THE WAXMAN MURDERS
NIGHTSHADE
THE MYSTERIUM
Standalone Titles
THE ROSE DEMON
THE HAUNTING
THE SOUL SLAYER
THE PLAGUE LORD
THE DEATH OF A KING
PRINCE DRAKULYA
THE LORD COUNT DRAKULYA
THE FATE OF PRINCES
DOVE AMONGST THE HAWKS
THE MASKED MAN
As Vanessa Alexander
THE LOVE KNOT
OF LOVE AND WAR
THE LOVING CUP
Kathryn Swinbrooke (as C L Grace)
SHRINE OF MURDERS
EYE OF GOD
MERCHANT OF DEATH
BOOK OF SHADOWS
SAINTLY MURDERS
MAZE OF MURDERS
FEAST OF POISONS
Nicholas Segalla (as Ann Dukthas)
A TIME FOR THE DEATH OF A KING
THE PRINCE LOST TO TIME
THE TIME OF MURDER AT MAYERLING
IN THE TIME OF THE POISONED QUEEN
Mysteries of Alexander the Great (as Anna Apostolou)
A MURDER IN MACEDON
A MURDER IN THEBES
Alexander the Great
THE HOUSE OF DEATH
THE GODLESS MAN
THE GATES OF HELL
Matthew Jankyn (as P C Doherty)
THE WHYTE HARTE
THE SERPENT AMONGST THE LILIES
Non-fiction
THE MYSTERIOUS DEATH OF TUTA
NKHAMUN
ISABELLA AND THE STRANGE DEATH OF EDWARD II
ALEXANDER THE GREAT: THE DEATH OF A GOD
THE GREAT CROWN JEWELS ROBBERY OF 1303
THE SECRET LIFE OF ELIZABETH I
THE DEATH OF THE RED KING
Praise for Paul Doherty
‘Teems with colour, energy and spills’ Time Out
‘Paul Doherty has a lively sense of history . . . evocative and lyrical descriptions’ New Statesman
‘Extensive and penetrating research coupled with a strong plot and bold characterisation. Loads of adventure and a dazzling evocation of the past’ Herald Sun, Melbourne
‘An opulent banquet to satisfy the most murderous appetite’ Northern Echo
‘As well as penning an exciting plot with vivid characters, Doherty excels at bringing the medieval period to life, with his detailed descriptions giving the reader a strong sense of place and time’ South Wales Argus
To my baby son, Little Paul [Mr. T. T.]
Prologue
On the shores of the Dead Sea, where the djinns and devils rested from their constant war against man, stood the rocky, yellow-stoned eyrie of Am Massafia; the stronghold lair of the Sheikh Al-Jebal, the Old Man of the Mountain. The trackways to the Old Man’s lair were narrow, winding and secret, the shadow of vultures’ wings a constant presence. The final path, a perilous journey along a roped bridge above a yawning gorge, was guarded by Sudanese swordsmen with broad, razor-edged scimitars clasped to their waists. Once across this bridge of hell, however, and through the iron-studded gates, a visitor would enter a palace with mosaic floors. Cool courtyards, with fountains spouting ice-cold water, offered shade against the setting sun. Peacocks strutted and gaily coloured parrots shrieked amongst the rose gardens or rustled the leaves of the dark mulberry trees. Around the courtyard, wooden lattices, built against the wall, were covered with rare and exotic flowers which turned the dry air heavy with perfume, whilst thuribles, in corners or on shelves, poured amber smoke to the ever-blue sky.
Beneath the fortress, however, lay a different place: dark, hot passageways; galleries without light or air; only the occasional torch flickering against the blood-red rock. The dungeons of the Old Man of the Mountain housed many prisoners. Some had long died, the flesh falling off their bones which now turned yellow in the heat. Others had gone insane and crouched like animals in their narrow chained dungeons, crawling around like dogs, their eyes mad, their tongues constantly baying against the darkness. But, in one cell, the Unknown, the infidel knight with corn-coloured hair and light-blue eyes, squirmed on rotting straw and dreamed of vengeance. For only this, burning brightly within him, held back the Stygian blackness and the demons ever ready to carry away his soul. Hatred, anger and a burning desire for vengeance kept his wits together and body and soul as one. He refused to dwell on the silent horrors around him but lived constantly in the past, on that dreadful night when the great city of Acre had fallen to the Turks. Again and again he would recall the constant beat of the kettledrums as the Muslim hordes poured through the breach in the wall of the city. The armoured regiments of Mamelukes streaming across the ruined moat, over the bodies and broken engines, pressing back the wounded knights, forcing their way into the streets. The prisoner blinked and, lifting his arm, stared closely at the white scabs forming on his arms and legs. He closed his eyes and called on God for life: not a cure for his leprosy but length of days and the opportunity to wreak his revenge.
In the opulent, breeze-filled chambers far above the dungeon, the Sheikh Al-Jebal, the Old Man of the Mountain, sat overlooking a walled garden with marble fountains which tossed sparkling wine into the perfumed air. The Old Man, his eyes heavy with opium, stared down at the silk-carpeted pavilions and beautifully tiled porticoes, where his young men lay sprawled with their Circassian girls and dreamed hashish-filled fantasies of Paradise. So it was, every day, a time of Paradise until the Old Man issued his orders. Once the die had been cast, these young men, dressed in their white robes, red girdles about their waists, scarlet, gold-tipped slippers on their feet, would leave the fortress and go down into the valleys to wreak their master’s will. No one could ever oppose him. No one ever escaped his death sentence. Two daggers pressed into the pillows of their intended victim’s bed and, on the table beside it, a flat seedcake, a warning from the Old Man of the Mountain that his Assassins were about to do his will.
The Old Man turned, shifting his body on the purple silk divan between the naked, golden bodies of his concubines. They murmured in their drug-filled sleep whilst he stared up at the ceiling of the chamber, hard cedarwood, inlaid with gold and fresh diamonds. He felt restless and sat up, gazing round the room at the inanimate birds fashioned out of gold and silver with enamel feathers and brilliant ruby eyes. The sheikh’s hand went out to the table next to the bed where gold dishes and amber cups stood, filled with the sweetest wines or ripest fruit. He let his hand fall. He had drunk and eaten enough. He was bored and the affairs of men required his attention.
‘What does it profit a man,’ Sheikh Al-Jebal murmured, quoting the Christians, ‘if he gains the whole world but suffers the loss of his immortal soul?’
Yesterday messengers had arrived bringing news of the outside world; whispers from the busy markets of Alexandria, Tripoli, and even further west, from the land of the infidels. From Rome, Avignon, Paris and London. The sheikh got off the divan. He stretched and a slave, standing in the corner, hurried across, a white gauze cloak in his hands, he carefully wrapped this round his master’s shoulders. The Old Man ignored him as if the slave didn’t even exist. He walked across to a small alcove, pulling back the double-edged curtain of gold-embossed leather and stared down at the ivory chessmen.
‘It is the will of Allah!’ He murmured. ‘It is the will of Allah that I intervene in the game.’
He picked up the figure of the king and, cradling it against his cheek, went and sat on his throne-like chair. He thought of the infidel kings of the west: Edward of England, Philip of France, as well as his inveterate enemies, those monk-soldiers, the Templars, with their red crosses, great castles and immense power. He played with the figure of the king and smiled lazily.
‘It is time to go down,’ he murmured, ‘among the sons of men.’
England and France were on the verge of signing a great peace; the Templar order, ever ready, might exploit this peace and turn the eyes of the Western kings and princes to the regaining of Jerusalem and its Holy Places. Once again the fleets of Venice, Genoa and Pisa would be seen off the Palestine coast. The Templars would reprovision their castles and the great iron-mailed knights of the West would pour ashore to plant their standards above Acre, Damascus, Tripoli and Sidon, turning the whole coastline into a sea of blood. And there were other whispers. Strange stories, things the Old Man of the Mountain could hardly believe but hoped to act upon. He closed his eyes and whispered the three sacred messages of the Assassins, always dispatched to every one of their victims.
KNOWEST THOU, THAT WE GO FORTH AND RETURN AS BEFORE AND BY NO MEANS CAN YOU HINDER US.
KNOWEST THOU, THAT WHAT THOU POSSESSES SHALL ESCAPE THEE IN THE END AND RETURN TO US.
KNOWEST THOU, THAT WE HOLD YOU AND WILL KEEP THEE UNTIL THE ACCOUNT BE CLOSED.
He opened his eyes. Few men escaped such a message. Only one, Edward of England, whilst crusading in Palestine in the months before he became king: a poisoned knife plunged into his shoulder but, through God’s grace as well as the attentions of his wife, Edward had recovered from the poison. The Old Man of the Mountain played with the rings on his fingers. He must act on the secrets he’d learnt. But how, he wondered, could assassins be sent to Edward’s cold, misty isle? He toyed with the rings, watching the light dance on the precious stones, then lifted his head: there were more ways to sting a man than use a scorpion.
‘Bring up the prisoner!’ he whispered into the scent-filled air. ‘Release the Infidel, the knight we call the Unknown. He will do my bidding!’
&nb
sp; Some three months later, Dames Cecilia and Marcia of the Order of St Benedict were journeying along the old Roman road leading to the gate known as Botham Bar at York. The daylight had died. Darkness was beginning to shroud the damp forests on either side of the road. The two good sisters, swathed in their brown, woollen robes, each riding one of their convent’s best palfreys, gossiped to hide their own concern. They were not truly frightened. Their guide, Thurston of Guiseborough, striding ahead in front of them, was a burly, thickset peasant. He carried a short, small buckler on his back, sword and dagger were clasped to his belt, and his burly fist held a club which would have dimmed the brains of an ox. Nevertheless, the two good sisters liked to frighten each other. Now and again, they would glance hurriedly sideways at the damp trees and recall the tales about how the Romans had built this road. How, in the cold, wet forest beyond, the ghosts of these ancient people clustered in the vine-covered ruins where the owl, fox and badger made their nests.
The good sisters’ fears became more real as daylight disappeared and the undergrowth on either side of the road became alive with night creatures. A boar crashed across the road, his wicked tusks scything the air. Vixens yipped at the rising moon and, from some hamlet hidden in the trees, a dog bayed dolefully against the night. The two good sisters edged their palfreys closer. Secretly they comforted themselves. Who would harm two women consecrated to God? In actual fact they put their faith in Thurston’s thick club as well as the king’s impending arrival in York. Because of that, the highways and forest tracks had been cleared of outlaws and vagabonds. Moreover, the presence of so many sergeants of the great Templar Order also kept the villains, rascals and wolves heads well away from the city of York. It was the Templars about whom the two good sisters chattered: those iron-clad men with their sunburnt faces, their chainmail covered by great white cloaks of wool bearing a six-sided blood-red cross. The sisters had just passed the great Templar manor of Framlingham and its shadow-shrouded buildings had prompted their conversation about these strange men. The Templars were soldier-monks, virgins dedicated to war, but also the holders of great wealth as well as mysterious secrets. The two good sisters had learnt all this whilst staying at their mother house in Beverley. In the refectory there the sisters had gossiped about how the great Templar lords had swept into the convent courtyard demanding provisions for themselves and their horses. How they had guarded so securely a covered wagon bearing a six-locked coffer which, so Mother Perpetua informed them, must carry some great relic of tremendous force.
Satan's Fire (A Medieval Mystery Featuring Hugh Corbett) Page 1