“Well, that’s an interesting development,” she mused. “There have long been complicated political forces at work here in Oz, and Glinda has usually been at the center of them. With the witches of the East and South killed, it became easier for a while, but other factions have developed. Both Glinda and the Wizard have always been wild cards. No one has ever been able to tell quite where their loyalties lie, or what their goals are. And Dorothy is a problem. She’s quite mad, you know.”
“I know,” I said. “I’m going to kill her. Things will be a lot simpler when she’s dead.”
Polychrome scanned me carefully.
“You’re from the Other Place, aren’t you?” she asked.
“Yes,” I said.
“I see. Who brought you here?”
A change had come over her. She was no longer the airy, slightly dippy fairy who had greeted us at the door. Now she seemed older, more thoughtful. Her caftan had taken on a darker tone, and there was a glare in her eyes that was honestly a little frightening. I wondered if that earlier version had been an act. Maybe there was a steeliness to Polychrome that I was only beginning to see.
Heathcliff was pacing the room, and I could see that he was different, too. His white fur was glowing with an electrical sheen, and his horn was glittering. It looked like it was an actual part of him rather than just a stupid hat.
“I was brought here on a cyclone,” I said. Before she could comment on the obvious, I said it myself: “From Kansas. Like Dorothy.”
The new shift in Polychrome made me nervous. Suddenly I wondered how much I wanted to tell her. “Mombi thought I might find other members of the Order here,” I said, choosing to go with the easiest part first. “Have you heard any word of Glamora?”
Polychrome shook her head. “In the past months, my scrying pools have been clouded. I’ve been able to see very little of the goings-on in the rest of Oz. All I know is what I feel. And while I feel great changes are afoot, you know better than I as to what has brought those changes about.”
“I know some,” I said. “But not everything.”
I made a decision. I picked up my bag and emptied it onto the bar, displaying the trophies of my battles.
The Tin Woodman’s heart. The Lion’s tail.
“Where did you get these?” Polychrome asked, her voice quiet and surprised.
“I took them,” I said. “From their owners. I know they’re important, but Mombi thought you might be able to tell me more about them, and what they do.”
The Daughter of the Rainbow was already on her feet. “Come,” she said. “I need to examine these further in my Lumatorium.”
EIGHTEEN
Polychrome’s so-called Lumatorium was a dim, windowless chamber hidden deep in the castle’s interior behind a revolving bookshelf. It was crowded with mysterious, vaguely scientific-looking instruments, long laboratory tables and beakers and flasks full of colorful liquids and powders.
Looking around the room, I was struck by how many different types of magic there were in Oz, and how many different ways there were of practicing it. For some people, like Mombi—and me, come to think of it—magic was something you just kind of did. It was all instinct, a power that came directly from within. For other people, it was a practice closer to science.
The first style seemed a lot more convenient to me, but, on the other hand, Mombi had sent me here because she thought Polychrome would uncover things that she hadn’t been able to. So I guess there was something to all this junk.
Polychrome moved around the room efficiently, gathering up her materials, while Heathcliff curled up in the corner, observing her lazily. When she had everything she deemed necessary, she gestured for me to empty my bag again.
“Let’s take a look at those,” Polychrome said, and I set the objects I’d taken from the Lion and the Tin Woodman on a table. Polychrome in turn placed each of them on either end of an old-fashioned scale, which indicated, improbably, that they were perfectly balanced with each other.
The metal heart thumped robotically; the tail continued to twitch as if attached to an invisible owner. Polychrome sprinkled them with a dusting of acrid-smelling powder, causing them to halt in their motion. She fastened a thick, old-fashioned set of goggles to her face and knelt to examine them.
“Just as I suspected,” she said after a bit. She lit a candle and then, after some consideration, picked up a long, hollow glass rod tipped with a tiny, red orb. She touched the orb gently to the Tin Woodman’s heart and held it there. The rod began to change colors, filling with a sort of pink liquid, which she emptied into a beaker before repeating the same process with the tail.
She held the beaker over the candle and we both watched as it began to heat up and bubble.
“What are you doing to it?” I asked.
“Just running a few magical tests,” she said. “My methods are somewhat different from those used by the witches. I’m isolating the mystic elements of the objects to determine their origin, as well as—hopefully—to divine their purpose. It seems strange, of course, that they have any enchantment on them at all; when the Wizard granted them to their owners, he had no facility with magic to speak of. So one wonders that they should now be imbued with such energies. But indeed they are. Is it something that Dorothy did? Or is there another explanation?”
The liquid in the beaker boiled quickly over the flame, until all that was left of it was a thick, red syrup resembling blood. Polychrome selected a wide, shallow silver bowl from a shelf, placed it next to the scale, and poured the strange substance into it. She crouched and peered at it carefully through her goggles, swirling it around a little with her finger.
Next, she waved her palm across the surface and mumbled a few quick words that I didn’t understand.
The liquid began to change color until it was transparent. Polychrome nodded to herself. “Look,” she said, and when I gazed into the bowl with her, I saw that there was now an image in it.
In the bowl, as clear as if I was looking out through a window, was a flat, dusty prairie under a gray sky, tall grass blowing in the wind.
I recognized it immediately—maybe not the exact, specific location, but the idea of it. Back home, the prairie was everywhere. Even when you were standing in a strip mall, or walking along a busy highway, it was always still there, just out of sight. The flat, flat everything, the gray, dusty nothing seeping into your pores. So I had no doubt of exactly what I was looking at.
“Kansas,” I said.
“Indeed,” Polychrome said quietly. “And yet. Is it?”
I looked closer. It was Kansas, but it wasn’t. It was like one of those games in the back of a celebrity magazine, where you look at two pictures of Jennifer Aniston, and in the second one, everything is just a little off. Except in this version, the difference wasn’t that Jennifer Aniston was wearing a pink bracelet instead of a blue one. It was something harder to put your finger on than that.
It was something about the way the wind was blowing, something about the thick clouds that were rolling in. It didn’t just look lonely. It looked sick. It looked evil. It sent a chill down my spine.
“What does it mean?” I asked quietly.
Polychrome was silent. Heathcliff padded over to where she stood and she peeled her goggles off, then knelt and touched her forehead to the cat’s horn, staring into his eyes. She seemed to be consulting with him in a silent conversation.
Eventually she turned back to me, still kneeling.
“It could mean several things,” she said. “I still have many questions about these items. But, certainly, it means that they bear a deep connection with the Other Place. Your home. The Wizard’s home. Dorothy’s home. I also sense something not quite right about them. Something evil, I suppose. There was something about these things that was corrupting their owners.”
It was time to stop holding back, I knew. “The Wizard told me that until I gathered them, I wouldn’t be able to kill Dorothy.”
Polychrome twi
sted a lock of hair around her finger. She chewed on her lip. “It makes a certain sense,” she said. “If these items were somehow holding a piece of Dorothy’s essence, it could explain this connection to the Other Place. It might also explain the evil about them. And yet”—she dipped a finger into the pool—“I don’t know. I sense nothing of Dorothy in the tincture. You would think . . .”
She crossed her arms and looked up at the ceiling, confounded. “I just don’t know,” she sighed. “Here in Oz, we understand so very little of the Other Place, or of how Oz is connected to it. We never have. It’s a shame that the one person who does have knowledge of it is the one person we can’t ask.”
“Dorothy?”
“No. Nor do I believe the Wizard has much expertise when it comes to matters of the Other Place, despite hailing from there. But Glinda has made a study of your world. Of Oz’s magic practitioners, she is the only one who has demonstrated an ability to summon visitors from the outside—though many have tried.”
“Do you think she’s the one who brought me here?” I asked. I was still struggling to put all the pieces together. Things were beginning to add up, but in a way I couldn’t quite see an order to. It was like being halfway through a calculus problem, knowing you’re on the right track, and having no idea of the answer or how the hell you’re supposed to get there. This time, I didn’t think I would get points for showing my work.
“It’s possible. But part of me doubts it. What reason would she have had? And why would she have made an enemy out of you so quickly, if she had been the one to bring you here?”
She was right. It didn’t really make sense.
“I’m sorry I could not have been more help,” Polychrome said. “Perhaps if we had the third item—the Scarecrow’s brain—it would complete the puzzle.”
“I’m already on it,” I said.
“And Amy? Do me a favor?”
“What?” I asked.
“When you cut him open, make it hurt.”
I smiled. “It’s a promise,” I said.
With that, some of the girlishness returned to Polychrome’s face. She gave me a conspiratorial look. “Even before Dorothy came back and turned everyone evil,” she said in a stage whisper, cupping her palm to her mouth, “the Scarecrow was always a bit of a dick.”
She giggled and tossed her hair, and some of the tension left the room.
“Now,” she said. “Before we retire for the evening, I wanted to look into one more thing.” She turned to her giant unicorn-cat. “Heathcliff,” she said. “Fetch me our friend the queen.”
Heathcliff stood up on command, took a powerful leap across the room, and, like a ghost, passed right through the wall.
When Polychrome saw my look of surprise, she pursed her lips. “Everyone doubts my unicorn,” she said tartly. “Just because he doesn’t grant wishes doesn’t mean he’s useless.”
“I can see that now,” I said. “But why do you need Ozma again?”
Polychrome pressed a finger to her chin. “When we were in my rumpus room, I noticed a disturbance in the princess’s aura,” she said. “Something that made me suspect there might be more to her . . . condition than I previously suspected. I would like to examine her. Is there anything about her that you would like to tell me?”
I couldn’t tell if I was being tested. Is it possible she knew about Pete? Or knew that I knew? So I decided to hedge for the time being. “Mombi was hoping you would be able to . . . fix her. Make her more like how she used to be,” I said, feeling guilty both for telling only half the truth and also for saying even that much. I’d been hoping to totally avoid the subject of Ozma. After my conversation with Pete yesterday, I was worried about what would happen if anyone started messing around with whatever magic was binding him to the princess. What if they were fused forever? What if Pete just . . . disappeared?
He had made good on his promise to help me find Nox, and I didn’t want to betray him now.
A few minutes later, Heathcliff came padding back into the room with Ozma at his side. The princess looked sleepy and listless, like she’d just been woken from a nap.
“Hello, cousin,” Polychrome greeted her. Ozma looked up with an open and curious face, and Polychrome gently removed her scepter from her hand. For a second, Ozma looked reluctant to part with it, but she didn’t put up a fight.
“Stand over here, just for a moment.” The rainbow fairy led Ozma to a small footstool, and helped the princess climb onto it. As Ozma stood there dutifully, Polychrome began to bustle around the room, pulling ingredients from the shelves in a way that looked random and combining them haphazardly into a small cauldron that she suspended from a small stand over an eldritch flame.
“What’s that?” I asked, watching her suspiciously.
“Oh, nothing much,” Polychrome said. “Just a little Tincture of Revelation. Old family recipe. Not to worry; it’s quite harmless. Tastes quite a bit like Earl Grey, I’m told.”
She sniffed at the cauldron, and when she was satisfied that the tincture had been properly prepared, she poured it into a little teacup ringed with a delicate floral pattern and a gilded rim.
“Unicorn?”
She placed the teacup on the floor where Heathcliff could reach it, and he bent his head and touched the liquid with his horn. I didn’t notice that it had any effect, but when Polychrome examined the mixture again she seemed happy with the result.
She handed the cup to Ozma. “Drink up, Your Highness,” she said. “And let all that is hidden be revealed. When all this is over, I hope that we can be lovely friends again.”
Ozma sipped tentatively from the cup, and then, appearing to like the taste of it, gulped thirstily. As she drank, her movements began to slow. The empty cup dropped from her hands, and shattered on the floor.
“Never liked that pattern anyway,” Polychrome said to herself.
I wasn’t very worried about Polychrome’s china. I was too busy watching what was happening to the princess.
Her arms dangled lazily at her sides, her mouth went slack, and her eyes were heavy-lidded in an expression of sedate peacefulness. Meanwhile, something was emerging from her, a green smoke that curled out from her chest and hovered in the center of the room.
At first, it was just an indistinct cloud. Then its colors shifted, and the smoke condensed as it gathered itself into recognizable form. No: two forms, each of them hanging in the air next to each other, translucent but clearly visible as separate, familiar bodies.
One of them was Pete. The other was Ozma—a second Ozma, a ghostly simulacrum of the version who was still standing in a semi-drugged state on the stool.
Pete looked utterly himself: slim and lanky and a little bit mischievous, his features sharp and strong, with an odd, mismatched beauty.
This version of Ozma though, was different. Not in any way that I could really put a finger on, but in a way that was subtle and at the same time impossible to miss. Her eyes were bright and full of intelligence; her posture, even as she hung suspended above the ground, perfectly still, was regal and dignified. She had a power about her; an awe-inspiring grace that, even knowing she wasn’t real, made me want to kneel and bow my head to the ground.
She looked, in short, like a queen.
Behind them, the real Ozma—or, what I guess was the real Ozma—observed the two spirit forms that had been summoned forth from somewhere deep within her. She didn’t try to move from the stool she was standing on, and instead was simply looking on with the confused, sheepish guilt of a little kid who’s just been caught next to a broken cookie jar, the cookies scattered across the floor.
Polychrome looked back and forth between them and raised a knowing eyebrow.
“Interesting,” she said. “There have been two life forces occupying the princess’s body. But you knew that already, didn’t you?”
She smirked in my direction, like she’d had a feeling all along that this is exactly what she would find.
I nodded. What else coul
d I do? But Polychrome didn’t seem to care that I had lied to her. “No matter,” she said. “We all have our secrets. One of mine is that I’m not as dim as people often think. But, actually, I have a whole cabinet of secrets. So much more convenient not to have them rattling around in my head, you know? It’s much safer to keep them all locked up where I can’t leave them lying around by accident. Anyway. I could run some more tests, but I have a nagging little suspicion that you already have most of the answers we could desire. Who is this second soul?”
She stepped over to the spot where Pete’s form hovered and circled him, looking him up and down wolfishly. “Is he as charming as he appears?”
I tried my best to explain the whole Pete situation—what I knew of it, at least—to Polychrome, who nodded along with the story as I related it to her.
“I see,” she said. “When Mombi attempted to disguise the princess, she inadvertently created the seed of a new soul. It happens! The trick is catching it and nipping it in the bud before it comes into itself. Mombi has always been so sloppy when it comes to the details. It seems simple, now that you explain it. When Ozma was restored all those years ago, she suppressed this other soul. Then, when Dorothy did her little number on the princess, the thing was allowed to flourish again. At any rate, it shouldn’t interfere much with things.”
“What are you going to do?” I asked. I wasn’t sure I wanted to hear the answer.
“I can see now that the spell Dorothy cast on the princess was all anger and impulse. No sense of precision at all, but it was powerful, too. That makes it a bit more complicated, especially now that it’s had so much time to put roots down. But I think with a little elbow grease, I can restore Ozma to her proper state—the state you see before you instead of the simpering, foolish nincompoop who has been occupying her place all these years. And that will certainly change the game, won’t it?”
“What will happen to him? To Pete?” I tried to hide the panic I was feeling, but I don’t think I did a very good job of it.
Dorothy Must Die: The Other Side of the Rainbow Collection: No Place Like Oz, Dorothy Must Die, The Witch Must Burn, The Wizard Returns, The Wicked Will Rise Page 51