by Harte, Bret
"And there's more of it on the sleeve," said Jack; "isn't there?"
Mrs. Rylands looked reproachfully at Jack.
"That isn't champagne; don't you know what it is?"
"No!"
"It's blood," she said gravely; "when that Mexican cut poor Ned so bad,—don't you remember? I held his head upon my arm while you bandaged him." She heaved a little sigh, and then added, with a faint laugh, "That's the worst thing about the clothes of a girl in the profession, they get spoiled or stained before they wear out."
This large truth did not seem to impress Mr. Hamlin. "Why did you leave Santa Clara?" he said abruptly, in his previous critical tone.
"Because of the folks there. They were standoffish and ugly. You see, Josh"—
"Who?"
"Josh Rylands!—HIM! He told everybody who I was, even those who had never seen me in the bills,—how good I was to marry him, how he had faith in me and wasn't ashamed,—until they didn't believe we were married at all. So they looked another way when they met us, and didn't call. And all the while I was glad they didn't, but he wouldn't believe it, and allowed I was pining on account of it."
"And were you?"
"I swear to God, Jack, I'd have been content, and more, to have been just there with him, seein' nobody, letting every one believe I was dead and gone, but he said it was wrong, and weak! Maybe it was," she added, with a shy, interrogating look at Jack, of which, however, he took no notice. "Then when he found they wouldn't call, what do you think he did?"
"Beat you, perhaps," suggested Jack cheerfully.
"He never did a thing to me that wasn't straight out, square, and kind," she said, half indignantly, half hopelessly. "He thought if HIS kind of people wouldn't see me, I might like to see my own sort. So without saying anything to me, he brought down, of all things! Tinkie Clifford, she that used to dance in the cheap variety shows at 'Frisco, and her particular friend, Captain Sykes. It would have just killed you, Jack," she said, with a sudden hysteric burst of laughter, "to have seen Josh, in his square, straight-out way, trying to be civil and help things along. But," she went on, as suddenly relapsing into her former attitude of worried appeal, "I couldn't stand it, and when she got to talking free and easy before Josh, and Captain Sykes to guzzling champagne, she and me had a row. She allowed I was putting on airs, and I made her walk, in spite of Josh."
"And Josh seemed to like it," said Hamlin carelessly. "Has he seen her since?"
"No; I reckon he's cured of asking that kind of company for me. And then we came here. But I persuaded him not to begin by going round telling people who I was,—as he did the last time,—but to leave it to folks to find out if they wanted to, and he gave in. Then he let me fix up this house and furnish it my own way, and I did!"
"Do you mean to say that YOU fixed up that family vault of a sitting-room?" said Jack, in horror.
"Yes, I didn't want any fancy furniture or looking-glasses, and such like, to attract folks, nor anything to look like the old times. I don't think any of the boys would care to come here. And I got rid of a lot of sporting travelers, 'wild-cat' managers, and that kind of tramp in this way. But"—She hesitated, and her face fell again.
"But what?" said Jack.
"I don't think that Josh likes it either. He brought home the other day 'My Johnny is a Shoemakiyure,' and wanted me to try it on the organ. But it reminded me how we used to get just sick of singing it on and off the boards, and I couldn't touch it. He wanted me to go to the circus that was touring over at the cross roads, but it was the old Flanigin's circus, you know, the one Gussie Riggs used to ride in, with its old clown and its old ringmaster and the old 'wheezes,' and I chucked it."
"Look here," said Jack, rising and surveying Mrs. Rylands critically. "If you go on at this gait, I'll tell you what that man of yours will do. He'll bolt with some of your old friends!"
She turned a quick, scared face upon him for an instant. But only for an instant. Her hysteric little laugh returned, at once, followed by her weary, worried look. "No, Jack, you don't know him! If it was only that! He cares only for me in his own way,—and," she stammered as she went on, "I've no luck in making him happy."
She stopped. The wind shook the house and fired a volley of rain against the windows. She took advantage of it to draw a torn lace-edged handkerchief from her pocket behind, and keeping the tail of her eyes in a frightened fashion on Jack, applied the handkerchief furtively, first to her nose, and then to her eyes.
"Don't do that," said Jack fastidiously, "it's wet enough outside." Nevertheless, he stood up and gazed at her.
"Well," he began.
She timidly drew nearer to him, and took a seat on the kitchen table, looking up wistfully into his eyes.
"Well," resumed Jack argumentatively, "if he won't 'chuck' you, why don't you 'chuck' HIM?"
She turned quite white, and suddenly dropped her eyes. "Yes," she said, almost inaudibly, "lots of girls would do that."
"I don't mean go back to your old life," continued Jack. "I reckon you've had enough of that. But get into some business, you know, like other women. A bonnet shop, or a candy shop for children, see? I'll help start you. I've got a couple of hundred, if not in my own pocket in somebody's else, just burning to be used! And then you can look about you; and perhaps some square business man will turn up and you can marry him. You know you can't live this way, nohow. It's killing you; it ain't fair on you, nor on Rylands either."
"No," she said quickly, "it ain't fair on HIM. I know it, I know it isn't, I know it isn't," she repeated, "only"—She stopped.
"Only what?" said Jack impatiently.
She did not speak. After a pause she picked up the rolling-pin from the table and began absently rolling it down her lap to her knee, as if pressing out the stained silk skirt. "Only," she stammered, slowly rolling the pin handles in her open palms, "I—I can't leave Josh."
"Why can't you?" said Jack quickly.
"Because—because—I," she went on, with a quivering lip, working the rolling-pin heavily down her knee as if she were crushing her answer out of it,—"because—I—love him!"
There was a pause, a dash of rain against the window, and another dash from her eyes upon her hands, the rolling-pin, and the skirts she had gathered up hastily, as she cried, "O Jack! Jack! I never loved anybody like him! I never knew what love was! I never knew a man like him before! There never WAS one before!"
To this large, comprehensive, and passionate statement Mr. Jack Hamlin made no reply. An audacity so supreme had conquered his. He walked to the window, looked out upon the dark, rain-filmed pane that, however, reflected no equal change in his own dark eyes, and then returned and walked round the kitchen table. When he was at her back, without looking at her, he reached out his hand, took her passive one that lay on the table in his, grasped it heartily for a single moment, laid it gently down, and returned around the table, where he again confronted her cheerfully face to face.
"You'll make the riffle yet," he said quietly. "Just now I don't see what I could do, or where I could chip in your little game; but if I DO, or you do, count me in and let me know. You know where to write,—my old address at Sacramento." He walked to the corner, took up his still wet serape, threw it over his shoulders, and picked up his broad-brimmed riding-hat.
"You're not going, Jack?" she said hesitatingly, as she rubbed her wet eyes into a consciousness of his movements. "You'll wait to see HIM? He'll be here in an hour."
"I've been here too long already," said Jack. "And the less you say about my calling, even accidentally, the better. Nobody will believe it,—YOU didn't yourself. In fact, unless you see how I can help you, the sooner you consider us all dead and buried, the sooner your luck will change. Tell your girl I've found my own horse so much better that I have pushed on with him, and give her that."
He threw a gold coin on the table.
"But your horse is still lame," she said wonderingly. "What will you do in this storm?"
"Get into th
e cover of the next wood and camp out. I've done it before."
"But, Jack!"
He suddenly made a slight gesture of warning. His quick ear had caught the approach of footsteps along the wet gravel outside. A mischievous light slid into his dark eyes as he coolly moved backward to the door and, holding it open, said, in a remarkably clear and distinct voice:—
"Yes, as you say, society is becoming very mixed and frivolous everywhere, and you'd scarcely know San Francisco now. So delighted, however, to have made your acquaintance, and regret my business prevents my waiting to see your good husband. So odd that I should have known your Aunt Jemima! But, as you say, the world is very small, after all. I shall tell the deacon how well you are looking,—in spite of the kitchen smoke in your eyes. Good-by! A thousand thanks for your hospitality."
And Jack, bowing profoundly to the ground, backed out upon Jane, the hired man, and the expressman, treading, I grieve to say, with some deliberation upon the toes of the two latter, in order, possibly, that in their momentary pain and discomposure they might not scan too closely the face of this ingenious gentleman, as he melted into the night and the storm.
Jane entered, with a slight toss of her head.
"Here's your expressman,—ef you're wantin' him NOW."
Mrs. Rylands was too preoccupied to notice her handmaiden's significant emphasis, as she indicated a fresh-looking, bashful young fellow, whose confusion was evidently heightened by the unexpected egress of Mr. Hamlin, and the point-blank presence of the handsome Mrs. Rylands.
"Oh, certainly," said Mrs. Rylands quickly. "So kind of him to oblige us. Give him the order, Jane, please."
She turned to escape from the kitchen and these new intruders, when her eye fell upon the coin left by Mr. Hamlin. "The gentleman wished you to take that for your trouble, Jane," she said hastily, pointing to it, and passed out.
Jane cast a withering look after her retreating skirts, and picking the coin from the table, turned to the hired man. "Run to the stable after that dandified young feller, Dick, and hand that back to him. Ye kin say that Jane Mackinnon don't run arrants fur money, nor play gooseberry to other folks fur fun."
PART II
Mr. Joshua Rylands had, according to the vocabulary of his class, "found grace" at the age of sixteen, while still in the spiritual state of "original sin" and the political one of Missouri. He had not indeed found it by persistent youthful seeking or spiritual insight, but somewhat violently and turbulently at a camp-meeting. A village boy, naturally gentle and impressible, with an original character,—limited, however, in education and experience,—he had, after his first rustic debauch with some vulgar companions, fallen upon the camp-meeting in reckless audacity; and instead of being handed over to the district constable, was taken in and placed upon "the anxious bench," "rastled with," and exhorted by a strong revivalist preacher, "convicted of sin," and—converted! It is doubtful if the shame of a public arrest and legal punishment would have impressed his youthful spirit as much as did this spiritual examination and trial, in which he himself became accuser. Howbeit, its effect, though punitive, was also exemplary. He at once cast off his evil companions; remaining faithful to his conversion, in spite of their later "backslidings." When, after the Western fashion, the time came for him to forsake his father's farm and seek a new "quarter section" on some more remote frontier, he carried into that secluded, lonely, half-monkish celibacy of pioneer life—which has been the foundation of so much strong Western character—more than the usual religious feeling. At once industrious and adventurous, he lived by "the Word," as he called it, and Nature as he knew it,—tempted by none of the vices or sentiments of civilization. When he finally joined the Californian emigration, it was not as a gold-seeker, but as a discoverer of new agricultural fields; if the hardship was as great and the rewards fewer, he nevertheless knew that he retained his safer isolation and independence of spirit. Vice and civilization were to him synonymous terms; it was the natural condition of the worldly and unregenerate. Such was the man who chanced to meet "Nell Montgomery, the Pearl of the Variety Stage," on the Sacramento boat, in one of his forced visits to civilization. Without knowing her in her profession, her frank exposition of herself did not startle him; he recognized it, accepted it, and strove to convert it. And as long as this daughter of Folly forsook her evil ways for him, it was a triumph in which there was no shame, and might be proclaimed from the housetop. When his neighbors thought differently, and avoided them, he saw no inconsistency in bringing his wife's old friends to divert her: she might in time convert THEM. He had no more fear of her returning to their ways than he had of himself "backsliding." Narrow as was his creed, he had none of the harshness nor pessimism of the bigot. With the keenest self-scrutiny, his credulity regarding others was touching.
The storm was still raging when he alighted that evening from the up coach at the trail nearest his house. Although incumbered with a heavy carpet-bag, he started resignedly on his two-mile tramp without begrudging the neighborly act of his wife which had deprived him of his horse. It was "like her" to do these things in her good-humored abstraction, an abstraction, however, that sometimes worried him, from the fear that it indicated some unhappiness with her present lot. He was longing to rejoin her after his absence of three days, the longest time they had been separated since their marriage, and he hurried on with a certain lover-like excitement, quite new to his usually calm and temperate blood.
Struggling with the storm and darkness, but always with the happy consciousness of drawing nearer to her in that struggle, he labored on, finding his perilous way over the indistinguishable trail by certain landmarks in the distance, visible only to his pioneer eye. That heavier shadow to the right was not the hillside, but the SLOPE to the distant hill; that low, regular line immediately before him was not a fence or wall, but the line of distant gigantic woods, a mile from his home. Yet as he began to descend the slope towards the wood, he stopped and rubbed his eyes. There was distinctly a light in it. His first idea was that he had lost the trail and was nearing the woodman Mackinnon's cabin. But a more careful scrutiny revealed to him that it was really the wood, and the light was a camp-fire. It was a rough night for camping out, but they were probably some belated prospectors.
When he had reached the fringe of woodland, he could see quite plainly that the fire was built beside one of the large pines, and that the little encampment, which looked quite comfortable and secluded from the storm-beaten trail, was occupied apparently by a single figure. By the good glow of the leaping fire, that figure standing erect before it, elegantly shaped, in the graceful folds of a serape, looked singularly romantic and picturesque, and reminded Joshua Rylands—whose ideas of art were purely reminiscent of boyish reading—of some picture in a novel. The heavy black columns of the pines, glancing out of the concave shadow, also seemed a fitting background to what might have been a scene in a play. So strongly was he impressed by it that but for his anxiety to reach his home, still a mile distant, and the fact that he was already late, he would have penetrated the wood and the seclusion of the stranger with an offer of hospitality for the night. The man, however, was evidently capable of taking care of himself, and the outline of a tethered horse was faintly visible under another tree. It might be a surveyor or engineer,—the only men of a better class who were itinerant.
But another and even greater surprise greeted him as he toiled up the rocky slope towards his farmhouse. The windows of the sitting-room, which were usually blank and black by night, were glittering with unfamiliar light. Like most farmers, he seldom used the room except for formal company, his wife usually avoiding it, and even he himself now preferred the dining-room or the kitchen. His first suggestion that his wife had visitors gave him a sense of pleasure on her account, mingled, however, with a slight uneasiness of his own which he could not account for. More than that, as he approached nearer he could hear the swell of the organ above the roar of the swaying pines, and the cadences were not of a devotional cha
racter. He hesitated for a moment, as he had hesitated at the fire in the woods; yet it was surely his own house! He hurried to the door, opened it; not only the light of the sitting-room streamed into the hall, but the ruddier glow of an actual fire in the disused grate! The familiar dark furniture had been rearranged to catch some of the glow and relieve its sombreness. And his wife, rising from the music-stool, was the room's only occupant!
Mrs. Rylands gazed anxiously and timidly at her husband's astonished face, as he threw off his waterproof and laid down his carpet-bag. Her own face was a little flurried with excitement, and his, half hidden in his tawny beard, and, possibly owing to his self-introspective nature, never spontaneously sympathetic, still expressed only wonder! Mrs. Rylands was a little frightened. It is sometimes dangerous to meddle with a man's habits, even when he has grown weary of them.
"I thought," she began hesitatingly, "that it would be more cheerful for you in here, this stormy evening. I thought you might like to put your wet things to dry in the kitchen, and we could sit here together, after supper, alone."
I am afraid that Mrs. Rylands did not offer all her thoughts. Ever since Mr. Hamlin's departure she had been uneasy and excited, sometimes falling into fits of dejection, and again lighting up into hysterical levity; at other times carefully examining her wardrobe, and then with a sudden impulse rushing downstairs again to give orders for her husband's supper, and to make the extraordinary changes in the sitting-room already noted. Only a few moments before he arrived, she had covertly brought down a piece of music, and put aside the hymn-books, and taken, with a little laugh, a pack of cards from her pocket, which she placed behind the already dismantled vase on the chimney.
"I reckoned you had company, Ellen," he said gravely, kissing her.
"No," she said quickly. "That is," she stopped with a sudden surge of color in her face that startled her, "there was—a man—here, in the kitchen—who had a lame horse, and who wanted to get a fresh one. But he went away an hour ago. And he wasn't in this room—at least, after it was fixed up. So I've had no company."