by Harte, Bret
"But that was last night," he said, in a tone of raillery. "I was tired, and you said so yourself, you know. But I'm ready to talk now. What shall I tell you?"
"Anything," said the girl, with a laugh.
"What I am thinking of?" he said, with frankly admiring eyes.
"Yes."
"Everything?"
"Yes, everything." She stopped, and leaning forward, suddenly caught the brim of his soft felt hat, and drawing it down smartly over his audacious eyes, said, "Everything BUT THAT."
It was with some difficulty and some greater embarrassment that he succeeded in getting his eyes free again. When he did so, she had risen and entered the cabin. Disconcerted as he was, he was relieved to see that her expression of amusement was unchanged. Was her act a piece of rustic coquetry, or had she resented his advances? Nor did her next words settle the question.
"Ye kin do yer nice talk and philanderin' after we've settled whar we are, what we're goin', and what's goin' to happen. Jest now it 'pears to me that ez these yere logs are the only thing betwixt us and 'kingdom come,' ye'd better be hustlin' round with a few spikes to clinch 'em to the floor."
She handed him a hammer and a few spikes. He obediently set to work, with little confidence, however, in the security of the fastening. There was neither rope nor chain for lashing the logs together; a stronger current and a collision with some submerged stump or wreckage would loosen them and wreck the cabin. But he said nothing. It was the girl who broke the silence.
"What's your front name?"
"Miles."
"MILES,—that's a funny name. I reckon that's why you war so FAR OFF and DISTANT at first."
Mr. Hemmingway thought this very witty, and said so. "But," he added, "when I was a little nearer a moment ago, you stopped me."
"But you was moving faster than the shanty was. I reckon you don't take that gait with your lady friends at Sacramento! However, you kin talk now."
"But you forget I don't know 'where we are,' nor 'what's going to happen.'"
"But I do," she said quietly. "In a couple of hours we'll be picked up, so you'll be free again."
Something in the confidence of her manner made him go to the door again and look out. There was scarcely any current now, and the cabin seemed motionless. Even the wind, which might have acted upon it, was wanting. They were apparently in the same position as before, but his sounding-line showed that the water was slightly falling. He came back and imparted the fact with a certain confidence born of her previous praise of his knowledge. To his surprise she only laughed and said lazily, "We'll be all right, and you'll be free, in about two hours."
"I see no sign of it," he said, looking through the door again.
"That's because you're looking in the water and the sky and the mud for it," she said, with a laugh. "I reckon you've been trained to watch them things a heap better than to study the folks about here."
"I daresay you're right," said Hemmingway cheerfully, "but I don't clearly see what the folks about here have to do with our situation just now."
"You'll see," she said, with a smile of mischievous mystery. "All the same," she added, with a sudden and dangerous softness in her eyes, "I ain't sayin' that YOU ain't kinder right neither."
An hour ago he would have laughed at the thought that a mere look and sentence like this from the girl could have made his heart beat. "Then I may go on and talk?"
She smiled, but her eyes said, "Yes," plainly.
He turned to take a chair near her. Suddenly the cabin trembled, there was a sound of scraping, a bump, and then the whole structure tilted to one side and they were both thrown violently towards the corner, with a swift inrush of water. Hemmingway quickly caught the girl by the waist; she clung to him instinctively, yet still laughing, as with a desperate effort he succeeded in dragging her to the upper side of the slanting cabin, and momentarily restoring its equilibrium. They remained for an instant breathless. But in that instant he had drawn her face to his and kissed her.
She disengaged herself gently with neither excitement nor emotion, and pointing to the open door said, "Look there!"
Two of the logs which formed the foundation of their floor were quietly floating in the water before the cabin! The submerged obstacle or snag which had torn them from their fastening was still holding the cabin fast. Hemmingway saw the danger. He ran along the narrow ledge to the point of contact and unhesitatingly leaped into the icy cold water. It reached his armpits before his feet struck the obstacle,—evidently a stump with a projecting branch. Bracing himself against it, he shoved off the cabin. But when he struck out to follow it, he found that the log nearest him was loose and his grasp might tear it away. At the same moment, however, a pink calico arm fluttered above his head, and a strong grasp seized his coat collar. The cabin half revolved as the girl dragged him into the open door.
"You bantam!" she said, with a laugh, "why didn't you let ME do that? I'm taller than you! But," she added, looking at his dripping clothes and dragging out a blanket from the corner, "I couldn't dry myself as quick as you kin!" To her surprise, however, Hemmingway tossed the blanket aside, and pointing to the floor, which was already filmed with water, ran to the still warm stove, detached it from its pipe, and threw it overboard. The sack of flour, bacon, molasses, and sugar, and all the heavier articles followed it into the stream. Relieved of their weight the cabin base rose an inch or two higher. Then he sat down and said, "There! that may keep us afloat for that 'couple of hours' you speak of. So I suppose I may talk now!"
"Ye haven't no time," she said, in a graver voice. "It won't be as long as a couple of hours now. Look over thar!"
He looked where she pointed across the gray expanse of water. At first he could see nothing. Presently he saw a mere dot on its face which at times changed to a single black line.
"It's a log, like these," he said.
"It's no log. It's an Injun dug-out*—comin' for me."
* A canoe made from a hollowed log.
"Your father?" he said joyfully.
She smiled pityingly. "It's Tom Flynn. Father's got suthin' else to look arter. Tom Flynn hasn't."
"And who's Tom Flynn?" he asked, with an odd sensation.
"The man I'm engaged to," she said gravely, with a slight color.
The rose that blossomed on her cheek faded in his. There was a moment of silence. Then he said frankly, "I owe you some apology. Forgive my folly and impertinence a moment ago. How could I have known this?"
"You took no more than you deserved, or that Tom would have objected to," she said, with a little laugh. "You've been mighty kind and handy."
She held out her hand; their fingers closed together in a frank pressure. Then his mind went back to his work, which he had forgotten,—to his first impressions of the camp and of her. They both stood silent, watching the canoe, now quite visible, and the man that was paddling it, with an intensity that both felt was insincere.
"I'm afraid," he said, with a forced laugh, "that I was a little too hasty in disposing of your goods and possessions. We could have kept afloat a little longer."
"It's all the same," she said, with a slight laugh; "it's jest as well we didn't look too comf'ble—to HIM."
He did not reply; he did not dare to look at her. Yes! It was the same coquette he had seen last night. His first impressions were correct.
The canoe came on rapidly now, propelled by a powerful arm. In a few moments it was alongside, and its owner leaped on the platform. It was the gentleman with his trousers tucked in his boots, the second voice in the gloomy discussion in the general store last evening. He nodded simply to the girl, and shook Hemmingway's hand warmly.
Then he made a hurried apology for his delay: it was so difficult to find "the lay" of the drifted cabin. He had struck out first for the most dangerous spot,—the "old clearing," on the right bank, with its stumps and new growths,—and it seemed he was right. And all the rest were safe, and "nobody was hurt."
"All the same, Tom,"
she said, when they were seated and paddling off again, "you don't know HOW NEAR YOU CAME TO LOSING ME." Then she raised her beautiful eyes and looked significantly, not at HIM, but at Hemmingway.
When the water was down at "Jules'" the next day, they found certain curious changes and some gold, and the secretary was able to make a favorable report. But he made none whatever of his impressions "when the water was up at 'Jules','" though he often wondered if they were strictly trustworthy.
THE BOOM IN THE "CALAVERAS CLARION"
The editorial sanctum of the "Calaveras Clarion" opened upon the "composing-room" of that paper on the one side, and gave apparently upon the rest of Calaveras County upon the other. For, situated on the very outskirts of the settlement and the summit of a very steep hill, the pines sloped away from the editorial windows to the long valley of the South Fork and—infinity. The little wooden building had invaded Nature without subduing it. It was filled night and day with the murmur of pines and their fragrance. Squirrels scampered over its roof when it was not preoccupied by woodpeckers, and a printer's devil had once seen a nest-building blue jay enter the composing window, flutter before one of the slanting type-cases with an air of deliberate selection, and then fly off with a vowel in its bill.
Amidst these sylvan surroundings the temporary editor of the "Clarion" sat at his sanctum, reading the proofs of an editorial. As he was occupying that position during a six weeks' absence of the bona fide editor and proprietor, he was consequently reading the proof with some anxiety and responsibility. It had been suggested to him by certain citizens that the "Clarion" needed a firmer and more aggressive policy towards the Bill before the Legislature for the wagon road to the South Fork. Several Assembly men had been "got at" by the rival settlement of Liberty Hill, and a scathing exposure and denunciation of such methods was necessary. The interests of their own township were also to be "whooped up." All this had been vigorously explained to him, and he had grasped the spirit, if not always the facts, of his informants. It is to be feared, therefore, that he was perusing his article more with reference to its vigor than his own convictions. And yet he was not so greatly absorbed as to be unmindful of the murmur of the pines without, his half-savage environment, and the lazy talk of his sole companions,—the foreman and printer in the adjoining room.
"Bet your life! I've always said that a man INSIDE a newspaper office could hold his own agin any outsider that wanted to play rough or tried to raid the office! Thar's the press, and thar's the printin' ink and roller! Folks talk a heap o' the power o' the Press!—I tell ye, ye don't half know it. Why, when old Kernel Fish was editin' the 'Sierra Banner,' one o' them bullies that he'd lampooned in the 'Banner' fought his way past the Kernel in the office, into the composin'-room, to wreck everythin' and 'pye' all the types. Spoffrel—ye don't remember Spoffrel?—little red-haired man?—was foreman. Spoffrel fended him off with the roller and got one good dab inter his eyes that blinded him, and then Spoffrel sorter skirmished him over to the press,—a plain lever just like ours,—whar the locked-up form of the inside was still a-lyin'! Then, quick as lightnin', Spoffrel tilts him over agin it, and HE throws out his hand and ketches hold o' the form to steady himself, when Spoffrel just runs the form and the hand under the press and down with the lever! And that held the feller fast as grim death! And when at last he begs off, and Spoff lets him loose, the hull o' that 'ere lampooning article he objected to was printed right onto the skin o' his hand! Fact, and it wouldn't come off, either."
"Gosh, but I'd like to hev seen it," said the printer. "There ain't any chance, I reckon, o' such a sight here. The boss don't take no risks lampoonin', and he" (the editor knew he was being indicated by some unseen gesture of the unseen workman) "ain't that style."
"Ye never kin tell," said the foreman didactically, "what might happen! I've known editors to get into a fight jest for a little innercent bedevilin' o' the opposite party. Sometimes for a misprint. Old man Pritchard of the 'Argus' oncet had a hole blown through his arm because his proofreader had called Colonel Starbottle's speech an 'ignominious' defense, when the old man hed written 'ingenuous' defense."
The editor paused in his proof-reading. He had just come upon the sentence: "We cannot congratulate Liberty Hill—in its superior elevation—upon the ignominious silence of the representative of all Calaveras when this infamous Bill was introduced." He referred to his copy. Yes! He had certainly written "ignominious,"—that was what his informants had suggested. But was he sure they were right? He had a vague recollection, also, that the representative alluded to—Senator Bradley—had fought two duels, and was a "good" though somewhat impulsive shot! He might alter the word to "ingenuous" or "ingenious," either would be finely sarcastic, but then—there was his foreman, who would detect it! He would wait until he had finished the entire article. In that occupation he became oblivious of the next room, of a silence, a whispered conversation, which ended with a rapping at the door and the appearance of the foreman in the doorway.
"There's a man in the office who wants to see the editor," he said.
"Show him in," replied the editor briefly. He was, however, conscious that there was a singular significance in his foreman's manner, and an eager apparition of the other printer over the foreman's shoulder.
"He's carryin' a shot-gun, and is a man twice as big as you be," said the foreman gravely.
The editor quickly recalled his own brief and as yet blameless record in the "Clarion." "Perhaps," he said tentatively, with a gentle smile, "he's looking for Captain Brush" (the absent editor).
"I told him all that," said the foreman grimly, "and he said he wanted to see the man in charge."
In proportion as the editor's heart sank his outward crest arose. "Show him in," he said loftily.
"We KIN keep him out," suggested the foreman, lingering a moment; "me and him," indicating the expectant printer behind him, "is enough for that."
"Show him up," repeated the editor firmly.
The foreman withdrew; the editor seated himself and again took up his proof. The doubtful word "ignominious" seemed to stand out of the paragraph before him; it certainly WAS a strong expression! He was about to run his pencil through it when he heard the heavy step of his visitor approaching. A sudden instinct of belligerency took possession of him, and he wrathfully threw the pencil down.
The burly form of the stranger blocked the doorway. He was dressed like a miner, but his build and general physiognomy were quite distinct from the local variety. His upper lip and chin were clean-shaven, still showing the blue-black roots of the beard which covered the rest of his face and depended in a thick fleece under his throat. He carried a small bundle tied up in a silk handkerchief in one hand, and a "shot-gun" in the other, perilously at half-cock. Entering the sanctum, he put down his bundle and quietly closed the door behind him. He then drew an empty chair towards him and dropped heavily into it with his gun on his knees. The editor's heart dropped almost as heavily, although he quite composedly held out his hand.
"Shall I relieve you of your gun?"
"Thank ye, lad—noa. It's moor coomfortable wi' me, and it's main dangersome to handle on the half-cock. That's why I didn't leave 'im on the horse outside!"
At the sound of his voice and occasional accent a flash of intelligence relieved the editor's mind. He remembered that twenty miles away, in the illimitable vista from his windows, lay a settlement of English north-country miners, who, while faithfully adopting the methods, customs, and even slang of the Californians, retained many of their native peculiarities. The gun he carried on his knee, however, was evidently part of the Californian imitation.
"Can I do anything for you?" said the editor blandly.
"Ay! I've coom here to bill ma woife."
"I—don't think I understand," hesitated the editor, with a smile.
"I've coom here to get ye to put into your paaper a warnin', a notiss, that onless she returns to my house in four weeks, I'll have nowt to do wi' her again."
"
Oh!" said the editor, now perfectly reassured, "you want an advertisement? That's the business of the foreman; I'll call him." He was rising from his seat when the stranger laid a heavy hand on his shoulder and gently forced him down again.
"Noa, lad! I don't want noa foreman nor understrappers to take this job. I want to talk it over wi' you. Sabe? My woife she bin up and awaa these six months. We had a bit of difference, that ain't here nor there, but she skedaddled outer my house. I want to give her fair warning, and let her know I ain't payin' any debts o' hers arter this notiss, and I ain't takin' her back arter four weeks from date."
"I see," said the editor glibly. "What's your wife's name?"
"Eliza Jane Dimmidge."
"Good," continued the editor, scribbling on the paper before him; "something like this will do: 'Whereas my wife, Eliza Jane Dimmidge, having left my bed and board without just cause or provocation, this is to give notice that I shall not be responsible for any debts of her contracting on or after this date.'"
"Ye must be a lawyer," said Mr. Dimmidge admiringly.
It was an old enough form of advertisement, and the remark showed incontestably that Mr. Dimmidge was not a native; but the editor smiled patronizingly and went on: "'And I further give notice that if she does not return within the period of four weeks from this date, I shall take such proceedings for relief as the law affords.'"
"Coom, lad, I didn't say THAT."
"But you said you wouldn't take her back."
"Ay."
"And you can't prevent her without legal proceedings. She's your wife. But you needn't take proceedings, you know. It's only a warning."
Mr. Dimmidge nodded approvingly. "That's so."
"You'll want it published for four weeks, until date?" asked the editor.
"Mebbe longer, lad."