by Tara Ison
“YOU OUGHTTA COME to my place for shabbes lunch tomorrow,” he says as he walks her home.
“What?” she says, nonplussed.
“I’ll make you lunch. I get home from shul by eleven, so you come over around noon, right?”
“I have too much work to do,” she says. “I don’t have time.”
“But it’s Saturday. I’ll make us lunch.”
“I’m in the middle of a painting, I don’t want to lose the momentum.”
“Oh, come on. Just lunch, right?”
They stop outside Nana’s house; she steps up on the curb, so they’re eye to eye. He looks hopeful, and it quickens her, kills her resolve.
“Yeah, okay.” They regard each other a moment; she quickly leans over and kisses him on the cheek. His arms enfold her unexpectedly, clasping her. She feels clasped. It’s both feeling trapped and feeling held, safe, and confuses her for a moment; she tries to pull away.
“Wait,” he says. She waits, and he takes a deep breath, releasing it into her hair. “Why aren’t you breathing?” he asks. So she takes a deep showy breath, releases it, and her body involuntarily sags against him, her face in the collar of his jacket, the sweetish leather brine. “Yeah, that’s it,” he says. Then releases her so unexpectedly she almost stumbles off the curb. “So, you’ll be there? I can’t call you tomorrow to check.”
“Okay, yes, I’ll be there.”
“Good,” he says, and ambles off.
THERE ARE PHOTOS everywhere: Marty with his son at age six, at ten, at fourteen, at eighteen, Marty with his old bands, Marty onstage, Marty with Tony and Frankie and Sammy, Marty with Julius. Crammed among the photos are books: Jewish History and Spirituality, the Torah, Talmud, Biblical Literacy, Jewish Ritual, The Living Jew, The Jew in America, Zen Judaism, Modern Judaism, The Jewish Mystical Tradition, Jews in Hollywood, Jews in Music, Jews in Rock and Roll, and a section devoted to the Holocaust, Primo Levi, Elie Wiesel, Hannah Arendt, Franz Rosenzweig, Martin Buber, Hasidism, the history of Israel. Then shelf after shelf of record albums, thousands of them, labeled and chronologized, subdivided alphabetically, smelling of old cardboard turning slowly to dust. The dining room table is set with straw place mats and nice china, tiny crystal glasses with silver filigree, a challah ready for slicing. The two lighted white candles flicker as she passes.
“This is really nice,” Sarah tells him.
He beams at her as he carries in a bowl of salad. “Yeah? It’s good, right? Twenty-five years, I been here.” The dining room window looks out on the beach, a gleam of white sand and blue water, the throng of beachgoers, the lifeguard in his high chair down near the water’s break framed perfectly, asymmetrically, exactly as she’d pictured.
“Did you live here with your wife and son?”
He blinks at the light, turns back to her. “No, I bought it after me and Barbara split up. Daniel, he went back and forth, you know? Barbara lives in Ohio. She’s a realtor.”
“Where’s your son now?”
“My son. My son is off doing his thing. Daniel’s living in Tel Aviv with his wife, a real sabra. You think I’m a fanatic. Man. He’s a record producer, all the digital stuff. He’s off doing, living his life. Here, I made a salad. And there’s hard boiled eggs, you like those?”
“It’s fine. It’s great. I know, no cooking. I didn’t expect a pork roast.” He rolls his eyes at her, and she realizes, pleased, that he’s nervous. She’d dressed deliberately: thin-strapped tank top and her shortest shorts, a pair of boy’s flannel boxers. Her bare legs gleam smooth with baby oil; the skin of her naked arms, she notes with satisfaction, looks golden, unmarred. He’s wearing shorts and a baggy T-shirt, high-top sneakers, just as she’s seen him dressed for playing handball. A backward baseball cap on his head, the name of some movie embroidered above the bill. “Is that what you wear to shul?” she asks.
“No, I changed when I got back. Oh, wait, here . . .” He opens a misty, iced bottle of vodka, half-fills her little crystal glass, tops it off with a dash from a bottle of pinkish liquid. “Apricot schnapps. Daniel brings it from Israel when he comes.” He recites a quick Kiddush in Hebrew while she watches, then hands her the glass. “You’ll like this, here.”
She drinks it down, feels it crawl through her chest like a hot crab. “Mm. That’s nice.”
“Good. Here, you’ll have more . . .” He pours her another one, swallows his. He glances at her shoulders, her legs, and she resists the reflexive urge to turn away, to cross her arms or step behind a chair to cover her thighs. She sips from her glass, steps slowly out of her sandals, and scratches the back of one calf with a toe. “You okay in those?” he asks, nodding at her sandals on the floor. “After lunch we’ll go for a walk.”
“Are we allowed to do that?”
“Yeah, sure. It counts as menuchah. Rest. Itzak says it’s a mitzvah, taking a stroll on shabbes. A mitzvah’s—”
“I know, a blessing.”
“No, see, that’s what people think mitzvoh means. But a mitzvah’s more like a commandment. A sacred deed. The mitzvoh, see, those’re what we do, the actions we perform that bring holiness, spirituality.”
“And shabbes is the day to load up on them.”
“Yeah, that’s right. Good. Like going to shul. Lighting the candles. Like taking a long stroll with someone so you can just, you know, be together.” He fills her tiny glass again with vodka, another dash of schnapps, and smiles at her with pleasure. “Like inviting someone into your home.”
THEY STROLL A mile or so down the beach, through Riis Park, past the mobbed handball courts and bicycle paths, around the teeming families picnicking, barbecuing on every grassy inch of space. Even the air is too crowded, here, full of roasting meat, onion, mustard smells, the blare and throb of boom boxes, people laughing, chattering.
“And with the transplant, she’ll be good again, your mom?” he asks.
“I guess. Although if I were a person with Hepatitis C or something I’d be pretty pissed off if they wasted a perfectly good liver giving it to a sixty-two-year-old alcoholic.”
He waves a hand at her, dismisses her comment as a joke. “But your dad’s there, see, that’s good. They got each other.”
“Yeah, but they keep trying to outsick each other. Whoever’s more miserable wins. And he plays a lot of golf. He leaves to go play golf a lot.” She stops to adjust her sandal.
“What do you want to do?” Marty asks. “You getting tired? You want to keep going, or turn around? Head home?”
“No, let’s just stop for a moment.” They head up onto the boardwalk, the warped wooden slats creaking beneath their feet. They pause at a bench, and sit, facing the ocean, pigeons fluttering away.
“Yeah, but still,” he continues, “that’s the thing about growing old together, you know? You take care of your kids, then you take care of each other, and then the kids, right, there’s a point it turns around and your kids start helping you. That’s really the beautiful thing, taking care of your parents. Like you do. Honoring them. Doing back for them everything they did for you. It’s a mitzvah.”
“Yes,” she says. She feels a twinge of resentment, for his ludicrous little mythology. “But little kids need help, they need all that attention and support, for what, ten years, fifteen years? And the whole time parents are raising the kids toward growing up. Toward independence. For everybody. That’s the direction it goes, right, the goal? So parents get more and more free. The other way around, when the parents get older, you just get more and more trapped there. Trapped on that path. And who knows for how long?”
“Huh,” he says. “But you said they were doing okay. With you gone. They’re doing fine, right?”
“Yeah, for now. Like, today. But each day, as they get older and worse, it’s just . . . looming. How horrible it’s going to get. They’re going to need more and more help, and I’ll be more and more . . .” She pauses. She must sound terrible to him, she realizes, so insensitive and indifferent to her parents’ suffering
. “I mean, I’m just trying to appreciate the time we have left together. And it’s worse for them. I’m worried for them. I just don’t want them to be miserable. I don’t want them to suffer.”
“Yeah, sure. I get what you mean. It’s scary.”
They look out at the ocean. A ship is passing in the distance, and she remembers the moment of her early days here, the bright view from her window. Seagulls swoop in arcs, set in perfect composition against the clouds. The water is darkening in the late-afternoon sun, the waves beginning to shadow and peak in the tide.
“So, who takes care of you?” he asks out of nowhere.
“What?” she says. “I’m fine. I’m not the one who needs caretaking, thank God.” He can be so oblivious, she thinks, for all his soul-filled books and questions and spiritual crusades. She looks away from him, grips the bench, feels her throat grow tight. This happened before, she thinks, clenching her jaw, that first night at Itzak’s with him, talking about, what, shells, pearls, the soul, something about pudding. And then when she fell on the bike outside his house, what she thought was his house, but it wasn’t, he wasn’t there, and she cried there in the street like some pathetic little girl. Why be with someone who makes you want to cry because he’s there, who makes you want to cry because he isn’t there? Why even bother?
She unexpectedly feels his hand on the back of her neck; he slides his fingers up, spreads them across the back of her skull, lifting her hair from its damp roots. The sudden breeze there makes her feel crept into, seen through. She feels transparent as gloss gel, and she wants to keep on resenting him, wants its opaque brace.
“But I am going to leave soon,” she says. “I’m leaving,” she says.
“You are?” He looks disturbed.
“My friend Emily’s having a baby in a few weeks, and I get to be there. I’m the doula.”
“What’s that?”
“Well, the midwife’s busy doing all the baby and birth stuff, so the doula’s there to, I don’t know, give the mother backrubs. Get the ice cream and anchovies. Tend to her.”
“Wow,” he says slowly.
“She’s having a water birth. In a big tub in the living room.”
He looks at her as if she’s making this up. “But, how’s that work? The baby in the water like that?”
“It’s only for a few seconds. The baby’s still getting oxygen from the mom, through the cord. They’re still connected like that. Emily says it’s less traumatic for the baby, actually. Like a mellower, more natural transition to entering the cold cruel world and figuring out how to breathe all on its own.”
“Wow,” he says again. “Okay. But after all that, you’ll come back?”
“I don’t know.” She shrugs. His eyebrows are lifted in hope and distress, and she likes it.
“No, come on, you’ll come back, right?”
“Maybe I’ll come back.” She tips her head back into his cradling hand. “For a while.”
MARTY SHOWS HER the upstairs of his house: guest room, office, master bedroom, all window’d and full of the same seashell hum as her room at Nana’s. His bathtub is a thick, deep square of creamy veined marble with an ocean view, gold-chromed, fluted spigot and Jacuzzi jets, surrounded by glass bowls full of sea sponges and bath soaps shaped like colorful scallops.
“Very Hugh Hefner,” she tells him.
He leans against the doorjamb, sheepish. “Yeah,” he says. “I just put this in a few years ago. Wish I’d had it before. When I was young enough to really enjoy it.”
“Aw,” she says. Her tank top is sticking to her back; she suddenly feels dirty, aware of all the sweat. She thinks she smells like old egg. “Hey, can I take a bath?’
“What?”
“Can I take a bath in that thing? Let me take a bath.”
“Yeah, sure.” He straightens up, interested in this abrupt project. “Those towels are clean,” he says, motioning to a neat, folded pile, “and here, you push this for the jets . . .” He turns the faucets on full blast, and points out a button to push.
“Do you have any bubble bath?”
“Uh, yeah. I do.” He selects a bottle from a large wire basket, offers it to her to sniff.
Cucumber, clover maybe, sweet lemon. “That’s good.”
He squeezes in a pint; she pushes on the jets, and the water turns to scented froth. “So, uh . . . yeah,” he says, waving fingers at her. “Have fun.” He leaves, sliding the bathroom door closed behind him.
She strips off her tank top and shorts, her underwear. She steps in the tub, the hot foam already rising to her knees. She sits, opening her legs, scooping water under her arms.
“You need anything?” she hears him yell.
“Yeah,” she yells back, over the jets. “Bring me something to drink.”
She settles back as the warm water floats up her arms, her shoulders, bubbling up to her throat. She turns off the faucet, then the jets. Her body floats like the jellyfish in the tide pools. I live on the beach, she thinks, it’s right there, the whole entire beautiful ocean, and I never even go in. I should, this is so lovely, floating. Her hair drifts off, darkening in the water, and she thinks of seaweed; she slides her hands up across her scalp, pulling the hair out further, letting it soak, getting so dark now, used to be so blond when she was little, at least all the sun and lemons are helping.
She floats.
She wishes there were a big tub like this at Nana’s, so she could float this way every day, be cleanly buoyant. She lets her head drop back until the water covers her ears, so she can have all the peace of being inside water. She recalls some portrait in some gallery—Germany? England? Late sixteenth-century, a Holbein knock-off in an unbefitting Baroque gold frame—of some blood-bathing Countess who killed hundreds of virgins so she could soak in a vast bath of their blood, convinced of its rejuvenating potential, its power to keep her young. The portrait showed a beautiful but viper-faced woman around thirty, with milky, unstained skin and aureate blond hair, an angelic smile. She wonders how long the Countess lived, if she ever ran out of virgins, if she died retaining her youthful, venous blush.
There’s a knock, she hears that, faintly, and the door slides open again; Marty hands her a tiny, silver-filigreed crystal glass of cold pinkish liquid, a copy of Newsday, a rolled towel for her neck. He places a clean, folded T-shirt on the sink.
“This is so nice,” Sarah says. “This is perfect.” She sits up to take everything from him, the water dipping to nipple level, her throat and chest covered in bubbled, sliding foam. “I am never leaving. I am staying here for the rest of my life.”
“Don’t,” he says, leaving again, waving his hand at her. “Don’t do that to me.”
WHEN SHE PADS damply back to his room an hour later, wearing his T-shirt and her flannel boxer shorts, he’s on his bed, asleep. Curled on his side like a tuckered-out little boy, amid a pile of pillows and magazines. He’s changed his baseball cap to a black knit one, with a tiny pompom on top. She tosses her underwear and tank top at the foot of the bed and climbs up, gently, on the side of his backbone’s convex curve. She finds an old Rolling Stone, props herself against the headboard, reads. She wishes she’d gone downstairs, first, for another vodka-and-schnapps, but she likes the composition, doesn’t want to move again. The wall of his room facing the ocean is floor-to-ceiling glass, leading out to a small balcony; there’s a beautiful, dimming light coming through, the shadows just beginning to angle. She hears seagulls, and the muted sounds of families leaving the beach, a soothing, tranquil noise.
Marty stirs, rolls to his other side, facing her. “Hey,” he says when he notices her, as if surprised.
“Hey,” she says.
“How was your bath?”
“Lovely.” She smiles briefly at him, goes back to the article on Elvis Costello.
“What time is it?” His little cap is askew, he adjusts it, then rubs his eyes.
“Around five, I think.”
“I should go to shul.”
&n
bsp; “Okay. I’ll get going.” She puts the magazine down and turns to crawl off the bed, but he grasps her wrist.
“No, wait.”
“Why?”
“Come here.” He tugs her back down, positions her so she’s on her side, facing away from him. He crimps his knees behind hers, wraps an arm around her shoulders, holds her close. She counts to ten in her head, very slowly, like giving a child plenty of time to hide, then tenses as if to leave. His arm instantly tightens, his hand at her throat, and she smiles to herself. “Don’t go, yet,” he mumbles.
“Okay.”
His hand travels slowly down the front of her shirt, across her waist, to her hip, and stops at the edge of flannel and skin. She feels fingers brush the hem of her shorts. Then stop.
“This isn’t exactly uncle and niece,” she says after a moment.
“What?”
“That’s how you usually treat me. Like an uncle and niece.”
“Wow,” he says. “I do?” His hand slips just inside her shorts, palms itself flat against her buttock.
“Well,” she says, shifting her legs.
“Okay, stop talking now,” he says.
She smiles, waiting. She feels her heart thumping against his arm, and hopes he doesn’t notice. She waits for the crept-into feeling of his hand at the back of her neck, his fingers in her hair, steadying her. She tries to slow her breathing to match and keep pace with his, until she realizes, from the deepening, slowing feel of his chest rising and falling against her shoulder, that he has once again fallen back to sleep.