by Bill Kopp
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Saucerful of Secrets: The Pink Floyd Odyssey, 1 , 2
Sawford, Jason, 1.1-1.2
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“The Scarecrow,” 1 , 2 , 3 , 4
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Schaffner, Nicholas, 1 , 2
Schroeder, Barbet, 1 , 2.1-2.2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , 11.1-11.2 , 12
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“Scream Thy Last Scream,” 1 , 2 , 3.1-3.2 , 4
“Sea Shell and Soft Stone,” 1
“Sea Shell and Stone,” 1 , 2.1-2.2
“Seabirds,” 1
“Seamus,” 1 , 2 , 3.1-3.2 , 4
“See Emily Play,” 1 , 2 , 3 , 4
“See-Saw,” 1
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Sesame Street, 1
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“Set the Controls for the Heart of the Sun,” 1 , 2 , 3 , 4 , 5 , 6 , 7.1-7.2 , 8 , 9
“Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict,” 1 , 2 , 3
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Sgt. Pepper’s Lonely Hearts Club Band, 1
Shakespeare, William, 1
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“She Took a Long Cold Look,” 1
“She Was a Millionaire,” 1
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Sheffield, 1
Sheffield City Hall, 1
Shine On, 1
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“Shine On You Crazy Diamond,” 1 , 2 , 3
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Shirley, Jerry, 1.1-1.2 , 2 , 3.1-3.2
Sigma 6, 1
sitar, 1
Skinner, Richard, 1
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“Sleeping,” 1.1-1.2
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Small Faces, 1
Smith, Norman, 1.1-1.2 , 2 , 3 , 4 , 5 , 6 , 7 , 8.1-8.2 , 9
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“Snowing,” 1
“So What if It’s Just Green Cheese?,” 1
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Soft Boys, 1 , 2
Soft Machine, 1 , 2 , 3
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“Something Else,” 1 , 2
“Song 1,” 1.1-1.2
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Songs for a Tailor, 1
Sound Techniques, 1 , 2 , 3.1-3.2 , 4
Sounds of the Seventies, 1 , 2
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“Southampton Dock,” 1
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Southampton University, 1
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“Space,” 1
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Spain, 1
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“A Spanish Piece,” 1
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Speak, 1.1-1.2
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“Speak to Me,” 1 , 2.1-2.2 , 3
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The Spectrum Five, 1
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Spencer Davis Group, 1
St. John, Barry, 1 , 2
Starclub, 1
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“Stay,” 1
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Steuer, Max, 1 , 2
Stewart, Rod, 1
Stewart, Tony, 1 , 2 , 3 , 4 , 5
Stockhausen, Karlheinz, 1
Stockholm, 1.1-1.2 , 2
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“Stoned Alone,” 1
“Storm Signal,” 1 , 2
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Stravinsky, Igor, 1
Strawberry Studios, 1
Strike, Liza, 1 , 2
Studio Europasinor, 1
Styles, Alan, 1.1-1.2
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“Summer ’68,” 1
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Sun Ra, 1
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“Sunny Side Up,” 1
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Sutherland Brothers & Quiver, 1
Swan Lake, 1
Sweden, 1
Switzerland, 1 , 2
Syd Barrett & Pink Floyd: Dark Globe, 1
Sykes, Peter, 1 , 2
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“Syncopated Pandemonium,” 1 , 2
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synthesizer, 1 , 2 , 3 , 4 , 5 , 6 , 7 , 8.1-8.2 , 9 , 10 , 11 , 12
synthi, 1
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“Sysyphus,” 1.1-1.2
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tabla, 1
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“Take Off,” 1
“Take Up Thy Stethoscope and Walk,” 1 , 2 , 3
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Tangerine Dream, 1 , 2
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“Teatime,” 1 , 2 , 3
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The Tea Set, 1
Teatro dell’Opera, 1
Technicolor Sound Services, 1
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“Tennessee Waltz,” 1
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Testa, Bart, 1 , 2
Thatcher, Margaret, 1
Their Mortal Remains, 1
Their Satanic Majesties Request, 1
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“Theme (Beat version),” 1
“Theme for an Imaginary Western,” 1
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Thriller, 1
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“Time,” 1 , 2 , 3.1-3.2 , 4 , 5 , 6.1-6.2 , 7
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Tommy, 1
Tomorrow, 1 , 2 , 3.1-3.2 , 4
Tonite Let’s All Make Love in London, 1 , 2.1-2.2 , 3 , 4 , 5
Took, Steve Peregrin, 1
Top Gear, 1.1-1.2 , 2.1-2.2 , 3
Top Pops & Music Now, 1
Torry, Claire, 1.1-1.2 , 2 , 3 , 4
Traffic, 1
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“The Travel Sequence,” 1 , 2 , 3.1-3.2 , 4
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tremolo, 1 See also whammy
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“The Trial,” 1
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Trouser Press, 1
Troy, Doris, 1 , 2
Trump, Donald, 1
tubular bells, 1 , 2
Turner, Steve, 1
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“Two of a Kind,” 1
“Two Suns in the Sunset,” 1
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tympani, 1 , 2 , 3
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United States of America, 1 , 2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , 11 , 12 , 13 , 14 , 15 , 16 , 17 , 18 , 19 , 20 , 21
U2, 1
UFO, 1 , 2
United Kingdom, 1 , 2.1-2.2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , 11 , 12 , 13 , 14 , 15 , 16 , 17 , 18
Ummagumma, 1 , 2 , 3 , 4 , 5.1-5.2 , 6 , 7 , 8 , 9 , 10 , 11 , 12 , 13 , 14 , 15 , 16 , 17 , 18 , 19 , 20 , 21 , 22 , 23 , 24 , 25 , 26 , 27 , 28
Underwater Moonlight, 1
University of Westminster, 1
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“Unknown Song (Take 1),” 1
“Untitled Epic,” 1 , 2
“Up the Khyber,” 1
“Us and Them,” 1 , 2 , 3.1-3.2 , 4.1-4.2
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V-E Day, 1
Van Gogh, Vincent, 1
Van Halen, 1
Varèse, Edgard, 1
VCS 3, 1 , 2 , 3.1-3.2 , 4 , 5 , 6 , 7.1-7.2
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“Vegetable Man,” 1.1-1.2 , 2.1-2.2 , 3
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vibraphone, 1 , 2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , 11 , 12
Victoria and Albert Museum, 1
Vincebus Eruptum, 1
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“The Violent Sequence,” 1 , 2 , 3
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Wah-wah pedal, 1 , 2 , 3 , 4 , 5 , 6 , 7
Wales, 1
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“Walk with Me Sydney,” 1 , 2
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The Wall, 1.1-1.2 , 2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , 11 , 12 , 13 , 14 , 15
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Wallner, Kalle, 1
Warehouse, 1.1-1.2
Waters, Judith “Jude” Trim, 1.1-1.2
Waters, Roger interviews, 1 , 2.1-2.2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , 11 , 12 , 13 , 14 , 15 , 16 , 17 , 18 , 19 , 20 , 21
solo albums, 1 , 2
Watkinson, Pete, 1
Welch, Chris, 1 , 2 , 3 , 4 , 5 , 6
WEM, 1
Wembley Arena, 1
West Germany, 1 , 2 , 3 , 4
West Hampstead, 1
West One, 1
Wet Dream, 1 , 2 , 3
whale, 1 , 2 , 3 , 4 , 5
whammy, 1 See also tremolo
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“When You’re In,” 1 , 2
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Whitehead, Peter, 1 , 2
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The Who, 1 , 2 , 3
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Wills, Rick, 1
Wilson, Brian, 1
Wilson, John “Willie,” 1 , 2 , 3.1-3.2 , 4 , 5 , 6 , 7 , 8
Winwood, Steve, 1
Wise, Steve, 1 , 2 , 3 , 4 , 5
Wish You Were Here, 1.1-1.2 , 2 , 3 , 4 , 5 , 6 , 7.1-7.2 , 8
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“The Womb Bit,” 1
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Woodstock, 1
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“Work,” 1.1-1.2 , 2 , 3
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Works, 1
World War II, 1
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“Wot’s . . . Uh the Deal?,” 1
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Wright, Richard death, 1 , 2
interviews, 1 , 2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , 11 , 12
jazz influences, 1 , 2 , 3
solo albums, 1
Wurlitzer electric piano, 1
Wyatt, Robert, 1
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xylophone, 1 , 2
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Yes, 1 , 2
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“You’ll Never Walk Alone,” 1
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Zabriskie Point, 1 , 2.1-2.2
Zandam, 1
ZigZag, 1
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The Zombies, 1
About the Author
Bill Kopp is a lifelong music enthusiast, musician, collector, and, since the 1990s, music journalist. His writing has been featured in music magazines including Bass Guitar, Prog, Record Collector, and Shindig! (all in Great Britain), as well as Billboard, Electronic Musician, Goldmine, Living Blues, Trouser Press, Ugly Things, and more than a dozen alternative weekly newspapers. He is the Jazz Desk Editor and Prog Editor at BLURT online, and has written liner note essays for twenty albums, including titles by Julian “Cannonball” Adderley, Larry Coryell, Edgar Winter, Rick Wakeman, The Ventures, Ben Folds, Dave Mason, and Iron Butterfly. He has interviewed several hundred musicians and music industry figures of note, and his musoscribe.com blog has featured new content—thousands of music reviews, essays, interviews, and features—every business day since 2009. He lives in a nearly century-old house in Asheville, North Carolina, with his wife, two cats, many thousands of vinyl records, and perhaps too many synthesizers and guitars. He’s active on social media on Facebook (www.facebook.com/reinventingpinkfloyd/) and Twitter (@the_musoscribe).