The Nearness of You

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The Nearness of You Page 1

by Amanda Eyre Ward




  The Nearness of You is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

  Copyright © 2017 by Amanda Eyre Ward

  All rights reserved.

  Published in the United States by Ballantine Books, an imprint of Random House, a division of Penguin Random House LLC, New York.

  BALLANTINE and the HOUSE colophon are registered trademarks of Penguin Random House LLC.

  Library of Congress Cataloging-in-Publication Data

  Names: Ward, Amanda Eyre, author.

  Title: The nearness of you: a novel / Amanda Eyre Ward.

  Description: First Edition. | New York: Ballantine Books [2017]

  Identifiers: LCCN 2016034065 (print) | LCCN 2016039755 (ebook) | ISBN 9781101887158 (hardback) | ISBN 9781101887165 (ebook)

  Subjects: LCSH: Domestic fiction. | BISAC: FICTION / Contemporary Women. | FICTION / Literary. | FICTION / Sagas.

  Classification: LCC PS3623.A725 N43 2017 (print) | LCC PS3623.A725 (ebook) | DDC 813/.6—dc23 LC record available at https://lccn.loc.gov/​2016034065

  Ebook ISBN 9781101887165

  randomhousebooks.com

  Book design by Diane Hobbing, adapted for ebook

  Cover design: Laura Klynstra

  Cover photo: Ngoc Minh Ngo/Offset.com

  v4.1

  ep

  Contents

  Cover

  Title Page

  Copyright

  Prologue

  Part One

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Part Two

  Chapter 1: Dorrie

  Chapter 2: Suzette

  Chapter 3: Dorrie

  Chapter 4: Suzette

  Chapter 5: Dorrie

  Chapter 6: Suzette

  Chapter 7: Dorrie

  Chapter 8: Suzette

  Chapter 9: Dorrie

  Chapter 10: Jayne

  Chapter 11: Suzette

  Chapter 12: Dorrie

  Chapter 13: Jayne

  Chapter 14: Suzette

  Chapter 15: Jayne

  Chapter 16: Dorrie

  Chapter 17: Suzette

  Chapter 18: Dorrie

  Chapter 19: Suzette

  Chapter 20: Dorrie

  Chapter 21: Suzette

  Chapter 22: Dorrie

  Chapter 23: Suzette

  Part Three

  Chapter 1: Eloise

  Chapter 2: Suzette

  Chapter 3: Hyland

  Chapter 4: Eloise

  Chapter 5: Suzette

  Chapter 6: Eloise

  Chapter 7: Hyland

  Chapter 8: Eloise

  Chapter 9: Suzette

  Chapter 10: Dorrie

  Chapter 11: Eloise

  Chapter 12: Suzette

  Chapter 13: Eloise

  Chapter 14: Dorrie

  Chapter 15: Eloise

  Chapter 16: Dorrie

  Chapter 17: Eloise

  Chapter 18: Dorrie

  Chapter 19: Suzette

  Chapter 20: Dorrie

  Chapter 21: Hyland

  Chapter 22: Suzette

  Chapter 23: Eloise

  Dedication

  Acknowledgments

  By Amanda Eyre Ward

  About the Author

  Prologue

  The girl in the bed was close to death. There were no flowers on the bedside table, no balloons. It had been a pale day. A final strip of sun lit up the girl’s motionless hands. Her fingernails were painted rose.

  The nurse stood in the doorway, waited for the clock to reach five. Then she cleared her throat, and the three adults looked up. One was a man in his mid-fifties, wearing glasses and a cardigan sweater. A camel-hair coat hung over the chair behind him. The other adults were women. One was younger, with black hair pulled into a ponytail. She wore a parka, but had unzipped it to reveal a sweatshirt with a kitten decal. Her face was flushed, eyes red as if she had been crying, though she was not crying now.

  The other woman was older but striking, with a dancer’s posture and thick, red hair streaked with silver. She wore no makeup. Her face was luminous. She was not from around here.

  “Visiting hours are over,” said the nurse.

  No one moved or spoke.

  The nurse repeated, “Visiting hours are over.” Still, the trio remained seated. “To clarify,” said the nurse—if she’d said it once, she’d said it a million times—“only immediate family can stay past five P.M.”

  “I’m her father,” said the man in a hoarse voice.

  “OK,” said the nurse. “And which of you is her mother?”

  There was a thick quiet, broken only by the sound of the ventilator; the girl’s slow but steady breath.

  “Who is her mother?” repeated the nurse.

  Part One

  Suzette

  2000

  1

  “I love you,” said Hyland, in a tone suggesting that whatever was to follow would be terrible.

  “I love you, too,” said Suzette. It was one of her rare days off, and they were having brunch. Hyland had ordered mimosas, a bad sign. After fifteen years of marriage, day drinking generally led to a queasy afternoon nap followed by dry mouths, pizza for dinner, and the sense that they should be having more sex. Thirty-nine was a confusing age.

  “Are we celebrating something?” said Suzette, when the waitress (a white girl whose nose was pierced through the septum with a cylindrical ring) placed their champagne glasses on the table.

  Hyland sat back in his chair, lifted his drink. “We’re celebrating our life,” he said. “Life! We are celebrating life.”

  If he’d had some sort of terminal diagnosis, Suzette would know. Wouldn’t she know? Surely, someone at the hospital would have told her. But there were many hospitals in Houston. “Are you…sick?” she ventured.

  “Sick? No, no!” said Hyland. But his face was weird as he gazed at her. In fact, he was looking at Suzette as if she were ill, her demise imminent—a combination of adoration and teary gratitude. Suzette was mad about her husband, but she hated this expression.

  “Hyland,” she said, pointedly sipping her ice water. “Something’s going on. Just tell me.”

  “I’m sorry,” said Hyland. He clasped her hands in a hot grip. “But it’s not a surprise. It’s a realization. OK? And will you hear me out?”

  Suzette nodded warily. “Go on,” she said.

  “Do you want to order first?” said Hyland. “Yum, blueberry buckwheat pancakes!”

  “Out with it, Hyland.”

  “OK. OK, honey. Here’s what it is. I was jogging on Wednesday, you know, around the neighborhood. I was…Well, you know I’ve been unhappy at work.”

  Suzette nodded. Her stomach eased. He was going to quit his job. No matter: Hyland, who had thought he’d be an artist, had worked at six different architecture firms since getting his degree, his mood circling from elated to morose, then back again with each new office. Suzette made enough money. She wanted Hyland to be the optimistic man she had married—she depended on it—and if leaving Glencoe & Associates would return him to himself, she was all for it. She nodded sympathetically, picking up her mimosa.

  “And I thought, I’ve been thinking, Is this it? I mean, we have our work, the house, the garden, but I mean—is that all?”

  “Is this about your job?” said Suzette hopefully.

  “No,” said Hyland. “It’s about— And please listen. It’s about. Well,
it’s about a baby.”

  Fear shot through Suzette. She had a sudden urge to stand up and throw her drink across the room. But she gathered herself. She breathed in slowly (Count to four, she heard the British narrator of her “Meditation for Anxiety” cassette tape intone); she held her breath, then exhaled (four, five, good work then…and six). She cleared her throat. “No,” said Suzette. “No, Hyland. Honey, please. We’ve decided. Haven’t we decided?”

  He held up his hand, nodding. “But what if we didn’t have to use…what if it were my baby—but with a surrogate mother? Not even one cell of Crazy Carolyn. Just a baby that’s biologically mine and otherwise both of ours. It’s not so strange.”

  “You’ve thought about this,” said Suzette, feeling hollow. She wanted to cry, but hadn’t cried in twenty years. “Hyland, we agreed…”

  He nodded. She’d told him she didn’t want children on their first date. She’d said it simply, as soon as she realized how intriguing she found Hyland, and also how calm he was—and kind, a quality she’d almost given up on, especially amongst the overwrought medical school colleagues she’d been dating.

  So many years ago: they’d finished their enchiladas and headed outside. Hyland couldn’t wait to show Suzette his favorite museum, a few blocks away from La Tapatia Taqueria. “There’s something I need to tell you,” Suzette had said.

  “Yes?” Hyland wore jeans and a Mexican wedding shirt with elaborate embroidery. Suzette had chosen one of her two sundresses for the blind date. Her closet was bare: she had no money and had lived for the past year in medical scrubs, even sleeping in them between shifts.

  “My mom is very sick,” said Suzette, pushing her hair behind her ears and looking past him, focusing on a live oak. “Mentally. She has a very bad mental illness. She’s—she’s in an institution now, and she will probably always be there.”

  Suzette saw that she had his full attention. His gaze was expectant but not surprised. Suzette exhaled. She was tired of telling this story, not embarrassed but simply over it. She hadn’t talked to her mother in years. As far as she was concerned, Carolyn was dead.

  “And I…I was sick, too, in college,” Suzette continued. “Mentally. But I’m fine now. I take medication, and I guess there’s always the risk that I’ll…” She could scarcely speak—the memory of the year she’d suffered was too awful to summon: the black terror and desolation, the difficulty of living from minute to minute. When she’d been unable to bear the pain a moment longer, she’d swallowed a bottle of sleeping pills. Her college roommate had returned from a date early, and Suzette was finally put on the meds that saved her, and had kept her pretty much sane ever since.

  “Anyway,” Suzette continued, “I never want to have, um, children. I want this sickness…to end with me.”

  “Where?” said Hyland.

  His question was so unexpected that Suzette laughed, stunned, then managed, “Where what?”

  “Where’s your mom?”

  “Oh,” said Suzette. “It’s in New York. She’s in New York. That’s where I’m from.”

  “Me, too,” said Hyland.

  “You too what?” said Suzette. Her head was spinning.

  “I’m from New York. Upper East Side. I grew up with my…with relatives on East Seventy-ninth.”

  Suzette nodded. Relatives? She decided not to ask, not yet. “My mom’s at Bellevue.”

  It was a strange prelude to a first kiss. But Hyland leaned toward her and she closed her eyes. His lips on hers, his mouth. It was love, it really was love.

  After the kiss, they continued walking to the Dan Flavin installation. Hyland (who still thought he’d be a famous artist himself) took Suzette’s hand amongst the tubes of glowing neon, turning once in a while to absorb her bewildered-but-blissful expression.

  “Do you get it?” he asked, in the main hall. Neon lights pulsed—pink, yellow, green, blue—and Suzette stared down, where the concrete floor seemed a river of color.

  “No,” admitted Suzette. “But I love it.”

  “Then you get it,” said Hyland.

  They returned to his small rental house in Montrose, where he tried to make bananas Foster, setting off his fire alarm after igniting a pan of rum. By the time they figured out how to turn off the alarm and ate the dessert, it was evening. They drank cold beer on Hyland’s front porch, then made love. When Suzette woke in the middle of the night, she felt a cool peace over her like water, her stomach calm. She looked at Hyland, touched his face, knew she’d do anything to keep him, to never return to the way she’d been just hours before: scared, dislocated, alone. They were married the following year by a justice of the peace, then took their four best friends to Goode Company Seafood for campechana, oyster po’ boys, and champagne. (They’d had to live on beans and rice for a month to save up for the celebration, and it was worth every penny.)

  Now, he sighed. “You’re right,” he said. “I know. We did agree.” And there was so much sadness in the words that Suzette was taken aback. Hyland looked at her. His parents and sister had been killed in a car accident when he was eleven. He’d told her, in their early courtship, that he’d always dreamed of having children, of seeing his mother’s face in them. He’d broken off their engagement over it, said it was just too important to him. But then, in the most wonderful turn of events, he’d changed his mind, and they were happy.

  “I thought we were happy,” said Suzette.

  But Hyland did not reply.

  —

  That night, Suzette lay awake, despite the Ambien. She tried deep breathing, then the meditation tape on her Walkman—the man with a British accent told her to “just check in” with each of her organs: How do your lungs feel today? Good? Tired? No need to change anything, just take note. And your colon? How does your colon feel?

  Suzette pulled off her headphones. She had a full day ahead at the hospital and needed to sleep. But no matter which way she arranged herself, Suzette could not let go. A baby. What if it were possible to have a baby? Because of her brain and her mother’s brain (and God knew, probably her grandparents’ brains before that), Suzette had never allowed herself to yearn for a child.

  A baby, warm on her chest. A toddler and a bag of breadcrumbs to feed the ducks in the park. The chance to erase her past, to begin anew. Suzette discovered that she liked the idea of the child being Hyland’s, a zygote formed with his sperm and the egg of someone young and sweet, someone who would disappear from the picture after a safe and joyous birth. (Bonus: Suzette would not have to give birth! Labor—its utter unpredictability, the brute nature of the act—had always terrified her. She was a surgeon for a reason, and that reason was complete control.)

  As the pill lowered its leaden curtain, zonking Suzette’s mind into silence, she curled up, lay on her side. Oh, maybe, she thought: a warm girl, the nape of her neck smelling of baby shampoo…

  2

  It was a lark for Suzette, at first. Nerve-racking, yes, but exciting. There were piles of folders—so many young eggs! So many wombs for rent! The best chance for conception was traditional surrogacy: Hyland would medically impregnate someone young(er), who would carry the baby to term. Suzette could keep working without interruption and Hyland would sire a child. It was a win-win all around.

  Late at night, though, Suzette panicked. It seemed straightforward, clinical, but something deep within her was disturbed. She thought of backing out, but Hyland was so damn thrilled—she hadn’t seen him like this in…well, ever. And she felt a fragile hope herself. A child—Hyland’s child—had been more than she’d ever dared to want. And yet, why not?

  Because she was scared. Suzette still felt surprised by her good luck each night when she came home and Hyland was not only still there but still loved her. It was some sort of post-traumatic stress thing, she assumed: due to her miserable childhood, Suzette’s fight-or-flight response was all out of whack and she saw normal life as precarious. She tried to tamp down her terror, sat next to her husband as he paged through the do
nor profiles. He kept his hand on her knee, knowing her, knowing she was like a spooked animal.

  In the middle of May, they chose a donor named Gail. Gail looked quite a bit like Suzette, actually: red hair and green eyes. But she was twenty-nine years old and had already given birth to two biological children and two surrogate babies, one for a gay couple in Arlington and one for a straight couple in Port Aransas. She kept a diary on her MySpace page, and Suzette spent her lunch break poring over it, reading about each of Gail’s pregnancies (a craving for peanut butter was a recurring theme) and staring at pictures of Gail’s children. Gail also had a husband, Oliver, who posed cheerily next to his constantly pregnant wife at bowling alleys and on a fishing boat.

  Gail lived in Sugar Land, a Houston suburb that had been built atop a sugar plantation. Gail wrote that Oliver worked “in the construction arena.” Suzette surmised that the $35,000 each surrogate birth brought in helped pay for the boat and matching trucks (with vanity plates reading HIZ and HERZ).

  “I don’t know,” said Pam, the head nurse, looking over Suzette’s shoulder at her computer screen.

  “She’s cute, though, don’t you think?” said Suzette.

  “Sure,” said Pam. “But Dodge Rams? You drive a Lexus.”

  “What’s your point?” said Suzette irritably.

 

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