by Mary Shelley
“Thus I relieve thee, my creator,” he said, and placed his hated hands before my eyes, which I flung from me with violence; “thus I take from thee a sight which you abhor. Still thou canst listen to me, and grant me thy compassion. By the virtues that I once possessed, I demand this from you. Hear my tale; it is long and strange, and the temperature of this place is not fitting to your fine sensations; come to the hut upon the mountain. The sun is yet high in the heavens; before it descends to hide itself behind yon snowy precipices, and illuminate another world, you will have heard my story, and can decide. On you it rests, whether I quit for ever the neighbourhood of man, and lead a harmless life, or become the scourge of your fellow-creatures, and the author of your own speedy ruin.”
As he said this, he led the way across the ice: I followed. My heart was full, and I did not answer him; but, as I proceeded, I weighed the various arguments that he had used, and determined at least to listen to his tale. I was partly urged by curiosity, and compassion confirmed my resolution. I had hitherto supposed him to be the murderer of my brother, and I eagerly sought a confirmation or denial of this opinion. For the first time, also, I felt what the duties of a creator towards his creature were, and that I ought to render him happy before I complained of his wickedness. These motives urged me to comply with his demand. We crossed the ice, therefore, and ascended the opposite rock. The air was cold, and the rain again began to descend: we entered the hut, the fiend with an air of exultation, I with a heavy heart, and depressed spirits. But I consented to listen; and, seating myself by the fire which my odious companion had lighted, he thus began his tale.
1. Chapter 10 in the 1831 edition.
2. Arveiron is a glacial tributary of Mont Blanc, its source at Montanvert before it joins the Arve. It was described as “rav[ing] ceaselessly” in Samuel Taylor Coleridge’s 1802 poem “Hymn before Sun-rise, in the Vale of Chaumouni.” Mary Shelley described it in letter 4 in Six Weeks’ Tour: “[T]he river rolls forth impetuously from an arch of ice, and spreads itself in many streams over a vast space of the valley, ravaged and laid bare by its inundations” (156).
3. The two preceding sentences do not appear in the 1831 edition and are replaced by the following:
I spent the following day roaming through the valley. I stood beside the sources of the Arveiron, which take their rise in a glacier, that with slow pace is advancing down from the summit of the hills to barricade the valley. The abrupt sides of vast mountains were before me; the icy wall of the glacier overhung me; a few shattered pines were scattered around; and the solemn silence of this glorious presence-chamber of imperial nature was broken only by the brawling waves or the fall of some vast fragment, the thunder sound of the avalanche or the cracking, reverberated along the mountains, of the accumulated ice, which, through the silent working of immutable laws, was ever and anon rent and torn, as if it had been but a plaything in their hands.”
In addition to eliminating the presence of the family, Mary Shelley has removed Victor’s commentary on the effect of the scenery on him, leaving only description.
4. This and the following eight sentences are substantially revised in the 1831 edition, as follows:
I retired to rest at night; my slumbers, as it were, waited on and ministered to by the assemblance of grand shapes which I had contemplated during the day. They congregated round me; the unstained snowy mountain-top, the glittering pinnacle, the pine woods, and ragged bare ravine, the eagle, soaring amidst the clouds—they all gathered round me and bade me be at peace.
Where had they fled when the next morning I awoke? All of soul-inspiriting fled with sleep, and dark melancholy clouded every thought. The rain was pouring in torrents, and thick mists hid the summits of the mountains, so that I even saw not the faces of those mighty friends. Still I would penetrate their misty veil and seek them in their cloudy retreats. What were rain and storm to me? My mule was brought to the door, and I resolved to ascend to the summit of Montanvert.
These seem to be changes made purely to reflect Victor’s solitary trip.
5. The Thomas Text replaces the two previous sentences with: “The affectionate smile with which Elizabeth welcomed my altered mood excited me to greater exertion; and I felt as I spoke long forgotten sensations of pleasure arise in my mind. I knew that this state of being would only be temporary, that gloom and misery was near at hand, but this knowledge only acted as a stimulant, and gave added a tingling sensation of fear, while the blood danced along my veins—my eyes sparkled and my limbs even trembled beneath the influence of unaccustomed emotion.”
6. The Montanvert, also known as the Mer de Glace (though Murray suggests that this is the name of the upper portion), is the name given to the glacier on the northern slopes of Mont Blanc. Mary Shelley wrote, in letter 4 of Six Weeks’ Tour, “On the other side [of the valley of the Arveiron] rises the immense glacier of Montanvert, fifty miles in extent, occupying a chasm among mountains of inconceivable height, and of forms so pointed and abrupt, that they seem to pierce the sky. From this glacier we saw as we sat on a rock, close to one of the streams of the Arveiron, masses of ice detach themselves from on high, and rush with a loud dull noise into the vale. The violence of their fall turned them into powder, which flowed over the rocks in imitation of waterfalls, whose ravines they usurped and filled” (156–57).
7. The phrase “without a guide” is substituted for “alone” in the 1831 edition; Victor is already alone.
8. An obsolete usage of the word, in this context meaning having no independent volition.
9. The word is “wind” in the Draft and appears to be what was intended, though never corrected by Mary or Percy Shelley.
10. Another interpolation by Mary Shelley: The quoted lines are from “Mutability,” a poem by Percy Shelley that first appeared in the 1816 collection Alastor, or The Spirit of Solitude, and Other Poems and clearly could not have been known to Victor.
11. “Anger” becomes “rage” in the 1831 edition.
12. According to the Oxford English Dictionary, one usage is “formally or surely consigned to evil or destruction; doomed.”
13. This is the first indication that the creature, made from parts of other creatures, has a soul. Whence did it arise? Later, Victor claims that he gave the creature a soul, by a process undescribed. See note 19, Volume III, Chapter IV, below.
14. The scope of the creature’s threat is greatly expanded by Percy Shelley in the Draft.
15. The phrase “may be” is replaced with “are” in the 1831 edition.
16. “I rejoined” is inserted here in the 1831 edition.
17. This sentence was added by Percy Shelley to the Draft.
CHAPTER III.1
“I T IS WITH considerable difficulty that I remember the original æra of my being: all the events of that period appear confused and indistinct. A strange multiplicity of sensations seized me, and I saw, felt, heard, and smelt, at the same time; and it was, indeed, a long time before I learned to distinguish between the operations of my various senses. By degrees, I remember, a stronger light pressed upon my nerves, so that I was obliged to shut my eyes. Darkness then came over me, and troubled me; but hardly had I felt this, when, by opening my eyes, as I now suppose, the light poured in upon me again. I walked, and, I believe, descended; but I presently found a great alteration in my sensations. Before, dark and opaque bodies had surrounded me, impervious to my touch or sight; but I now found that I could wander on at liberty, with no obstacles which I could not either surmount or avoid. The light became more and more oppressive to me; and, the heat wearying me as I walked, I sought a place where I could receive shade. This was the forest near Ingolstadt; and here I lay by the side of a brook resting from my fatigue, until I felt tormented by hunger and thirst. This roused me from my nearly dormant state, and I ate some berries which I found hanging on the trees, or lying on the ground. I slaked my thirst at the brook; and then lying down, was overcome by sleep.
“It was dark when I awoke; I
felt cold also, and half-frightened as it were instinctively, finding myself so desolate. Before I had quitted your apartment, on a sensation of cold, I had covered myself with some clothes; but these were insufficient to secure me from the dews of night. I was a poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but, feeling pain invade me on all sides, I sat down and wept.
“Soon a gentle light stole over the heavens, and gave me a sensation of pleasure. I started up, and beheld a radiant form rise from among the trees.2 I gazed with a kind of wonder. It moved slowly, but it enlightened my path; and I again went out in search of berries. I was still cold, when under one of the trees I found a huge cloak,3 with which I covered myself, and sat down upon the ground. No distinct ideas occupied my mind; all was confused. I felt light, and hunger, and thirst, and darkness; innumerable sounds rung in my ears, and on all sides various scents saluted me: the only object that I could distinguish was the bright moon, and I fixed my eyes on that with pleasure.
“Several changes of day and night passed, and the orb of night had greatly lessened when I began to distinguish my sensations from each other. I gradually saw plainly the clear stream that supplied me with drink, and the trees that shaded me with their foliage. I was delighted when I first discovered that a pleasant sound, which often saluted my ears, proceeded from the throats of the little winged animals who had often intercepted the light from my eyes. I began also to observe, with greater accuracy, the forms that surrounded me, and to perceive the boundaries of the radiant roof of light which canopied me. Sometimes I tried to imitate the pleasant songs of the birds, but was unable. Sometimes I wished to express my sensations in my own mode, but the uncouth and inarticulate sounds which broke from me frightened me into silence again.
“The moon had disappeared from the night, and again, with a lessened form, shewed itself, while I still remained in the forest. My sensations had, by this time, become distinct, and my mind received every day additional ideas. My eyes became accustomed to the light, and to perceive objects in their right forms; I distinguished the insect from the herb, and, by degrees, one herb from another.4 I found that the sparrow uttered none but harsh notes, whilst those of the blackbird and thrush were sweet and enticing.5
“One day, when I was oppressed by cold, I found a fire which had been left by some wandering beggars,6 and was overcome with delight at the warmth I experienced from it. In my joy I thrust my hand into the live embers, but quickly drew it out again with a cry of pain. How strange, I thought, that the same cause should produce such opposite effects! I examined the materials of the fire, and to my joy found it to be composed of wood. I quickly collected some branches; but they were wet, and would not burn. I was pained at this, and sat still watching the operation of the fire. The wet wood which I had placed near the heat dried, and itself became inflamed. I reflected on this; and, by touching the various branches, I discovered the cause, and busied myself in collecting a great quantity of wood, that I might dry it, and have a plentiful supply of fire. When night came on, and brought sleep with it, I was in the greatest fear lest my fire should be extinguished. I covered it carefully with dry wood and leaves, and placed wet branches upon it; and then, spreading my cloak, I lay on the ground, and sunk into sleep.
“It was morning when I awoke, and my first care was to visit the fire. I uncovered it, and a gentle breeze quickly fanned it into a flame. I observed this also, and contrived a fan of branches, which roused the embers when they were nearly extinguished. When night came again, I found, with pleasure, that the fire gave light as well as heat; and that the discovery of this element was useful to me in my food; for I found some of the offals that the travellers had left had been roasted, and tasted much more savoury than the berries I gathered from the trees. I tried, therefore, to dress my food in the same manner, placing it on the live embers. I found that the berries were spoiled by this operation, and the nuts and roots much improved.
“Food, however, became scarce; and I often spent the whole day searching in vain for a few acorns to assuage the pangs of hunger. When I found this, I resolved to quit the place that I had hitherto inhabited, to seek for one where the few wants I experienced would be more easily satisfied. In this emigration, I exceedingly lamented the loss of the fire which I had obtained through accident, and knew not how to re-produce it. I gave several hours to the serious consideration of this difficulty; but I was obliged to relinquish all attempt to supply it; and, wrapping myself up in my cloak, I struck across the wood towards the setting sun. I passed three days in these rambles, and at length discovered the open country. A great fall of snow had taken place the night before, and the fields were of one uniform white; the appearance was disconsolate, and I found my feet chilled by the cold damp substance that covered the ground.
“It was about seven in the morning, and I longed to obtain food and shelter; at length I perceived a small hut, on a rising ground, which had doubtless been built for the convenience of some shepherd. This was a new sight to me; and I examined the structure with great curiosity. Finding the door open, I entered. An old man sat in it, near a fire, over which he was preparing his breakfast. He turned on hearing a noise; and, perceiving me, shrieked loudly, and, quitting the hut, ran across the fields with a speed of which his debilitated form hardly appeared capable. His appearance, different from any I had ever before seen,7 and his flight, somewhat surprised me. But I was enchanted by the appearance of the hut: here the snow and rain could not penetrate; the ground was dry; and it presented to me then as exquisite and divine a retreat as Pandæmonium8 appeared to the daemons of hell after their sufferings in the lake of fire. I greedily devoured the remnants of the shepherd’s breakfast, which consisted of bread, cheese, milk, and wine; the latter, however, I did not like. Then overcome by fatigue, I lay down among some straw, and fell asleep.
The creature (Boris Karloff) meets the hermit (O. P. Heggie) (Bride of Frankenstein, Universal Pictures, 1935).
The hermit (Gene Hackman) meets the creature (Peter Boyle), from Young Frankenstein (Gruskoff/Venture Films, 1974).
“It was noon when I awoke; and, allured by the warmth of the sun, which shone brightly on the white ground, I determined to recommence my travels; and, depositing the remains of the peasant’s breakfast in a wallet I found, I proceeded across the fields for several hours, until at sunset I arrived at a village. How miraculous did this appear! the huts, the neater cottages, and stately houses, engaged my admiration by turns. The vegetables in the gardens, the milk and cheese that I saw placed at the windows of some of the cottages, allured my appetite. One of the best of these I entered; but I had hardly placed my foot within the door, before the children shrieked, and one of the women fainted. The whole village was roused; some fled, some attacked me, until, grievously bruised by stones and many other kinds of missile weapons, I escaped to the open country, and fearfully took refuge in a low hovel, quite bare, and making a wretched appearance after the palaces I had beheld in the village. This hovel, however, joined a cottage of a neat and pleasant appearance; but, after my late dearly-bought experience, I dared not enter it. My place of refuge was constructed of wood, but so low, that I could with difficulty sit upright in it. No wood, however, was placed on the earth, which formed the floor, but it was dry; and although the wind entered it by innumerable chinks, I found it an agreeable asylum from the snow and rain.
Pandemonium, by John Martin (ca. 1825).
“Here then I retreated, and lay down, happy to have found a shelter, however miserable, from the inclemency of the season, and still more from the barbarity of man.
“As soon as morning dawned, I crept from my kennel, that I might view the adjacent cottage, and discover if I could remain in the habitation I had found. It was situated against the back of the cottage, and surrounded on the sides which were exposed by a pig-stye and a clear pool of water. One part was open, and by that I had crept in; but now I covered every crevice by which I might be perceived with stones and wood, yet in
such a manner that I might move them on occasion to pass out: all the light I enjoyed came through the stye, and that was sufficient for me.
“Having thus arranged my dwelling, and carpeted it with clean straw, I retired; for I saw the figure of a man at a distance, and I remembered too well my treatment the night before, to trust myself in his power. I had first, however, provided for my sustenance for that day, by a loaf of coarse bread, which I purloined, and a cup with which I could drink, more conveniently than from my hand, of the pure water which flowed by my retreat. The floor was a little raised, so that it was kept perfectly dry, and by its vicinity to the chimney of the cottage it was tolerably warm.
“Being thus provided, I resolved to reside in this hovel, until something should occur which might alter my determination. It was indeed a paradise, compared to the bleak forest, my former residence, the rain-dropping branches, and dank earth. I ate my breakfast with pleasure, and was about to remove a plank to procure myself a little water, when I heard a step, and, looking through a small chink, I beheld a young creature, with a pail on her head, passing before my hovel. The girl was young and of gentle demeanour, unlike what I have since found cottagers and farm-house servants to be. Yet she was meanly dressed, a coarse blue petticoat and a linen jacket being her only garb; her fair hair was plaited, but not adorned; she looked patient, yet sad. I lost sight of her; and in about a quarter of an hour she returned, bearing the pail, which was now partly filled with milk. As she walked along, seemingly incommoded by the burden, a young man met her, whose countenance expressed a deeper despondence. Uttering a few sounds with an air of melancholy, he took the pail from her head, and bore it to the cottage himself. She followed, and they disappeared. Presently I saw the young man again, with some tools in his hand, cross the field behind the cottage; and the girl was also busied, sometimes in the house, and sometimes in the yard.