"For an instant after the crash there was silence, and then a low humming sound began, that waxed into a loud droning. And at the same time, at a spot half-way down the staircase where the block had crashed, a thin, purple liquid seemed to well out of the empty air, giving form to a few of the invisible steps as it flowed over them, and outlining, too, the block I had thrown, and a great hairy limb that lay crushed beneath it, and from which the fluid that was the monster's blood was oozing. I had not killed the thing, but had chained it down with the block that held it prisoner.
"There was a thrashing sound on the staircase, and the purple stream ran more freely, and by the outline of its splashes, I saw, dimly, the monstrous god that had been known in Mamurth in ages past. It was like a giant spider, with angled limbs that were yards long, and a hairy, repellent body. Even as I stood there, I wondered that the thing, invisible as it was, was yet visible by the life-blood in it, when that blood was spilled. Yet so it was, nor can I even suggest a reason. But one glimpse I got of its half-visible, purple-splashed outline, and then, hugging the farther side of the stairs, I descended. When I passed the thing, the intolerable odor of a crushed insect almost smothered me, and the monster itself made frantic efforts to loosen itself and spring at me. But it could not, and I got safely down, shuddering and hardly able to walk.
"Straight across the great court I went, and ran shakily through the corridor, and down the long avenue, and out between the two great statues. The moonlight shone on them, and the tablets of inscriptions stood out clearly on the sides of the statues, with their strange symbols and carved spider forms. But I knew now what their message was!
"It was well that my camels had wandered into the ruins, for such was the fear that struck through me that I would never have returned for them had they lingered by the invisible wall. All that night I rode to the north, and when morning came I did not stop, hut still pushed north. And as I went through the mountain pass, one camel stumbled and fell, and in falling burst open all my water supplies that were lashed on its back.
"No water at all was left, but I still held north, killing the other camel by my constant speed, and then staggered on, afoot. On hands and knees I crawled forward, when my legs gave out, always north, away from that temple of evil and its evil god. And tonight, I had been crawling, how many miles I do not know, and I saw your fire. And that is all."
He lay back exhausted, and Mitchell and I looked at each other's faces in the firelight. Then, rising, Mitchell strode to the edge of our camp and looked for a long time at the moonlit desert, which lay toward the south. What his thoughts were, I do not know. I was nursing my own, as I watched the man who lay beside our fire.
It was early the next morning that he died, muttering about great walls around him. We wrapped his body securely, and bearing it with us held our way across the desert.
In Algiers we cabled to the friends whose address we found in his money belt, and arranged to ship the body to them, for such had been his only request. Later they wrote that he had been buried in the little churchyard of the New England village that had been his childhood home. I do not think that his sleep there will be troubled by dreams of that place of evil from which he fled. I pray that it will not.
Often and often have Mitchell and I discussed the thing, over lonely campfires and in the inns of the seaport towns. Did he kill the invisible monster he spoke of, and is it lying now, a withered remnant, under the block on the great staircase? Or did it gnaw its way loose; does it still roam the desert and make its lair in the vast, ancient temple, as unseen as itself?
Or, different still, was the man simply crazed by the heat and thirst of the desert, and his tale but the product of a maddened mind? I do not think that this is so. I think that he told truth, yet I do not know. Nor shall I ever know, for never, Mitchell and I have decided, shall we be the ones to venture into the place of hell on earth where that ancient god of evil may still be living, amid the invisible courts and towers, beyond the unseen wall.
THE MAN WHO EVOLVED
INTRODUCTION
I've always found it fascinating how many of the early pulp authors crossed genres during their careers. Not so much in terms of writing individual stories that fall neatly into a certain genre, but more as a simple matter of survival. After all, word rates were not that high and if one could write a horror story and a detective story, and sell both, it meant added income.
No, the type of cross genre writing I find of interest is the type that occurs within the body of a single story or serial novel. For example, some of the Jules de Grandin stories of Seabury Quinn cross genres. Although de Grandin battles the occult and supernatural, he often must piece together a series of clues to find the solution to his problem; much like the classic detective story. Similarly, one has only to look at the output of Lovecraft or C.A. Smith to see that some of their works are not just horror stories, but also contain elements of fantasy and science fiction alongside the supernatural. And then, of course, there is the story presented here, "The Man Who Evolved."
By 1931, Edmond Hamilton had been a full-time writer for five years and had proven himself in both the fields of science fiction and horror. It is fascinating, however, that upon reading a bibliography of Hamilton's writings, to discover that some of his horror stories appeared in what we would assume to be science fiction publications and that some of his early science fiction even made its way into Weird Tales.
Amongst all these stories (there is speculation there may be over 100, some under different pseudonyms) are some that subtly combine both genres to create stories that are science fiction, but with undertones of horror. A stylistic choice found in many writers today, like Dan Simmons, Joe Lansdale and F. Paul Wilson.
"The Man Who Evolved", originally appeared in the April, 1931 issue of Wonder Stories The story is based around protoplasm and evolution: two concepts that Darwin and his contemporaries had supported in the 19th century and were fairly well accepted as scientific fact at the time the story was written. There is also the addition of pseudo-science, in that cosmic rays are the catalyst for the events of the story. It is the undercurrent of horror, however, which makes the story stand out from the usual fare.
From the opening paragraph to the final events of the tale and the afterword, it is obvious that this is a story that crosses the genres smoothly and effortlessly, proving again that Hamilton was an accomplished author, regardless of what he was writing.
THE MAN WHO EVOLVED
1
There were three of us in Pollard's house on that night that I try vainly to forget. Dr. John Pollard himself, Hugh Dutton and I, Arthur Wright—we were the three. Pollard met that night a fate whose horror none could dream; Dutton has since that night inhabited a state institution reserved for the insane, and I alone am left to tell what happened.
It was on Pollard's invitation that Dutton and I went up to his isolated cottage. We three had been friends and room-mates at the New York Technical University. Our friendship was perhaps a little unusual, for Pollard was a number of years older than Dutton and myself and was different in temperament, being rather quieter by nature. He had followed an intensive course of biological studies, too, instead of the ordinary engineering courses Dutton and I had taken.
As Dutton and I drove northward along the Hudson on that afternoon, we found ourselves reviewing what we knew of Pollard's career. We had known of his taking his master's and doctor's degrees, and had heard of his work under Braun, the Vienna biologist whose theories had stirred up such turmoil. We had heard casually, too, that afterwards he had come back to plunge himself in private research at the country-house beside the Hudson he had inherited. But since then we had had no word from him and had been somewhat surprised to receive his telegrams inviting us to spend the weekend with him.
It was drawing into early-summer twilight when Dutton and I reached a small riverside village and were directed to Pollard's place, a mile or so beyond. We found it easily enough, a splendid old peg
ged-frame house that for a hundred-odd years had squatted on a low hill above the river. Its outbuildings were clustered around the big house like the chicks about some protecting hen.
Pollard himself came out to greet us. "Why, you boys have grown up!" was his first exclamation. "Here I've remembered you as Hughie and Art, the campus trouble-raisers, and you look as though you belong to business clubs and talk everlastingly about sales-resistance!"
"That's the sobering effect of commercial life," Dutton explained, grinning. "It hasn't touched you, you old oyster—you look the same as you did five years ago."
He did, too, his lanky figure and slow smile and curiously thoughtful eyes having changed not a jot. Yet Pollard's bearing seemed to show some rather more than usual excitement and I commented on it.
"If I seem a little excited it's because this is a great day for me," he answered.
"Well, you are in luck to get two fine fellows like Dutton and me to trail up to this hermitage of yours," I began, but he shook his head smilingly.
"I don't refer to that. Art, though I'm mighty glad you've come. As for my hermitage, as you call it, don't say a word against it. I've been able to do work here I could never have done amid the distractions of a city laboratory."
His eyes were alight.
"If you two knew what—but there, you'll hear it soon enough. Let's get inside—I suppose you're hungry?"
"Hungry—not I," I assured him. "I might devour half a steer or some trifle like that, but I have really no appetite for anything else today."
"Same here," Dutton said. "I just pick at my food lately. Give me a few dozen sandwiches and a bucket of coffee and I consider it a full meal."
"Well, we'll see what we can do to tempt your delicate appetites," said Pollard, as we went inside.
We found his big house comfortable enough, with long, low-ceilinged rooms and broad windows looking riverward. After putting our bags in a bedroom, and while his housekeeper and cook prepared dinner. Pollard escorted us on a tour of inspection of the place. We were most interested in his laboratory.
It was a small wing he had added to the house, of frame construction outside to harmonize with the rest of the building, but inside offering a gleaming vista of white-tiled walls and polished instruments. A big cube-like structure of transparent metal surmounted by a huge metal cylinder resembling a monster vacuum tube, took up the room's center, and he showed us in an adjoining stone-floored room the dynamos and motors of his private power-plant. Night had fallen by the time we finished dinner, the meal having been prolonged by our reminiscences. The housekeeper and cook had gone. Pollard explaining that the servants did not sleep in the place. We sat smoking for a while in his living-room, Dutton looking appreciatively around at our comfortable surroundings.
"Your hermitage doesn't seem half-bad. Pollard," he commented. "I wouldn't mind this easy life for a while myself."
"Easy life?" repeated Pollard. "That's all you know about it, Hugh. The fact is that I've never worked so hard in my life as I've done up here in the last two years."
"What in the world have you been working at?" I asked. "Something so unholy you've had to keep it hidden here?"
“A mad scheme.” Pollard chuckled. "That’s what they think down in the village. They know I'm a biologist and have a laboratory here, so it's a foregone conclusion with them that I'm doing vivisection of an especially dreadful nature. That's why the servants won't stay here at night.
"As a matter of fact," he added, "if they knew down in the village what I've really been working on they'd be ten times as fearful as they are now."
"Are you trying to play the mysterious great scientist for our benefit?" Dutton demanded. "If you are you're wasting time—I know you, stranger, so take off that mask."
"That's right," I told him. "If you're trying to get our curiosity worked up you'll find we can scram you as neatly as we could five years ago."
"Which scramming generally ended in black eyes for both of you," he retorted. "But I've no intention of working up your curiosity—as a matter of fact I asked you up here to see what I've been doing and help me finish it."
"Help you?" echoed Dutton. "What can we help you do—dissect worms? Some week-end, I can see right now!"
"There's more to this than dissecting worms," Pollard said. He leaned back and smoked for a little time in silence before he spoke again.
"Do you two have any knowledge at all of evolution?" he asked.
"I know that it's a fighting word in some states," I answered, "and that when you say it you've got to smile, damn you."
He smiled himself. "I suppose you're aware of the fact, however, that all life on this earth began as simple uni-cellular protoplasm, and by successive evolutionary mutations or changes developed into its present forms and is still slowly developing?"
"We know that much—just because we're not biologists you needn't think we're totally ignorant of biology,"
Button said.
"Shut up. Dutton," I warned. "What's evolution got to do with your work up here, Pollard?"
"It is my work up here," Pollard answered.
He bent forward. "I'll try to make this clear to you from the start. You know, or say you know, the main steps of evolutionary development. Life began on this earth as simple protoplasm, a jelly-like mass from which developed small protoplasmic organisms. From these developed in turn sea-creatures, land-lizards, mammals, by successive mutations. This infinitely slow evolutionary process has reached its highest point so far in the mammal man, and is still going on with the same slowness.
"This much is certain biological knowledge, but two great questions concerning this process of evolution have remained hitherto unanswered. First, what is the cause of evolutionary change, the cause of these slow, steady mutations into higher forms? Second, what is the future course of man's evolution going to be, what will be the forms into which in the future man will evolve, and where will his evolution stop? Those two questions biology has so far been unable to answer."
Pollard was silent a moment and then said quietly, "I have found the answer to one of those questions, and am going to find the answer to the other tonight."
We stared at him. "Are you trying to spoof us?" I asked finally.
"I'm absolutely serious, Arthur. I have actually solved the first of those problems, have found the cause of evolution."
"What is it, then?" burst out of Dutton.
"What it has been thought by some biologists for years to be," Pollard answered. "The cosmic rays."
"The cosmic rays?" I echoed. "The vibrations from space that Millikan discovered?"
"Yes, the cosmic rays, the shortest wavelength and most highly penetrating of all vibratory forces. It has been known that they beat unceasingly upon the earth from outer space, cast forth by the huge generators of the stars, and it has also been known that they must have some great effect in one way or another upon the life of the earth."
"I have proved that they do have such an effect, and that that effect is what we call evolution! For it is the cosmic rays, beating upon every living organism on earth, that cause the profound changes in the structure of those organisms which we call mutations. Those changes are slow indeed, but it is due to them that through the ages life has been raised from the first protoplasm to man, and is still being raised higher."
"Good Lord! You can't be serious on this, Pollard!" Dutton protested.
"I am so serious that I am going to stake my life on my discovery tonight," Pollard answered, quietly.
We were startled. "What do you mean?"
"I mean that I have found in the cosmic rays the cause of evolution, the answer to the first question, and that tonight by means of them I am going to answer the second question and find out what the future evolutionary development of man will be!"
"But how could you possibly—"
Pollard interrupted. "Easily enough. I have been able in the last months to do something no physicist has been able to do, to concentrate the cosm
ic rays and yet remove from them their harmful properties. You saw the cylinder over the metal cube in my laboratory? That cylinder literally gathers in from an immense distance the cosmic rays that strike this part of earth, and reflects them down inside the cube.
"Now suppose those concentrated cosmic rays, millions of times stronger than the ordinary cosmic rays that strike one spot on earth, fall upon a man standing inside the cube. What will be the result? It is the cosmic rays that cause evolutionary change, and you heard me say that they are still changing all life on earth, still changing man, but so slowly as to be unnoticeable. But what about the man under those terrifically intensified rays? He will be changed millions of times faster than ordinarily, will go forward in hours or minutes through the evolutionary mutations that all mankind will go forward through in eons to come!"
"And you propose to try that experiment?" I cried.
"I propose to try it on myself," said Pollard gravely, "and to find out for myself the evolutionary changes that await humankind."
"Why, it's insane!" Dutton exclaimed.
Pollard smiled. "The old cry," he commented. "Never an attempt. has been made yet to tamper with nature's laws, but that cry has been raised."
"But Dutton's right!" I cried. "Pollard, you've worked here alone too long—you've let your mind become warped—" "You are trying to tell me that I have become a little mad," he I said. "No, I am sane—perhaps wonderfully sane, in trying this."
His expression changed, his eyes brooding. "Can't you two sees what this may mean to humanity? As we are to the apes, so must the; men of the future be to us. If we could use this method of mine to take all mankind forward through millions of years of evolutionary development at one stride, wouldn't it be sane to do so?" ; My mind was whirling. "Good heavens, the whole thing is so crazy," I protested. "To accelerate the evolution of the human race? It seems somehow a thing forbidden."
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