One wintry day, when snow was falling, they took her to a great dark chamber in the big house. The fire was burning in a corner on a high raised dais under a sort of hood or canopy of adobe-work. She saw in the fire-glow, the glowing bodies of the almost naked priests, and strange symbols on the roof and walls of the chamber. There was no door or window in the chamber, they had descended by a ladder from the roof. And the fire of pinewood danced continually, showing walls painted with strange devices, which she could not understand, and a ceiling of poles making a curious pattern of black and red and yellow, and alcoves or niches in which were curious objects she could not discern.
The older priests were going through some ceremony near the fire, in silence, intense Indian silence. She was seated on a low projection of the wall, opposite the fire, two men seated beside her. Presently they gave her a drink from a cup, which she took gladly, because of the semi-trance it would induce.
In the darkness and in the silence she was accurately aware of everything that happened to her: how they took off her clothes, and, standing her before a great, weird device on the wall, coloured blue and white and black, washed her all over with water and the amole infusion; washed even her hair, softly, carefully, and dried it on white cloths, till it was soft and glistening. Then they laid her on a couch under another great indecipherable image of red and black and yellow, and now rubbed all her body with sweet-scented oil, and massaged all her limbs, and her back, and her sides, with a long, strange, hypnotic massage. Their dark hands were incredibly powerful, yet soft with a watery softness she could not understand. And the dark faces, leaning near her white body, she saw were darkened with red pigment, with lines of yellow round the cheeks. And the dark eyes glittered absorbed, as the hands worked upon the soft white body of the woman.
They were so impersonal, absorbed in something that was beyond her. They never saw her as a personal woman: she could tell that. She was some mystic object to them, some vehicle of passions too remote for her to grasp. Herself in a state of trance, she watched their faces bending over her, dark, strangely glistening with the transparent red paint, and lined with bars of yellow. And in this weird, luminous-dark mask of living face, the eyes were fixed with an unchanging steadfast gleam, and the purplish-pigmented lips were closed in a full, sinister, sad grimness. The immense fundamental sadness, the grimness of ultimate decision, the fixity of revenge, and the nascent exultance of those that are going to triumph — these things she could read in their faces, as she lay and was rubbed into a misty glow, by their uncanny dark hands. Her limbs, her flesh, her very bones at last seemed to be diffusing into a roseate sort of mist, in which her consciousness hovered like some sun-gleam in a flushed cloud.
She knew the gleam would fade, the cloud would go grey. But at present she did not believe it. She knew she was a victim; that all this elaborate work upon her was the work of victimising her. But she did not mind. She wanted it.
Later, they put a short blue tunic on her and took her to the upper terrace, and presented her to the people. She saw the plaza below her full of dark faces and of glittering eyes. There was no pity: only the curious hard exultance. The people gave a subdued cry when they saw her, and she shuddered. But she hardly cared.
Next day was the last. She slept in a chamber of the big house. At dawn they put on her a big blue blanket with a fringe, and led her out into the plaza, among the throng of silent, dark-blanketed people. There was pure white snow on the ground, and the dark people in their dark-brown blankets looked like inhabitants of another world.
A large drum was slowly pounding, and an old priest was declaring from a housetop. But it was not till noon that a litter came forth, and the people gave that low, animal cry which was so moving. In the sack-like litter sat the old, old cacique, his white hair braided with black braid and large turquoise stones. His face was like a piece of obsidian. He lifted his hand in token, and the litter stopped in front of her. Fixing her with his old eyes, he spoke to her for a few moments, in his hollow voice. No one translated.
Another litter came, and she was placed in it. Four priests moved ahead, in their scarlet and yellow and black, with plumed headdresses. Then came the litter of the old cacique. Then the light drums began, and two groups of singers burst simultaneously into song, male and wild. And the golden-red, almost naked men, adorned with ceremonial feathers and kilts, the rivers of black hair down their backs, formed into two files and began to tread the dance. So they threaded out of the snowy plaza, in two long, sumptuous lines of dark red-gold and black and fur, swaying with a faint tinkle of bits of shell and flint, winding over the snow between the two bee-clusters of men who sang around the drum.
Slowly they moved out, and her litter, with its attendance of feathered, lurid, dancing priests, moved after. Everybody danced the tread of the dance-step, even, subtly, the litter-bearers. And out of the plaza they went, past smoking ovens, on the trail to the great cotton-wood trees, that stood like grey-silver lace against the blue sky, bare and exquisite above the snow. The river, diminished, rushed among fangs of ice. The chequer-squares of gardens within fences were all snowy, and the white houses now looked yellowish.
The whole valley glittered intolerably with pure snow, away to the walls of the standing rock. And across the flat cradle of snow-bed wound the long thread of the dance, shaking slowly and sumptuously in its orange and black motion. The high drums thudded quickly, and on the crystalline frozen air the swell and roar of the chant of savages was like an obsession.
She sat looking out of her litter with big, transfixed blue eyes, under which were the wan markings of her drugged weariness. She knew she was going to die, among the glisten of this snow, at the hands of this savage, sumptuous people. And as she stared at the blaze of blue sky above the slashed and ponderous mountain, she thought: “I am dead already. What difference does it make, the transition from the dead I am to the dead I shall be, very soon!” Yet her soul sickened and felt wan.
The strange procession trailed on, in perpetual dance, slowly across the plain of snow, and then entered the slopes between the pine-trees. She saw the copper-dark men dancing the dance-tread, onwards, between the copper-pale tree trunks. And at last she, too, in her swaying litter, entered the pine-trees.
They were travelling on and on, upwards, across the snow under the trees, past the superb shafts of pale, flaked copper, the rustle and shake and tread of the threading dance, penetrating into the forest, into the mountain. They were following a stream-bed: but the stream was dry, like summer, dried up by the frozenness of the head-waters. There were dark, red-bronze willow bushes with wattles like wild hair, and pallid aspen trees looking like cold flesh against the snow. Then jutting dark rocks.
At last she could tell that the dancers were moving forward no more. Nearer and nearer she came upon the drums, as to a lair of mysterious animals. Then through the bushes she emerged into a strange amphitheatre. Facing was a great wall of hollow rock, down the front of which hung a great, dripping, fang-like spoke of ice. The ice came pouring over the rock from the precipice above, and then stood arrested, dripping out of high heaven, almost down to the hollow stones where the stream-pool should be below. But the pool was dry.
On either side the dry pool, the lines of dancers had formed, and the dance was continuing without intermission, against a background of bushes.
But what she felt was that fanged inverted pinnacle of ice, hanging from the lip of the dark precipice above. And behind the great rope of ice, she saw the leopard-like figures of priests climbing the hollow cliff face, to the cave that, like a dark socket, bored a cavity, an orifice, half way up the crag.
Before she could realise, her litter-bearers were staggering in the footholds, climbing the rock. She, too, was behind the ice. There it hung, like a curtain that is not spread, but hangs like a great fang. And near above her was the orifice of the cave sinking dark into the rock. She watched it as she swayed upwards.
On the platform of the cave stood the pri
ests, waiting in all their gorgeousness of feathers and fringed robes, watching her ascent. Two of them stooped to help her litter-bearer. And at length she was on the platform of the cave, far in behind the shaft of ice, above the hollow amphitheatre among the bushes below, where men were dancing, and the whole populace of the village was clustered in silence.
The sun was sloping down the afternoon sky, on the left. She knew that this was the shortest day of the year, and the last day of her life. They stood her facing the iridescent column of ice, which fell down marvellously arrested, away in front of her.
Some signal was given, and the dance below stopped. There was now absolute silence. She was given a little to drink, then two priests took off her mantle and her tunic, and in her strange pallor she stood there, between the lurid robes of the priests, beyond the pillar of ice, beyond and above the dark-faced people. The throng below gave the low, wild cry. Then the priests turned her round, so she stood with her back to the open world, her long blond hair to the people below. And they cried again.
She was facing the cave, inwards. A fire was burning and flickering in the depths. Four priests had taken off their robes, and were almost as naked as she was. They were powerful men in the prime of life, and they kept their dark, painted faces lowered.
From the fire came the old, old priest, with an incense-pan. He was naked and in a state of barbaric ecstasy. He fumigated his victim, reciting at the same time in a hollow voice. Behind him came another robeless priest, with two flint knives.
When she was fumigated, they laid her on a large flat stone, the four powerful men holding her by the outstretched arms and legs. Behind stood the aged man, like a skeleton covered with dark glass, holding a knife and transfixedly watching the sun; and behind him again was another naked priest, with a knife.
She felt little sensation, though she knew all that was happening. Turning to the sky, she looked at the yellow sun. It was sinking. The shaft of ice was like a shadow between her and it. And she realised that the yellow rays were filling half the cave, though they had not reached the altar where the fire was, at the far end of the funnel-shaped cavity.
Yes, the rays were creeping round slowly. As they grew ruddier, they penetrated farther. When the red sun was about to sink, he would shine full through the shaft of ice deep into the hollow of the cave, to the innermost.
She understood now that this was what the men were waiting for. Even those that held her down were bent and twisted round, their black eyes watching the sun with a glittering eagerness, and awe, and craving. The black eyes of the aged cacique were fixed like black mirrors on the sun, as if sightless, yet containing some terrible answer to the reddening winter planet. And all the eyes of the priests were fixed and glittering on the sinking orb, in the reddening, icy silence of the winter afternoon.
They were anxious, terribly anxious, and fierce. Their ferocity wanted something, and they were waiting the moment. And their ferocity was ready to leap out into a mystic exultance, of triumph. But still they were anxious.
Only the eyes of that oldest man were not anxious. Black, and fixed, and as if sightless, they watched the sun, seeing beyond the sun. And in their black, empty concentration there was power, power intensely abstract and remote, but deep, deep to the heart of the earth, and the heart of the sun. In absolute motionlessness he watched till the red sun should send his ray through the column of ice. Then the old man would strike, and strike home, accomplish the sacrifice and achieve the power.
The mastery that man must hold, and that passes from race to race.
SUN
I
“Take her away, into the sun,” the doctor said. She herself was sceptical of the sun, but she permitted herself to be carried away, with her child, and a nurse, and her mother, over the sea.
The ship sailed at midnight. And for two hours her husband stayed with her, while the child was put to bed, and the passengers came on board. It was a black night, the Hudson swayed with heaving blackness, shaken over with spilled dribbles of light. She leaned over the rail, and looking down thought: this is the sea; it is deeper than one imagines, and fuller of memories. At that moment the sea seemed to heave like the serpent of chaos that has lived for ever.
“These partings are no good, you know,” her husband was saying, at her side. “They’re no good. I don’t like them.”
His tone was full of apprehension, misgiving, and there was a certain clinging to the last straw of hope.
“No, neither do I,” she responded in a flat voice. She remembered how bitterly they wanted to get away from one another, he and she. The emotion of parting gave a slight tug at her emotions, but only caused the iron that had gone into her soul to gore deeper.
So, they looked at their sleeping son, and the father’s eyes were wet. But it is not the wetting of the eyes that counts, it is the deep iron rhythm of habit, the year-long, life-habits; the deep-set stroke of power.
And in their two lives, the stroke of power was hostile, his and hers. Like two engines running at variance, they shattered one another.
“All ashore! All ashore!”
“Maurice, you must go.”
And she thought to herself: For him it is All Ashore! For me it is Out to Sea!
Well, he waved his hanky on the midnight dreariness of the pier, as the boat inched away; one among a crowd. One among a crowd! C’est ça!
The ferry-boats, like great dishes piled with rows of lights, were still slanting across the Hudson. That black mouth must be the Lackawanna Station.
The ship ebbed on between the lights, the Hudson seemed interminable. But at last they were round the bend, and there was the poor harvest of lights at the Battery. Liberty flung up her torch in a tantrum. There was the wash of the sea.
And though the Atlantic was grey as lava, they did come at last into the sun. Even she had a house above the bluest of seas, with a vast garden, or vineyard, all vines and olives, dropping steeply in terrace after terrace, to the strip of coast plain; and the garden full of secret places, deep groves of lemon far down in the cleft of earth, and hidden, pure green reservoirs of water; then a spring issuing out of a little cavern, where the old Sicules had drunk before the Greeks came; and a grey goat bleating, stabled in an ancient tomb with the niches empty. There was the scent of mimosa, and beyond, the snow of the volcano.
She saw it all, and in a measure it was soothing. But it was all external. She didn’t really care about it. She was herself just the same, with all her anger and frustration inside her, and her incapacity to feel anything real. The child imitated her, and preyed on her peace of mind. She felt so horribly, ghastly responsible for him: as if she must be responsible for every breath he drew. And that was torture to her, to the child, and to everybody else concerned.
“You know, Juliet, the doctor told you to lie in the sun, without your clothes. Why don’t you?” said her mother.
“When I am fit to do so, I will. Do you want to kill me?” Juliet flew at her.
“To kill you, no! Only to do you good.”
“For God’s sake, leave off wanting to do me good.”
The mother at last was so hurt and incensed, she departed.
The sea went white, and then invisible. Pouring rain fell. It was cold, in the house built for the sun.
Again a morning when the sun lifted himself molten and sparkling, naked over the sea’s rim. The house faced south-east, Juliet lay in her bed and watched him rise. It was as if she had never seen the sun rise before. She had never seen the naked sun stand up pure upon the sea-line, shaking the night off himself, like wetness. And he was full and naked. And she wanted to come to him.
So the desire sprang secretly in her, to be naked to the sun. She cherished her desire like a secret. She wanted to come together with the sun.
But she would have to go away from the house — away from people. And it is not easy, in a country where every olive tree has eyes, and every slope is seen from afar, to go hidden, and have intercourse with the sun.
But she found a place: a rocky bluff shoved out to the sea and sun, and overgrown with the large cactus called prickly pear. Out of this thicket of cactus rose one cypress tree, with a pallid, thick trunk, and a tip that leaned over, flexible, in the blue. It stood like a guardian looking to sea; or a candle whose huge flame was darkness against light: the long tongue of darkness licking up at the sky.
Juliet sat down by the cypress tree, and took off her clothes. The contorted cactus made a forest, hideous yet fascinating, about her. She sat and offered her bosom to the sun, sighing, even now, with a certain hard pain, against the cruelty of having to give herself: but exulting that at last it was no human lover.
But the sun marched in blue heaven and sent down his rays as he went. She felt the soft air of the sea on her breasts, that seemed as if they would never ripen. But she hardly felt the sun. Fruits that would wither and not mature, her breasts.
Soon, however, she felt the sun inside them, warmer than ever love had been, warmer than milk or the hands of her baby. At last, her breasts were like long white grapes in the hot sun.
She slid off all her clothes, and lay naked in the sun, and as she lay she looked up through her fingers at the central sun, his blue pulsing roundness, whose outer edges streamed brilliance. Pulsing with marvellous blue, and alive, and streaming white fire from his edges, the Sun! He faced down to her with blue body of fire, and enveloped her breasts and her face, her throat, her tired belly, her knees, her thighs and her feet.
She lay with shut eyes, the colour of rosy flame through her lids. It was too much. She reached and put leaves over her eyes. Then she lay again, like a long gourd in the sun, green that must ripen to gold.
She could feel the sun penetrating into her bones; nay, further, even into her emotions and thoughts. The dark tensions of her emotion began to give way, the cold dark clots of her thoughts began to dissolve. She was beginning to be warm right through. Turning over, she let her shoulders lie in the sun, her loins, the backs of her thighs, even her heels. And she lay half stunned with the strangeness of the thing that was happening to her. Her weary, chilled heart was melting, and in melting, evaporating. Only her womb remained tense and resistant, the eternal resistance. It would resist even the sun.
Complete Works of D.H. Lawrence (Illustrated) Page 662