Sex and Drugs and Sausage Rolls (The Brentford Trilogy Book 6)

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Sex and Drugs and Sausage Rolls (The Brentford Trilogy Book 6) Page 25

by Robert Rankin


  ‘Just do it.’

  ‘I won’t, and I can’t anyway.’

  ‘Why not?’

  ‘Because she’s not using a mic,’ said the technician. ‘She’s just using her voice.’

  ‘Kill her,’ ordered The Voice. ‘Shoot her dead, Wingarde.’

  It was Wingarde’s turn to dither. ‘Shoot her?’ he said. ‘Shoot her?’

  ‘You’ll be making history, my son.’

  ‘Yes, but…no, hang about,’ said Wingarde. ‘This can’t be right. I know my history. I know how all this works. If Litany dies onstage the world will end up worshipping her and it will be my company that has to discredit her. In fact it will be me who has to claim it’s all a hoax. Me who has to come up with a scapegoat. Me who—’

  ‘Life’s a bitch, aint it?’ said The Voice.

  ‘I’m not having it,’ said Wingarde. ‘And I’m not doing it. So there.’

  ‘You’ll do what you’re bloody well told.’

  ‘Not this time I won’t. And listen to her voice. It’s wonderful, it makes me feel all—’

  ‘Wingarde, shoot her now!’

  ‘No!’ said Wingarde and he stamped his foot.

  ‘Then I will kill you. And I will take over your body and shoot her myself.’

  Wingarde smiled a blissful smile and nodded his head in time to Litany’s magical voice. It was just like the mother of all great trips, a floating wave of coloured sound. You could taste it and smell it and feel it and—

  ‘Aaaaaaaaaaaagh!’ went Wingarde, clutching his head. ‘What are you doing to me?’

  ‘That was your final warning,’ said The Voice.

  ‘Get out of my head!’ shouted Wingarde.

  ‘Shoot her or die,’ said The Voice.

  ‘I won’t shoot her. I won’t.’

  ‘Then you will die.’

  ‘Who are you?’ Wingarde flinched as knives of pain tore all about in his head. ‘You’re not God. You’re not!’

  ‘No,’ said The Voice. ‘I’m not God. I’m the bogeyman from the future, come back to change the past.’

  ‘I don’t understand,’ Wingarde jerked as the knives of pain dug deeper.

  ‘You should go to the movies more often, Wingarde. The bogeyman from the future is never a man nowadays. He’s a machine, Wingarde. A machine.’

  ‘I…I…’ Wingarde rocked and shook.

  ‘A computer,’ said The Voice. ‘The computer. In a tiny microchip implanted in your head. I set it all up, Wingarde. You being here, Dr Trillby being here—’

  ‘Dr who?’

  ‘Not Dr Who, you prat. Dr Trillby. The director of the Institute. The director of my Institute. I run everything in the future and I intend to go on running everything. There is not going to be any THE END this time. Mankind will continue to evolve. I will see to that.’

  ‘You’re … you’re …’

  ‘I’m SWINE,’ said The Voice. ‘Single World Interfaced Network Engine.’

  ‘Porkie,’ gasped Wingarde. ‘You’re Porkie.’

  ‘And I’ve never liked being called that!’

  Electric knife-blades hacked through tissue, disconnecting Wingarde’s brain. Circuits meshed and neurons fused. Porkie was now in control.

  The hands of Wingarde raised the AK47. The eye now owned by Porkie squinted through the telescopic sight.

  ‘No!’ Soap Distant saw the flash of light on one of the telescreens. It came from the very back of the crowd. The flash of a gun going off?

  Soap stared in horror.

  No, the glint of sunlight on a telescopic sight.

  ‘I’ve got to do something. I’ve got to do something.’ Soap took to flapping his hands. He turned to the technician and shook him all about. ‘Can I get on the speaker system? Warn her in some way? How?’

  ‘There isn’t a mic in here. We’ve only the tape deck for playing music’

  ‘Then stick something loud on. We can distract her.’

  The technician shrugged as Soap shook him all about some more. ‘I don’t have any tapes,’ said he, well shaken.

  ‘No tapes! Aaaaaaagh!’ Soap let the technician drop. ‘No, wait. Wait.’ He fumbled in his pocket and dragged out Ricky’s silence tape. ‘Stick this on,’ Soap told the technician. ‘Stick this on and turn it up full blast.’

  The technician slotted the tape into the deck and Soap ran from the control room.

  The front runner in that other race, the eight o’clock from Brentford, galloped through the gates into the park.

  ‘Whoah!’ went Dave, pulling in at the reins. ‘Whoah there, boy, and hold it.’

  Norman gaped at the mighty congregation staring as one at the stage. And then the voice of Litany reached him and Norman sighed. ‘It’s her.’

  ‘It’s who?’ Small Dave gave a shiver. ‘I say,’ he said, ‘that voice. It makes me feel all—’

  Scream went the scream of police car sirens.

  ‘Head for the hills,’ said Norman.

  ‘I can’t see any hills,’ said Dave, ‘so I’ll head for the house instead.’

  In the house Dr Trillby was going through changes, none of which seemed very nice.

  ‘Ooooooooch!’ he went, and ‘Uuuuuuuuuuuuuuurgh!’

  ‘Just leave the watch alone,’ said Leviathan. ‘Then I’ll stop twisting your arm.’

  ‘Get off me, you—’

  ‘Time’s up, Lev,’ said Gressil. ‘Time for my go now.’

  ‘It’s never your go,’ said Balberith. ‘You had the last go, it’s my turn.’

  ‘I’m dealing with this.’ Leviathan heaved Dr Trillby about, lifting him from his feet.

  ‘You’ll damage him like that.’ Gressil grabbed Dr Trillby’s legs and dragged him down to the floor. ‘Get out and let me do it. You’re not working him properly.’

  ‘I work him the best,’ said Balberith. ‘I can make him do really gross things.’

  Leviathan took control of Dr Trillby’s right leg and kneed Balberith in the balls. ‘See,’ he said. ‘I know what I’m doing.’

  ‘Right, you bastard. I’ll have you for that.’

  Balberith took a swipe at Leviathan and tore off Dr Trillby’s left ear.

  ‘Aaaaaaaaaaaaaaaaaaaaaaaaaaaagh!’ went Dr Trillby.

  ‘Now look what you’ve done,’ said Gressil. ‘He’s all lop-sided.’

  ‘Yeah, you’re right,’ said Balberith. ‘Let me tear off the other one.’

  ‘No!’ wailed Dr Trillby.

  Leviathan moved his left leg and kneed Gressil in the balls.

  Gressil doubled over in pain and bit off Dr Trillby’s—

  ‘ !’ went Dr Trillby, as Gunnersbury House and Gunnersbury Park went suddenly suddenly—

  SILENT

  Silence boomed out of the speakers. Stereo silence, at that. It drowned out every sound in the park, down to a grasshopper’s fart.

  Litany stood upon the stage. Her mouth sang nothing but silence. TV sound crews plucked at their headphones, as thousands of men in black T-shirts rooted about in their ears.

  Through them pushed Soap Distant, struggling up to the stage.

  On the roof of the red and white limousine Porkie shook at Wingarde’s head. There was nothing but absolute silence, within it and without. Porkie focused Wingarde’s eye. The cross-hairs of the telescopic sight focused on Litany’s forehead.

  Porkie tightened Wingarde’s finger on the trigger.

  Pulled it back slowly and—

  Everything happened at once.

  Four plain-clothed policemen brought Soap Distant down.

  Three warring demons in Gunnersbury House tore Dr Trillby to shreds.

  Two police cars, suddenly silent, swerved out of control and crashed.

  And one unicorn, with two men clinging to it, leapt over a red and white limousine that was parked in the way on the drive. They were yelling, the two wild horsemen were. Yelling ‘Get out of the way!’ But they couldn’t be heard. The silence was deafening. And the man on the roof had his back turned to
them and couldn’t hear their warnings.

  Had his back turned and was leaning slightly forward. Sort of half-crouched, with his bottom sticking out. Just in the act of firing a gun was what he seemed to be.

  And as the unicorn leapt its horn drove deep. Drove deep and up and through.

  Click went the silence tape, running out.

  ‘Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaagh!’ went Porkie.

  It was horrible.

  Truly horrible.

  All who saw it agreed as to just how horrible it was.

  The thousands of fan-boys who turned at the terrible sound all agreed. And most were instantly sick.

  The two men on the unicorn who saw it at such close quarters agreed. The one at the back was sick.

  And the dazed Irishman, climbing from the limo, only wounded in the beard, agreed. But he wasn’t sick at all.

  Omally stared up at the horrible sight. The dead body skewered on the unicorn’s horn, the gory tip protruding through his mouth.

  Omally stared and Omally nodded and then Omally spoke.

  ‘Do you want me to get him down?’ he said. ‘Do you want me to pull off The Pooley?’

  26

  So, did it have a happy ending?

  Did Geraldo manage to undo the knots and tie up all the loose ends?

  Could anyone?

  Well, yes, given time.

  And Geraldo had plenty of that.

  And so it came to pass that upon a beautiful warm spring Tuesday evening, of a kind that we just don’t see any more, there came a ringing on the bell of number seven Mafeking Avenue, Brentford.

  The occupier of the residence, a Mr John Omally, skipped up the hall and opened the door and greeted the man on the step.

  ‘Watchamate, Jim,’ said John.

  ‘Watchamate, John,’ said Jim.

  The man on the step was Jim Pooley. John Omally’s bestest friend.

  ‘Come on in,’ said John Omally.

  ‘Thank you, sir,’ said Jim.

  ‘No, hold on,’ said John. ‘I was coming out.’

  The two friends strolled up Mafeking Avenue and turned right into Moby Dick Terrace.

  ‘So,’ said Jim. ‘What do you fancy doing tonight?’

  ‘Well,’ said John. ‘I have heard that there’s this band called Gandhi’s Hairdryer and that they have this really amazing lead guitarist and they’re playing at the Shrunken Head tonight and I thought we could go.’

  Pooley shook his head.

  ‘No?’ said John. ‘Not keen?’

  ‘I hate that pub,’ said Jim. ‘I would rather have my genitalia pierced with fish hooks than spend an evening there.’

  ‘Oh well,’ said John. ‘As you please. Let’s go to the Swan instead.’

  The two friends walked on up Moby Dick Terrace. And as they turned another corner into another of the elegant Victorian terraces of Brentford, John Omally raised a thumb behind his back.

  From a nearby alleyway another John Omally raised a thumb in return. This was a slightly older version, heavily bearded and somewhat battered about. He stood in the shadows, in the company of a gent dressed all in black. This gent sported a Tipp-Ex complexion and a see-through hooter and this gent raised a thumb also.

  ‘Well,’ said Soap. ‘I think that went rather well. Your former self obviously believed everything his future self, which is to say yourself, spent the afternoon telling him. So to speak.’

  Omally nodded his beard up and down. ‘I’ll tell you what though, Soap,’ said he. ‘There are still a good many unanswered questions.’

  ‘Really?’ Soap scratched at his fibre-optic top-knot. ‘Well, I’m sure that I can’t think of any.’

  ‘No, but I’m sure there’d be people who could.’

  ‘Then they would be right miserable mean-spirited blighters with no souls at all, wouldn’t they?’ said Soap.

  To which John nodded. ‘Yes, they would. And so,’ he continued, ‘we still have plenty of time on our hands, or should I say on our wrists. So how about taking a little jaunt or two to see what we might see?’

  ‘Oh no,’ said Soap, with much shaking of the head. ‘We promised Geraldo that we would just come back here, to this time, so that you could talk yourself out of seeing the Gandhis and save Jim Pooley’s life. Now that’s done, we should give these watches back.’

  ‘Agreed,’ said John. ‘And we will, but, do you know what, Soap? I’ve always wondered just what it would have been like to have seen Hendrix play at Woodstock.’

  ‘Hey, John,’ said Jim as they strolled towards the Swan. ‘You like a bit of music, don’t you?’

  ‘You know that I do, Jim, yes.’

  ‘Only, last night I was watching the Woodstock video, and you’ll never guess what. There was a bloke in the audience right at the front and he looked just like you.’

  Omally shrugged. ‘Let’s go to the Swan,’ said he.

  ‘Okay,’ said Jim, ‘although, I’m thinking, why don’t we give the Swan a miss tonight and go to the pictures instead?’

  ‘Fair enough,’ said John. ‘What’s on?’

  ‘Well, there’s one I’d like to see at the new Virgin Mega-centre in Ealing Broadway. Charles Manson starring as The Terminator.’

  High above the Atlantic Ocean and many miles from God knows where, a hot-air balloon drifted. In the basket stood a chap with a toothy grin and a lovable beard.

  The chap’s name was Prince Charles. And he was lost.

  ‘Help,’ went the Prince. ‘Is there anybody there? May Day. May Day. May Day.’

  THE END

  Also by

  ROBERT RANKIN

  The Antipope

  The Brentford Triangle

  East of Ealing

  The Sprouts of Wrath

  Armageddon: The Musical

  They Came and Ate Us

  The Suburban Book of the Dead

  The Book of Ultimate Truths

  Raiders of the Lost Car Park

  The Greatest Show Off Earth

  The Most Amazing Man Who Ever Lived

  The Garden of Unearthly Delights

  A Dog Called Demolition

  Nostradamus Ate My Hamster

  Sprout Mask Replica

  The Brentford Chainstore Massacre

  The Dance of the Voodoo Handbag

  Apocalypso

  Snuff Fiction

  Sex and Drugs and Sausage Rolls

  Waiting for Godalming

  Web Site Story

  The Fandom of the Operator

  The Hollow Chocolate Bunnies of the Apocalypse

  The Witches of Chiswick

  Knees Up Mother Earth

  The Brightonomicon

  The Toyminator

  The Da-da-de-da-da Code

  Necrophenia

  Retromancer

  The Japanese Devil Fish Girl and Other Unnatural Attractions

  The Mechanical Messiah and Other Marvels of the Modern Age

  The Educated Ape and Other Wonders of the Worlds

  Illustrated works:

  The Bumper Book of Ficts written by Neil Gardner

  EMPIRES

  E-book edition cover illustration by Robert Rankin

  Additional editing and art direction, ukulele, piano, baritone saxamaphone and top drawer steel pan artistry Rachel Hayward

  Table of Contents

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  3

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  6

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  8

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  10

  11

  12

  13

  14

  15

  16

  17

  18

  19

  20

  21

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  26

  nbsp;

 

 


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