I understand his question. We don't have the evidence needed to arrest him, much less convict. "I'll have him pulled in and detained for questioning while we do the searches. Between that and the house in San Francisco we should be able to turn up something that we can make a formal arrest with."
"Bring me the warrant when you get here. I'll walk it through personally."
"Yes, sir."
He hangs up. I look at James and Alan. "It's all a go. Now we just need to get this damn plane to fly faster."
When the plane lands, we hit the ground running. Ten minutes later, we are speeding down the 405 freeway. I call Leo again.
"We're in the car on our way there. Do you have the basics of the warrant ready for me?"
"All you'll have to do is fill in some specifics and print it off."
"Good."
*
*
*
My cell phone rings after we've pulled up to the FBI building and are heading toward the entrance.
"This is Agent Barrett."
"Greetings, Agent Barrett." The voice is clear and undisguised. I motion for everyone to be silent.
"Hello, Dr. Hillstead."
"Bravo to you, Smoky. Bravo. I have to say, I wondered if Renee Parker would ever come back to haunt me. I broke one of the commandments with her--I hadn't found you yet, but I displayed my work regardless. I just couldn't help myself. I thought after twenty-five years . . . ah well. Best-laid plans. And giving Street the locket and book, well . . . he begged me for something. And he really did deserve a token. He was such a good student. Very enthusiastic." He chuckles. "Of course, I played around with the idea of trying to pin her murder on him, but here we are. Ah well."
His voice is the same, but its tone and the way he uses it are different. He speaks with a kind of sick frivolity and a properness I never heard from him in his office.
"You know?" I ask.
"Of course I know. I just stated that I have wondered about Renee, did I not? It wouldn't have been prudent of me to wonder and not prepare for this eventuality. Of course, this changes the game for good."
"How is that?"
"Why--you know my identity. You know who I am. That means the end of me. Me and mine have always existed in the shadows, Agent Barrett. We don't aspire to the light, nor do we thrive in it. Such a shame too. Do you know how many years I had to sit and listen to you people whine, while I searched for my Abberline? The endless hours of pretending to care, and worse--having to truly help these weak and broken worms, just so I could continue my search?" He sighs. "And find you I did. Perhaps I did too well."
"It doesn't have to be that way, Dr. Hillstead. I can bring you in."
He chuckles. "I don't think so, Smoky. We'll address that in a moment. First, I have a confession to make to you. Do you remember that night with Joseph Sands, my dear?"
I am calm. His words don't anger me. "You know I do, Peter."
"Did you ever read the file? In full, I mean? Including the notes regarding his ingress into your home?"
"I read the file. Minus the ballistics report you had removed, of course. Why?"
Silence. I imagine I can hear him smiling. "Do you remember if there were any signs of forced entry?"
I am about to tell him that I am bored of this. That I want to know where he is. Something stops me. I think about what he said and try to recall what I had read. I remember. "There weren't any signs of forced entry."
"That's correct. Would you like to know why?"
I don't respond.
I think of Ronnie Barnes, the dates. Barnes died on the nineteenth and Sands killed my family on the nineteenth.
"For the most obvious reason, Smoky. He had a key. Why force a lock if you can just walk in the door?" He laughs. "You're allowed one guess as to how he acquired that key." A pause. "Why--from me, dearest Smoky. From me."
I can see my reaction in James's and Alan's eyes. Alan takes one step away from me, and looks very, very cautious. I'm not surprised. I have been stricken speechless by the need to murder that runs through me, replacing the blood in my veins.
My head is filled with the roar of shotguns. My eyes are burning, and the rage--it is that same rage I felt tied to the bed as Joseph Sands hurt and destroyed my Matt.
My Matt and my Alexa, the loves of my life. The scars that disfigured my face and body, that twist my heart and nearly crippled my soul. Months of nightmares, waking screaming, oceans of tears. Funerals and gravestones, the smell of cemetery dirt. Cigarettes and despair and the kindness of strangers.
This monster, smiling at the other end of this phone, he has left a legacy of ruination. Don Rawlings. Me. Bonnie. He has crumbled our hopes in his hands like bread, feeding the crumbs to things that slink through the dark. He's fed on our pain like a ghoul at a grave. He is not all the evil in the world. I know this. But for now he is the source of it in mine. He is my rape, Matt's screams, the look of surprise as my bullet killed Alexa. He is the dead babies Don Rawlings dreams of, the end of my childhood friend, Callie lying in the hospital, and the gray exhaustion of his mother as she withers away, an ancient rose.
"Where are you?" I whisper.
I can hear his smile. "Touched a nerve there, I think. Good." He pauses. "It was your last test, Smoky. If you could survive Sands, then you truly were my Abberline." His voice sounds almost gentle. Wistful.
"Where are you?" I repeat.
He laughs. "I will tell you where I am, but first I need to introduce you to someone. Say hello to Agent Barrett."
I hear the phone come up against an ear. "S-Smoky?"
I am jolted, a shock from a car battery.
Elaina. Everything has moved so fast, Keenan and Shantz haven't been replaced yet. I curse myself, stupid, stupid, stupid!
"I have her here with me, Smoky. Along with someone else, someone smaller. Someone who can't talk on the phone because, well--she can't talk these days." He laughs. "Can you say deja vu?"
I am drowning. I'm surrounded by air, but I can't breathe. Time is now moving to the beat of my heart, one long, slow lub-a-dub after another. This isn't fear I'm feeling, it's terror. Soul-drenching, gutgrinding, hysterical, babbling terror. I'm surprised that my voice is calm when I speak.
"Where are you, Peter? Just tell me, and I'll come to you." I don't ask him not to harm them. I wouldn't believe him anyway.
"Here are the rules, Smoky. I'm at my home. Elaina is naked and tied to my bed. Little Bonnie is snuggled in my arms. Sound familiar? If you are not here in twenty-five minutes, I will kill Elaina, and things for Bonnie will get very familiar indeed. If I see any police or SWAT team personnel, or even suspect they are here, I will kill them both. You may bring your team, but otherwise, this is between you and me. Do you understand?"
"Yes."
"Good. Time starts--now."
He hangs up.
"What the hell is going on?" Alan asks.
I don't answer. I look at Alan. His eyes are intense, worried, ready. Alan was always ready. Especially when it came to being a friend. I feel my own breathing, in and out, in and out.
A great, disconnected calm has settled over me. I'm on a beach, alone, with a seashell pressed to my ear. It gives off that faint, seashell roar. Is this shock? I wonder.
I don't think so. I don't think so at all. This is Hillstead, getting what he's wanted all along.
Me as him. Ready to murder without thought, regret, or moral quandary. Ready to feel about killing like I would about pulling a weed. I put my hands on Alan's shoulders, look up into his face. "Listen to me, Alan. I'm going to tell you something, and I need you to be ready for it. I need you to hold it together. I'm going to take care of it."
He doesn't speak. It all comes out in his eyes, the beginning of alarm, the start of understanding.
"He's got Elaina and Bonnie," I say.
My hands are still on his shoulders and I feel the muscles spasm, feel his whole body shake once, hard. His eyes never leave mine. "He's got them, and he wa
nts me, and we're going to where he has them. Once we're there, whatever it takes, we make him dead and them okay." I grip his shoulders, really dig into them. "Do you understand me? I'm going to take care of it."
He looks at me for a long time. James is quiet, waiting.
"He's going to try to take himself out and take you with him," Alan says.
I nod. "I know. I guess I'll have to be faster."
He reaches up, takes my hands. He holds them for a moment. God, he has big, hard hands. Even so, his touch is soft. "Be faster, Smoky."
His voice cracks.
He drops my hands and steps away. Pulls out his gun, checks the clip, and starts moving toward the car.
"Let's go," he says.
Bending, not breaking.
But we break? the dragon asks. We crunch his bones?
It's a rhetorical question; I don't reply.
*
*
*
I dial Tommy on the way over.
"You still following me?" I ask.
"Yeah."
"Things have changed." I bring him up to date.
"What do you want me to do?"
"I want you to go to his address and wait. If you see him come out by himself, that means he got past us."
"And?"
"And if that happens, I want you to take him out."
A long pause. Then he replies, in his usual way. "You got it."
"Thanks, Tommy."
"Hey, Smoky. Don't get shot." He pauses. "I still want to see if it's going to go anywhere." He hangs up. We pull into the driveway. Everything looks normal. Nice and quiet, the picture of suburbia. As I turn off the car, my cell phone rings.
"Barrett."
"You got here ahead of time, Smoky. I'm so proud! Now, let me inform you of how this is going to work. You're going to come in through the front door. Your friends are going to stay outside. If anything other than just those two things happen, I will kill Elaina and young Bonnie. Clear?"
"Clear."
"Well, enter, then, enter!"
The signal ends. I pull out my gun, checking it once, letting it find a place in my hand. Dark, sleek, black steel bird of death. I can almost feel it hum.
"I go in, you stay out. Those are his rules."
"I don't want to hear that shit," Alan says. Desperation gives his voice an edge.
I look at him. Really look at him. "I'm going to take care of it, Alan."
I let him see the dragon, hear her. I hold up my gun. "I won't miss."
He looks at the gun. Licks his lips. His face is both grim and helpless, a war in futility, a rage of fear. But he swallows and nods. I glance at James. He nods as well.
What else is there to say? I turn away from them, gun hand at my side, and walk up the path to Hillstead's front door. I put a hand on the knob and turn it. My heart is pounding in my chest, my blood is shooting through my veins. I am both afraid and exhilarated. I enter his home, shutting the door behind me.
"Come on upstairs, Smoky dear," I hear Hillstead say. His voice is coming from the second floor.
I move up the stairs slowly. My neck is sweating. I get to the top.
"In here, Agent Barrett."
I move into the bedroom, gun raised. What I see does what it is calculated to do: It freezes me with fear. Elaina is tied to the bed. She is naked, hands and feet bound. Bile rises in my throat as I see he has already cut on her. He has carved a game of tic-tac-toe into the skin of her stomach. He has slashed a line above her breasts. I look into her eyes and I'm relieved by what I see there. She's terrified, but she's still defiant. This means Hillstead hasn't gotten down to it yet. He hasn't broken her.
Peter sits at the foot of the bed, in a padded chair. Bonnie is on his lap. He's holding a knife at her jugular. She, too, is defiant, but her eyes contain something additional that Elaina's do not: hate. If she could kill this man who murdered her mother, she would.
"Deja vu, is it not, Agent Barrett? You'll notice I haven't touched Elaina's face yet." He chuckles. "I thought I'd incorporate various elements of your own pain and psychosis here. We have the destruction of something lovely, a recurring area of difficulty you seem to have. We have the scarring and disfigurement. And finally, perhaps best of all, we have your daughter Alexa, the human shield."
I bring up my gun, but he moves Bonnie's head to block his own. The knife tip presses harder and a dot of blood appears at her throat.
"Now, let's not be hasty," he says. "I have a chair for you too. Sit down. Take a load off, as they say." His face reappears, and he smiles. "It will be just like old times."
Crunch his bones! the dragon snarls.
Hush, I tell her. I need to concentrate.
I look around, see the chair he's indicated. It's facing him, of course. As he said, just like old times. I go over and sit down.
"Planning to analyze me some more, Peter?" I ask.
He laughs and shakes his head. "We're past that now, both of us. I have no more opinions to give you about yourself."
"So what do you want, then?"
His eyes twinkle. It's a hideous sight, in the context of the moment.
"I want to talk to you, Smoky. And then I want to see what happens."
I look at his knees. I could shoot them out, in the space of a single blink. Gun up, bam-bam, finish it with a shot to the head. Just breathe in and exhale, three squeezes, bye-bye, Peter.
I start the motion, even as I'm thinking it. The gun barrel rises, and I know that it's lined up right, know it in a visceral place. I know on a lessthan-conscious level how many pounds of pressure will be required to pull the trigger. I know how many inches I'll have to move the barrel after the first shot in order to shoot out the other knee. This is all non- thought, unconscious advanced calculus.
Except that it's not.
Because the hand that grips the gun . . . trembles. And then it doesn't just tremble--it shakes. I close my eyes and lower my hand. Peter laughs out loud.
"Smoky! Perhaps I spoke too soon! Perhaps we have therapy to do yet."
I feel panic coming. It's riding in, slow, like a dark wave on some night beach. I glance at Bonnie's face and am startled to see that she is looking right at me. Her eyes are filled with trust. I blink, and her face blurs. Blink again. She becomes Alexa. Angry eyes. No trust there.
Alexa knows better, after all.
My ears are filled with a faint ringing.
Ringing? No . . . I cock my head, listening. It's a voice. Too far away and faint to make out.
"Smoky? Are you with us?"
Hillstead's voice brings back Bonnie's face.
I realize with a shock that I am losing my mind. Right here, right now. Right when I'm needed most.
Dear God.
I clear my throat and force myself to speak. "You--you said you wanted to talk. So talk, then." It doesn't sound convincing, but at least it sounds sane.
I'm drenched in sweat.
He pauses. "Do you think," he starts, "that I regret the situation I find myself in? If you do, then you'd be wrong. My father, he taught me to hold to a standard. One of his favorite sayings was: 'It's not how long you live--it's how excellently you killed while you were alive.' " He squints at me. "Do you understand? Being true to my heritage, to the example of the Shadow Man, is not just about killing whores and taunting the FBI. It's about a certain . . . flair. It's about the character of murder, not just the act." His voice is proud. "We cut you with the finest silver and drink your blood from designer crystal. We strangle you with silk while dressed in Armani." He peeks out from behind Bonnie. "Any fool can murder. My ancestors and myself ? We make history. We become immortal."
Buy time, I think. Because I hear that faint voice in my head again, and I know--I know--that whatever it's saying is important.
"You don't have any children," I say. "So it stops with you. So much for immortality."
He shrugs. "These genes will surface again. Who's to say that he didn't cast his seed in other places? Who's t
o say I didn't?" He smiles. "I was not the first, I doubt I'll be the last. Our race will survive."
A single, terrible thought occurs to me. Is it possible that I don't want to save Bonnie? That some part of me thinks that that wouldn't be fair to Alexa?
My hand shakes in my lap, spasms around the gun butt. The voice in my head is still faint but has become more urgent. I frown at Hillstead. "Race? What race?"
"The original hunters. The predators who walk on two legs."
"Ah, right. That bullshit."
I miss a breath as his knuckles tighten on the knife at Bonnie's throat. But then they relax and he chuckles.
"The point of it all, Smoky-mine, is this: It doesn't matter that you caught me. In the end, I was true. That's all that counts. Far truer than my father--he never found his Abberline. And my acolytes?" I get the sense of a bird preening, self-satisfied. "That is a definite original." He peeks at me again. "Besides, I have an offer or two to make you. A little bit of final fun."
For the first time since my gun hand shook, the voice in my head goes quiet. Unease creeps in. "What kind of offer?"
"Some scars for a life, Smoky. I want to leave my mark on you and give you something in return."
"What the fuck are you talking about?"
"If I were to tell you, take your gun and shoot yourself and I'll let Bonnie and Elaina go, would you believe me?"
"Of course not."
"Yes. But--if I were to tell you, take a knife and cut your face and I'll let Elaina go . . . ?"
My unease increases. I start to sweat again.
"Ahhhhh . . . see? That's the fun part of dealing in these kinds of stakes, Smoky. You'd have to think about it, wouldn't you?" He laughs.
"The possibilities abound. Do nothing, continue as we are, perhaps you get them out of this, perhaps they both die. Cut yourself, perhaps I'm lying and we continue as we are . . . but then you'll only have cut yourself trying. Not exactly death, now, is it? Or cut yourself, and perhaps I do let her go--and the very chance of this happening means scenario number two is worth considering. Worse still, for you, it is possible that I'm telling the truth. It's believable that I'd trade Elaina for the joy of making you scar yourself further, isn't it? Particularly when I keep this little cutie as a shield?"
Shadow Man sb-1 Page 35