Brensham Village

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by John Moore




  BRENSHAM VILLAGE

  JOHN MOORE

  Contents

  Part One

  The Hill

  Part Two

  The Cricket-Team

  Part Three

  The Darts Players

  Part Four

  The Frost

  Part Five

  The Groupers

  Part Six

  The Syndicate

  Part Seven

  The Bomb

  Part One

  The Hill

  The Landmark – The Crack–brained Village – The Fabulous People – The Way to the Hill – The Mad Lord– The Bottled Crusader – Wild Wormës in Woodës – The Sugaring Expedition – The Hermit – Bird’s Eye View – Pitchers and Gormleys – Christmas Holidays – The Syndicate – The Brief Loveliness – Brensham in Blossom–time

  The Landmark

  Almost every morning of their lives the weather–wise people of Elmbury lift up their eyes to glance at Brensham Hill which rises solitary out of the vale, four miles away as the crow flies. According to its clearness or mistiness they make their prognosis of the day; taking into account, of course, the season of the year, the direction of the wind, and the rheumaticky pains in their backs, their legs or their elbows. It is supposed to be a bad sign - in summer at any rate - to see Brensham Hill very plainly. If you can make out the jigsaw pattern of pasture and ploughing, stone wall and hedgerow, quarry and cart track, furze-patch and bramble-patch, and identify the stone tower atop which is called Brensham Folly, ‘twill rain like as not before evening. If the hill appears as a vague grey-green shape, with the larch plantations showing as faint shadows like craters on the moon, you can get on with your haymaking, for it’s going to be fine. But if you cannot see Brensham Hill at all, if the clouds are right down on its seven-hundred-foot summit, then you recollect the old rhyme:

  ‘When Brensham Hill puts on his hat,

  Men of the Vale, beware of that,’

  and you know you are in for a sousing.

  Brensham, therefore, is as much a part of Elmbury’s landscape as the great Norman tower of Elmbury Abbey, as the tall chimneys of the flour-mills, as the red sandstone bridge which spans with four lovely arches the meandering river. It rises up in front of you as you walk down the wide main street; it appears behind the bowler’s arm when you bat on the cricket-field; it is the first landmark of home when you approach Elmbury by train or car; and if you glance round the corner of any of the alleys which compose Elmbury’s frightful slums its greenness against the sky holds out to you a prospect of better things. From Tudor House in Elmbury High Street where I spent my childhood I used to look out across the flat green fields to Brensham Hill and think of it as a mountain, its coppices as jungles, its slopes as unmapped contours awaiting an explorer.

  I had to wait a few years before I could simulate that explorer; for our country roads ran less straight than the crow flew, and a child’s short legs couldn’t manage the distance. I suppose my nearest approach to Brensham in those days was by river, for picnics by rowing-boat were much in fashion and Brensham lay immediately upstream of us, on the river’s right bank. I remember my father and my uncles in their shirt-sleeves, puffing like galley slaves as they pulled the heavy boats, my mother and numerous aunts in flowery dresses and picture hats, the yellow waterlilies called Brandy Bottles hastily plucked in passing, the small hand trailed over the side and the pleasant sensation of water surging through the cupped fingers, the snowy tablecloth laid on the bank and the search for a site which was free from molehills, cowpats, or tuffets of grass, the usual alarm about wasps and cows, the heavy travelling-rugs: ‘Wrap yourself up, child, it’s so easy to catch a chill by the river.’

  Once, after a longer row than usual, we reached the ferry at Dykeham, and Brensham Hill with its patchwork fields stood only a mile away. We might have actually picnicked in the water-meadows at its foot; but there was a high wind slapping little waves against the side of the boat, and we had with us an old and crazy aunt who announced that she was going to be seasick.

  ‘How can you be seasick, Aunt Paddy, when you’re not on the sea?’

  ‘I can be seasick,’ she said tartly, ‘whenever I think I am going to be seasick.’

  Alas, we knew this to be true; three old pleasure-steamers, the River Queen, the River King and the Jubilee, plied upon the river, and Aunt Paddy had even succeeded in being seasick when our boat rolled in their wash. So home we went, and Brensham Hill remained a distant prospect for another season.

  The Crack-brained Village

  By then I was a tough little schoolboy with three tough little friends, Dick, Donald and Ted, and a ferret called Boanerges, which I carried everywhere in my pocket, sometimes in company with a grass snake, to the discomfiture of both. We rode to Brensham, for the first time, on the bicycles which were tenth birthday presents, and thereafter spent most of our holidays there.

  I had got to know Elmbury as only an inquisitive small boy can know the place where he is born and bred; so I was ready for further exploring. I had caught striped perch and loggerheaded chub in the rivers and streams which ran round Elmbury and through it, found larks’ and curlews’ nests in the big meadow called the Ham, climbed the four-hundred-odd steps to the top of the Abbey tower and gazed upon the coloured counties spread out below. I had achieved immortal infamy by scratching my name with a penknife on the sandstone wall of the Abbey. (It is still there.) And I had investigated, unknown to my parents, the rabbit-warren slums of the old country town and made friends with many of the curious and disreputable characters who inhabited them: with Slosher Hook, who waged war against his wife daily at the entrance to Double Alley, giving and getting blow for blow while the neighbours applauded and jeered; with Black Sal, who’d lost her wits and given up washing and who flapped about the town squawking and cackling like an old black crow; with numberless small ruffians who had filthy faces, ringworm on their heads, rickets in their bones, bottoms showing through ragged trousers, but who knew so much more about Life than I did that they seemed positively heroic. I also got to know those three musketeers whom I have since called Pistol, Bardolph and Nym. They were famous thieves, drunkards, beggars and scroungers who had served without distinction in various wars for what they could get out of it; they were just back from the Great War, and were already cocking a bleary and appraising eye at Peace to see what they could get out of that. They taught me a lot about rabbit snares and catapults, some merry rhymes, and some wicked swearwords; therefore they possessed in my eyes a sort of ragged nobility of which time and riper experience hasn’t quite robbed them yet.

  Now among the politer expressions which I learned from these rascals, among the alley catchwords, the scraps of cant and rhyming slang, and the old country names of things and places which often sounded like, and sometimes were, the uncorrupted speech of Shakespeare, there was a phrase which made me prick up my ears as soon as I heard it: ‘As crack-brained as a Brensham hare’. Black Sal went flapping by, and Pistol shrugged his shoulders: ‘As crack-brained as a Brensham hare’.

  ‘Are there lots of hares on Brensham?’ I asked eagerly.

  ‘Lor’ bless you, yes! Great fat lollopers! We knows!’ He winked at Bardolph and Nym, who repeated darkly:

  ‘Aye, we knows summat about ‘em!’

  ‘What do you know?’ I said.

  ‘As they’re good to yut,’ said Pistol, grinning and rubbing his belly.

  ‘But why are they crack-brained?’

  ‘All hares is crack-brained. Come to that, ‘most everybody at Brensham is crack-brained. ‘Tis a crazy place.’

  ‘Tain’t like any other village,’ said Bardolph. ‘There’s summat about it.’

  ‘The folks is as wild as the hares,’
said Nym.

  ‘And very proud and independent-like,’ put in Pistol.

  ‘Three pubs they’ve got,’ said Bardolph with a gleam in his eyes.

  ‘There’s more drink drunk in Brensham,’ said Nym, ‘than anywhere else I knows of.’

  ‘Fine upstanding women they have,’ leered Pistol.

  ‘And great folks they are for horses, and cricket, and dogs, and boats, and fishing, and fighting and all kinds of sport,’ said Nym.

  ‘They hangs together,’ said Bardolph.

  ‘Aye, they hangs together wonderful,’ agreed Pistol. ‘Pick a quarrel with a Brensham man and the whole village’ll set on you.’

  ‘Dogs and all,’ said Bardolph solemnly.

  ‘And they’ve got a Mad Lord,’ said Nym.

  ‘A real lord?’ I asked.

  ‘Aye. And mad. Crack-brained as a Brensham hare.’

  The Fabulous People

  So before I ever set foot in Brensham I already knew it as a remarkable and far-famed place, completely different in character from all the other villages and hamlets which ringed Elmbury and were her satellites. Upon the green slopes of the hill hares lolloped, Pistol, Bardolph and Nym slunk down the hedgerows, set snares, and were remorselessly hunted (if their tales were to be believed) by giant keepers with knobbly sticks and savage dogs; and there was a Mad Lord. There were also fallow-deer, we were told, which ran wild there, having escaped from his lordship’s demesne. And if fallow-deer, what else might inhabit the place, what birds, beasts, butterflies, what hoopoes, what golden orioles, what fire-crested wrens, what polecats, martens, adders, lizards, Camberwell Beauties, Queen of Spain fritillaries, Bath Whites? I knew, already, my natural-history books by heart; and I peopled Brensham Hill with all the rarest creatures I could think of. It would not be at all surprising to discover Camberwell Beauties in company with a Mad Lord.

  Moreover, there were other fabulous people besides the lord. There had been a murder in Brensham fifty years ago - the house where it had happened was still there, tumbledown and unoccupied, and was called the Murder House; and the family of the murderer and the family of the murdered person still survived and carried on the ancient feud! There was also a hermit, we were reliably informed, who lived in the tower at the top of the hill - Brensham Folly - and caught rabbits with his bare hands, and ate them raw. And fabulous indeed was the Colonel, who had a farm at Brensham and whom we saw almost every day, and usually twice a day, as he passed down Elmbury High Street on his way to the Swan Hotel. He rode, in those days, upon a very old motor-cycle which made a peculiar and distinctive chuffling noise. He sat up very straight, as he had doubtless been taught to do in the Cavalry before the Boer War. He wore a faded green jacket, knee-breeches, and a deerstalker hat: a suit which, with trifling differences in the cut, might have been made for Robin Hood. But his face, as much of it as was visible between his chin-high muffler and the long peak of his deerstalker, was not like Robin Hood’s at all. It was fire-red, save for the nose, which was purple. Below the nose was a badger-grizzled walrus moustache, which in winter became hoar with frost. Between the nose and the peak of his hat one could sometimes see his eyes, which were extraordinarily blue and twinkling. The general effect was curiously elfin or gnome-like. His jacket had big poacher’s pockets which bulged with hares, rabbits, wild ducks and pheasants in season, and at all seasons with bottles of whisky.

  For it was whisky, whispered Old Nanny, hinted our parents, declared with a leer lean spidery Pistol - whisky that beckoned the old gentleman twice daily to the Swan, sustained him in winter as he chuffled home in frost or snow, revived him when he came back from wading knee-deep through icy waters in pursuit of wild-fowl. It was the fire from the bottle, they said, that burnt in his glowing cheeks, the bottle was the paint-pot which decorated his purple nose!

  But we brats were no moralists. The Colonel was weird and wonderful, he belonged to the greenwood we were sure, he had some obscure affinity with Robin Hood. He was scarcely ever to be seen without some article of sporting impedimenta strapped to his motor-bicycle or slung over his shoulder: fishing-baskets, guns, salmon-rods, otter-poles, cartridge-bags, even rat-traps! In winter when snow lay on the ground he even appeared, on his way to stalk geese, in his sister’s night-shirt, with a white night-cap on his head. It was said that when he failed to borrow a night-shirt he obtained a shroud and wore that. If such beings as he must feed on whisky, that only made them more marvellous in our eyes.

  The Way to the Hill

  Oddly enough, I do not remember the precise occasion when with Dick, Donald and Ted I first scrambled up the gorsy slopes of Brensham Hill. What I remember is a synthesis of many days we spent there during that first summer holiday from prep school.

  The way to the hill from Elmbury took us through Brensham Village, which was long and straggling and ran in a semi-circle more or less coincident with one of the lower contours. The houses were mostly half-timbered, with deep straw thatch, and their gardens were full of old-fashioned flowers, hollyhocks and peonies, sweet-williams and rambler roses, red-hot pokers and love-lies-bleeding. There was a scent of gillyflowers which I remember still; so that whenever I smell it I think of Brensham.

  There was a church with a tall spire, beside which three poplars grew, and spaced through the village at decent intervals there were three pubs, the Horse and Harrow, the Trumpet, and the Adam and Eve. The Horse and Harrow, was locally spoken of as the Horse Narrow, which was confusing to strangers and had certainly confused the itinerant artist who had painted its inn-sign; for he had represented with meticulous accuracy a horse and an arrow. Nobody minded; nobody suggested taking the sign down and altering it, or making the artist paint a new one. The thing was a good joke; so much the better. That was the Brensham attitude and, looking back upon it now, I can see that it was typical of Brensham, where the people are humorous and tolerant and crack-brained and wise.

  The Adam and Eve also had its painted sign. The artist this time had given full value for money; the tree, the forbidden fruit (undoubtedly a Cox’s Orange Pippin), the serpent, the two naked figures, all were there in careful detail. If you looked closely you perceived that Eve’s face wore a look of mischievous and disingenuous delight, not to say satisfaction; clearly, she had eaten the apple and enjoyed it. But there were some who said that the model for Eve had been the red-headed wanton little puss of a barmaid who served in the pub when the artist was staying there.

  In the middle of the village was a turning off the road, called Magpie Lane, which led to the cricket-field and also to the Colonel’s farm. Along this lane were a lot of little cottages which belonged to the Colonel; and I shall never forget my astonishment when I saw a number of small girls, who were the daughters of the cottagers, curtsy to the Colonel as he passed by on his motor-bike. He waved back, and his blue eyes twinkled. I had never seen a curtsy before; it was an enchanting sight, the small girls in their print frocks clutching the hem and bobbing, and the grotesque and wonderful old man waving back, at some peril to his stability, as he chugged by on his fantastical machine. It seemed to me entirely proper that he should receive these marks of respect; and I tugged hard at the peak of my school-cap as he went by.

  Immediately opposite Magpie Lane was Mrs Doan’s Post Office and Village Stores, which sold almost everything from fish-hooks to corn-plasters. The only commodities, however, which concerned us in those days were huge and tiger-striped bull’s-eyes, so indestructible that you could use them for marbles, and elastic for catapults. Mrs Doan’s elastic was very thick, and square in section; surely it must have been made specially for catapults by some manufacturer with the heart of a boy, for I cannot imagine any other use for it. Nor, I think, could Mrs Doan; and since she strongly disapproved of the slaughter of birds, she had to invent an elaborate fiction to the effect that we employed our catapults for the purpose of shooting at tin cans. ‘Now, remember, no live targets,’ she would say. ‘You will get just as much fun shooting at empty bottles; but you
must take care not to cut yourselves with the broken glass.’ Then she would quote to us a Victorian rhyme:

  If Human Beings only knew

  What sorrows little birds went through

  I think that even boys

  Would never think it sport or fun

  To fire a nasty horrid gun

  Only for the noise.

  ‘Of course,’ she would say, ‘I know that catapults are silent; but this elastic is very strong, and if you hit a poor little fluffy bird with a stone you might hurt it very badly.’ It was all we could do to keep our faces straight; we whose catapult handles each bore a score of notches. And I don’t think Mrs Doan really succeeded in believing her tin-can fiction. She sold us the stuff reluctantly, rather in the manner of the Apothecary selling the poison to Romeo: ‘My poverty, but not my will, consents.’ ‘It’s very strong,’ she would say hesitantly. And so it was. The Elmbury shops sold nothing like it, and offered us instead strips of narrow pink stuff which might have served, we thought, for a girl’s garters. We were shocked and insulted and thereafter we put up with her admonitions and dealt exclusively with Mrs Doan, whose square-sided cattie-lackey was as black as liquorice and so strong that when you pulled it back to have a shot you felt like a longbowman at the Battle of Agincourt.

  The Mad Lord

  When you started to climb the hill you left the half-timbering behind; the village still straggled along beside the steep path, but the cottages were built of limestone quarried a few hundred yards away, and the hedges gradually gave place to stone walls. Then you came to the end of the path and to the last cottage, which was inhabited by an old man with a wooden leg and a long beard. He kept in his garden a billy-goat which also had a long beard. We called him Goaty Pegleg, and thought of him as the hill’s janitor, for he was almost always to be found leaning on the gate at the road’s end. If he were feeling good-humoured he opened the gate for us; and we went through into a rough chalky field full of furze-bushes, ragwort, thistles and rabbits. A stony cart track led upwards towards the quarries, the banks covered with scrub and bramble, the hanging woods of oak, sycamore and ash, and the larch plantation on the hilltop, with the round preposterous tower of Brensham Folly just showing above the feathery tops of the conifers.

 

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