The world was music, it was crimson and clover, it was a marvelous night for a moon dance, it was London burning, it was a whiter shade of pale, it was twisting the night away. The assault on his senses was electrifying in the beginning and his cravings for renewal came like clouds running across the sky at a train speed’s rhythm. When he took an Adam there was a sheen across the world, a shine that glittered and sparkled and added a reverb to every voice and every sound. It was so breathtaking that he took to chasing the pills with alcohol just to dampen their effects a little. And he understood, finally, the fascination other friends had with the substances. Though he doubted they ever experienced them quite as he did.
But hell, was there power in that stuff; that raw, unleashing kind, that kind that made Zeb flex every part of himself. Crimson and clover, over and over—it was as though Adam brought Zeb to the doorway, the lynchpin, holding clear every admonished concept his exhausted brain had ever fumbled with. Skipping the light fandango, as the miller told his tale, he came to understand the reality behind things; just as there is a scribe to every written word, Zeb now discerned, there too must be a painter’s stroke to blame for every mask on every face he had ever seen. Over and over and over and over and over.
He set up his easel in Vivian’s spare bedroom and spent time there throwing paint on canvas after canvas. They became some of the most intense works he had ever produced. Jackson thought so. Vivian thought so. Everyone thought so.
So he continued. And he stayed away from the house in Vaughan, his parents’ house, as much as possible. He painted on weekdays, skipping class at times, he painted while music pounded beyond the door, he painted while couples had awkward high school sex in other rooms, he painted as the liquor cabinet at the Leland residence was emptied then refilled then emptied again. People peeked into the room or sat on the bed or crowded around him to watch as he whipped off another masterpiece. And he was talented, that much everyone could see. He became a modern day Pollock, but with an audience of rowdy, jeering high school kids to rev him up. And always at his side, was a handy joint, ready to be puffed, or a handy little pill, ready to become fuel for this new, this renewed, obsession.
The colors weren’t reinvented or even made brighter by the meth variants. They just seemed different. He couldn’t explain that with articulation, but he did understand the resurging energy the Adams brought. He hadn’t felt that kind of energy in a long time. Early on he hummed while he caressed the blank portraits with bristles and the blade of a palette knife—and everyone sat quiet. Later, borrowed records of Oliver’s would spin nearby, spilling out songs like The Rolling Stones’ 2000 Light Years From Home, Baba O’Reilly by The Who, Pink Floyd’s Piper At the Gates of Dawn album, and an endless strew of Velvet Underground records—mostly stuff that had been recorded before he was even born, mostly stuff that Oliver had listened to in his younger years. As time progressed, the tunes were forgotten and his humming gave way to low grumbling talk. Talk about politics, what he could see in his mind as he painted, talk about the middle-east—what Hussein had done right, he said with audacity on one occasion—talk about big business and where he stood on that. The view from his father’s office tower and what it would feel like, maybe, to dive headlong from one of its tinted windows was another description and one that drew gasps from the girls and cheers from the boys. The essays turned into rants and he stalked back and forth at times, in argumentative style, dabbing diminishing globs of paint from his brush onto the empty surface at the easel.
This was all the finest novelty at first, the beatnik painter who expounded on the virtues of life and described the colors in his head. But after a while, as with everything, the gimmick wore off. He became, as the school year rounded its final bend, just a novelty act, an objet d’art. A young man with but a brush and a bawdy voice.
Vivian thought it delightful at first, then cooled, as did everyone else. Their purple fires of passion became embers, the fireworks of the summer before had been extinguished, and an initial indecision about whether to leave the next fall and attend McGill or stay and go to York University with Zeb had become a moot point. She left and he stayed. Theirs was a cancelled courtship, the future of which no longer up for debate.
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Zeb insisted to Oliver that he would be taking a year off before going to York, and Oliver insisted to Zeb that oh no he would not be taking a year off. Zeb informed his father that a trip to Europe with his friends was in order. He had to keep up, you see, had to be like all the rest—those with influence, prospects, and all the time in the world before settling into their degree programs at the more prestigious schools. Presentation Is Everything, dad, he told him. And Oliver, without even a pause, informed his son that a trip to Europe was not in any such order and would not ever be. Presentation, it would seem, cost too much.
Oliver was clearly agitated with all the time the boy had been spending away from his studies. His anger came from the fact that while Zeb had never gotten a grade letter below an A—not in his whole academic career—he had not succeeded in getting the grades he could have garnered with even an iota of effort for school. If you spent half as much time studying as you did painting or doing God knows what with that girl, you’d have easily gotten a full scholarship to the school of your choice and I wouldn’t have had to forego retirement investments for another three years. Again.
In the end, or perhaps in the beginning, Zeb lost out on that battle. Though he viewed it as important and he fought the man tooth and nail over it, his father was more forceful and the reality of the situation was that Zeb couldn’t afford Europe anyway. York it would be, expensive, boring and lengthy. But York it would be.
At his father’s advice, or perhaps it was at his insistence, he enrolled himself in the Faculty of Commerce at York University. There was Jackie-O, at his side, always the comedian, always the auspicious sidekick who could get pot and girls at a moment’s notice.
Even thier genuine lack of interest to actually study Commerce didn’t stop the fall. They both rode the wave, feeling that they were pushed into cold waters without any real consent, but stayed in them because they weren’t too cold. Mums and Dads, The kings and queens of cheese, were paying for this swell. And, in a sense, both Jackson and Zeb understood that they were still young enough to diverge at any moment, should the overwhelming desire arise. They swallowed whole what was handed them—almost because it seemed easier to wash it down now and keep intact the notion of dining on something else. Plus, and in brute honesty, they didn’t take any of it seriously. Not for one moment.
The two were on a collision course for their future. Falling down a mountain? Yes, Sebastion felt like he was doing just that every single day. It was a painful coaster descent on elderly tracks and the bruises and cuts would begin to show any day now. And, worst of all, the colors were beginning to fade.
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Two years. The whipping winds that come careening along that rickety track—one which may spill you over the edge at any turn—well, they can dull the senses. That wind isn’t felt after a while; it just becomes filtered out along the way. It disappears. Like smoke.
The wind in his ears, the up and down roller coaster movement and all that went with it, made Zeb finally and completely exhausted. First year was a set of overindulgences, of casual quests for ladies’ underthings in off-campus dorms and in the back rooms of downtown clubs. He was still riding a high point on his life’s social circle, but the curve was beginning a downward turn again. By spring of his second year, he had managed to score another set of A’s across the board. But he was tired. And his new perspectives on the inner workings of things made him even more tired.
The supper table was an endless set of debates about foreign and fiscal policy. Investment opportunities were the only discussions that Oliver ever brought up. He handed the business section of the paper to his foggy-eyed son each day across a bowl of peas or corn or potatoes and there wasn’t even a look of expectancy in his
face. There wasn’t a look at all. The expectations were just understood. What’s this all for? Zeb thought, blearily. Can’t we just make it stop? he sometimes wanted to say, but never did. He simply accepted the folded stack of newsprint and paged through it when his father handed it to him. It was resignation, weak-kneed and without argument.
There was something behind everything, Zeb knew. There was something that couldn’t be seen but still made all the wheels turn, still made all the bars bend. Jackson could see it even before Zeb could—long before he could—it was there in every look he gave things. It was a once-over when he arrived in a room that said he knew there was something else there, lurking under tables and behind curtains. And there was something there, behind it all, something that no one talked about, maybe because none of them could see it. The idea was intangible, it was slippery, and it did not fit into a neat description space in a scrapbook. He didn’t know exactly what it was and couldn’t place a finger on it to make it understood. But he could see it, could almost touch it at moments. It became a looming shape, with depth and dimension. It was like a shadow that stood long and thin on the horizon attached to the legs of everything he perceived, everything that made up the world. The shadow held the strings and everything in front of it became the puppet.
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Oliver Redfield had started with Whitman & Merridew Investments the year that his only son was born. It was tough going at first, digging out of the debt-hole and crawling back up to the surface after his layoff at the other firm. The pittance of his initial salary at Wittman & Merridew barely managed to cover the payments on the house. But Oliver, Zeb would decide much later in life and stick to the conviction, lived well above his head. Always did.
He wasn’t even a junior partner when Sadie took Zeb to see the specialists, was still just slogging it out on the lowest rung. He had climbed, though, worked the seventy hour weeks and climbed further. By Zeb’s ninth birthday he had made junior partner and by his second last year of high school, Oliver had made an impressive leap into full partner, with all the trimmings. That was a hell of a night, all champagne and old Records droning and crackling from the basement. The sign’s going to read, he made no bones of pointing out to Zeb, “Whitman, Merridew & Redfield.” Now that is the result of a strong work ethic, son. Take a lesson from your old dad.
The luxuries had started then, if one could call them luxuries. Oliver finally paid off the summer cottage, though it was rarely used at all anymore. He traded in his early-run Beemer for one off the showroom floor, and started drinking a glass of wine with nearly every meal, though they were still always well past eight in the evening.
Zeb saw his aunt less—she still reached out for him every time and could never quite grab hold—but Oliver the crow was always there. By this time, in fact, Zeb had grown so accustomed to seeing his black-feathered friend that the name he had given him became condensed to just a quick phrase: Oliverthecrow. He had stopped talking to the bird long before, when he was nine or so, but these days something compelled him to acknowledge the little visitor again. He would say it every night, not aloud every time, but on occasion in a whisper, Goodnight Oliverthecrow. Don’t let the bedbugs bite. And he would roll over and fall off to sleep with a sound in his mind and a vision of something distant and brightly lit behind his lids.
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The shadows behind things became a permanent fixture in his mind. There were strings attached to every person, every building, every institution. He saw scenes like they were created with thin camelhair brushes, dragged across the world by an unseen painter. Everything felt like a picture created with secret intent. Everything was made of wooden limbs, discreetly managed just off stage by a devious and grinning puppeteer, whose name no one knew. But Zeb had to push those thoughts, all of them, as far to the back of his everyday life as he could. He had to or he wouldn’t have been able to carry on.
Nights of three hours sleep after spending all his pocket money at the campus pub on beer with Jackie-O and girls from the psych department had taken their toll. He had eased up on his pill-popping long earlier, but the effects of it, the dreariness of it, still seemed to hang on his body. It was like a weight that couldn’t be shed. He couldn’t keep up to Jackson—who didn’t seem to need even a wink of sleep to perform—and he began to bow out of invitations, coming home to Vaughan more often instead. His Dad was there, and the conversations usually turned to stocks and trading, but oddly, that seemed more manageable. His priorities had begun a delicate shift. Zeb felt like he had been pissing away his time, like the pills and the bottles had given him something small but had taken something large, something that he could never get back entirely—not even if he worked his guts out for all eternity. It felt like those shadows on the ends of all the feet in all the world were finally tugging at him. He could no longer step lightly, and have them follow his lead. The black outlines around everything did the impossible: they made him think it was time he started to grow up.
He looked in the mirror and saw his fatigue staring back at him. For a while there, the grades had become a prime example of his childishness, of his empty idealism, and he knew this would become an issue with his father awfully soon. They were fine, his grades. But they were slipping. And so was he.
Yes, Zeb, came the voice in his head, like so many times before and after. Time to grow up.
So, nearing the end of that semester he took it upon himself to smarten up. You want work ethic, Old Dad, I’ll show you some of that. He set himself back on an even keel and it even allowed him to relax a little more. He went out less and less and he gave up those dirty white pills entirely. The painting dried up. All his sketching and a brief stint of clay sculpting did too. That work sat unfinished, but he was finally reading textbooks and arriving on time for midterms. He started marching through the days without questioning the reasons behind his own actions.
And behind the marching, Zeb decided, behind the dictations of what he would be doing now and until convocation, there were strings tugged by the hidden puppeteer—the business section passed across the dinner table. The strings ran to a shadow that lived and breathed. It was a wooden handle held high above it all.
And Zeb wanted to hang himself on it.
IV. A Ticking Clock’s Faithful Rhythm
“You’re staring,” she said, this girl of unparalleled beauty. There was a hint of a smile in her words. Her velvet eyes, green, had a glimmer of something that he found irresistible.
“Your eyes—I’m sorry. It’s your eyes.” Then he wanted to make her laugh full out, so he said: “My mother taught me to always look pretty girls in the eyes.”
And she did, she laughed uproariously. They both did. They laughed until tears came to their eyes. And the laughter finally faded to giggles, but never did it completely die away.
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After two years of avoiding looking the people he met square in the face, Zeb found a woman whose eyes demanded that he change his ways. He had to gawk; it was suddenly, overtly, a compulsion.
She rode the bus that he took to his morning classes during the spring of his second year at York, and for weeks he searched out a manner which would break ice with her. For the first time he could remember in a long while, since Vivian at least, he couldn’t think of a single thing to open with. There had been other girls, he told himself. Lots of other girls. Why was this one different? And why did everything he wanted to say sound so trivial?
But in the end, or was it the beginning, he decided ‘trivial’ was exactly the correct route to travel. For below her, under her bus seat one morning, when the sky was a sheet of bright, light cobalt, there lay a small mitten. It was white, fuzzy, and thick. The thumb sat bent and lolling with the motion of the bus. And it had only the smallest smudge of brown filth despite its obviously sordid past. Without thinking, he got up, crossed the distance between his chair and the girl’s, crouched, grabbed the mitten and, just as she caught view of his figure in her peripheral, held i
t out to her.
She looked sideways at him for a second, then turned her head. There was a petite smile, one of polite apprehension that he recognized could become one of mild amusement. Step one, that was. “Yes?” she said, looking from his face to the mitten he held in front of her. His silence, to him at least, seemed far too lengthy. Step one would soon be a dashed failure. Before long, in less than a few seconds, if he didn’t say anything, that smile of apprehension, the one that could become mild amusement, would turn to irritation. And there would be no step two.
“Did you lose your mitten?”
“No,” she said. “It’s nearly summertime. I’m not wearing mittens.” She held up her hands to him, then turned them once to show him both sides. Her eyebrows raised a little. Her smile had not become the amused one, not yet, but the possibility still lurked. He smiled, a bit of a crooked grin that said he knew that she knew. He felt like he stood on a thin sheet of ice while it cracked in long lines beneath his feet. She was beautiful, and she knew it. She would be obviously experienced in putting out fires in the hearts of men on buses, subway trains, clubs, her classes, everywhere she ever went. He just knew it. She would have been putting up with this kind of nonsense from every guy she ever had two words with. She was that beautiful. And those eyes! Step two needed to be a bit more powerful.
“Well, Madame. Just thought I’d ask. You never know who might need a pocket, a glove, maybe even, yes, a mitten this late in the season. I feel a bit concerned though...”
“And why’s that?” Was that playful smugness in her voice? He nearly became giddy.
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