No! cried Lydia, and though her breath swirled in a diamond cloud, she could produce no sound. He's lying to you! He's going to kill you! Horrified, she fought to run toward them, but black thorns caught her skirts, held her back. She tried to pull free, and the branches cracked beneath her fingers like dried insects. She woke to find herself clutching the bony fragments of hawthorn twig that lay on her pillow.
Lydia took the two o'clock tram for Paris. Even after that strange farrago of romantic interludes by moonlight faded from her dreams, she kept waking with the icy sense that a slender shadow with yellow eyes waited just outside her door. By the time she was awake, bathed, laced, dressed, packed, powdered, perfumed, made-up, and had fixed her hair-no small accomplishment without a maid-and considered herself fit to be viewed by the public, she had missed both the morning trains. Never again, she thought, will I stay at an inconspicuous hotel just to avoid questions from my family. She reached Paris shortly after nine that night, missing the train to Vienna by an hour and a half-it left from another station in any case-and registered, travel-weary and aching, at the Hotel St. Petersbourg that Thomas Cook and Sons had obligingly contacted on her behalf the day before.
Paris, at least, she knew from her days of debutante shopping and educational sightseeing, and later from medical conferences. Her French was good, and she understood how to handle herself in this milieu. Perhaps, she reflected, the journey would be easier than she feared, as long as she took everything methodically, one step at a time, like a complicated dissection or a series of analyses of unknown secretions.
Again she slept badly, her dreams filled with the dark-haired girl in brown and Don Simon Ysidro rescuing each other from the cardinal's guards and trading kisses on the sands of moon-soaked Moroccan deserts. Waking in the darkness, comforter drawn up to her chin, she stared at the slits of reflected streetlamp outlining the shutters and listened to the voices of the cafe down in the street below, wondering where James was and if he was all right. Milk wagons were creaking in the streets when she finally slept.
The Vienna Express didn't leave until seven-thirty that evening, so there was plenty of time, not only to pack and dress properly and have the hotel maid fix her hair, but to do a little shopping at the Magasins du Printemps, which lay just down the street.
She was buttering a croissant in the almost empty dining room and speculating about the pathology of Don Simon Ysidro's fingernails-clearly there had been an organic change of some kind, so the physical side of the vampire syndrome did not involve complete cellular stasis-when she heard the solitary waiter murmur, "B'njour, m'mselle," and glanced up to see another woman enter the room. Even at this distance and without her spectacles, Lydia deduced this woman to be harmless: tallish and slightly stooped, she moved with the uncertainty of one who feels herself to be half a foreigner even in her own country, let alone in a land where she doesn't speak the language.
The next second she frowned, wondering why she thought she recognized her. There was something familiar about her, and as the woman drew near and came a little more into focus, Lydia realized what it was.
She was wearing a brown dress with the puffed sleeves and wide collar fashionable in the nineties.
Lydia set down her coffee cup.
"Mrs. Asher?" The woman stopped beside her table, fidgeting her hands in mended gloves, a look of anxiety in her blue eyes. She was about twenty-three, much more awkward than she'd been in the dreams, and, like Lydia when Lydia knew nobody would see her, wore eyeglasses. "Don Simon told me I'd find you here."
Four
A waltz from Tchaikovsky's Nutcracker ballet had been popular in Vienna the year Asher spent in and out of that city. Closing his eyes to the lulling rock of the train, Asher could hear it again, drawing in its colored wake the bright glimmer of gaslight in the Cafe New York on the Opernring during Carnival season, the sparkle of snow on the pavements, the slurry patter of French and Italian and Viennese German all around. Court gossip and psychoanalysis, music and politics and whose wife was betraying whom. Thirteen years later it was still as clear as yesterday.
Young matrons in their masks and costumes questing nervously for unspecified excitement. Uniformed officers, gay in swords and spurs and braid.
Francoise.
"Nothing here is as it seems," she had said the night he walked with her to the cafe after a St. Valentine's Ball given by her brother; and that, at least, he had known was true about himself.
She was a thin-faced woman of his own age, his own height; though to be thirty- five and almost six feet tall, and of a strong cast of feature, had always been something only considered attractive in men. Her brother was a director of the biggest bank in Vienna and owned farms, vineyards, blocks of flats in the Seventh District. His wife, the second daughter of a baron, had been trying for years to marry Francoise off in diplomatic circles.
Asher wondered if she had ever married. Had ever trusted another man.
"People pass the days away in cafes like this, sipping coffee, reading the feuilletons, watching the world go by." She moved one shoulder in a graceful shrug, her smile rueful and a little sad. She was a biscuit-colored woman, but the emeralds in her ear-rings caught sparkling echoes in her eyes. "Outsiders think it's all very relaxed, very gemutlich, but it's really because most of the people here live in one-room apartments, they and their families together, and they can't stand the smell of cooking and dirty diapers and the arguing of their children. So they come here and look leisured and carefree because that is exactly what they are not.
"We here in Vienna have a hundred separate degrees of nobility and bureaucrats, titles and order and neatness and rules, and underneath, the Slovenes and Serbs and Czechs and Moldavians and Muslims are all clamoring to have their own nations, their own schools, their own languages, their own crowns. They bomb and shoot and riot and scheme with the Russians and the British and whoever else they think will help them break free."
Her big hands in long gloves of ivory kid darted, as if forming illustrative patterns that Asher could not see. He had first encountered her at a Twelfth Night ball in his guise as a professor of folklore. Folklore was always popular in Vienna, the more bizarre the better, and in exchange for arcana on Japanese werewolves and Chinese milkweed fairies, Asher had met a number of the aforesaid Serbs and Czechs and Moldavians and was beginning to find out just who they were scheming with on the subject of riots, bombs, and freedom from Austrian control. He hadn't really needed to seek out Francoise a second time.
But he had.
"When we complain," she went on, "it isn't really a complaint. When we weep, it isn't necessarily out of pain; and when we dance, it isn't always for joy. Yes isn't really yes, and no is seldom no, and the palaces you see mostly aren't really palaces, and everyone talks about everything except what really consumes their thoughts."
Her dark brows drew down over those bright green eyes as she considered him, skirting the brink of questions that she wasn't sure she wanted answered or even asked.
"We don't always know whether what we're seeing is real or a mask."
Asher's eyes had met hers, and he hadn't known what to reply.
I spoke to you last week to find out which of your young officer friends are deepest in debt.
I'm here to learn things that could get your armies defeated, your country disgraced, your friends and nephew killed.
I think I love you.
He wasn't sure just when that last had happened.
For a time they regarded one another without masks. Even now, looking back on it from the edge of dreaming, Asher didn't know what he would have said, had she asked him then.
But she smiled and put her mask back on, and held out her hand. "It's the 'Waltz of the Flowers,' " she said. "Do you dance?"
He had never been back to Vienna.
He pulled himself brutally from the edge of sleep. It was too early to sleep. The lights of Paris were barely behind them: St. Denis, Gagny, Vaires-sur-Marne spilled firefly g
lints into the indigo dark. Asher sipped the cafe noir he'd tipped the porter to bring to his private compartment-the compartment he'd managed to secure at the last possible moment, leaving himself again, he reflected dourly, with only five pounds in his pocket.
But on the Paris-Vienna Express it was imperative that he travel first class if he wanted access to the car where Karolyi and Ernchester would be. He knew himself incapable of remaining awake another night in second class. In first class he would be safer, less likely to be seen by either Ernchester or Karolyi. Karolyi.
Nothing here is as it seems to be.
That same Carnival evening he'd seen Karolyi surrender a dance with the most attractive heiress in Vienna that season to go outside and stop a carter from whipping his horse. Francoise's comment had been, "Laying it on a bit thick, no?" And, to Asher's raised brow: "You must have noticed he only does such things where others will see." Asher had noticed, but to his knowledge, no one else had, save Francoise.
He hadn't had time to telegraph Lydia. Nor Streatham, telling him Cramer was dead.
Streatham would have left his office at six anyway, Asher reflected sardonically, and wouldn't be back till twenty minutes past nine in the morning.
Dear God, had it only been that morning?
When he closed his eyes, he could see the brassy-haired prostitute, back arched like a bow above the seat of the chair, flopping and kicking her legs as her body gave up its life.
Could see the dark glitter of Cramer's blood where the rats had gnawed his face. He feared his dreams, but they drank him in, like water flowing down into darkness.
He thought, I've been in this room before. When have I been in this room? Beyond shrouded windows rain streamed down, sodden and heavy; if there had been furniture in the room once, all had been cleared, but for a table at one end.
Shawled with drippings, the guttered stumps of candles burned in tall holders, two at the head, two at the feet, and their light made daffodil thumbprints on the velvet pall that draped one end of the table like a thrown-back counterpane and winked in the jeweled leaves of a coronet set in the black cloth's midst. The dream had the taste of very distant memory, and he somehow knew that it was deep, deep in the night.
A woman lay on the yellow marble floor before the table, like a second pall dropped by a careless servitor, awkward in corsets and bum rolls and strange pennoncels of ribbon. Her hair was black, except where the candle flame breathed on it a cinnamon light. Its puffs and volutes, like those of her clothing, were in tangled disarray.
"Anthea." Another woman came down the room's length, passed within touching distance of Asher, or where Asher would have been had any of this ever really occurred. "Anthea, you must come to bed." Even drugged with sleep, Asher identified the longer vowels in come and bed, the elongated ou, and thought automatically, Late seventeenth century. This new woman also wore black. Against ebon lace cascading from high combs, her face seemed lifeless, her eyes swollen and red. " 'Tis long gone midnight, and the mourners away to their homes." She knelt in a sighing waterfall of back-draped skirts and touched the prone woman's arm.
"How can he be dead?" It was a deep voice for a woman's, low but very clear. There were no tears in it, only a tired wonderment, as if she really wanted to know. The odd thing was that Asher recognized it but remembered a modern pronunciation, unlike the one she used now.
"I don't... I don't feel as if he were. Did I walk up the stairs, would he not be waiting at the top?" A ribboned fontange snagged in her hair, tilted drunkenly as she raised her head, then slithered to the floor unheeded. Though he was at least twenty feet from her, Asher knew her eyes were the color of last autumn's oak leaves, matted at the bottom of a pool.
"I felt so, when my Andrew died." The other woman put a hand to Anthea's side to help her up. Anthea rose unsteadily, tall and wholly beautiful though her clothing was askew from lying on the floor. The flesh of her breasts rose in creamy mountains above the flattening of her bodice, and small shadows marked the paler line of her collarbone, the curves of her broad-set cheeks. "Believe me, my darling," said her friend, "he is dead."
Slowly, like a very old woman, Anthea stepped forward, reaching to touch the velvet pall where, Asher realized, a coffin had lain. Her voice was very small, like a child's. "I don't understand what they expect me to do without him." She turned and walked the length of the room, as if she did not see her friend who followed in her wake. Certainly she did not see Asher, though her black skirts brushed the tips of his boots and he smelled the musky blend of ambergris, funeral incense, and womanhood that sighed from her clothing. Her tall lace headdress lay on the floor where it had fallen, like a broken black rose.
Steffi, darling, you do realize how dreary you are when you're jealous?" Asher jolted awake, sunlight in his eyes, his neck stiff and the gentle, persistent rocking of the train still tapping in his bones. He slumped back into the corner of the seat again and listened as Steffi-whoever Steffi was-rumbled some reply in harsh Berlin hoche Deutsch as he and his baby-voiced Viennese girlfriend passed down the corridor outside, toward the restaurant car presumably. Asher reached up and switched off the still-burning electric lamp above his seat, then pressed the porcelain button to summon a porter. When he ordered shaving water-accompanied by a tip he couldn't well afford-Asher asked the time.
"It is five minutes past ten in the morning in Vienna, sir," said the man in Italian- accented French. "Ten minutes past nine in Paris. Myself, I should put local time at quarter of ten."
Asher, who had reset his watch to Paris time but had been too exhausted to wind it last night, set it again. "Have they done with serving breakfast?"
"They will have by the time m'sieu has finished shaving." The porter touched his cap. Venetian, Asher guessed. Dark, but with the extraordinary sensual beauty that even the crones of that ancient republic possessed like a birthright. "I could bring m'sieu a little something."
Asher handed him another silver two-franc piece, reflecting that porters on the Vienna Express would undoubtedly pocket anything from dollars to piastres. "You wouldn't happen to know whether the Hungarian gentleman who's traveling with the Englishman is still in the restaurant car, would you? Not," he added, holding up his hand, "that this matter need be mentioned to either of them."
The Italian's dark eyes brightened with interest, and Asher added another franc.
"A matter of family business."
"Ah." He nodded knowingly. "The Hungarian and the Englishman, their light burned on throughout the night, though of course because the curtain was closed I could see nothing of what passed within the compartment itself. But I know that they did not summon me to take down the bunks, and this morning when I go in to ranger the compartment, still they have not been slept in." He glanced meaningfully up at Asher's pristine bunk. Asher had locked the compartment door upon entering last night, and if this man had knocked, had slept through it. When the porter-whose name, he said, was Giuseppe- returned with hot water, a breakfast tray, and coffee, he brought also the information that the Hungarian Herr Feketelo was no longer in the restaurant car. Following breakfast, Asher made his way unobtrusively down the corridor, banking on the fact that Karolyi, like his traveling companion, would sleep during the day. His own compartment was near the head of the coach, close to the accordion-fold bridge leading into the restaurant car. The compartment shared by Karolyi and Ernchester, according to Giuseppe, was close to the tail end. The next car in the train, Asher had already determined, was the baggage car.
It was sealed, but Asher had dealt often enough in duplicate seals and keys-and had seen enough of the sheer preternatural physical strength and agility of vampires- to know that this would present Ernchester no difficulties.
Asher expended several more francs from his dwindling resources on arrangements with Giuseppe to have his lunch also brought on a tray. It was certainly a more comfortable way to see Central Europe, he thought, than dodging around the Dinaric Alps with a price on his head, dogs-and Karolyi-
on his trail, a pocketful of incriminating serial numbers from Swiss bank accounts, and a bullet in his shoulder. He listened to the voices passing in the corridor and kept his own curtain closed, watched the dark trees and fairy tale villages of the Black Forest rise and fold themselves over the lift of the Swabian Alps, with the higher gleam of white in the distance that marked the true Alps growing nearer as the train bent southward. At Munich the Express stopped for half an hour to add two second-class cars and another wagons-lits that had come down from Berlin, and Asher risked a dash to the station telegraph office to send two wires, one to Lydia telling her of his altered plans, and one to Streatham, informing him of the death of his agent.
He remained angry over that, not so much at Ernchester and Karolyi-it was, after all, a game they all played-but at Streatham, for assigning the least experienced of his men to a job that he should have known was dangerous. And, though he knew there was nothing else he could have done, at himself. Crossing the great floor of the station under the weak gray daylight of the glass ceiling, Asher tried to remember who was in charge in Vienna these days. Perhaps no one he knew. Streatham had been right about the reorganization, of course. Fairport, at least, would still be in Vienna, unobtrusively operating his safe house out at his sanitarium in the Wienerwald, peddling rejuvenation to bankers and stockbrokers' wives, fussy and trembly with his ill health and his cotton gloves and that fanatic glint in his pale blue eyes. Asher smiled, recalling the three days he'd spent with that comic-opera hypochondriac, journeying to some remote Czech village so Fairport could interview a peasant brother and sister who were contemporaries of his own great-grandparents, and so Asher could trace local variations of the verb byti or biti-and have a look at a forest road leading into Saxony that, for no good reason, had been widened and repaired with funds from Berlin. The old man hadn't taken off his gloves for the entire trip, had warmed the snow water of the streams because it was better for the liver, and had brought his own food, his own sheets, his own soap. The local peasants had shaken their heads and given him names of their own-"the laundry maid" and "Grandmother English"-and the innkeeper at one village had taken Asher aside and gravely asked if it were true that in the City-meaning Vienna-they had doctors who could cure people of such ailments. Asher had been hard put to explain that Grandmother English was such a doctor.
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