by Guran, Paula
Slamming the door behind us, I went straight to the record player. Alma May was asking all kinds of questions, screaming them out, really. First to me, then to Tootie. I told her to shut up. I jerked one of the records out of its sheath, put it on the turn table, lifted the needle, and—
The electricity crackled and it went dark. There was no playing anything on that player. Outside the world was lit by that blood-red moon.
The door blew open. Tentacles flicked in, knocked over an end table. Some knick knacks fell and busted on the floor. Big as the monster was, it was squeezing through, causing the door frame to crack; the wood breaking sounded like someone cracking whips with both hands.
Me and Alma May, without even thinking about it, backed up. The red shadow, bright as a camp fire, fled away from the monster and started flowing across the floor, bugs and worms squirming in it.
But not toward us.
It was running smooth as an oil spill toward the opposite side of the room. I got it then. It didn’t just want through to this side. It wanted to finish off that deal Tootie had made with the record store owner. Tootie had said it all along, but it really hit me then. It didn’t want me and Alma at all.
It had come for Tootie’s soul.
There was a sound so sharp I threw my hands over my ears, and Alma May went to the floor. It was Tootie’s guitar. He had hit it so hard, it sounded electrified. The pulse of that one hard chord made me weak in the knees. It was a hundred times louder than the record. It was beyond belief, and beyond human ability. But, it was Tootie.
The red shadow stopped, rolled back like a tongue.
The guitar was going through its paces now. The thing at the doorway recoiled slightly, and then Tootie yelled, “Come get me. Come have me. Leave them alone.”
I looked, and there in the faint glow of the red moonlight through the window, I saw Tootie’s shadow lift that guitar high above his head by the neck, and down it came, smashing hard into the floor with an explosion of wood and a springing of strings.
The bleeding shadow came quickly then. Across the floor and onto Tootie. He screamed. He screamed like someone having the flesh slowly burned off. Then the beast came through the door as if shot out of a cannon.
Tentacles slashed, a million feet scuttled, and that beaks came down, ripping at Tootie like a savage dog tearing apart a rag doll. Blood flew all over the room. It was like a huge strawberry exploded.
Then another thing happened. A blue mist floated up from the floor, from what was left of Tootie, and for just the briefest of moments, I saw Tootie’s face in that blue mist; the face smiled a toothless kind of smile, showing nothing but a dark hole where his mouth was. Then, like someone sniffing steam off soup, the blue mist was sucked into the beaks of that thing, and Tootie and his soul were done with.
The thing turned its head and looked at us. It made a noise like a thousand rocks and broken automobiles tumbling down a cliff made of gravel and glass, and it began to suck back toward the door. It went out with a snapping sound, like a wet towel being popped. The bleeding shadow ran across the floor after it, eager to catch up; a lap dog hoping for a treat.
The door slammed as the thing and its shadow went out, and then the air got clean and the room got bright.
I looked where Tootie had been.
Nothing.
Not a bone.
Not a drop of blood.
I raised the window and looked out.
It was morning.
No clouds in the sky.
The sun looked like the sun.
Birds were singing.
The air smelled clean as a newborn’s breath.
I turned back to Alma May. She was slowly getting up from where she had dropped to the floor.
“It just wanted him,” I said, having a whole different kind of feeling about Tootie than I had before. “He gave himself to it. To save you, I think.”
She ran into my arms and I hugged her tight. After a moment, I let go of her. I got the records and put them together. I was going to snap them across my knee. But I never got the chance. They went wet in my hands, came apart and hit the floor and ran through the floorboards like black water, and that was all she wrote.
This retelling and expansion of “The Tinderbox” by Hans Christian Andersen inside the mind of a soldier. Such a point of view can be cruel and brutal—but so is war.
Catastrophic Disruption of the Head
Margo Lanagan
Who believes in his own death? I’ve seen how men stop being, how people that you spoke to and traded with slump to bleeding and lie still, and never rise again. I have my own shiny scars, now; I’ve a head full of stories that goat-men will never believe. And I can tell you: with everyone dying around you, still you can remain unharmed. Some boss-soldier will pull you out roughly at the end, while the machines in the air fling fire down on the enemy, halting the chatter of their guns—at last, at last!—when nothing on the ground would quiet it. I always thought I would be one of those lucky ones, and it turns out that I am. The men who go home as stories on others’ lips? They fell in front of me, next to me; I could have been dead just as instantly, or maimed worse than dead. I steeled myself before every fight, and shat myself. But still another part of me stayed serene, didn’t it. And was justified in that, wasn’t it, for here I am: all in one piece, wealthy, powerful, safe, and on the point of becoming king.
I have the king by the neck. I push my pistol into his mouth, and he gags. He does not know how to fight, hasn’t the first clue. He smells nice, expensive. I swing him out from me. I blow out the back of his head. All sound goes out of the world.
I went to the war because elsewhere was glamorous to me. Men had passed through the mountains, one or two of them every year of my life, speaking of what they had come from, and where they were going. All those events and places showed me, with their color and their mystery and their crowdedness, how simple an existence I had here with my people—and how confined, though the sky was broad above us, though we walked the hills and mountains freely with our flocks. The fathers drank up their words, the mothers hurried to feed them, and silently watched and listened. I wanted to bring news home and be the feted man and the respected, the one explaining, not the one all eyes and questions among the goats and children.
I went for the adventure and the cleverness of these men’s lives and the scheming. I wanted to live in those stories they told. The boss-soldiers and all their equipment and belongings and weapons and information, and all the other people grasping after those things—I wanted to play them off against each other as these men said they did, and gather the money and food and toys that fell between. One of those silvery capsules, that opened like a seed-case and twinkled and tinkled, that you used for talking to your contact in the hills or among the bosses—I wanted one of those.
There was also the game of the fighting itself. A man might lose that game, they told us, at any moment, and in the least dignified manner, toileting in a ditch, or putting food on his plate at the barracks, or having at a whore in the tents nearby. (There were lots of whores, they told the fathers; every woman was a whore there; some of them did not even take your money, but went with you for the sheer love of whoring.) But look, here was this stranger whole and healthy among us, and all he had was that scar on his arm, smooth and harmless, for all his stories of a head rolling into his lap, and of men up dancing one moment, and stilled forever the next. He was here, eating our food and laughing. The others were only words; they might be stories and no more, boasting and no more. I watched my father and uncles, and some could believe our visitor and some could not, that he had seen so many deaths, and so vividly.
“You are different,” whispers the princess, almost crouched there, looking up at me. “You were gentle and kind before. What has happened? What has changed?”
I was standing in a wasteland, very cold. An old woman lay dead, blown backwards off the stump she’d been sitting on; the pistol that had taken her face off was in my
hand—mine, that the bosses had given me to fight with, that I was smuggling home. My wrist hummed from the shot, my fingertips tingled.
I still had some swagger in me, from the stuff my drugs-man had given me, my going-home gift, his farewell spliff to me, with good powder in it, that I had half-smoked as I walked here. I lifted the pistol and sniffed the tip, and the smoke stung in my nostrils. Then the hand with the pistol fell to my side, and I was only cold and mystified. An explosion will do that, wake you up from whatever drug is running your mind, dismiss whatever dream, and sharply.
I put the pistol back in my belt. What had she done, the old biddy, to annoy me so? I went around the stump and looked at her. She was only disgusting the way old women are always disgusting, with a layer of filth on her such as war always leaves. She had no weapon; she could not have been dangerous to me in any way. Her face was clean and bright between her dirt-black hands—not like a face, of course, but clean red tissue, clean white bone-shards. I was annoyed with myself, mildly, for not leaving her alive so that she could tell me what all this was about. I glared at her facelessness, watching in case the drug should make her dead face speak, mouthless as she was. But she only lay, looking blankly, redly at the sky.
She lied to you, my memory hissed at me.
Ah, yes, that was why I’d shot her. You make no sense, old woman, I’d said. Sick of looking at her ugliness, I’d turned cruel, from having been milder before, even kind—from doing the old rag-and-bone a favor! Here I stand, I said, with Yankee dollars spilling over my feet. Here you sit, over a cellar full of treasures, enough to set you up in palaces and feed and clothe you queenly the rest of your days. Yet all you can bring yourself to want is this old thing, factory made, one of millions, well used already.
I’d turned the Bic this way and that in the sunlight. It was like opening a sack of rice at a homeless camp; I had her full attention, however uncaring she tried to seem.
Children of this country, of this war, will sell you these Bics for a packet-meal—they feed a whole family with one man’s ration. In desperate times, two rows of chocolate is all it costs you. Their doddering grandfather will sell you the fluid for a twist of tobacco. Or you can buy a Bic entirely new and full from such shops as are left—caves in the rubble, banged-together stalls set up on the bulldozed streets. A new one will light first go; you won’t have to shake it and swear, or click it some magic number of times. Soldiers are rich men in war. All our needs are met, and our pay is laid on extra. There is no need for us to go shooting people, not for cheap cigarette-lighters—cheap and pink and lady-sized.
Yes, but it is mine, she had lied on at me. It was given to me by my son, that went off to war just like you, and got himself killed for his motherland. It has its hold on me that way. Quite worthless to any other person, it is.
In the hunch of her and the lick of her lips, the thing was of very great worth indeed.
Tell me the truth, old woman. I had pushed aside my coat. I have a gun here that makes people tell things true. I have used it many times. What is this Bic to you? or I’ll take your head off.
She looked at my pistol, in its well-worn sheath. She stuck out her chin, fixed again on the lighter. Give it me! she said. If she’d begged, if she’d wept, I might have, but her anger set mine off; that was her mistake.
I lean over the king and push the door-button on the remote. The queen’s men burst in, all pistols and posturing like men in a movie.
It was dark under there, and it smelled like dirt and death-rot. I didn’t want to let the rope go.
Only the big archways are safe, she’d said. Stand under them and all will be well, but step either side and you must use my pinny or the dogs will eat you alive. I could see no archway; all was black.
I could hear a dog, though, panting out the foul air. The sound was all around, at both my ears equally. I knew dogs, good dogs; but no dog had ever stood higher than my knee. From the sound, this one could take my whole head in its mouth.
Which way should I go? How far? I put out my hands, with the biddy’s apron between them. I was a fool to believe her; what was this scrap of cloth against such a beast? I made the kissing noise you make to a dog. Pup? Pup? I said.
His eyes came alight, reddish—at the far end of him, praise God. Oh, he was enormous! His tail twitched on the floor in front of me, and the sparse gray fur on it sprouted higher than my waist. He lifted his head—bigger than the whole house my family lived in, it was. He looked down at me over the scabby ridges of his rib-cage. Vermin hopped in the beams of his red eyes. His whole starveling face crinkled in a grin. With a gust of butchery breath he was up on his spindly shanks. He lowered his head to me full of lights and teeth, tightening the air with his growl.
A farther dog woke with a bark, and a yet farther one. They set this one off, and I only just got the apron up in time, between me and the noise and the snapping teeth. That silenced him. His long claws skittered on the chamber’s stone floor. He paced, and turned and paced again, growling deep and constantly. His lip was caught high on his teeth; his red eyes glared and churned. The hackles stuck up like teeth along his back.
Turning my face aside I forced myself and the apron forward at him. Oh, look—an archway there, just as the old woman said. White light from the next chamber jumped and swerved in it.
The dog’s red eyes were as big as those discs the bosses carry their movies on. They looked blind, but he saw me, he saw me; I felt his gaze on me, the way you feel a sniper’s, in your spine—and his ill-will, only just held back. I pushed the cloth at his nostrils. Rotten-sour breath gusted underneath at me.
But he shrank as the old woman had told me he would, nose and paws and the rest of him; his eyes shone brighter, narrowing to torch-beams. Now I was wrapping not much more than a pup, and a miserable wreck he was, hardly any fur, and his skin all sores and scratches.
I picked him up and carried him to the white-flashing archway, kicking aside coins; they were scattered all over the floor, and heaped up against the red-lit walls. Among them lay bones of dog, bird, sheep, and some of person—old bones, well gnawed, and not a scrap of meat on any of them.
I stepped under the archway and dropped the mangy dog back into his room. He exploded out of himself, into himself, horribly huge and sudden, hating me for what I’d done. But I was safe here; that old witch had known what she was talking about. I turned and pushed the apron at the next dog.
He was a mess of white light, white teeth, snapping madly at the other opening. He smelled of clean hot metal. He shrank to almost an ordinary fighting dog, lean, smooth-haired, strong, with jaws that could break your leg-bone if he took you. His eyes were still magic, though, glaring blind, bulging white. His heavy paws, scrabbling, pushed paper-scraps forward; he cringed in the storm of paper he’d stirred up when he’d been a giant and flinging himself about. As I wrapped him, some of the papers settled near his head: American dollars. Big dollars, three-numbered. Oh these, these I could carry, these I could use.
For now, though, I lifted the dog. Much heavier he was, than the starving one. I slipped and slid across the drifts of money to the next archway. Beyond it the third dog raged at me, a barking fire-storm. I threw the white dog back behind me, then raised the apron and stepped up to the orange glare, shouting at the flame-dog to settle; I couldn’t even hear my own voice.
He shrank in size, but not in power or strangeness. His coat seethed about him, thick with waving gold wires; his tongue was a sprout of fire and white-hot arrow-tips lined his jaws. His eyes, half-exploded from his head, were two ponds of lava, rimmed with the flame pouring from their sockets—clearly they could not see, but my bowels knew he was there behind them, waiting for his chance to cool his teeth in me, to set me alight.
I wrapped my magic cloth around him, picked him up and shone his eye-light about. The scrabbles and shouting from the other dogs behind me bounced off the smooth floor, lost themselves in the rough walls arching over. Where was the treasure the old biddy had
promised me in this chamber, the richest of all the three?
The dog burned and panted under my arm. I walked all around, prodding parts of the walls in case they should spill jewels at me or open into treasure-rooms. I reached into cavities hoping to feel bars of gold, giant diamonds—I hardly knew what.
All I found was the lighter the old biddy had asked me to fetch, the pink plastic Bic, lady-sized. And an envelope. Inside was a letter in boss-writing, and attached to that was a rectangle of plastic, with a picture of a foreign girl on it, showing most of her breasts and all of her stomach and legs as she stood in the sea-edge, laughing out of the picture at me. Someone was playing a joke on me, insulting my God and our women instead of delivering me the treasure I’d been promised.
I turned the thing over, rubbed the gold-painted lettering that stood up out of the plastic. Rubbish. Still, there were all those Yankee dollars, no? Plenty there for my needs. I pocketed the Bic and put the rubbish back in the hole in the wall. I crossed swiftly to the archway, turned in its safety and shook the dog out of the cloth. Its eyes flared wide, and its roar was part voice, part flame. I showed it my back. I’d met real fire, that choked and cooked people—this fairy-fire held no fear for me.
Back in the white dog’s chamber, I stuffed my pack as full as I could, every pocket of it, with the dollars. It was heavy! It and the white fighting dog were almost more than I could manage. But I took them through and into the red-lit carrion-cave, and I subdued the mangy dog there. I carried him across to where rope-end dangled in its root-lined niche, and I pulled the loop down around the bulk of the money on my back, and the dog still in my arms, and hooked it under myself.
There came a shout from above. Praise God, she had not run off and left me.
Yes! I cried. Bring me up!
When she had me well off the floor, I cast the red-eyed dog out of the apron-cloth. He dropped; he ballooned out full-sized, long-shanked. He looked me in the eye, with his lip curled and his breath fit to wither the skin right off my face. I flapped the apron at him. Boo, I said. There. Get down. The other two dogs bayed deep below. Had they made such a noise at the beginning, I never would have gone down.