by Günter Grass
In keeping with my nature, Oskar remained in the background during operations. In the daytime I would go out alone or with Störtebeker, to find worth-while targets for the Dusters’ night expeditions. I let Störtebeker or Moorkähne do the actual organizing. After nightfall I never stirred from Mother Truczinski’s apartment. That brings us to the secret weapon. I would stand at my bedroom window and send out my voice, farther than ever before, to demolish windows at the other end of town. I un-glassed several Party headquarters, a printshop that turned out ration cards, and once, acceding reluctantly to the request of my comrades-in-arms, shattered the kitchen windows of an apartment belonging to a high school principal who had incurred their displeasure.
That was in November. While V-1 and V-2 rockets were winging their way to England, my voice winged its way over Langfuhr and along the file of trees on Hindenburg-Allee, hopped over the Central Station and the Old City, and sought out the museum in Fleischergasse; my men had orders to look for Niobe, the wooden figurehead.
They did not find her. In the adjoining room Mother Truczinski sat motionless but for the wagging of her head. In a way we had something in common; for while Oskar engaged in long-distance song, she was occupied with long-distance thoughts. She searched God’s heaven for her son Herbert and the front lines of Center Sector for her son Fritz. She also had to look far away for her eldest daughter Guste, who early in 1944 had married and gone off to distant Düsseldorf, for it was there that Headwaiter Köster had his home; though he personally was spending most of his time in Courland. A scant two weeks’ furlough was all the time Guste had to keep him for herself and get to know him.
Those were peaceful evenings. Oskar sat at Mother Truczinski’s feet, improvised a bit on his drum, took a baked apple from the recess in the tile stove, and with this wrinkled fruit meant for old women and little children vanished into the dark bedroom. He would raise the blackout paper and open the window just a crack, letting in a little of the frosty night. Then he would take aim and dispatch his long-distance song. He did not sing at the stars, the Milky Way was not on his route. His song was directed at Winterfeld-Platz, not at the Radio Building but at the boxlike structure across the way, which housed the district headquarters of the Hitler Youth.
In clear weather my work took hardly a minute. Meanwhile my baked apple had cooled a little by the open window. Munching, I returned to Mother Truczinski and my drum, and soon went to bed with every assurance that while Oskar slept the Dusters, in Jesus’ name, were looting Party treasuries, stealing food cards, rubber stamps, printed forms, or a membership list of the Hitler Youth Patrol.
Indulgently I allowed Störtebeker and Moorkähne to engage in all sorts of monkey business with forged documents. The gang’s main enemy was the Patrol Service. It was all right with me if they chose to kidnap their adversaries, dust them, and—as Firestealer, who had charge of this activity, called it—polish their balls.
Since I remained aloof from these expeditions, which were a mere prologue that can give you no idea of my real plans, I cannot say for sure whether it was the Dusters who in September, 1944, tied up two high officers of the Patrol Service, including the dreaded Helmut Neitberg, and drowned them in the Mottlau, above the Cows’ Bridge.
However, I, Oskar-Jesus, who gave the Dusters their orders, feel the need to deny certain stories that gained currency later on: that the Dusters had connections with the Edelweiss Pirates of Cologne or that Polish partisans from Tuchlerheide had exerted an influence on us or even directed our movement. All this is pure legend.
At our trial we were also accused of having ties with the July 20th conspirators, because Putty’s father, August von Puttkamer, had been close to Field Marshal Rommel and had committed suicide. Since the beginning of the war, Putty had seen his father no more than five or six times, and then scarcely long enough to get used to his changing insignia of rank. It was not until our trial that he first heard about this officer’s foolishness, which, to tell the truth, was a matter of utter indifference to us. When he did hear about it, he cried so shamefully, so shamelessly that Firestealer, who was sitting beside him, had to dust him right in front of the judges.
Only once in the course of our activity did any grownups approach us. Some shipyard workers—with Communist affiliations, as I could tell at a glance—tried to gain influence over us through our apprentices at the Schichau dockyards and turn us into a Red underground movement. The apprentices were not unwilling. But the schoolboys among us rejected all political trends. Mister, an Air Force Auxiliary who was the cynic and theoretician of the gang, stated his views at one of our meetings: “We have nothing to do with parties,” he declared. “Our fight is against our parents and all other grownups, regardless of what they may be for or against.”
He put it rather too strongly, no doubt, but all the schoolboys agreed; the outcome was a factional split. The shipyard apprentices started a club of their own—I was sorry to lose them, they were good workers. Despite the objections of Störtebeker and Moorkähne, they continued to call themselves Dusters. At the trial—their outfit was caught at the same time as ours—the burning of the training sub in the shipyard basin was pinned on them. Over a hundred U-boat captains and ensigns had met a terrible death in the fire which broke out below decks; the U-boat crews were blocked in their quarters, and when the ensigns, lads of eighteen, tried to escape through portholes, their hips wouldn’t pass and the fire caught them from behind. They had hung there screaming and the only way of putting them out of their misery had been to bring a cutter alongside and shoot them.
We had nothing to do with that fire. It may have been the Schichau apprentices and it may have been the Westerland Society. The Dusters were not firebugs though I, their spiritual guide, may have inherited an incendiary gene or two from my grandfather Koljaiczek.
I remember well the mechanic, recently transferred to Schichau from the Deutsche Werke at Kiel, who came to see us in our cellar shortly before the split. Erich and Horst Pietzger, the sons of a longshoreman in Fuchswall, had brought him. He inspected our storehouse with a professional air, deplored the absence of any weapons in working order, but uttered a few grudging words of approval. When he asked to speak to the chief, Störtebeker promptly, and Moorkähne with some hesitation, referred him to me. Thereupon he flew into a gale of laughter so long and so insolent that Oskar came very close to handing him over to the dusters for a dusting.
“What kind of a sawed-off runt do you call that?” he said to Moorkähne, pointing his thumb at me over his shoulder.
Moorkähne smiled in visible embarrassment. Before he could think of anything to say, Störtebeker replied with ominous calm: “He is our Jesus.”
That was too much for the mechanic, whose name was Walter; he took it on himself to insult us right there in our own headquarters. “Say, are you revolutionaries or a bunch of choirboys getting ready for a Christmas play?”
The blade of a paratrooper’s knife popped out of Störtebeker’s sleeve; he opened the cellar door, gave Firestealer a sign, and said, more to the gang than to the mechanic: “We’re choirboys and we’re getting ready for a Christmas play.”
But nothing drastic happened to the mechanic. He was blindfolded and led away. A few days later this same Walter organized the dockyard apprentices into a club of their own, and I am quite sure it was they who set the training sub on fire.
From my point of view Störtebeker had given the right answer. We were not interested in politics. Once we had so intimidated the Hitler Youth Patrols that they scarcely left their quarters except occasionally to check the papers of flighty young ladies at the railroad stations, we shifted our field of operations to the churches and began, as the Communist mechanic had put it, to occupy ourselves with Christmas plays.
Our first concern was to find replacements for the invaluable Schichau apprentices. At the end of October, Störtebeker swore in the brothers Felix and Paul Rennwand, both choirboys at Sacred Heart. Störtebeker had approached them thr
ough their sister Lucy, a girl of sixteen who, over my protest, was allowed to attend the swearing-in ceremony. Setting their left hands on my drum, which the boys, incurable Romantics that they were, liked to think of as some sort of symbol, the Rennwand brothers repeated the oath of allegiance, a text so absurd and full of hocus-pocus that I can no longer remember it.
Oskar watched Lucy during the ceremony. In one hand she held a sandwich that seemed to quiver slightly, she shrugged her shoulders and gnawed at her lower lip. Her triangular fox face was expressionless, and she kept her eyes riveted on Störtebeker’s back. Suddenly I had misgivings about the Dusters’ future.
We began to redecorate our basement. In close collaboration with the choirboys, I oversaw the acquisition of the required furnishings. From St. Catherine’s we took a sixteen-century half-length Joseph who turned out to be authentic, a few candelabra, some chalices, patens, and cruets, and a Corpus Christi banner. A night visit to the Church of the Trinity brought us a wooden, trumpet-blowing angel of no artistic interest, and a colored tapestry, copied from an older original, showing a lady who seemed ever so prim, prissy, and deceitful, and a mythical animal known as a unicorn, who was obviously very much under her influence. The lady’s smile, as Störtebeker observed, had the same playful cruelty as that which predominated in Lucy’s fox face, and I hoped my lieutenant would not prove as submissive as the unicorn. We hung the tapestry on the rear wall of our cellar, formerly decorated with death’s heads, black hands, and other such absurdities, and soon the unicorn motif seemed to dominate all our deliberations. Meanwhile Lucy had made herself at home in our midst, coming and going as she pleased and sniggering behind my back. Why then, I asked myself, did we have to bring in this second, woven Lucy, who is turning your lieutenants into unicorns, who alive or woven is really out to get you, Oskar, for you alone of the Dusters are truly fabulous and unique, you are the human unicorn.
But then Advent was upon us, and I was mighty glad of it. We began to collect Nativity figures from all the churches in the neighborhood, and soon the tapestry was so well hidden behind them that the fable—or so I thought—was bound to lose its influence. In mid-December Rundstedt opened his offensive in the Ardennes and we completed preparations for our major coup.
Several Sundays running I attended ten o’clock Mass with Maria, who, to Matzerath’s chagrin, had become thoroughly immersed in Catholicism. The Dusters, too, at my behest, had become regular churchgoers. This was our way of casing the joint. Finally, on the night of September 18, we broke into the Church of the Sacred Heart. “Broke” is a manner of speaking. Thanks to our choirboys, there was no need to break anything, not even for Oskar to sing at any glass.
It was snowing, but the snow melted as it fell. We stowed the three handcarts behind the sacristy. The younger Rennwand had the key to the main door. Oskar went in first, led the boys one by one to the holy-water font, where at his bidding they genuflected toward the high altar. Then I had them throw a Labor Service blanket over the statue of Jesus bearing his Sacred Heart, lest his blue gaze interfere with our work. Bouncer and Mister carried the tools to the scene of action, the left side-altar. The manger with its Nativity figures and evergreen boughs had to be cleared out of the way. We already had all the shepherds and angels, all the sheep, asses, and cows we needed. Our cellar was full of extras; all that was lacking were the central figures. Belisarius removed the flowers from the altar. Totila and Teja rolled up the carpet. Firestealer unpacked the tools. Oskar, on his knees behind a pew, supervised the operations.
The first to be sawed off was little John the Baptist in his chocolate-colored pelt. Luckily, we had a metal saw, for inside the plaster there were metal rods as thick as your finger connecting the boy Baptist with the cloud. Firestealer did the sawing. He went about it like an intellectual, that is to say, clumsily. Once again the Schichau apprentices were sorely missed. Störtebeker relieved Firestealer. He was somewhat handier and after half an hour’s rasping and squeaking we were able to topple the boy Baptist over and wrap him in a woolen blanket. Then for a moment we breathed in the midnight ecclesiastical silence.
It took a little longer to saw off the child Jesus, whose whole rear end rested on the Virgin’s thigh. Bouncer, the elder Rennwand, and Lionheart were at work for fully forty minutes. But where, I wondered, was Moorkähne? His idea had been that our movements would attract less attention if he and his men came directly from Neufahrwasser and met us in the church. Störtebeker seemed nervous and irritable. Several times he asked the Rennwand brothers about Moorkähne. When at length, as we all expected, Lucy’s name came up, Störtebeker stopped asking questions, wrenched the metal saw out of Lionheart’s unpracticed hands, and working feverishly gave the boy Jesus the coup de grâce.
As they laid Jesus down, his halo broke off. Störtebeker apologized to me. Controlling myself with some difficulty—for I too was succumbing to the general irritability—I told them to pick up the pieces, which were gathered into two caps. Firestealer thought the halo could be glued together again. Jesus was bedded in cushions and wrapped in blankets.
Our plan was to saw off the Virgin at the waist, making a second cut between the cloud and the soles of her feet. We would leave the cloud where it was and take only the figures, Jesus, the two halves of the Virgin, and the boy Baptist if there was still room in one of the carts. The figures, as we were glad to discover, weighed less than we had expected. The whole group was hollow cast. The walls were no more than an inch thick, and the only heavy part was the iron skeleton.
The boys were exhausted, especially Firestealer and Lionheart. Operations had to be suspended while they rested, for the others, including the Rennwand brothers, could not saw. The gang sat shivering in the pews. Störtebeker stood crumpling his velours hat, which he had removed on entering the church. The atmosphere was not to my liking. Something had to be done. The boys were suffering the effects of the religious architecture, full of night and emptiness. Some were worried about Moorkähne’s absence. The Rennwand brothers seemed to be afraid of Störtebeker; they stood to one side, whispering until Störtebeker ordered them to be still.
Slowly, I seem to remember, slowly and with a sigh, I rose from my prayer cushion and went straight up to the Virgin, who was still in her place. Her eyes, which had been turned toward John, were now resting on the altar steps, white with plaster dust. Her right forefinger, hitherto aimed at Jesus, pointed into the void, or rather, the dark left aisle of the nave. I took one step after another, then looked behind me, trying to catch Störtebeker’s attention. His deep-set eyes were far away until Firestealer gave him a poke. Then he looked at me, but with a lack of assurance such as I had never seen in him. At first he failed to understand, then he understood, or partly so, and stepped slowly, much too slowly forward. However, he took the altar steps at one bound and then lifted me up on the white, jagged, incompetent saw cut on the Virgin’s thigh, which roughly reproduced the imprint of the boy Jesus’ behind.
Störtebeker turned back at once and with one step he was back on the flags. He almost fell back into his reverie, but then he gave himself a jolt, and his eyes narrowed. No more than our henchmen in the pews could he conceal his emotion at the sight of me sitting so naturally in Jesus’ place, all ready to be worshipped.
He soon saw what I was after and even gave me more than I had bargained for. He ordered Narses and Bluebeard to shine their Army flashlights upon me and the Virgin. When the glare blinded me, he told them to use the red beam. Then he summoned the Rennwand brothers and held a whispered conference with them. They were reluctant to do his bidding; Firestealer stepped over to the group and exhibited his knuckles, all ready for dusting; the brothers gave in and vanished into the sacristy with Firestealer and Mister. Oskar waited calmly, moved his drum into position, and was not even surprised when Mister, who was a tall, gangling fellow, came back attired as a priest, accompanied by the two Rennwand brothers in the red and white raiment of choirboys. Firestealer, wearing some of the vicar’s
clothing, brought in everything needed for Mass, stowed his equipment on the cloud, and withdrew. The elder Rennwand bore the vestments, Mister gave a fair imitation of Father Wiehnke. At first he performed with a schoolboy’s cynicism, but then, letting himself be carried away by the words and gestures, offered us all, and myself in particular, not a silly parody, but a Mass which even at our trial was consistently referred to as a Mass, though a black one to be sure.
The three of them began with the gradual prayers; the boys in the pews and on the flags genuflected, crossed themselves, and Mister, who knew the words up to a point, embarked on the Mass with the expert support of the two choir boys. I began to drum, cautiously in the Introit, but more forcefully in the Kyrie. Gloria in excelsis Deo— I praised the Lord on my drum, summoned the congregation to prayer, substituted a drum solo of some length for the Epistle. My Halleluia was particularly successful. In the Credo, I saw that the boys believed in me; for the Offertory, I drummed rather more softly as Mister presented the bread and mixed wine with water. Sharing a whiff of incense with the chalice, I looked on to see how Mister would handle the Lavabo. Orate, fratres, I drummed in the red glow of the flashlights, and led up to the Transubstantiation: This is My body. Oremus, sang Mister, in response to orders from above—the boys in the pews offered me two different versions of the Lord’s Prayer, but Mister managed to reconcile Protestants and Catholics in one Communion. Even before the meal was over, my drum introduced the Confiteor. The Virgin pointed her finger at Oskar, the drummer. I had indeed taken the place of Christ. The Mass was going like clockwork. Mister’s voice rose and fell. How splendidly he pronounced the benediction: pardon, absolution, and remission. “Ite, missa est— Go, you are dismissed.” By the time these words were spoken, every one of us, I believe, had experienced a spiritual liberation. When the secular arm fell, it was upon a band of Dusters confirmed in the faith in Oskar’s and Jesus’ name.