Time seemed to stand still now for Chuck W right. He lay on his back, watching the tops of the trees, not wishing, even in darkness, to expose his head around the comer of the Hilliard garage any more times than was necessary. The darkness had been, of course, in his favor; but he was looking forward to dawn. Now, while nothing moed in or near the house and no sound reached him except an occasional car passing on the boulevard, he could not see well enough to know whether either man was keeping watch out the rear windows.
Twenty minutes ago, when he had seen the blue sedan still in
position in the driveway, he had known that the two other men remained in the house. Before he dared make any move at all now, he had to know pretty well where those men were. With no lights in the house, he would probably have to wait till morning and hope then that he could make out in which room or rooms the men were staying. Until that time, he could only lie here, flush against the rear wall of the garage, and consider all the possibilities of his position.
The principal idea was to slip inside, unseen, silently, through the rear door, using the key that Cindy, in her excitement, had accidentally left in his hand the night before last. Once inside, the arrangement of the small back hall was in his favor; it gave him access, through the kitchen, to the downstairs area of the house; the rear stairway offered a way to the second floor; and the steps leading to the basement provided a place for him to conceal himself if he decided to wait and listen inside the house.
At any rate, with any luck at all, he'd be in there and only the two against one and the advantage of surprise on his side.
But there was gnawing in him, a sense of reluctance. Cindy and her father did not want this.
They're going to take someone along, Cindy, he argued in silence. Maybe you.
The tall deputy, that Webb, had convinced him that Glenn Griffin would not leave the house without taking every precaution for himself; this was the meaning of Mr. Hilliard's letter, too. The realization of this, not as potential but as certainty, had caused Chuck, after seeing Cindy's car, to go back to the club, change into tight slacks, sneakers, a sweater; all the while, too, he had been thinking of that State Police lieutenant, the one with the hard-as-nails voice whose impatience to act had pushed Chuck further along toward his decision. And there was the chance, too, that Webb's superior might return, might reverse Webb's caution in favor of the State Policeman's approach. By now, Chuck guessed, or very soon now, the police
would have the name, the address, everything. If they did start to move in, somebody had to be inside that house to see that nothing happened to any of the Hilliards.
Chuck examined his watch: 4:17. Not more than two hours, perhaps less, until the sky would begin, slightly, to whiten. Then another two and a half hours before, normally, Cindy and her father would leave for work. Would they let them leave the house today? Would they still struggle to keep up that appearance of a normal routine?
The thought of the Hilliards in there now—sleepless like him and wondering whether they would ever again be able to look forward, without dread, to anything—moved him strangely. It was the first time in his life that outrage and compassion had made him feel a part of something. He felt involved now, one of them. And he wondered about this feeling, letting the idea occupy the vast stretch of empty time that lay ahead.
He realized, lying there, that he had never given himself time to think, to figure out anything: what he had, what he wanted, what he needed. But it came to him now, at this most unlikely time, that he had never really felt a part of his parents' life; he hadn't blamed them then and he didn't blame them now. But he recognized his loss for the first time, and began to understand, faintly at first and then in a vivid rush, that the fast driving, the footloose girls, the drinking and general rebellion, the desperate filling in of time, all had been his feeble attempts to conceal from himself the aloneness. Because he did not have it, he had scoffed at Mr. Hilliard and what he had—involvement, love.
Cindy, Would he ever be able to tell her? Were there words, after all, to describe the brilliant illumination that was in him here in the darkness, on the damp ground, behind her garage?
The strength grew in him, not the strength of the Marine who really hadn't cared much one way or the other there in the jungle, but the solid knowing determination of a man who knew that he was not going to allow anything to happen to the people he loved. Yes, love. The word had scared him once, in
that far-off time when he was too blind and stupid to realize its meaning. He was going to see to it that nothing happened to Cindy or to any of the people who, by his own secret and mystifying adoption, had become his family. He loved them all with a deep and certain love that was like an ache in him.
It was a slow murky dawn, and it came well after 6 o'clock; the winter chill explained why. By this time, Jesse Webb was ready for it, for anything. As ready as he would ever be, since it had been determined, at the low-voiced meeting in the restaurant kitchen, with Carson making the decision after a telephone call to his office, that they were not to shoot if Glenn Griffin and Samuel Robish came out of that house with any member of the Hilliard family. They were to hold fire and wait. Lieutenant Fredericks had insisted, with some vehemence, that this was stupid because those filthy killers would not let their hostages live anyway. So the situation was utterly impossible, from any point of view, and it was his idea that one life sacrificed now— although of course every reasonable precaution should be taken not to sacrifice it—could not be weighed against the people those two might kill if they bluffed their way out of this trap. But the decision was against him, with Carson leaning to Jesse Webb's view that there was always the chance that Griffin wouldn't want another murder rap hanging over him: he might let the hostages go once he felt he was safe.
"You're putting a tool into the hands of every felon in the country," Lieutenant Fredericks had said, biting at the words.
And Jesse Webb had sat there, knowing it, acknowledging the truth of this and beginning to wonder in what direction his responsibility really lay. Here was an immediate human situation, and all your training had not really prepared you to deal with it. Why? Because once you brought theory down to reaUty, this is what faced you: that on one side there was a vague sort of allegiance you owed to society in general, the unknown human beings who might suffer at the hands of these men if they got away; and on the other, the more immediate and sharply defined obligation to these few specific people who might Uve or die because of your actions within the next few hours.
But the decision had been made, and now all precautions had to be taken, nothing overlooked. Given a chance, the poUce had to be ready to capture or kill the fugitives. Jesse himself mounted a ladder on the east side of the Wallings' house and chmbed carefully, in the first light, over the peak of roof while Tom Winston and Carson showed their badges and explained to the startled people inside what was taking place, although not completely why. From the front corner of roof he ascertained, without standing up even then, that a man placed here could command, over the trees between, a view of the Hilliard residence, including the side door, a small section of side yard, and that length of driveway that lay between the blue sedan and the boulevard. From higher, it might be possible to see more.
An hour later, therefore, one state trooper and one man from Jesse's office were seated in a television installation-and-repair truck, wearing the coverall uniform of an established dealer, and waiting for their signal to appear at the WalUng home, there to set up, innocently but as slowly as possible, a television antenna on the Wallings' roof. The truck was three blocks away. That was at 7 : 35.
At 7: 50, in the attic of the Wallings' home where a police radio apparatus was being assembled, Jesse Webb received word from the State House that the license number on the plates attached to the small foreign sports car he had discovered back there in the woods had been issued to Charles K. Wright, Jr. Jesse's guess on this had been right, as had been his earlier
certainty th
at the black coupe which Hank Griffin had been driving belonged to one of the Hilliard family. Bonham at the license bureau had confirmed this, with details. The coupe was owned by Cynthia Hilliard, age nineteen.
Thinking then of his wife, Kathleen, who was probably waking up at his mother's house, far across town, safe now, never really threatened, Jesse understood young Charles Wright, Jr., comprehended his reluctance to talk and also the impulse that had now brought him back to this area. But where was the boy and what was he doing? Didn't the young fool realize that he could snarl up everything now if he startled or frightened those caged animals in there? Where was Wright? What was he doing?
Jesse paced the attic, bent low, his head narrowly missing the studs. He was smoking. He hadn't shaved. He felt tired and excited and on edge. It was almost ten after 8, and he was still angry at himself over another report he had received several hours ago, this one from the telephone company. Since Wednesday morning—in the two full days since the three had escaped—one long-distance telephone call had been received at the Hilliard home. This had been a person-to-person call, collect, with charges accepted, to a Mr. James from a Mrs. Dixon. It had lasted four and one half minutes and had been placed from a pay-station phone in a bus station in a town named Circleville, Ohio—which town, as Jesse had quickly ascertained, was twenty-six miles south of Columbus. Trust those rotten clever swine! Helen Lamar was too smart to place a call from Columbus; it was almost as though she had looked ahead, in her desperation, to the hst that Jesse had spent so many fruitless hours checking and rechecking. She had bought her car, probably from some fence dealing in stolen automobiles, and she had traveled south, not spotted now, no longer under surveillance, and had called Glenn Griffin and made arrangements of some sort. What these were, Jesse Webb did not know, yet, but he had hopes along that one, too.
This hope was based on the interesting fact that at 3:22 this morning, barely an hour after Hank Griffin was killed, someone at the Hilliard number had placed a prepaid person-to-person call to a Mrs. Dixon in Cincinnati, Ohio. Did this mean that Glenn Griffin knew or suspected that something had happened to his brother? Did he want to make sure that this Mrs. Dixon —who was undoubtedly Helen Lamar—was still waiting, that she was carrying through with her part of some scheme? Whatever the answer to that, Jesse Webb now had hopes that the FBI and the Cincinnati police would soon have Helen Lamar under arrest.
He stomped down the attic stairs of the Wallings' house, then down another flight and into the kitchen. "Would you mind if I made some coffee?" he asked Mrs. Walling who was at the stove.
Mrs. Walling, a plump woman with large, soft brown eyes, still puzzled at the sudden invasion of her house by police who kept entering with great caution from the east, turned and looked at the tall deputy. What she saw made her shove a kitchen chair in his direction and say, "I have some made, Sheriff. My, you do need it, don't you? You look almost sick. Why don't you lie down on the sofa a little?"
But Jesse was unable to finish the first cup before Tom Winston pushed in from outside and leaned against the table. "A man and a red-headed girl just left the house, Jess. They're walking along the boulevard, toward the bus line probably. The man has a big freckled face and he looks worse than you do—which is saying something. The girl's a beauty and she looks sore at the world."
"That would be Dan Hilliard and his daughter, Cynthia," put in Mrs. Walling.
"Cocky, aren't they?" said Jesse. "Letting 'em out of that house even now. Getting real cocksure now, aren't they,
the " He stopped. "Pardon me, Mrs. Walling." Then to
Tom Winston: "That leaves the wife and the little boy, huh? I reckon they figure that's enough. And I reckon it is, too."
Chuck Wright also witnessed the departure of Dan and Cindy Milliard on foot at 8:30. He crept, his muscles stiff, hugging the wall low, around the far side of the garage and watched them walking down the driveway. She's not in there now, he said to himself, with a lifting in his chest. Now there're only two Hilliards in the house, and the two men. The sight of Cindy's slender back and the defiant swing of her shoulders sent a warmth charging through him. Now, he thought, if you can get both of those guys to the front of the house for half a minute or so
On the bus ride downtown, Dan Hilliard noted without interest that the day promised to brighten; a crisp golden sunlight occasionally appeared, then vanished. It was four minutes to 9— after a long ride in almost total silence, their closeness intensified by that silence—when Dan stepped off the rear door into the early morning crush, held his hand for Cindy. Then, on the sidewalk of Monument Circle, with the shoulders jostling them from all sides, Cindy continued to clutch her father's hand as though she were reluctant to let go of the reassurance it held for her.
"About Chuck," she whispered, her head thrown back and the wind sharp against their faces, "about Chuck, Dad: don't worry about him. I know exactly what I'm going to tell him now. He'll believe me."
Dan only nodded, a haggard sort of agreement with no heart in it because he had almost, but not quite, forgotten his encounter with Chuck Wright last night. Then Cindy rose up on her toes, and Dan was astonished to feel his daughter's lips on his. He was aware that several heads turned, grinning, and while he would normally have been embarrassed by such a public display, he found that instead he was grateful. Grateful and humble and shot clear through with the despair that had been growing in him all night.
Walking along the familiar streets in the direction of his office, Dan tried to look at everything with a keen but unemotional eye. He knew that panic was his enemy; and as 9:30 moved slowly closer, he had to force himself to look ahead and yet to let the numbness inside—or hopelessness—deaden his emotions. The long night had worked a narcotic spell on him in that sense, and he felt fortunate this morning.
On the corner he stopped, out of habit, and bought a morning paper from the blind newsdealer. He went on, rolling the paper and placing it in the pocket of his coat. The plan he had devised in those sleepless hours now seemed a shadowy impossible figment of his sickened imagination. The scheme was a form of blackmail, really, but its success depended on something that, through the night, had disappeared: the cold, cruel but fundamentally rational mind of Glenn Griffin. After the stupefying metamorphosis that had taken place in Glenn Griffin after his brother's desertion, could he be expected to comprehend the meaning of Dan's threat in those last frantic minutes after the money was in hand and he was ready to leave the house? Dan still intended to use the idea, for what it was worth. Look, Griffin, he would say then, you are not going to take anyone along with you in that car. And when Glenn Griffin grinned at this, with his gun pointing, after he imagined that he had won a point and that Dan had nothing more to say about it, Dan would go on: "Then you had better take me. Griffin, and only me, because I'm the one who can set the
police on the man you're paying to kill that policeman." Would the grin flicker, fade? "/ know both the killer's name and the name of the policeman now, Griffin. You let them both slip out last night when you were yelling at your brother. None of the others will remember those names, but I do. And if you take anyone but me on this ride, I'll put the police on the killer, and then all your sticking around here will have been for nothing." Would that do it then? Or would Griffin insist on taking someone else along, too? In that case: "All I have to do is speak the two names. Griffin, to whoever stays behind, and you can't take all of us." What Griffin could do then, if he dared risk the noise, was to kill Dan Hilliard outright and do whatever he wished with the others.
Dan turned into the side entrance of the department store. The killer-to-be was named Flick, the man to whom Cindy, a half-hour from now, was to deliver $3,000 of that money that was even now approaching this building in the 9: 30 mail. The policeman, whom Griffin was set on murdering in this manner, was named Webb. Last night, in that nightmarish scene between the brothers, the two names had lodged in a corner of Dan's retentive brain.
But as he rode up on th
e elevator, Dan was disturbed by the coolness of his own thinking. In view of the altered facts of the day, it didn't seem to make good sense. Yesterday, the threat might have forced Glenn Griffin, out of fear that his warped revenge would not be carried out, to do as Dan insisted. But today the cool intelligence was gone from the young man. He appeared to be cracking up. There was a blurred look about his eyes, a harsh red line on his underlids, a loose wetness about his lips. His brooding wildness this morning threatened, given the proper stimulus, to become more unpredictable and violent than Robish's.
Dan was at his desk now, sitting as he sat yesterday morning, waiting for the hands of his watch to reach 9: 30. He was recalling, though, the way Glenn Griffin had snatched the phone from his hands last night—it must have been 2 o'clock—and the way he had spoken into it, with mounting alarm, over and over: Hello, hello, who is it? But there had, apparently, been no answer from the other end, and as Glenn Griffin replaced the phone, his eyes a great distance from that hallway, Dan had realized fully that he was then, and from that point on, dealing with another and quite different young man.
This realization, in focus now, frightened him; he felt some of the numbness wear away and he could feel his heart hammering at his ribs. There was also that other telephone call last night, much later, the one placed by Glenn Griffin to someone in Cincinnati. Griffin had made that call himself, the crazy desperation reaching such proportions that he risked snarhng and cursing at the operator. After the conversation, which Dan had not been able to hear, Glenn had shouted from the front hall to the den: Hey, Robish! She's still there. She's waiting. There's someone won't let a man down. Hear me, Robish?
Twenty-one minutes after 9.
Dan stood up and dabbed at the wetness that had gathered under his chin. He went to the files, stood uncertainly before them, knowing that there was work to be done, people to interview today, orders to be given. But he couldn't seem to move. Standing there, his eyes fell on the morning paper in the pocket of his topcoat. He reached for it, flipped it open, and looked directly into the face of young Hank Griffin. Over the photograph were the words:
The desperate hours, a novel Page 18