“Can you arrest a man on that?” demanded Mr Hardcastle suddenly. “It’s all what you call circumstantial.”
“The evidence is circumstantial, but it’s strong,” replied the detective. “However, Blake himself will supply the final proof. I called at the police station on my way back, and a couple of men are concealed near the dead man’s body at this moment. An empty envelope has been substituted for this one. The murderer of Jim Parkins will return for that envelope, when he thinks it is safe enough.”
“Lord above us!” muttered Mr Jenks. “Ain’t detectives wun’erful?”
Crook laughed.
“And now, I think, my work here is done,” he said, “excepting for your check, Mr Hardcastle. Mr Jenks has got his money back, and the sharing can take place tomorrow, as arranged. So—”
Crook took the check from his pocket, but Mr Hardcastle waved it away.
“I don’t want it, I don’t it!” he exclaimed. “Jim saved our money for us, didn’t he? Well, then—I reckon he’s earned that for his sister.”
***
Ted Blake went alone into Shooter’s Wood that night; but he did not come out alone.
The Necklace of Pearls
Dorothy L. Sayers
Dorothy Leigh Sayers (1893–1957) was one of the outstanding exponents of Golden Age detective fiction, and remains celebrated for the creation of Lord Peter Wimsey, the aristocratic sleuth who began life almost as a caricature, but was portrayed in greater depth as Sayers’ literary ambition grew. The last novel in which he appeared was Busman’s Honeymoon, published in 1937, but since 1998, Jill Paton Walsh (a distinguished writer once shortlisted for the Booker Prize) has produced four well-received Wimsey novels with the blessing of the Sayers estate; there could be no better demonstration of the continued popularity of Lord Peter.
Sayers was a gifted writer, who in later life devoted herself to translating Dante and writing theological work, such as the radio play cycle The Man Born to Be King, rather than detective fiction. Her short stories are less well known than her novels, but “The Necklace of Pearls”, which appeared in the collection Hangman’s Holiday, is an enjoyable spin on the seasonal mystery.
***
Sir Septimus Shale was accustomed to assert his authority once in the year and once only. He allowed his young and fashionable wife to fill his house with diagrammatic furniture made of steel; to collect advanced artists and anti-grammatical poets; to believe in cocktails and relativity and to dress as extravagantly as she pleased; but he did insist on an old-fashioned Christmas. He was a simple-hearted man, who really liked plum-pudding and cracker mottoes, and he could not get it out of his head that other people, “at bottom”, enjoyed these things also. At Christmas, therefore, he firmly retired to his country house in Essex, called in the servants to hang holly and mistletoe upon the cubist electric fittings; loaded the steel sideboard with delicacies from Fortnum & Mason; hung up stockings at the heads of the polished walnut bedsteads; and even, on this occasion only, had the electric radiators removed from the modernist grates and installed wood fires and a Yule log. He then gathered his family and friends about him, filled them with as much Dickensian good fare as he could persuade them to swallow, and, after their Christmas dinner, set them down to play “Charades” and “Clumps” and “Animal, Vegetable and Mineral” in the drawing-room, concluding these diversions by “Hide-and-Seek” in the dark all over the house. Because Sir Septimus was a very rich man, his guests fell in with this invariable programme, and if they were bored, they did not tell him so.
Another charming and traditional custom which he followed was that of presenting to his daughter Margharita a pearl on each successive birthday—this anniversary happening to coincide with Christmas Eve. The pearls now numbered twenty, and the collection was beginning to enjoy a certain celebrity, and had been photographed in the Society papers. Though not sensationally large—each one being about the size of a marrowfat pea—the pearls were of very great value. They were of exquisite colour and perfect shape and matched to a hair’s-weight. On this particular Christmas Eve, the presentation of the twenty-first pearl had been the occasion of a very special ceremony. There was a dance and there were speeches. On the Christmas night following, the more restricted family party took place, with the turkey and the Victorian games. There were eleven guests, in addition to Sir Septimus and Lady Shale and their daughter, nearly all related or connected to them in some way: John Shale, a brother, with his wife and their son and daughter Henry and Betty; Betty’s fiancé, Oswald Truegood, a young man with parliamentary ambitions; George Comphrey, a cousin of Lady Shale’s, aged about thirty and known as a man about town; Lavinia Prescott, asked on George’s account; Joyce Trivett, asked on Henry Shale’s account; Richard and Beryl Dennison, distant relations of Lady Shale, who lived a gay and expensive life in town on nobody precisely knew what resources; and Lord Peter Wimsey, asked, in a touching spirit of unreasonable hope, on Margharita’s account. There were also, of course, William Norgate, secretary to Sir Septimus, and Miss Tomkins, secretary to Lady Shale, who had to be there because, without their calm efficiency, the Christmas arrangements could not have been carried through.
Dinner was over—a seemingly endless succession of soup, fish, turkey, roast beef, plum-pudding, mince-pies, crystallized fruit, nuts and five kinds of wine, presided over by Sir Septimus, all smiles, by Lady Shale, all mocking deprecation, and by Margharita, pretty and bored, with the necklace of twenty-one pearls gleaming softly on her slender throat. Gorged and dyspeptic and longing only for the horizontal position, the company had been shepherded into the drawing-room and set to play “Musical Chairs” (Miss Tomkins at the piano), “Hunt the Slipper” (slipper provided by Miss Tomkins), and “Dumb Crambo” (costumes by Miss Tomkins and Mr William Norgate). The back drawing-room (for Sir Septimus clung to these old-fashioned names) provided an admirable dressing-room, being screened by folding doors from the large drawing-room in which the audience sat on aluminium chairs, scrabbling uneasy toes on a floor of black glass under the tremendous illumination of electricity reflected from a brass ceiling.
It was William Norgate who, after taking the temperature of the meeting, suggested to Lady Shale that they should play at something less athletic. Lady Shale agreed and, as usual, suggested bridge. Sir Septimus, as usual, blew the suggestion aside.
“Bridge? Nonsense! Nonsense! Play bridge every day of your lives. This is Christmas time. Something we can all play together. How about ‘Animal, Vegetable and Mineral’?”
This intellectual pastime was a favourite with Sir Septimus; he was rather good at putting pregnant questions. After a brief discussion, it became evident that this game was an inevitable part of the programme. The party settled down to it, Sir Septimus undertaking to “go out” first and set the thing going.
Presently they had guessed among other things Miss Tomkins’ mother’s photograph, a gramophone record of “I want to be happy” (much scientific research into the exact composition of records, settled by William Norgate out of the Encyclopaedia Britannica), the smallest stickleback in the stream at the bottom of the garden, the new planet Pluto, the scarf worn by Mrs Dennison (very confusing, because it was not silk, which would be animal, or artificial silk, which would be vegetable, but made of spun glass—mineral, a very clever choice of subject), and had failed to guess the Prime Minister’s wireless speech—which was voted not fair, since nobody could decide whether it was animal by nature or a kind of gas. It was decided that they should do one more word and then go on to “Hide-and-Seek”. Oswald Truegood had retired into the back room and shut the door behind him while the party discussed the next subject of examination, when suddenly Sir Septimus broke in on the argument by calling to his daughter:
“Hullo, Margy! What have you done with your necklace?”
“I took it off, Dad, because I thought it might get broken in ‘Dumb Crambo’. It’s over here on this ta
ble. No, it isn’t. Did you take it, mother?”
“No, I didn’t. If I’d seen it, I should have. You are a careless child.”
“I believe you’ve got it yourself, Dad. You’re teasing.”
Sir Septimus denied the accusation with some energy. Everybody got up and began to hunt about. There were not many places in that bare and polished room where a necklace could be hidden. After ten minutes’ fruitless investigation, Richard Dennison, who had been seated next to the table where the pearls had been placed, began to look rather uncomfortable.
“Awkward, you know,” he remarked to Wimsey.
At this moment, Oswald Truegood put his head through the folding-doors and asked whether they hadn’t settled on something by now, because he was getting the fidgets.
This directed the attention of the searchers to the inner room. Margharita must have been mistaken. She had taken it in there, and it had got mixed up with the dressing-up clothes somehow. The room was ransacked. Everything was lifted up and shaken. The thing began to look serious. After half an hour of desperate energy it became apparent that the pearls were nowhere to be found.
“They must be somewhere in these two rooms, you know,” said Wimsey. “The back drawing-room has no door and nobody could have gone out of the front drawing-room without being seen. Unless the windows—”
No. The windows were all guarded on the outside by heavy shutters which it needed two footmen to take down and replace. The pearls had not gone out that way. In fact, the mere suggestion that they had left the drawing-room at all was disagreeable. Because—because—
It was William Norgate, efficient as ever, who coldly and boldly faced the issue.
“I think, Sir Septimus, it would be a relief to the minds of everybody present if we could all be searched.”
Sir Septimus was horrified, but the guests, having found a leader, backed up Norgate. The door was locked, and the search was conducted—the ladies in the inner room and the men in the outer.
Nothing resulted from it except some very interesting information about the belongings habitually carried about by the average man and woman. It was natural that Lord Peter Wimsey should possess a pair of forceps, a pocket lens and a small folding foot-rule—was he not a Sherlock Holmes in high life? But that Oswald Truegood should have two liver-pills in a screw of paper and Henry Shale a pocket edition of The Odes of Horace was unexpected. Why did John Shale distend the pockets of his dress-suit with a stump of red sealing-wax, an ugly little mascot and a five-shilling piece? George Comphrey had a pair of folding scissors, and three wrapped lumps of sugar, of the sort served in restaurants and dining-cars—evidence of a not uncommon form of kleptomania; but that the tidy and exact Norgate should burden himself with a reel of white cotton, three separate lengths of string and twelve safety-pins on a card seemed really remarkable till one remembered that he had superintended all the Christmas decorations. Richard Dennison, amid some confusion and laughter, was found to cherish a lady’s garter, a powder-compact and half a potato; the last-named, he said, was a prophylactic against rheumatism (to which he was subject), while the other objects belonged to his wife. On the ladies’ side, the more striking exhibits were a little book on palmistry, three invisible hair-pins and a baby’s photograph (Miss Tomkins); a Chinese trick cigarette-case with a secret compartment (Beryl Dennison); a very private letter and an outfit for mending stocking-ladders (Lavinia Prescott); and a pair of eyebrow tweezers and a small packet of white powder, said to be for headaches (Betty Shale). An agitating moment followed the production from Joyce Trivett’s handbag of a small string of pearls—but it was promptly remembered that these had come out of one of the crackers at dinner-time, and they were, in fact, synthetic. In short, the search was unproductive of anything beyond a general shamefacedness and the discomfort always produced by undressing and re-dressing in a hurry at the wrong time of the day.
It was then that somebody, very grudgingly and haltingly, mentioned the horrid word “Police”. Sir Septimus, naturally, was appalled by the idea. It was disgusting. He would not allow it. The pearls must be somewhere. They must search the rooms again. Could not Lord Peter Wimsey, with his experience of—er—mysterious happenings, do something to assist them?
“Eh?” said his lordship. “Oh, by Jove, yes—by all means, certainly. That is to say, provided nobody supposes—eh, what? I mean to say, you don’t know that I’m not a suspicious character, do you, what?”
Lady Shale interposed with authority.
“We don’t think anybody ought to be suspected,” she said, “but, if we did, we’d know it couldn’t be you. You know far too much about crimes to want to commit one.”
“All right,” said Wimsey. “But after the way the place has been gone over—” He shrugged his shoulders.
“Yes, I’m afraid you won’t be able to find any footprints,” said Margharita. “But we may have overlooked something.”
Wimsey nodded.
“I’ll try. Do you all mind sitting down on your chairs in the outer room and staying there. All except one of you—I’d better have a witness to anything I do or find. Sir Septimus—you’d be the best person, I think.”
He shepherded them to their places and began a slow circuit of the two rooms, exploring every surface, gazing up to the polished brazen ceiling and crawling on hands and knees in the approved fashion across the black and shining desert of the floors. Sir Septimus followed, staring when Wimsey stared, bending with his hands upon his knees when Wimsey crawled, and puffing at intervals with astonishment and chagrin. Their progress rather resembled that of a man taking out a very inquisitive puppy for a very leisurely constitutional. Fortunately, Lady Shale’s taste in furnishing made investigation easier; there were scarcely any nooks or corners where anything could be concealed.
They reached the inner drawing-room, and here the dressing-up clothes were again minutely examined, but without result. Finally, Wimsey lay down flat on his stomach to squint under a steel cabinet which was one of the very few pieces of furniture which possessed short legs. Something about it seemed to catch his attention. He rolled up his sleeve and plunged his arm into the cavity, kicked convulsively in the effort to reach farther than was humanly possible, pulled out from his pocket and extended his folding foot-rule, fished with it under the cabinet and eventually succeeded in extracting what he sought.
It was a very minute object—in fact, a pin. Not an ordinary pin, but one resembling those used by entomologists to impale extremely small moths on the setting-board. It was about three-quarters of an inch in length, as fine as a very fine needle, with a sharp point and a particularly small head.
“Bless my soul!” said Sir Septimus. “What’s that?”
“Does anybody here happen to collect moths or beetles or anything?” asked Wimsey, squatting on his haunches and examining the pin.
“I’m pretty sure they don’t,” replied Sir Septimus. “I’ll ask them.”
“Don’t do that.” Wimsey bent his head and stared at the floor, from which his own face stared meditatively back at him.
“I see,” said Wimsey presently. “That’s how it was done. All right, Sir Septimus. I know where the pearls are, but I don’t know who took them. Perhaps it would be as well—for everybody’s satisfaction—just to find out. In the meantime they are perfectly safe. Don’t tell anyone that we’ve found this pin or that we’ve discovered anything. Send all these people to bed. Lock the drawing-room door and keep the key, and we’ll get our man—or woman—by breakfast-time.”
“God bless my soul,” said Sir Septimus, very much puzzled.
***
Lord Peter Wimsey kept careful watch that night upon the drawing-room door. Nobody, however, came near it. Either the thief suspected a trap or he felt confident that any time would do to recover the pearls. Wimsey, however, did not feel that he was wasting his time. He was making a list of people who had been left a
lone in the back drawing-room during the playing of “Animal, Vegetable or Mineral”. The list ran as follows.
Sir Septimus Shale
Lavinia Prescott
William Norgate
Joyce Trivett and Henry Shale (together, because they had claimed to be incapable of guessing anything unaided)
Mrs Dennison
Betty Shale
George Comphrey
Richard Dennison
Miss Tomkins
Oswald Truegood.
He also made out a list of the persons to whom pearls might be useful or desirable. Unfortunately, this list agreed in almost all respects with the first (always excepting Sir Septimus) and so was not very helpful. The two secretaries had both come well recommended, but that was exactly what they would have done had they come with ulterior designs; the Dennisons were notorious livers from hand to mouth; Betty Shale carried mysterious white powders in her handbag, and was known to be in with a rather rapid set in town; Henry was a harmless dilettante, but Joyce Trivett could twist him round her little finger and was what Jane Austen liked to call “expensive and dissipated”; Comphrey speculated; Oswald Truegood was rather frequently present at Epsom and Newmarket—the search for motives was only too fatally easy.
When the second housemaid and the under-footman appeared in the passage with household implements, Wimsey abandoned his vigil, but he was down early to breakfast. Sir Septimus with his wife and daughter were down before him, and a certain air of tension made itself felt. Wimsey, standing on the hearth before the fire, made conversation about the weather and politics.
The party assembled gradually, but, as though by common consent, nothing was said about pearls until after breakfast, when Oswald Truegood took the bull by the horns.
“Well now!” said he. “How’s the detective getting along? Got your man, Wimsey?”
Silent Nights Page 13