Beethoven

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Beethoven Page 34

by Suchet, John

Sonnleithner, Joseph 114, 121, 124

  Sontag, Henriette 200

  Spain 145, 171, 212

  Spittelberg 146

  Spohr, Louis 139, 171

  St Goarshausen 52

  St Petersburg 84, 196

  Stackelberg, Baron 159

  Staudenheim. Dr 245, 247, 246

  Steibelt, Daniel 82–84, 93

  Steiner, Sigmund Anton 211

  Sterkel, Abbé 55–57

  Stutterheim, Field Marshal Joseph von 227, 228

  Swinburne, Henry 21

  T

  Tellenbach, Marie-Elisabeth 158–59

  Teltscher, Joseph 252

  Teplitz 153, 154, 156, 157, 158, 163–66

  Teutonic Order 40, 50, 57, 58, 85

  Thayer, Alexander Wheelock 59, 62, 72, 76, 89, 139, 167, 194, 234

  Thun, Countess Marie Wilhelmine von 82

  Treitschke, Georg Friedrich 172

  Trémont, Baron de 143

  Trier, Elector of 5, 6

  Troppau 131, 133

  U

  Ulm 121

  Umlauf, Michael 198, 200–2

  Unger, Karoline 200

  V

  Victoria, Queen 260

  Vienna:

  Bastei xi, 147, 212, 136, 171

  Beethovenplatz xii

  Burgtheater 38, 68–69, 73, 75, 84, 103, 136, 139, 163, 216

  Congress of 172, 174

  Hofburg Palace 68, 69, 73, 144, 201

  Prater 205

  Schönbrunn Palace 69, 122

  St Stephen’s Cathedral 68, 147

  Theater an der Wien 103–4, 106, 111, 114, 119, 121, 122, 124–26, 134, 136, 137, 138, 198, 199

  Theater am Kärtnertor 199–200, 205

  University of 205

  Woods 134

  Zentralfriedhof 194, 260, 261

  Vitoria, Battle of 171, 174

  Vogler, Georg Joseph 59

  W

  Wagner, Dr Johann 255–56

  Wagner, Richard 47, 54

  Währing 257, 260

  Waldburg-Capustigall, Count Friedrich Ludwig 136

  Walden, Edward 158

  Waldendorf, Baroness von 19

  Waldmüller, Ferdinand 207

  Waldstein, Count 40, 42, 43, 47–48, 57, 60, 61, 64, 71, 113

  Walkersdorf 148, 149

  Walsegg, Count 47

  Wawruch, Dr Andreas 246–51

  Wegeler, Franz 33–35, 38, 40, 49, 60–63, 72, 73, 76, 78, 85–87, 94, 148, 243, 245

  Weigl, Robert 135

  Weimar 251

  Weissenbach, Alois 174

  Wellesley, Arthur 145, 171, 174

  Westerholt, Fräulein von 62

  Westphalia 136

  Wiener Neustadt 194, 195

  Willman, Magdalena 76

  Z

  Zmeskall, Nikolaus 78, 81, 170, 201, 250

  ACKNOWLEDGEMENTS

  It was Darren Henley, Managing Director of Classic FM, who picked up the telephone in the summer of 2010 and gave me a new career in radio. And it was Darren who, when I told him I had embarked on a biography of Beethoven, said immediately he wanted it to be a Classic FM publication.

  He introduced me to Lorne Forsyth, Chairman of Elliott & Thompson, Classic FM’s publisher, and Olivia Bays, Publisher at Elliott & Thompson. Both were excited at the prospect of a new, full-length biography of the great artist, and encouraged me from our first meeting.

  Olivia was a knowledgeable and sympathetic editor, infinitely patient with my corrections and amendments, and long suffering to a fault with the many changes of mind over the front cover. She is one of the few people I have ever worked with who responds as rapidly to emails as I do myself – exactly what a writer with more than forty years of journalism behind him is used to and needs.

  I am grateful to Jennie Condell and James Collins at Elliott & Thompson for tracking down all the illustrations I asked for, and for making my own photographs look far more professional than they originally were.

  The most important Beethoven research centre outside Europe is the American Beethoven Society at San José State University in California. I have been a member for many years. I have lauded the efficiency and dedication of the Society in previous publications on Beethoven. I once needed the words to an obscure musical jest by Beethoven. It was on my fax from San José within twenty four hours. My grateful thanks, once again, to Director William Meredith and Curator Patricia Stroh.

  Thanks too to Boris Goyke at the Beethoven-Haus in Bonn, and Marian Hochel, Director of Chateau Duchcov-Dux in the Czech Republic, for their help in tracking down rare material.

  Finally – and most importantly, for without her encouragement from the day I first said I was undertaking this enormous project, I might have fallen at the first of many hurdles – my eternal thanks to Nula.

  PICTURE CREDITS

  On the jacket: Franz Klein bust from Beethoven-Haus Bonn; Piano Sonata in A Major, Op. 101, Allegro, from the Moldenhauer Archives at the Library of Congress, Music Division, Washington, D.C.

  Page ix: akg-images/Erich Lessing

  Page xii: © iStockPhoto.com/Xiaoping Liang

  Page 4:© Alfredo Dagli Orti/The Art Archive/Corbis

  Page 6: (left) akg-images; (right) © Bettmann/Corbis

  Page 8: John Suchet

  Page 9: John Suchet

  Pages 20–21: © Xiong Wei/Shutterstock

  Page 41: John Suchet (both images)

  Page 42: Courtesy of Chateau Duchcov-Dux/National Heritage Institut, Czech Republic. Photograph by Marta Pavlikova, 2012

  Pages 52–53: John Suchet (all images)

  Page 57: © Luciano Morpurgo/Shutterstock

  Page 58: John Suchet (all images)

  Page 68: (top) © clearlens/Shutterstock; (bottom) © Renata Sedmakova/Shutterstock

  Page 69: (top) © iStockPhoto.com/Jeremy Voisey; (bottom) © iStockPhoto.com/George Clerk

  Pages 74–75: © The Gallery Collection/Corbis

  Page 87: akg-images

  Page 90: akg-images/Beethoven-Haus Bonn

  Page 96: akg-images

  Page 109: akg-images

  Page 111: akg-images/Erich Lessing

  Page 112: Getty Images

  Page 118: Beethoven-Haus Bonn

  Page 128: Getty Images

  Page 135: John Suchet

  Page 142: Getty Images

  Page 147: Beethoven-Haus Bonn

  Page 152: akg-images (both images)

  Page 157: Beethoven-Haus Bonn

  Page 164: © Bettmann/Corbis

  Page 166: akg-images

  Page 173: © iStockPhoto.com/HultonArchive

  Page 179: akg-images

  Page 190: bpk / SBB, Musikabteilung mit Mendelssohn-Archiv, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz. Mus. ms.autogr. Beethoven, L. v. 51,54, fol. 15v

  Page 191: Beethoven-Haus Bonn

  Page 195: akg-images

  Page 199: Beethoven-Haus Bonn

  Page 207: akg-images

  Page 213: Getty Images

  Page 221: akg-images

  Page 223: bpk / SBB, Musikabteilung mit Mendelssohn-Archiv, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz. Mus. ms.autogr. Beethoven, L. v. 51,114, fol. 25v

  Page 224: John Suchet (both images)

  Page 233: John Suchet (both images)

  Page 244: Beethoven-Haus Bonn

  Page 245: Beethoven-Haus Bonn

  Page 256: John Suchet

  Pages 256–57: akg-images/Beethoven-Haus Bonn

  Page 259: John Suchet

  Page 261: © iStockPhoto.com/Michael Luhrenberg

  Page 264: akg-images/Beethoven-Haus Bonn

  CLASSIC FM

  Classic fm is the UK’s only 100 per cent classical music radio station. Since it began broadcasting in September 1992, the station has brought classical music to millions of people across the UK. If you’ve yet to discover for yourself the delights of being able to listen to classical music twenty-four hours a day, you can find Classic FM on 1
01–102 FM, on Digital Radio, online at www.classicfm.com, on Sky channel 0106, on Virgin Media channel 922 and on FreeSat channel 722.

  Classic FM works particularly closely with six orchestras around the UK, with the aim of encouraging new listeners to enjoy the power and passion of hearing a live orchestra playing in the concert hall. Check the station’s website to find out if the Royal Scottish National Orchestra, Northern Sinfonia, the Orchestra of Opera North, the Royal Liverpool Philharmonic Orchestra, the Philharmonia Orchestra or the London Symphony Orchestra are performing near you.

  Classic FM has a long history of working to develop the next generation of classical music lovers, supporting organisations such as Music for Youth, which runs the annual Schools Proms at the Royal Albert Hall in London, and The Prince’s Foundation for Children & the Arts, which has worked with the Philharmonia Orchestra to deliver an annual orchestral music education project to thousands of children across the UK, thanks to funding from the radio station’s charity appeal.

  For more information about any part of Classic FM, log on to the website at www.classicfm.com

 

 

 


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