Timbuktu

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Timbuktu Page 5

by Paul Auster


  He coughed once, then again, and then a third time before lapsing into a prolonged seizure. Mr. Bones stood by helplessly as globules of phlegm came flying from his master’s mouth. Some landed on Willy’s shirt, others on the pavement. Still others, the looser and more slithery ones, dribbled weakly down his chin. There they remained, dangling from his beard like noodles, and as the fit wore on, punctuated by violent jolts, lurches, and doublings over, they bobbed back and forth in a crazy, syncopated dance. Mr. Bones was stunned by the ferocity of the attack. Surely this was the end, he said to himself, surely this was the limit of what a man could take. But Willy still had some fight left in him, and once he wiped his face with the sleeve of his jacket and managed to recover his breath, he surprised Mr. Bones by breaking into a broad, almost beatific smile. With much difficulty, he maneuvered himself into a more comfortable position, leaning his back against the wall of the house and stretching out his legs before him. Once his master was still again, Mr. Bones lowered his head onto his right thigh. When Willy reached out and started stroking the top of that head, a measure of calm returned to the dog’s broken heart. It was only temporary, of course, and only an illusion, but that didn’t mean it wasn’t good medicine.

  “Lend an ear, Citizen Mutt,” Willy said. “It’s starting. Things are falling away now. One by one they’re falling away, and only strange things are left, tiny long-ago things, not at all the things I was expecting. I can’t say I’m scared, though. A little sorry, maybe, a little miffed at having to make this early exit, but not crapping my drawers the way I thought I might be. Pack up your bags, amigo. We’re on the road to Splitsville, and there’s no turning back. You follow, Mr. Bones? Are you with me so far?”

  Mr. Bones followed, and Mr. Bones was with him.

  “I wish I could boil it down to a few choice words for you,” the dying man continued, “but I can’t. Punchy epigrams, succinct pearls of wisdom, Polonius delivering his parting shots. I don’t have it in me to do that. Neither a borrower nor a lender be; a stitch in time saves nine. There’s too much mayhem in the attic, Bonesy, and you’ll just have to bear with me as I ramble and digress. It seems to be in the nature of things for me to be confused. Even now, as I enter the valley of the shadow of death, my thoughts bog down in the gunk of yore. There’s the rub, signore. All this clutter in my head, this dust and bric-a-brac, these useless knickknacks spilling off the shelves. Indeed, sir, the sad truth is that I am a bear of but little brain.

  “By way of proof, I offer you the return of O’Dell’s Hair Trainer. The stuff disappeared from my life forty years ago, and now, on the last day of my life, it suddenly comes back. I yearn for profundities, and what I get is this no-account factoid, this microblip on the screen of memory. My mother used to rub it into my hair when I was just a wee thing, a mere mite of a lad. They sold it in the local barbershops, and it came in a clear glass bottle about yea big. The spout was black, I believe, and on the label there was a picture of some grinning idiot boy. A wholesome, idealized numskull with perfectly groomed hair. No cowlicks for that lunkhead, no wobbles in the part for that pretty fellow. I was five, six years old, and every morning my mother would give me the treatment, hoping to make me look like his twin brother. I can still hear the gloppity-gluggity sound as the goo came out of the bottle. It was a whitish, translucent liquid, sticky to the touch. A kind of watered-down sperm, I suppose, but who knew about such things then? They probably manufactured it by hiring teenage boys to jerk off into vats. Thus are fortunes made in our great land. A penny to produce, a dollar to buy, and you figure out the rest. So my Polish mother would rub the O’Dell’s Hair Trainer into my scalp, comb my disobedient locks, and then send me off to school looking like that ass-wipe kid on the bottle. I was going to be an American, by gum, and this hair meant that I belonged, that my parents knew what was fucking what.

  “Before you break down and weep, my friend, let me add that O’Dell’s was a sham concoction, a fraud. It didn’t train hair so much as glue it into submission. For the first hour, it would seem to do its job, but then, as the morning wore on, the glue would harden, and little by little my hair would be turned into a mass of rigid, epoxified wires—as if a springy metallic bonnet had been clamped over my head. It felt so strange to the touch, I couldn’t leave it alone. Even as my right hand gripped the pencil, making with the two plus threes and six minus fives, my left hand would be wandering around up north, poking and picking at the alien surfaces of my head. By midafternoon, the O’Dell’s would be so dried out, so thoroughly drained of moisture, that each strand of coated hair would be turned into a brittle thread. That was the moment I was waiting for, the signal that the last act of the farce was about to begin. One by one, I’d reach down to the base of each strand of hair rooted in my scalp, pinch it between my thumb and middle finger, and pull. Slowly. Very slowly, sliding my nails along the entire length of the hair. Ah. The satisfactions were immense, incalculable. All that powder flying off of me! The storms, the blizzards, the whirlwinds of whiteness! It was no easy job, let me tell you, but little by little every trace of the O’Dell’s would disappear. The do would be undone, and by the time the last bell rang and the teacher sent us home, my scalp would be tingling with happiness. It was as good as sex, mon vieux, as good as all the drugs and drink I ever poured into my system. Five years old, and every day another orgy of self-repair. No wonder I didn’t pay attention at school. I was too busy feeling myself up, too busy doing the O’Dell’s diddle.

  “But enough. Enough of this tedium. Enough of this Te Deum. Hair trainer is just the tip of the iceberg, and once I start in with this childhood dreck, we’ll be here for the next sixteen hours. We don’t have time for that, do we? Not for castor oil, not for pot cheese, not for lumpy porridge, not for Blackjack gum. We all grew up with that junk, but now it’s gone, isn’t it, and who the hell cares anyway? Wallpaper, that’s what it was. Background music. Zeitgeist dust on the furniture of the mind. I can bring back fifty-one thousand details, but so what? It won’t do you or me an ounce of good. Understanding. That’s what I’m after, chum. The key to the puzzle, the secret formula after four-plus decades of groping in the dark. And still, all this stuff keeps getting in my way. Even as I breathe my last, I’m choking on it. Useless bits of knowledge, unwanted memories, dandelion fluff. It’s all flit and fume, my boy, a bellyful of wind. The life and times of R. Mutt. Eleanor Rigby. Rumpelstiltskin. Who the fuck wants to know them? The Pep Boys, the Ritz Brothers, Rory Calhoun. Captain Video and the Four Tops. The Andrews Sisters, Life and Look, the Bobbsey Twins. There’s no end to it, is there? Henry James and Jesse James, Frank James and William James. James Joyce. Joyce Cary. Cary Grant. Grant me swizzle sticks and dental floss, Dentyne gum and honey-dip doughnuts. Delete Dana Andrews and Dixie Dugan, then throw in Damon Runyon and demon rum for good measure. Forget Pall Malls and shopping malls, Milton Berle and Burl Ives, Ivory soap and Aunt Jemima pancake mix. I don’t need them, do I? Not where I’m going I don’t, and yet there they are, marching through my brain like long-lost brethren. That’s American know-how for you. It keeps coming at you, and every minute there’s new junk to push out the old junk. You’d think we would have caught on by now, wised up to the tricks they pull on us, but people can’t get enough of it. They cheer, they wave flags, they hire marching bands. Yes, yes, wondrous things, miraculous things, machines to stagger the imagination, but let us not forget, no, let us not forget that we are not alone in this world. Know-how knows no borders, and when you think of the bounty that pours in from across the seas, it knocks you down a peg or two and puts you in your place. I don’t just mean obvious things like turkeys from Turkey or chili from Chile. I also mean pants from France. I mean pain from Spain and pity from Italy and checks from Czechoslovakia and fleece from Greece. Patriotism has its role, but in the long run it’s a sentiment best kept under wraps. Yes, we Yanks have given the world the zipper and the Zippo, not to speak of zip-a-dee doo-dah and Zeppo Marx, but we’re also responsible for the
H-bomb and the hula hoop. It all balances out in the end, doesn’t it? Just when you think you’re top gun, you wind up as bottom dog. And I don’t mean you, Mr. Bones. Dog as metaphor, if you catch my drift, dog as emblem of the downtrodden, and you’re no trope, my boy, you’re as real as they come.

  “But don’t get me wrong. There’s too much out there not to feel tempted. The lure of particulars, I mean, the seductions of the thing-in-itself. You’d have to be blind not to give in once in a while. I don’t care what it is. Just pick a thing, and chances are a case can be made for it. The splendor of bicycle wheels, for example. Their lightness, their spidery elegance, their shining rims and gossamer spokes. Or the sound of a manhole cover rattling under a truck at three in the morning. To say nothing of Spandex, which has probably done more to spruce up the landscape than any invention since the underground telephone wire. I refer to the sight of Spandex pants plastered across the behind of a young chick as she strides by you on the street. Need I say more? You’d have to be dead not to warm to that. It darts and dives at you, keeps churning away in your head until it all melts down into a big, buttery ooze. Vasco da Gama in his puffy pantaloons. FDR’s cigarette holder. Voltaire’s powdery wig. Cunegonde!

  Cunegonde! Think of what happens when you say it. See what you say when you think it. Cartography. Pornography. Stenography. Stentorian stammerings, Episcopalian floozies, Fudgsicles and Frosted Flakes. I admit that I’ve succumbed to the charms of these things as readily as the next man, am in no wise superior to the riffraff I’ve rubbed shoulders with for lo these many years. I’m human, aren’t I? If that makes me a hypocrite, then so be it.

  “Sometimes, you just have to bow down in awe. A person comes up with an idea that no one has ever thought of, an idea so simple and perfect that you wonder how the world ever managed to survive without it. The suitcase with wheels, for example. How could it have taken us so long? For thirty thousand years, we’ve been lugging our burdens around with us, sweating and straining as we moved from one place to another, and the only thing that’s ever come of it is sore muscles, bad backs, exhaustion. I mean, it’s not as though we didn’t have the wheel, is it? That’s what gets me. Why did we have to wait until the end of the twentieth century for this gizmo to see the light of day? If nothing else, you’d think roller skates would have inspired someone to make the connection, to put two and two together. But no. Fifty years go by, seventy-five years go by, and people are still schlepping their bags through airports and train stations every time they leave home to visit Aunt Rita in Poughkeepsie. I’m telling you, friend, things aren’t as simple as they look. The human spirit is a dull instrument, and often we’re no better at figuring out how to take care of ourselves than the lowest worm in the ground.

  “Whatever else I’ve been, I’ve never let myself be that worm. I’ve jumped, I’ve galloped, I’ve soared, and no matter how many times I’ve crashed back to earth, I’ve always picked myself up and tried again. Even now, as the darkness closes in on me, my mind holds fast and won’t throw in the towel. The transparent toaster, comrade. It came to me in a vision two or three nights ago, and my head’s been full of the idea ever since. Why not expose the works, I said to myself, be able to watch the bread turn from white to golden brown, to see the metamorphosis with your own eyes? What good does it do to lock up the bread and hide it behind that ugly stainless steel? I’m talking about clear glass, with the orange coils glowing within. It would be a thing of beauty, a work of art in every kitchen, a luminous sculpture to contemplate even as we go about the humble task of preparing breakfast and fortifying ourselves for the day ahead. Clear, heat-resistant glass. We could tint it blue, tint it green, tint it any color we like, and then, with the orange radiating from within, imagine the combinations, just think of the visual wonders that would be possible. Making toast would be turned into a religious act, an emanation of otherworldliness, a form of prayer. Jesus god. How I wish I had the strength to work on it now, to sit down and draw up some plans, to perfect the thing and see where we got with it. That’s all I’ve ever dreamed of, Mr. Bones. To make the world a better place. To bring some beauty to the drab, humdrum corners of the soul. You can do it with a toaster, you can do it with a poem, you can do it by reaching out your hand to a stranger. It doesn’t matter what form it takes. To leave the world a little better than you found it. That’s the best a man can ever do.

  “Okay, snicker if you like. If I gush, I gush, and that’s all there is to it. It feels good to let the purple stuff come pouring out sometimes. Does that make me a fool? Perhaps it does. But better that than bitterness, I say, better to follow the lessons of Santa Claus than to spend your life in the claws of deceit. Sure, I know what you’re thinking. You don’t have to say it. I can hear the words in your head, mein herr, and you won’t get an argument from me. Wherefore this floundering?, you ask yourself. Wherefore this flopping to and fro, this rolling in the dust, this lifelong grovel toward annihilation? You do well to ask these questions. I’ve asked them many times myself, and the only answer I’ve ever come up with is the one that answers nothing. Because I wanted it this way. Because I had no choice. Because there are no answers to questions like these.

  “No apologies, then. I’ve always been a flawed creature, Mr. Bones, a man riddled with contradictions and inconsistencies, the tugs of too many impulses. On the one hand, purity of heart, goodness, Santa’s loyal helper. On the other hand, a loudmouthed crank, a nihilist, a besotted clown. And the poet? He fell somewhere in between, I suppose, in the interval between the best and the worst of me. Not the saint, and not the wisecracking drunk. The man with the voices in his head, the one who sometimes managed to listen in on the conversations of stones and trees, who every now and then could turn the music of the clouds into words. Pity I couldn’t have been him more. But I’ve never been to Italy, alas, the place where pity is produced, and if you can’t afford the fare, then you just have to stay at home.

  “Still, you’ve never seen me at my best, Sir Osso, and I regret that. I regret that you’ve known me only as a man in decline. It was a different story back in the old days, before my spunk petered out and I ran into this… this engine trouble. I never wanted to be a bum. That wasn’t what I had in mind for myself, that wasn’t how I dreamed of my future. Scrounging for empty bottles in recycling bins wasn’t part of the plan. Squirting water on windshields wasn’t part of the plan. Falling down on my knees in front of churches and closing my eyes to look like an early Christian martyr so that some passerby would feel sorry for me and drop a dime or quarter in my palm—no, Signor Puccini, no, no, no, that wasn’t what I was put on this earth to do. But man does not live by words alone. He needs bread, and not just one loaf, but two. One for the pocket and one for the mouth. Bread to buy bread, if you see what I mean, and if you don’t have the first kind, you sure as hell aren’t going to have the other.

  “It was a tough blow when Mom-san left us. I’m not going to deny that, pupster, and I’m not going to deny that I made things worse by giving away all that money. I said no apologies, but now I want to take that back and apologize to you. I did a rash and stupid thing, and we’ve both paid the price. Ten thousand dollars ain’t Shredded Wheat, after all. I let it slip through my fingers, watched the whole wad scatter to the winds, and the funny thing about it was that I didn’t care. It made me happy to act like a big shot, to flaunt my haul like some cockamamie high-roller. Mr. Altruism. Mr. Al Truism, that’s me, the one and only Alberto Verissimo, the man who took his mother’s life insurance policy and unloaded every nickel of it. A hundred dollars to Benny Shapiro. Eight hundred dollars to Daisy Brackett. Four thousand dollars to the Fresh Air Fund. Two thousand dollars to the Henry Street Settlement House. Fifteen hundred dollars to the Poets-in-the-Schools Program. It went fast, didn’t it? A week, ten days, and by the time I looked up again, I had divested myself of my entire inheritance. Oh well. Easy come easy go, as the old saw says, and who am I to think I could have done otherwise? It’s in my blood t
o be bold, to do the thing that no one else would do. Buck the buck, that’s what I did. It was my one chance to put up or shut up, to prove to myself that I meant what I’d been saying for all those years, and so when the dough came in I didn’t hesitate. I bucked the buck. I might have fucked myself in the process, but that doesn’t mean I acted in vain. Pride counts for something, after all, and when push came to shove, I’m glad I didn’t back down. I walked the plank. I went the whole distance. I jumped. Never mind the sea monsters below. I know who I am, as the good sailor Popeye never said, and for once in my life I knew exactly what I was doing.

  “Too bad you had to suffer, of course. Too bad we had to hit bottom. Too bad we lost our winter hideout and had to fend for ourselves in ways we weren’t accustomed to. It took its toll, didn’t it? The bad grub, the lack of shelter, the hard knocks. It turned me into a sick man, and it’s about to turn you into an orphan. Sony, Mr. Bones. I’ve done my best, but sometimes a man’s best isn’t good enough. If I could just get back on my feet for a few more minutes, I might be able to figure something out. Settle you in somewhere, take care of business. But my oomph is on the wane. I can feel it dribbling out of me, and one by one things are falling away. Bear with me, dog. I’ll rebound yet. Once the discombobulation passes, I’ll give it the old college try again. If it passes. And if it doesn’t, then I’m the one who will pass, n’est-ce pas? I just need a little more time. A few more minutes to catch my breath. Then we’ll see. Or not see. And if we don’t, then there’ll be nothing but darkness. Darkness everywhere, as far as the eye can’t see. Even down to the sea, to the briny depths of nothingness, where no things are nor will ever be. Except me. Except not me. Except eternity.”

 

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