PRAISE FOR PETER TEMPLE
SHOOTING STAR (NED KELLY AWARD FOR BEST AUSTRALIAN CRIME NOVEL 2000)
‘A tough, contemporary crime novel that takes the reader down some very mean Australian streets…A terrific read by one of Australia’s best crime novelists.’ Canberra Times
‘No summary or catalogue of details will do it justice. Read it for the writing and for where it says this sort of novel is today.’ Age
THE BROKEN SHORE
Longlisted for the Miles Franklin Literary Award 2006
Australian General Fiction Book of the Year 2006 (Australian Book Industry Awards)
Ned Kelly Award for best Australian crime novel 2006
Colin Roderick Prize for Australian writing 2006
‘A towering achievement…Indispensable.’ Guardian
‘A stone classic…Read page one and I challenge you not to finish it.’ Independent (UK)
‘Peter Temple is Australia’s leading crimewriter, and The Broken Shore makes it clear why. The writing is lean and muscular, but like the best mystery fiction is not afraid to tackle important issues… One of the world’s finest crimewriters.’ Mark Billingham, The Times
‘A very fine book. Characterisation, dialogue and the quality of the prose are all top-class.’ Telegraph (UK)
‘Every word in The Broken Shore contains meaning. It’s all killer, no filler.’ Courier-Mail
‘Might well be the best crime novel published in this country.’
Australian
‘If you only read one crime novel this year, read The Broken Shore. It’s not just a good yarn—there are plenty of those—what Peter Temple achieves here is much, much more…The Broken Shore might just be a great Australian novel, irrespective of genre.’ Sue Turnbull, Age
‘Great use of language and characters.’ Herald Sun
‘It’s hard to know where to start praising this book. Plot, style, setting and characters are all startlingly good…One of those watershed books that makes you rethink your ideas about reading.’ Kerryn Goldsworthy, Sydney Morning Herald
‘Keeps the tension taut and the reader on edge…Highly recommended.’ Canberra Times
‘One of our best novelists full stop…Great plot, believable, fallible characters and some terrific dialogue.’ Sun-Herald
‘Temple has to be writing the best Australian crime fiction right now…Powerfully economical writing, an ear for dialogue, eye for observation, and a chilling sense of the way things are.’
Bulletin with Newsweek
BAD DEBTS (NED KELLY AWARD FOR BEST FIRST CRIME NOVEL 1996)
‘Readers will take to this series like a thirsty man to strong drink and bang the bar for another round.’ Publishers Weekly (US)
‘Just read him. You’ll be hooked.’ Limelight
‘Frequently has the reader holding his sides with laughter even while immersed in some particularly unpleasant scenario… A world-class novel.’ Sydney Morning Herald
‘The genuine article and an absolute pearler of a read.’ Australian Book Review
‘Temple writes with the urgency of someone who wants to disrupt an official investigation, and his story is kept up like taut wire.’ Graeme Blundell, Australian
‘WOW!’ Age
‘The prose is tight, the pace breathless, the dialogue inspired.’
Sun-Herald
‘Arguably Australia’s best modern crime drama…the story literally explodes off the pages.’ Geelong Advertiser
BLACK TIDE
‘An excellent introduction to Temple’s clever, irresistibly entertaining thrillers.’ Time Out New York
‘Peter Temple wields his words like a blunt instrument, sometimes belting you with a short, hard, arse-kick of a sentence, then relaxing enough to work up a longer, more contemplative swing at the subject…The story is gutsy, pacey and multi-stranded.’
Australian’s Review of Books
‘Rips, snorts and crackles with a delicious pace.’ Age
‘Temple writes with sophistication and wit.’ Washington Post
‘Confirms Temple’s rep as the top hard-boiled crime writer on the local scene.’ Courier-Mail
‘A highly complex and magnificently crafted thriller…Temple is the business.’ Australian Book Review
‘Puts Temple at the forefront of contemporary Australian crime fiction.’ Sydney Morning Herald
‘Fast, funny, fabulous…a stunning and welcome return.’ Adelaide Advertiser
DEAD POINT (NED KELLY AWARD FOR BEST AUSTRALIAN CRIME NOVEL 2001)
‘Temple is as dark and mean, as cool and as mesmerising, as any James Ellroy or Elmore Leonard with whom you might kill the small or sad hours.’ Peter Craven, Age
‘Another world-class crime novel from Peter Temple.’
Canberra Times
‘The only thing better than a Temple novel is a Carlton win.’
Australian
WHITE DOG (NED KELLY AWARD FOR BEST AUSTRALIAN CRIME NOVEL 2003)
‘A brilliant novel.’ Australian
‘Have I raved enough about White Dog? I judge it to be the best Jack Irish yet…Go for Peter Temple. His hero will stick and stick and stick.’ Crime Factory
‘There’s not much left that counts for a hill of beans in this crazy world, but one safe bet is a new book by Peter Temple.’ Age
‘A cracker of a yarn…sharp, witty and wise.’ Australian Bookseller & Publisher
‘Peter Temple is the man—the lay-down misère best crime writer in the country…Lively, cracking prose, spiky wit and crisp, action-packed stories which dazzle and grip…A joy-ride of a book.’
Adelaide Advertiser
Other novels by Peter Temple
An Iron Rose
In the Evil Day
The Broken Shore
THE JACK IRISH NOVELS
Bad Debts
Black Tide
Dead Point
White Dog
PETER
TEMPLE
SHOOTING
STAR
TEXT PUBLISHING
Melbourne Australia
The Text Publishing Company
Swann House
22 William Street
Melbourne Victoria 3000
Australia
Copyright © Peter Temple 1999
All rights reserved. Without limiting the rights under copyright above, no part of this publication shall be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior permission of both the copyright owner and the publisher of this book.
First published in Australia by Bantam 1999
This edition published by the Text Publishing Company 2007
Design by Chong Weng-ho
Typeset in 12/15 Baskerville MT by J&M Typesetting
Printed and bound by Griffin Press
National Library of Australia
Cataloguing-in-Publication data:
Temple, Peter, 1946- .
Shooting star.
ISBN 978-1-921145-83-4.
1. Kidnapping - Fiction. I. Title.
A823.3
For Nicholas—with thanks for all the joy
THE HOUSE was in a street running off Ballarat Road. Doomed weatherboard dwellings with rusting roofs and mangy little patches of lawn faced each other across a pocked tarmac strip. At the end of the street, by the feeble light of a streetlamp, two boys were kicking a football to each other, uttering feral cries as they lost sight of it against the almost-dark sky.
Outside number twelve stood an old Ford Fairlane. I went up a concrete path and onto a springy verandah. The front door was open and, at the end of a passage, I could see a glow and hear the television, a game sh
ow, shrieks and shouts.
I looked for a bell, found a scar where one had been, knocked.
A figure appeared at the end of the passage, then a dim light came on. It was a big man, spilling out of a singlet, fat face, long straight hair falling over his eyes, wearing a plastic neck-brace. He didn’t move, said nothing, just looked down the corridor at me.
‘Mr Joseph Reagan?’ The trick was to sound like someone from Tattslotto with good news.
He wiped a finger under his nose. Even in the gloom, I could see that he didn’t have a ticket in the lottery.
‘My name’s Frank Calder,’ I said. ‘I’m a mediator.’
‘What? Whadya want?’
‘I help people having disputes.’
‘Sellin? Don’t wannit.’
‘Your wife’s asked me to talk to you…’ ‘What?’
‘Your wife’s…’
It was like pulling a trigger. The man lurched forward, came down the passage at a run, arms held out like a wrestler, a fake wrestler on American television. I waited till he was almost on me, lunging, roaring, an out-of-control alcohol tanker. Then I stepped left, helped him on his way by grabbing his right forearm and swinging him. The roar changed to a different sound as he went through the rotten wooden verandah railing, falling into a mass of dead and dying vegetation.
I went down the stairs and inspected Mr Reagan. He was rolled into a ball, groaning, tracksuit pants ridden down to show the cleft of his buttocks. I stepped back, balanced myself, began to take my right leg back.
This is not normal mediation practice, I thought, but perhaps there is a place in dispute resolution for the solid kick up the arse.
The verandah light came on. A woman was in the doorway, young, exhausted. She was holding a child, its red hair like a flame against her cheek.
‘Well, I’ll be on my way then,’ I said. ‘Just called in to remind Mr Reagan that he owes Teresa twenty-five thousand dollars. She’d appreciate any loose change he can spare.’
I went down the path. In the street, the boys who had been kicking the ball were standing wide-eyed.
‘Go to bed,’ I said. ‘Or hold up the corner shop.’
They drifted away. I hope to Christ the car starts, I thought. Men like Joe Reagan often sought to redress slights with hunting rifles they had lying around. I turned the key. The Alfa started as if it never did anything else.
‘Small bloody mercies,’ I said. ‘Bloody small mercies.’
I drove off, trailing clouds of exhaust smoke. At the corner, waiting for a chance to turn right, I thought about life, how the wide vista of childhood shrinks to a passage in Footscray with a man in a plastic neckbrace charging at you.
I WAS suffocating, someone sitting on me and holding something over my head, saying, ‘Die. Just die.’ I woke up, gasping, on the couch in the sitting room, an old unzipped sleeping bag pulled up over my head. My breath had condensed inside it, wetting my face.
I put my legs over the side of the couch and sat with my face in my hands. When I lifted my head, I saw the dry black blood on the insides of the fingers of my right hand. For a moment, I was blank, alarmed. Then I remembered the lid of the tuna can gashing me.
I got up, went into the bathroom and took off my clothes. Under the shower, eyes closed, shaving with care, I made resolutions, not many but major. Half-dressed, I went into the kitchen and took two vitamin B complex tablets, big ones, like horse pills.
When I came back into the sitting room, pulling on a shirt, Detective Senior Sergeant Vella was sitting on the sofa, popping a can of beer.
‘Jesus,’ I said. ‘How’d you get in?’
‘Through the front door. Open front door. Where do you think you’re living? Druggie kicked an old lady to death for a VCR just around the corner.’
‘A VCR, that’s motive. Not much motive around here. Drinking before lunch now?’
Vella took a big drink, looked around, and said, ‘That’s right. About eighteen hours before lunch. It’s 6.30. P fucking M.’
I went to the window and looked out through the blind. ‘Right,’ I said. ‘Evening. Testing you. Now, day of week and date?’
Vella picked up a book from the coffee table. He examined it like an object from a lost civilisation. ‘What the fuck’s this?’ he said. ‘A Guide to Propagation. Any sex in it?’
‘Manual of sex,’ I said. ‘Cover to cover rooting.’ I was putting on shoes. ‘I’ve got a horticulture class to get to.’
‘Career number five. How’s number four going?’
‘Terrific. Had a really productive session last night with a man owes his wife twenty-five grand in maintenance.’
‘Mediation,’ Vella said thoughtfully, a frown on his long face. ‘Get someone to hold them down, hit them with a spade.’
While I looked behind the sofa and found a jacket, I thought about how I had almost kicked Mr Reagan. ‘Precisely the attitude that drove me into civilian life,’ I said. ‘You spend many hours trying to convince deranged people that no harm will come to them. Eventually, they believe you. Then your colleagues kill them.’
‘On the subject,’ he said, ‘the inquest’s put back another two months.’
‘They’re hoping I’ll die first. Of old age. Either that or they’re having trouble putting out the contract.’
He drank half his can, wiped his mouth. ‘Today we heard they want to make negotiation civilian. Put it with the shrinks.’
‘A really good move,’ I said. ‘Lateral thinking. Must have called in Dr de Bono. That shrink who sucks off the post-traumatic stresses, she’ll be good lying on the lino in her bra and pants talking to some psycho on speed wants to waste his whole family.’
‘The reason I’m here,’ Vella said, ‘is that Curry comes sliming around today, says to tell you, subject to certain conditions, he’ll back you for one of the jobs.’
I scratched my head. ‘Tell Curry I’ll take the job subject to certain conditions. One is he comes around here and kisses my arse, say around lunchtime every day. Two, he goes on permanent undercover public toilet duties. In a school uniform. With short pants.’
‘I’ll tell him,’ Vella said. ‘Tell him how you don’t need the money.’
‘What conditions? Change my statement, is that a condition? You the messenger boy now? Doing the swine’s bidding?’
He stood up, a gangling figure. ‘Fuck you. Got to go. A family not seen for two days. Been in Benalla, where some arsehole knifed an eighty-two-year-old lady.’
‘A family. Lucky man. On the subject of family, Marco good for a loan, you think? Say ten grand.’
Vella’s brother-in-law, Marco, owned the block of units I was living in. He owned lots of things, horses, table-dancing clubs, people.
‘In another life,’ said Vella. ‘What happened to the payout?’
‘What there was of the payout,’ I said, ‘I gave to a charity for bookies. Bookies and barmen. The double B charity. See a briefcase?’
He didn’t look around, pointed a thumb over his shoulder at the passage. I found it and we went down the stairs together. It was cold outside, sky grey with dark patches like oil stains. Much like the oil stains the old Alfa was leaving on the concrete driveway.
‘My brother-in-law’s not going to like this,’ said Vella, looking at the marks.
‘Marco doesn’t get around here much,’ I said. ‘Your sister know he’s fucking her F-cup cousin in that unit in Brighton?’
‘E-cup. At least it’s in the family,’ Vella said. ‘Don’t tell my sister.’
I got in, tried to start the car. Angry whine. It wouldn’t start.
‘Man and machine,’ said Vella. ‘In perfect harmony.’ He drained his can, dropkicked it towards the street. It bounced on a parked car.
‘Do that in your street?’ I said. ‘Kick beer cans onto cars? I’m coming around to piss in your neighbour’s letterbox.’
‘Feel free,’ said Vella. ‘A bouncer. Well, ex-bouncer. Presently awaiting trial for throwing a bloke acros
s King Street. Landed on a parking meter.’
‘The one on the other side,’ I said. ‘The tiny Quaker.’
I tried the starter again. It whined and nothing happened. I waited, tried again. Reluctantly, the engine came to life.
‘Saturday?’ Vella said. ‘Come and eat. With a knife and fork. Remember?’ He mimed eating with a knife and fork. ‘That’s provided we don’t have some pressing murder in Wangaratta or fucking Moe.’
I mimed gnawing on a bone. ‘Real men eat with their hands,’ I said. ‘Kill it and eat it.’
Vella shook his head. ‘Kill a home-delivery pizza,’ he said. ‘Stalk a pizza and take it out with your bare hands. Eight, around then.’
I gave him the thumbs up and took off. Slowly. Five minutes from the college, at an intersection, ahead of me a class and then a date with the teacher, the mobile made its mad-bird noise, changed my plans, changed many things.
THE SECURITY system guarding the home of Pat Carson, patriarch of the Carson dynasty, began with a three-metre-high boundary wall. Then you drove into a gatehouse in the wall and a door closed behind you and ahead another door shot up from the ground and you were going nowhere, not until someone somewhere had looked at your picture from at least four angles and pressed a button. Once out of jail, concealed spotlights revealed that the boundary wall wasn’t the only obstacle intruders faced. Four metres or so inside it was an elegant stake-pointed steel fence several metres high. It was entirely possible that the grassed area in between was patrolled by Dobermans and their handlers.
Shooting Star Page 1