Whiting, Charles. 1982. The Home Front: Germany. New York: Time-Life Books.
Acknowledgments
We would like to extend the warmest thanks to the following individuals for their help, support, and inspiration on this book:
Adam Olech
Alex Rockwell
Anna Lee Nathan
Anne Douglas
Angie Dickinson
Anjelica Huston
Annie Nocenti
Claudine Pacquot
Constance Towers
Curtis Hanson
Cynthia Cohen
David Brown
Dominique Villain
Donata Wenders
Ed Saxon
Fraucke Hanke
Gena Rowlands
Howard Rodman
Jean Narboni
Jennifer Beals
Larry Cohen
Lloyd Kaufman
Marjorie Johnson-Fowler
Martin Scorsese
Michael Schlesinger
Noel Simsolo
Peter Bogdanovich
Phil Partner
Polly Platt
Robert Stack
Thys Ockerson
Terri R. Davis
Wim Wenders
And finally, to two good ladies without whom this book could not have happened: our agent, Fifi Oscard, and our editor, Victoria Wilson.
Index
Note: Page numbers in italics refer to illustrative material.
PERMISSIONS ACKNOWLEDGMENTS
Grateful acknowledgment is made to the following:
Ben Barry Associates: Exerpts from the motion pictures Shock Corridor and Naked Kiss. Reprinted by permission of Ben Barry Associates.
Columbia Pictures: Excerpt from the screenplay Crimson Kimono and an excerpt from the screenplay Underworld U.S.A. Reprinted by permission of Columbia Pictures.
MGM: Excerpts from the screenplay Park Row.
Paramount: Excerpts from the screenplay White Dog.
Twentieth Century Fox: Excerpts from the screenplays Pickup on South Street, China Gate and House of Bamboo.
Warner Bros.: Excerpts from the screenplays Merrill's Marauders and Verboten.!
Warner Bros. Publications U.S. Inc.: Excerpt from the song lyric "China Gate" by Harold Adamson and Victor Young. Copyright © 1956, 1957 (Copyrights Renewed) Chappell & Co. All rights reserved. Reprinted by permission of Warner Bros. Publications U.S. Inc., Miami, FL 33014.
Weiss Global Enterprises: Excerpts from the motion pictures Steel Helmet, I Shot Jesse James, and Baron of Arizona. Reprinted by permission of Weiss Global Enterprises.
ILLUSTRATION CREDITS
Jennifer Beals: 521. Chrisam Films: ii, 1, 13, 18, 35, 42, 43, 74, 75, 100, 104, 107, 123, 125, 127, 132, 133, 139, 149, 155, 157, 164, 168, 171, 174, 179, 182,188, 198, 202, 211, 222, 223, 225, 227, 231, 241, 249, 250, 253, 255, 257, 260, 263, 265, 268, 276, 278, 282, 284, 285, 287, 289, 293, 296, 299, 302, 305, 311, 317, 320, 322, 326, 327, 329, 335, 337, 340, 343, 346, 350, 352, 359, 360, 362, 363, 368, 371, 379, 387, 388, 394, 405, 410, 412, 414, 418, 422, 428, 430, 432, 434, 442, 451, 468, 487, 490, 492, 495, 507, 528, 532, 539, 558. Larry Cohen: 514. Corbis Images: 20, 32, 33, 58, 61, 62, 67, 69, 71, 76, 82, 83, 85, 113, 116, 119, 136, 159 (bottom), 194. Terri R. Davis: 507, 546. Angie Dickinson: 270. Curtis Hanson: 400. Dennis Hopper: 467. Angelica Huston: 44. The Independent: 544• Mika Kaurismaki: 551. Arnold Kunert: 561. Lippert Foundation: 245. Magnum Photo: 159 (top), 172. Michikan Productions: 216. Laurel Moore: 477, 482. Thys Ockerson: 425. Phil Parmet: 9. Steven Paul: 498 (bottom). Photofest Archives: 28, 40, 51, 52, 55, 63, 91, 97, 144, 153, 205, 237, 333, 356, 458, 469. Elizabeth Robbe-Grillet: 502. Gena Rowlands: 519. Time Inc.: 137. Troma Entertainment: 444. Wim Wenders: 498 (top), 560.
A NOTE ON THE TYPE
This book was set in Adobe Garamond. Designed for the Adobe Corporation by Robert Slimbach, the fonts are based on types first cut by Claude Garamond (c. 1480-1561). Garamond was a pupil of Geoffrey Tory and is believed to have followed the Venetian models, although he introduced a number of important differences, and it is to him that we owe the letter we now know as "old style." He gave to his letters a certain elegance and feeling of movement that won their creator an immediate reputation and the patronage of Francis I of France.
Composed by North Market Street Graphics,
Lancaster, Pennsylvania
Printed and bound by Sheridan Books,
Ann Arbor, Michigan
Designed by Anthea Lingeman
A Third Face: My Tale of Writing, Fighting and Filmmaking Page 60