He could hear the festive clamour of trumpets, chalumeaux, drums: each time the car bumped over a pothole, his handcuffs rattled, turning his mind to quite a different occasion, a scene from the novel his handcuffed hands should have been writing…
Early one morning at the end of summer, in the year 1235 by the Muslim calendar, a burst of shawms rent the air of the city of Kokand. Town criers loudly proclaimed to citizens and to visitors that the Muslim Emir Umar was to wed the daughter of the revered G’ozi-xo’ja. Doleful music and Hafiz songs could be heard coming from the palace. Plov was dished out for the people in the square, while the palace’s guests and courtiers were to be entertained to a banquet lasting three continuous days.
This was not the Emir’s first marriage feast: on this occasion the Emir and his people were beginning a three-day celebration, instead of the customary longer celebrations. Florists were staggering to the palace with armfuls of flowers; the confectioners stood over their cauldrons, conjuring up halva, sheep-lard pastries, boiled sweets and candy on sticks; two Russian soldiers, prisoners of war, removed the covers from the cannon barrels, which they cleaned with wooden brass-tipped rods in preparation for a spectacular salvo.
Meanwhile the Emir, for whom entire towns and fortresses were not plunder enough, sat enchanted with the prospect of yet another conquest: an eighteen-year-old beauty, whose equal could not be found in eighteen thousand worlds, and who that night was to become his third wife! As the revered poet Navoi said:
Eighteen thousand worlds yet never once seen:
This girl, slim as a cypress, and barely eighteen.
Alas, a number of intrigues were put into place for the Emir to get her. A new stanza was composed:
Oh angel nymph, grief has weakened my soul:
The sword of exile has drained my blood whole.
While Umar was in Shahrixon to see his younger sister Oftob, he also encountered the clever and virtuous wife of the Khan of Shahrixon, who offhandedly told the Emir: ‘Sire, you may remember being angry with G’ozi-xo’ja and expelling him from his home. This man now lives in a cottage very close by, just behind my house, and he is very poor. But he has a daughter called Oyxon, a girl of indescribable beauty – words simply can’t capture her, tongues become numb, pens break. As the couplet says:
The moment I see her, my eyes run with tears
As the stars only shine when the sun disappears.
This wise woman described the girl so vividly that the Emir suspected it could not be true. When the other guests had left, he questioned Oftob, and the cunning princess replied, ‘My lord, I have been lucky enough to see this girl: her face is as smooth as porcelain, her eyes are like two evening stars when night falls, her waist is as small as a wasp’s, her buttocks are as heavy as rounded sacks of sand…’ Oftob resorted to the language of A Thousand and One Nights, which she and the Emir had so loved to listen to when they were children: Umar’s heart was conquered.
Several times he sent matchmakers to G’ozi-xo’ja’s house, but the reply was always ‘no’. The pretext was that Oyxon was betrothed to a relative, that their marriage was imminent, after which G’ozi-xo’ja gave a detailed account of his poverty and complained that he was being unjustly punished and that Umar’s actions contradicted the laws of Islam; but, if his Lordship wished to force a marriage, then that was in his power and on his conscience. G’ozi-xo’ja added that his wife hadn’t stopped weeping since the matchmakers started pestering their household. Then he sent the matchmakers away. And yet…
—
It was dark when the car came to a sudden halt and Abdulla lost the thread of his thoughts. They must have arrived at the prison. What had he been thinking about? Oh yes, the five bright-red oranges he hadn’t been able to give his children, now left in a house where the lights were out. When he was still very young, he’d written a story called ‘Devils’ Dance’ about something terrible that had happened to his father. Could Abdulla have been taken captive by devils, as his father was?
The doors of the vehicle were wrenched open. The snow fell quietly, but in big flakes: a shout rang through this lacework: ‘Qodiriy, out!’ The courtyard was a shade of white tinged with blue, a pure covering still untouched by human feet and surrounded on all four sides by dark brown buildings.
—
Hands cuffed, elbows gripped, Abdulla was taken down a dark staircase into the building’s basement. In one of the niches, by the dim light of the caged paraffin lamp, a swarthy Russian stuck his hands under Abdulla’s gown and poked in all his pockets, pulling out everything to the last penny, and then, after feeling his trousers, removed his thick leather belt. ‘Sign this!’ he barked, holding out a piece of paper. Abdulla gestured to his handcuffed wrists. ‘Well, scribbler,’ the guard laughed, ‘you’ve had your itchy little hands put out of action!’ He kicked Abdulla in the knee so hard that the latter curled up in agony. ‘Hold the pen with your teeth,’ the Russian demanded.
‘Hold on, Vinokurov,’ said one of the men who had searched Abdulla’s house. ‘Watch you don’t finish him straight away, we’ve only just brought him in! I’ve still got to interrogate the son of a bitch.’ This man, evidently in charge, wished Vinokurov a Happy New Year before he left, presumably to celebrate with his own family.
Whether out of annoyance at having to work on New Year’s eve, or because he’d started the festive drinking early, Vinokurov kicked, cursed and beat Abdulla before throwing him into the solitary cell. Abdulla wanted to strangle his tormenter, but his hands were shackled and he hadn’t the courage to use his teeth. He could only bite his lips till they bled.
You get used to physical pain: you synchronise your breathing to its throbbing waves, you are ready for the waves to surge up and you can wait for the waves to die down. But the pains of humiliation are unbearable, and it is impossible to endure the suffering caused by your own helplessness. At first Abdulla attributed Vinokurov’s brutality to the fact that he was a Russian, but he then recalled that among the men who searched his house there had been an interrogator who spoke Uzbek like a Tatar, replacing all his ‘j’s with ‘y’s.
In prison you can’t avoid getting a kicking. In 1926, too, Abdulla had been beaten within an inch of his life. What made his blood boil was not the physical pain so much as the treachery of his own people, black-eyed blood relatives whom he had trusted and considered to be friends. Back then he’d begged for death’s release: that would have been easier to bear than the company of his own black-eyed friends. He’d been too young then: he hadn’t thought of his children, nor of Rahbar.
Had Rahbar given the children the oranges he’d meant for them? Tomorrow (but wasn’t it tomorrow already?) Abdulla had planned to take them to see the New Year fir at the Railway Workers’ Palace, where the biggest and best celebrations were supposed to take place. Last year the children’s favourites had been the trained dogs which answered questions and took turns pulling each other round on sleighs. Would Rahbar take them this time, and would they be allowed in if she did? Might they find themselves turned away at the doors, as the family of an arrested man? His heart sank at the thought.
Abdulla recalled a day from his own childhood, when he had dressed up in new trousers and an Uzbek gown to go to the Christmas tree celebrations. The caretaker at his Russian-language school stopped him at the school gates. ‘Have you become a kaffir now?’ the man grumbled, raising his stick to deal Abdulla a terrific blow on the thigh. The literature teacher, seeing this, hurried over and rebuked him: ‘This is a celebration of the birth of Jesus son of Mary, and Jesus is a prophet of yours!’ Abdulla’s leg was bleeding and his new trousers were stained; he ended up visiting the hospital instead of the Christmas tree. The teacher drove him all the way home, in his own carriage: a Russian, who had defended him from an Uzbek. No, generosity or meanness had nothing to do with nationality.
After all, now the whole country was run by a Georgian, and the re
sult? Everyone was eating each other’s flesh.
—
Less than a week after the bozkashi game, another message came from Chief Minister Hakim in Bukhara to Nasrullo in Qarshi. ‘Your father, our benefactor, has ended his journey on earth and set off for the true world. We keep the fortress’s high gates locked, and we have not yet announced this news to anyone else. Take this opportunity: bring your troops at a gallop to holy Bukhara and occupy the place that befits you.’ Since all the preparations for this outcome had been made, Nasrullo set off for Bukhara that same day with three hundred warriors.
But the cat had to be let out of the bag. The news of the grief that had overcome Emir Haydar’s harem spread like wildfire through the Bukhara markets and then the whole city. When the Emir’s eldest son Husayn heard the news, he too gathered his troops and dashed off to the fortress.
Chief Minister Hakim kept the gates shut, as he had promised Nasrullo. Nasrullo moved with his elite troops towards Bukhara, but Husayn fired on the rebel army with artillery and rifles. They got as far as the fortress walls, and Husayn fought them at the mint next to the fortress, where they had taken cover.
Then Chief Minister Hakim ordered rocks and beams to be hurled down from the fortress walls onto Husayn’s troops. One of these missiles struck Husayn’s head: he was bleeding badly, but would not retreat. Instead, his men – enraged at the sight of their injured prince – climbed over the barriers and rushed to the fortress gates, smashing them down with the same rocks that had been hurled at them.
As a drop becomes a rivulet, and a rivulet a river, and a river a torrent, so the men broke into the fortress in a matter of hours, pouring in until they had flooded it. The wounded prince Husayn rode through the open gates as the new Emir. Despite extensive searches, the rebellious vizier Hakim was nowhere to be found. Shortly afterwards he appeared before the Emir of his own accord, carrying the severed head of his chief of artillery. ‘Forgive your servant: I was in the grip of ignorance, when this ungrateful dog started firing cannon instead of opening the gates to Your Majesty,’ he said, bowing and scraping at length. Husayn forgave him his sins, appointing Hakim as his vizier as his father had done before him.
The next day Husayn was crowned Emir, but he did not hold power for long; a mysterious illness forced him off the throne in less than three months. The doctors failed to conjure one of their miracles, and Emir Husayn left this world of sorrows. When Nasrullo heard what had happened, his thoughts turned to his master chef, who he had only recently sent to serve his brother Husayn as a peace-offering: ‘Seems the bastard took his arsenic with him’. Then he gathered his army and set off for Bukhara once again.
—
Thoughts have strange paths. Where had all this come from? The injuries to his body, Vinokurov’s threats, the immortal Georgian Leader? After all, Abdulla had been thinking only about his children, left to weep on New Year’s eve.
His father was right when he said that a man can be in thrall to devils, especially if he is a writer. You have only to set to work to be gripped by your plans and inventions, and everything else seems vanity, triviality, a distraction. Over the last month Abdulla had covered reams of paper, having told himself: If I can sit down on my own this winter, I will finish writing the novel. And now all those hopes had been dashed. The Tatar NKVD man had found the manuscript, stuffed it in the only suitcase in the house, and taken it away with him. And he was hardly going to read it, was he? Could he even decipher the old Arabic script of Uzbek? Or would he hire some black-eyed locals to read it for him?
Why hadn’t Abdulla begun his story with a description of the bunch of grapes? He might have got away with saying that this was just a little sketch of a fictitious gardener. But now his pieces would certainly damn him. Thoughts have strange paths, indeed.
He had only recently been thinking about Umar’s first marriage in 1220 to Nodira, daughter of the governor of Andijan. Abdulla had carefully worked out all the details of the matchmaking, the wedding ceremony obligatory for any marriage in the East. So why had his thoughts switched from one marriage to the other? Why does it happen that you get carried away writing about something and suddenly a single word or sentence makes you deviate from your original idea?
Take now, for instance: is Abdulla trying to lull his sense of pain and humiliation? Or are the habits of many years taking over so that even here, lying in this God-forsaken place, after letting his head fall on the pillow and saying his evening prayer, he lets his thoughts roam free of whatever was shackling them, free of anything that has nothing to do with the task in hand: writing? But he hadn’t yet pronounced the words of the prayer, ‘I lie down in peace’…
Abdulla had described every detail of Khan Umar’s first wedding: the ceremony in the state palace, the dancing and the games, the laughter and the joyful voices. The drumbeats that shook the sky’s blue dome when the people heard that the newly-weds had retired. The intoxicating joy which foamed in chalices while the sound of music filled hearts with delight and ecstasy.
That’s why he sought to describe the second marriage in a different key.
For a third time Umar sent a matchmaker to G’ozi-xo’ja’s house: this time it was the talkative Hakim, Umar’s sister’s son, a relation which made him a mahram, a man entitled to enter the harem. The Emir was wary of letting an outsider see his future bride’s beauty, but he could allow his nephew to behold her. Only the matchmakers and the girl’s father, whose white brows were wet with sweat, knew what was said during the negotiations. Realising that it was impossible to play with fire, G’ozi-xo’ja reluctantly nodded his agreement.
That same morning Hakim brought the girl home with him, entrusting her to the care of his mother Oftob. Delighted by the bride’s beauty, the young matchmaker recited a Persian couplet to his mother:
A miracle of beauty! On seeing her figure and movement
Even a hundred-year old hermit will gird his belt!
The poor girl arrived wearing an old dress: Emir Umar was in a hurry to marry, so he dressed her in silk and ordered the old gown be given to his concubines, since it was too sacred to be thrown away. The concubines spurned the offer…
But no sooner had Abdulla composed this scene than the idea flew away like a spark. What was going on?
Breaking the cell’s silence, bouncing off the walls and the bars, Vinokurov’s thunderous voice slurred the words: ‘Happy New Year, you pricks!’
For a moment, Abdulla didn’t know whether to laugh or to weep. Was there nobody left to keep that monster company, so that he had to remind people, if only the prisoners, that he still existed? Or had he got drunk with the soldiers on guard and was yelling this at them?
It was now New Year. Happy New Year to you, Abdulla! You said that if you could sit down for one winter, you would finish your novel. Clearly, you didn’t say inshallah at the time. But you had sensed the danger. Writers as well-known as you had already been arrested – Fitrat and Cho’lpon, G’ozi Yunus and Anqaboy – hadn’t they? Were you really likely to be left alone? When you tell a horse to ‘Chuh’, you have given it a bit more rope. He can go on writing for a bit, they would have thought, we’ll squash him when the time is ripe.
You’ll spend the new year wherever you spent New Year’s day, as the Russian proverb goes. So, Abdulla, it looks as if you’ll be spending this year in prison. Last time you were let out after six months, but now… Fitrat and Cho’lpon have been languishing here for longer than that time already, and who knows when they’ll be released? There might just be a few walls separating them from you, Abdulla. If you were to yell out like Vinokurov, might you get an answer?
Ah, he now remembered the spark that had just flashed in his head: Umar’s nephew Hakim waiting for the newly-weds, who were concealed behind a curtain on the first night of their wedding. Abdulla remembered Hakim’s book Selected Histories, almost by heart.
Because of his youth and naughtin
ess, your humble servant continued sitting by the curtain and, following the path of disrespect, raised a corner of the cover to hide under it so that he could enjoy the spectacle of the Sun meeting the Moon. The wine of desire foamed in the throat of Emir Umar-xon, and the moisture of shame appeared on the face of the beauty, like drops of dew on a rose. Moments of tenderness and elegant caresses were becoming more and more wild: the buyer’s desire grew, while the mistress of the goods gave ever greater concessions. For rain, ready to show the cloud’s final aim, was now about to pour down on the field of desire. The flower bud, submitting to the playful brazenness of the wind, was forced to unfurl its petals and turn itself bright red. And since the innate urge of the flower bud was to bear fruit, it opened fully under the force of the wind, so that a pearly drop now fell on its pollen.
Would it have been at that precise moment that your humble servant was overcome by laughter? By whispering these words as if they were a prayer, Abdulla found that he could order his thoughts and see everything clearly. Hadn’t he just responded to Vinokurov’s roar with a burst of laughter? That was why he had recalled Hakim hiding behind a curtain. For a second, he felt as if he were Emir Umar’s nephew, except the curtain was now a stone wall and enclosed not a love scene but a death act. Wait, wait! This was no time to drop the reins. Watch out, don’t let a torrent of flighty thoughts sweep you away! If you ignored the superfluous florid style, the scene was described splendidly, especially the beginning and the end. Yet it seemed to have propelled Abdulla in an entirely different direction.
—
Oyxon was the eldest daughter of a revered hereditary sayid, G’ozi-xo’ja. She was not yet eighteen, but her many worries made her so serious that she was often mistaken for a younger sister of her mother Qantak. In the first days of the winter of 1232, their city O’ratepa was seized by Umar; all the sayids, including G’ozi-xo’ja, were arrested and shackled. Their property confiscated, they were driven out of their houses into the thick winter snow, crowded into wagons and packed off to Kokand. Oyxon was then fifteen. When they reached Kokand, cold and hungry, they found Umar still angry: he sent them even further, to Shahrixon. The family was so destitute that a flat loaf of bread seemed a gift from heaven, a set of old clothes a precious luxury. When they arrived at their place of exile, G’ozi-xo’ja’s family somehow built themselves a hovel to protect themselves from the fearful cold. They now had to live on what their father could earn by teaching children of the local poor to read and write, while Qandak and Oyxon made embroidered skull-caps. They embroidered in silk, but wore coarse calico dresses. All their earnings were spent on food. To relieve her father, Oyxon taught her younger siblings herself, putting them to bed at night, telling them fairy stories and writing verses for them.
The Devils' Dance Page 2