I wonder if that is superstition? Robert Jordan thought. I'll have to take me a spit in that gorge too. If I can spit by then. No. It can't be very powerful medicine. It can't work. I'll have to prove it doesn't work before I am out there.
The new sentry had gone inside the box and sat down. His rifle with the bayonet fixed was leaning against the wall. Robert Jordan took his glasses from his shirt pocket and turned the eyepieces until the end of the bridge showed sharp and gray-painted-metal clear. Then he moved them onto the sentry box.
The sentry sat leaning against the wall. His helmet hung on a peg and his face showed clearly. Robert Jordan saw he was the same man who had been there on guard two days before in the afternoon watch. He was wearing the same knitted stocking-cap. And he had not shaved. His cheeks were sunken and his cheekbones prominent. He had bushy eyebrows that grew together in the center. He looked sleepy and as Robert Jordan watched him he yawned. Then he took out a tobacco pouch and a packet of papers and rolled himself a cigarette. He tried to make a lighter work and finally put it in his pocket and went over to the brazier, leaned over, reached inside, brought up a piece of charcoal, juggled it in one hand while he blew on it, then lit the cigarette and tossed the lump of charcoal back into the brazier.
Robert Jordan, looking through the Zeiss 8-power glasses, watched his face as he leaned against the wall of the sentry box drawing on the cigarette. Then he took the glasses down, folded them together and put them in his pocket.
I won't look at him again, he told himself.
He lay there and watched the road and tried not to think at all. A squirrel chittered from a pine tree below him and Robert Jordan watched the squirrel come down the tree trunk, stopping on his way down to turn his head and look toward where the man was watching. He saw the squirrel's eyes, small and bright, and watched his tail jerk in excitement. Then the squirrel crossed to another tree, moving on the ground in long, small-pawed, tail-exaggerated bounds. On the tree trunk he looked back at Robert Jordan, then pulled himself around the trunk and out of sight. Then Robert Jordan heard the squirrel chitter from a high branch of the pine tree and he watched him there, spread flat along the branch, his tail jerking.
Robert Jordan looked down through the pines to the sentry box again. He would like to have had the squirrel with him in his pocket. He would like to have had anything that he could touch. He rubbed his elbows against the pine needles but it was not the same. Nobody knows how lonely you can be when you do this. Me, though, I know. I hope that Rabbit will get out of this all right. Stop that now. Yes, sure. But I can hope that and I do. That I blow it well and that she gets out all right. Good. Sure. Just that. That is all I want now.
He lay there now and looked away from the road and the sentry box and across to the far mountain. Just do not think at all, he told himself. He lay there quietly and watched the morning come. It was a fine early summer morning and it came very fast now in the end of May. Once a motorcyclist in a leather coat and all-leather helmet with an automatic rifle in a holster by his left leg came across the bridge and went on up the road. Once an ambulance crossed the bridge, passed below him, and went up the road. But that was all. He smelled the pines and he heard the stream and the bridge showed clear now and beautiful in the morning light. He lay there behind the pine tree, with the submachine gun across his left forearm, and he never looked at the sentry box again until, long after it seemed that it was never coming, that nothing could happen on such a lovely late May morning, he heard the sudden, clustered, thudding of the bombs.
As he heard the bombs, the first thumping noise of them, before the echo of them came back in thunder from the mountain, Robert Jordan drew in a long breath and lifted the submachine gun from where it lay. His arm felt stiff from its weight and his fingers were heavy with reluctance.
The man in the sentry box stood up when he heard the bombs. Robert Jordan saw him reach for his rifle and step forward out of the box listening. He stood in the road with the sun shining on him. The knitted cap was on the side of his head and the sun was on his unshaved face as he looked up into the sky toward where the planes were bombing.
There was no mist on the road now and Robert Jordan saw the man, clearly and sharply, standing there on the road looking up at the sky. The sun shone bright on him through the trees.
Robert Jordan felt his own breath tight now as though a strand of wire bound his chest and, steadying his elbows, feeling the corrugations of the forward grip against his fingers, he put the oblong of the foresight, settled now in the notch of the rear, onto the center of the man's chest and squeezed the trigger gently.
He felt the quick, liquid, spastic lurching of the gun against his shoulder and on the road the man, looking surprised and hurt, slid forward on his knees and his forehead doubled to the road. His rifle fell by him and lay there with one of the man's fingers twisted through the trigger guard, his wrist bent forward. The rifle lay, bayonet forward on the road. Robert Jordan looked away from the man lying with his head doubled under on the road to the bridge, and the sentry box at the other end. He could not see the other sentry and he looked down the slope to the right where he knew Agustin was hidden. Then he heard Anselmo shoot, the shot smashing an echo back from the gorge. Then he heard him shoot again.
With that second shot came the cracking boom of grenades from around the corner below the bridge. Then there was the noise of grenades from well up the road to the left. Then he heard rifle-firing up the road and from below came the noise of Pablo's cavalry automatic rifle spat-spat-spat-spatting into the noise of grenades. He saw Anselmo scrambling down the steep cut to the far end of the bridge and he slung the submachine gun over his shoulder and picked up the two heavy packs from behind the pine trunks and with one in each hand, the packs pulling his arms so that he felt the tendons would pull out of his shoulders, he ran lurching down the steep slope to the road.
As he ran he heard Agustin shouting, "Buena caza, Ingles. Buena caza!" and he thought, "Nice hunting, like hell, nice hunting," and just then he heard Anselmo shoot at the far end of the bridge, the noise of the shot clanging in the steel girders. He passed the sentry where he lay and ran onto the bridge, the packs swinging.
The old man came running toward him, holding his carbine in one hand. "Sin novedad," he shouted. "There's nothing wrong. Tuve que rematarlo. I had to finish him."
Robert Jordan, kneeling, opening the packs in the center of the bridge taking out his material, saw that tears were running down Anselmo's cheeks through the gray beard stubble.
"Yo mate uno tambien," he said to Anselmo. "I killed one too," and jerked his head toward where the sentry lay hunched over in the road at the end of the bridge.
"Yes, man, yes," Anselmo said. "We have to kill them and we kill them."
Robert Jordan was climbing down into the framework of the bridge. The girders were cold and wet with dew under his hands and he climbed carefully, feeling the sun on his back, bracing himself in a bridge truss, hearing the noise of the tumbling water below him, hearing firing, too much firing, up the road at the upper post. He was sweating heavily now and it was cool under the bridge. He had a coil of wire around one arm and a pair of pliers hung by a thong from his wrist.
"Hand me that down a package at a time, viejo," he called up to Anselmo. The old man leaned far over the edge handing down the oblong blocks of explosive and Robert Jordan reached up for them, shoved them in where he wanted them, packed them close, braced them, "Wedges, viejo! Give me wedges!" smelling the fresh shingle smell of the new whittled wedges as he tapped them in tight to hold the charge between the girders.
Now as he worked, placing, bracing, wedging, lashing tight with wire, thinking only of demolition, working fast and skillfully as a surgeon works, he heard a rattle of firing from below on the road. Then there was the noise of a grenade. Then another, booming through the rushing noise the water made. Then it was quiet from that direction.
"Damn," he thought. "I wonder what hit them then?"
There was still
firing up the road at the upper post. Too damned much firing, and he was lashing two grenades side by side on top of the braced blocks of explosive, winding wire over their corrugations so they would hold tight and firm and lashing it tight; twisting it with the pliers. He felt of the whole thing and then, to make it more solid, tapped in a wedge above the grenades that blocked the whole charge firmly in against the steel.
"The other side now, viejo," he shouted up to Anselmo and climbed across through the trestling, like a bloody Tarzan in a rolled steel forest, he thought, and then coming out from under the dark, the stream tumbling below him, he looked up and saw Anselmo's face as he reached the packages of explosive down to him. Goddamn good face, he thought. Not crying now. That's all to the good. And one side done. This side now and we're done. This will drop it like what all. Come on. Don't get excited. Do it. Clean and fast as the last one. Don't fumble with it. Take your time. Don't try to do it faster than you can. You can't lose now. Nobody can keep you from blowing one side now. You're doing it just the way you should. This is a cool place. Christ, it feels cool as a wine cellar and there's no crap. Usually working under a stone bridge it's full of crap. This is a dream bridge. A bloody dream bridge. It's the old man on top who's in a bad spot. Don't try to do it faster than you can. I wish that shooting would be over up above. "Give me some wedges, viejo." I don't like that shooting still. Pilar has got in trouble there. Some of the post must have been out. Out back; or behind the mill. They're still shooting. That means there's somebody still at the mill. And all that damned sawdust. Those big piles of sawdust. Sawdust, when it's old and packed, is good stuff to fight behind. There must be several of them still. It's quiet below with Pablo. I wonder what that second flare-up was. It must have been a car or a motorcyclist. I hope to God they don't have any armored cars come up or any tanks. Go on. Put it in just as fast as you can and wedge it tight and lash it fast. You're shaking, like a Goddamn woman. What the hell is the matter with you? You're trying to do it too fast. I'll bet that Goddamn woman up above isn't shaking. That Pilar. Maybe she is too. She sounds as though she were in plenty trouble. She'll shake if she gets in enough. Like everybody bloody else.
He leaned out and up into the sunlight and as he reached his hand up to take what Anselmo handed him, his head now above the noise of the falling water, the firing increased sharply up the road and then the noise of grenades again. Then more grenades.
"They rushed the sawmill then."
It's lucky I've got this stuff in blocks, he thought. Instead of sticks. What the hell. It's just neater. Although a lousy canvas sack full of jelly would be quicker. Two sacks. No. One of that would do. And if we just had detonators and the old exploder. That son of a bitch threw my exploder in the river. That old box and the places that it's been. In this river he threw it. That bastard Pablo. He gave them hell there below just now. "Give me some more of that, viejo."
The old man's doing very well. He's in quite a place up there. He hated to shoot that sentry. So did I but I didn't think about it. Nor do I think about it now. You have to do that. But then Anselmo got a cripple. I know about cripples. I think that killing a man with an automatic weapon makes it easier. I mean on the one doing it. It is different. After the first touch it is it that does it. Not you. Save that to go into some other time. You and your head. You have a nice thinking head old Jordan. Roll Jordan, Roll! They used to yell that at football when you lugged the ball. Do you know the damned Jordan is really not much bigger than that creek down there below. At the source, you mean. So is anything else at the source. This is a place here under this bridge. A home away from home. Come on Jordan, pull yourself together. This is serious Jordan. Don't you understand? Serious. It's less so all the time. Look at that other side. Para que? I'm all right now however she goes. As Maine goes, so goes the nation. As Jordan goes so go the bloody Israelites. The bridge, I mean. As Jordan goes, so goes the bloody bridge, other way around, really.
"Give me some more of that, Anselmo old boy," he said. The old man nodded. "Almost through," Robert Jordan said. The old man nodded again.
Finishing wiring the grenades down, he no longer heard the firing from up the road. Suddenly he was working only with the noise of the stream. He looked down and saw it boiling up white below him through the boulders and then dropping down to a clear pebbled pool where one of the wedges he had dropped swung around in the current. As he looked a trout rose for some insect and made a circle on the surface close to where the chip was turning. As he twisted the wire tight with the pliers that held these two grenades in place, he saw, through the metal of the bridge, the sunlight on the green slope of the mountain. It was brown three days ago, he thought.
Out from the cool dark under the bridge he leaned into the bright sun and shouted to Anselmo's bending face, "Give me the big coil of wire."
The old man handed it down.
For God's sake don't loosen them any yet. This will pull them. I wish you could string them through. But with the length of wire you are using it's O.K., Robert Jordan thought as he felt the cotter pins that held the rings that would release the levers on the hand grenades. He checked that the grenades, lashed on their sides, had room for the levers to spring when the pins were pulled (the wire that lashed them ran through under the levers), then he attached a length of wire to one ring, wired it onto the main wire that ran to the ring of the outside grenade, paid off some slack from the coil and passed it around a steel brace and then handed the coil up to Anselmo. "Hold it carefully," he said.
He climbed up onto the bridge, took the coil from the old man and walked back as fast as he could pay out wire toward where the sentry was slumped in the road, leaning over the side of the bridge and paying out wire from the coil as he walked.
"Bring the sacks," he shouted to Anselmo as he walked backwards. As he passed he stooped down and picked up the submachine gun and slung it over his shoulder again.
It was then, looking up from paying out wire, that he saw, well up the road, those who were coming back from the upper post.
There were four of them, he saw, and then he had to watch his wire so it would be clear and not foul against any of the outer work of the bridge. Eladio was not with them.
Robert Jordan carried the wire clear past the end of the bridge, took a ioop around the last stanchion and then ran along the road until he stopped beside a stone marker. He cut the wire and handed it to Anselmo.
"Hold this, viejo," he said. "Now walk back with me to the bridge. Take up on it as you walk. No. I will."
At the bridge he pulled the wire back out through the hitch so it now ran clear and unfouled to the grenade rings and handed it, stretching alongside the bridge but running quite clear, to Anselmo.
"Take this back to that high stone," he said. "Hold it easily but firmly. Do not put any force on it. When thou pullest hard, hard, the bridge will blow. Comprendes?"
"Yes."
"Treat it softly but do not let it sag so it will foul. Keep it lightly firm but not pulling until thou pullest. Comprendes?"
"Yes."
"When thou pullest really pull. Do not jerk."
Robert Jordan while he spoke was looking up the road at the remainder of Pilar's band. They were close now and he saw Primitivo and Rafael were supporting Fernando. He looked to be shot through the groin for he was holding himself there with both hands while the man and the boy held him on either side. His right leg was dragging, the side of the shoe scraping on the road as they walked him. Pilar was climbing the bank into the timber carrying three rifles. Robert Jordan could not see her face but her head was up and she was climbing as fast as she could.
"How does it go?" Primitivo called.
"Good. We're almost finished," Robert Jordan shouted back.
There was no need to ask how it went with them. As he looked away the three were on the edge of the road and Fernando was shaking his head as they tried to get him up the bank.
"Give me a rifle here," Robert Jordan heard him say in a choky voi
ce.
"No, hombre. We will get thee to the horses."
"What would I do with a horse?" Fernando said. "I am very well here."
Robert Jordan did not hear the rest for he was speaking to Anselmo.
"Blow it if tanks come," he said. "But only if they come onto it. Blow it if armored cars come. If they come onto it. Anything else Pablo will stop."
"I will not blow it with thee beneath it."
"Take no account of me. Blow it if thou needest to. I fix the other wire and come back. Then we will blow it together."
He started running for the center of the bridge.
Anselmo saw Robert Jordan run up the bridge, coil of wire over his arm, pliers hanging from one wrist and the submachine gun slung over his back. He saw him climb down under the rail of the bridge and out of sight. Anselmo held the wire in his hand, his right hand, and he crouched behind the stone marker and looked down the road and across the bridge. Halfway between him and the bridge was the sentry, who had settled now closer to the road, sinking closer onto the smooth road surface as the sun weighed on his back. His rifle, lying on the road, the bayonet fixed, pointed straight toward Anselmo. The old man looked past him along the surface of the bridge crossed by the shadows of the bridge rail to where the road swung to the left along the gorge and then turned out of sight behind the rocky wall. He looked at the far sentry box with the sun shining on it and then, conscious of the wire in his hand, he turned his head to where Fernando was speaking to Primitivo and the gypsy.
"Leave me here," Fernando said. "It hurts much and there is much hemorrhage inside. I feel it in the inside when I move."
"Let us get thee up the slope," Primitivo said. "Put thy arms around our shoulders and we will take thy legs."
"It is inutile," Fernando said. "Put me here behind a stone. I am as useful here as above."
"But when we go," Primitivo said.
"Leave me here," Fernando said. "There is no question of my travelling with this. Thus it gives one horse more. I am very well here. Certainly they will come soon."
For Whom The Bell Tolls Page 47