Sacred Hearts

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by Sarah Dunant


  — London

  May 2009

  www.sarahdunant.com

  BIBLIOGRAPHY

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  Baernstein, P. Renee. A Convent Tale. Routledge Press.

  Baxandall, Michael. Painting and Experience in Fifteenth-Century Italy. Oxford University Press.

  Bell, Rudolph M. Holy Anorexia. University of Chicago Press.

  Bornstein, Daniel, editor. Women and Religion in Medieval and Renaissance Italy. University of Chicago Press.

  Broedel, Hans Peter. The Malleus Maleficarum and the Construction of Witchcraft. Manchester University Press.

  Brown, Judith C. Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. Oxford University Press.

  Burke, Peter. Popular Culture in Early Modern Europe. Scholars Press.

  Bynum, Carolyn Walker. Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women. University of California Press.

  ________. Jesus as Mother. University of California Press.

  Camporesi, Piero. The Anatomy of the Senses. Cambridge Polity Press.

  ________. Bread of Dreams. Cambridge Polity Press.

  ________. The Incorruptible Flesh. Cambridge University Press.

  Cardono, Girolamo. “The Book of My Life.” New York Review of Books, 2002.

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  Glucklich, Ariel. Sacred Pain: Hurting the Body for the Sake of the Soul. Oxford University Press.

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  Kendrick, Robert. Celestial Sirens: Nuns and Their Music in Early Modern Milan. Clarendon Press.

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  Matter, Anne, and John Coakley, editors. Creative Women in Medieval and Early Modern Italy. University of Pennsylvania Press.

  McNamara, Jo Ann Kay. Sisters in Arms. Harvard University Press.

  Monson, Craig A., editor. The Crannied Wall: Women, Religion, and the Arts in Early Modern Europe. University of Michigan Press.

  ________. Disembodied Voices: Music and Culture in an Early Modern Italian Convent. University of California Press.

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  Nutton, Vivian. “The Rise of Medical Humanism in Ferrara” (essay). Renaissance Studies.

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  ________. The Women of Renaissance Florence. Pegasus Press.

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  ________. Scenes from Italian Convent Life: An Anthology of Theatrical Texts and Contexts. Longo Editore.

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  ABOUT THE AUTHOR

  SARAH DUNANT is the author of the international bestsellers The Birth of Venus and In the Company of the Courtesan, which have received major acclaim on both sides of the Atlantic. Her earlier novels include three Hannah Wolfe crime thrillers, as well as Snowstorms in a Hot Climate, Transgressions, and Mapping the Edge, all three of which are available as Random House Trade Paperbacks. She has two daughters and lives in London and Florence.

  www.sarahdunant.com

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