House of Hits: The Story of Houston's Gold Star/SugarHill Recording Studios (Brad and Michele Moore Roots Music)

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House of Hits: The Story of Houston's Gold Star/SugarHill Recording Studios (Brad and Michele Moore Roots Music) Page 38

by Andy Bradley, Roger Wood


  1/26/10 1:12:23 PM

  appendix c

  Selected Discographies:

  A Partial History

  The following discographies document only a portion of the thousands of historical recordings made at the Gold Star/SugarHill Studios facility—including those (that we know of) from its earliest incarnation as Quinn Recording Company and all of those from its brief (1968–1970) identity as International Artists Recording Studios. Most of the groupings presented here, arranged chronologically, refl ect productions for certain regional labels that had particularly long or otherwise noteworthy affi

  liations with Gold Star/SugarHill

  Studios. Please note that numerous recordings discussed in this book are not documented here—because they were made for other labels and because of limitations of space.

  Much of this information was researched by, and provided courtesy of, Texas music historian Andrew Brown.

  I. Gulf Records

  Singles produced at Quinn Recording, 1944–1946

  100A/100B

  Woody Vernon,

  1944–1945

  “I’m Lonesome But I’m Free” /“A Rainy Sunday Night”

  103A/103B

  Jerry Irby,

  1945

  “Nails in My Coffi

  n” /“You Don’t Love Me Anymore”

  105A/105B

  Al Clauser & His Oklahomans,

  1945–1946

  “Soldier’s Return” /“Dream Rose”

  3000A/3000B

  Jesse Lockett & His Orchestra,

  1946

  “Boogie Woogie Mama” /“Blacker the Berry”

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  II. Gold Star Records

  Singles produced at Quinn Recording or (as it

  became known) Gold Star Studios, 1946–1951

  gold star 1300 series (country)

  1313/

  Harry Choates and His Fiddle,

  1946

  1314

  “Basile Waltz” /“Jole Blon”

  1315/

  Tex Looney and His Western Stars,

  ca. late 1946

  1316

  “I Left a Rose” /“Blue Eyes”

  1317

  Leon Jenkins and The Easterners,

  ca. December 1946

  “Drinkin’ My Life Away” /“Blue Schottische”

  1318

  Aubrey Gass with The Easterners,

  ca. February 1947

  “Kilroy’s Been Here” /“Delivery Man Blues”

  1319

  Harry Choates and His Fiddle,

  ca. March 1947

  “Allons a Lafayette” /“Port Arthur Waltz”

  1320

  Woody Vernon and Southern Stars, “What Happens Next” / The ca. March 1947

  Southern Stars, “Million Dollar Polka”

  1322/

  Al Terry with The Goldstar Band, “I’ll Be Glad When

  ca. March 1947

  1323

  I’m Free” /“If You Want a Broken Heart”

  1324

  Virgil Bozman & His Oklahoma Tornadoes,

  ca. April 1947

  “Just a Year Ago Today” /“Grinding for You Darling”

  1325

  Gold Star Trio, “Baruska” /“Ostang”

  1947

  1326/

  Harry Choates and His Fiddle,

  1947

  1330

  “Fa-De-Do Stomp” /“Rubber Dolly”

  1332

  Oklahoma Tornadoes, “La Prison” /

  1947

  Hokey Pokey Trio, “Hokey Pokey”

  1333

  Harry Choates and His Fiddle,

  1947

  “Wrong Keyhole” /“Missing You”

  1334

  Gold Star Band, “Green Bayou Waltz” /

  1947

  Sons of The South, “Hawaiian Two-Step”

  1335

  Harry Choates and His Fiddle,

  1947

  “Bayou Pon Pon” /“Lawtell Waltz”

  1336

  Harry Choates and His Fiddle, “Louisiana” /“Poor Hobo”

  1947

  1337

  David Gray and The Gold Star Band, “Talk of the Town” /

  ca. 1947

  Gold Star Band, “Gold Star Polka”

  1338

  Phil Marx and The Texans,

  ca. 1947

  “The Stars, the Moon, and You” /“Forgive Me”

  1339

  Byrd & Bingo and The Swynett Swingsters,

  ca. 1947

  “I’m Afraid of Horses” /“It’s a Natural Thing”

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  1340

  Harry Choates and His Fiddle,

  ca. 1947

  “Rye Whiskey” /“Devil in the Bayou”

  1341

  Hank Locklin, “Rio Grande Waltz” /

  ca. 1947

  “You’ve Been Talking in Your Sleep”

  1342

  Frances Turner, “The Moment I Found You” /

  1947

  “The Curse of an Aching Heart”

  1343

  Harry Choates and His Fiddle, “Draggin’ the Bow” /“Te Petite” 1947

  1343

  Harry Choates and His Fiddle,

  ca. 1947–1948, issued

  “Draggin’ the Bow” /“Sidewalk Waltz”

  late 1950/early 1951

  1344

  Tennessee Van and The Cumberland River Boys,

  1948

  “Tonight I Wonder” /“Going Back Home”

  1345

  Buddy Duhon with Harry Choates and His Fiddle,

  1948

  “Old Cow Blues” /“Nobody Cares for Me”

  1350

  Harry Choates and His Fiddle,

  ca. 1948–1949

  “Mari Jole Blon” /“Honky-Tonkin’ Days”

  1352

  Eddie Noack and The Road Buddies,

  ca. 1948–1949

  “Gentlemen Prefer Blondes” /“Trifl in’ Mama Blues”

  1357

  Eddie Noack and Bill Byrd,

  1949

  “Pyramid Club” /“Simulated Diamonds”

  1370

  Ray and Ina Patterson, “Brown Eyes” /“Sunny Side of Life”

  1949

  1371

  Eddie Noack, “Raindrops in the River” /“Hungry But Happy”

  1949

  1380

  Harry Choates & His Fiddle,

  1949

  “Louisiana Boogie” /“Sidewalk Waltz”

  1381

  Cotton Thompson with Deacon (Rag-Mop) Anderson

  1950

  and The Village Boys, “How Long” /“Hopeless Love”

  1382

  Gene Jones (Okie Jones),

  1950

  “Stop, Look, and Listen” /“Foolish Heart”

  1385

  Harry Choates & His Fiddle,

  1950

  “Harry Choates Blues” /“Chere Mon”

  1386

  Johnny Nelms and The Sunset Cowboys [sic: Johnny Nelms],

  1950

  “I’ll Learn Ya, Dern Ya” /“I’m So Ashamed”

  1387

  Don Thorpe with Mary and Her Merrymakers,

  ca. 1950

  “Country Corn” /Dude Barnett with Mary and Her

  Merrymakers, “Sometimes (I Get So Lonesome)”

  1388

  Harry Choates & His Fiddle,

  ca. 1950–1951

  “It Won’t Be Long” /“Maggie Waltz”

  1389

  Jimmy Choates, “French Waltz No. 3” /“French Waltz No. 1”

  ca. 1950–1951

  1390 *

  Margaret Mabry, “I Lost a Souvenir” /“Streets of Gold”

  ca. 1950–1951 />
  s e l e c t e d d i s c o g r a p h i e s

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  1390

  Johnny Royal, “Golden Wedding Waltz” /

  ca. 1950–1951

  Dick Gottleibe, “Cross Roads”

  1391

  Eddie Noack and Gig Sparks, “Greenback Dollar” /

  1951

  Eddie Noack and Bill Byrd, “Tragic Love”

  1392

  Grady Hester with Caller, George Reese,

  1951

  “Cindy” /“Split Your Corners”

  1394

  Wink Lewis and Martha Lynn,

  1951

  “Won’t You Come Back” /“I’ll Take You Back”

  1395

  Cole Sisters, “Texas Waltz” /“I’ll Wait and Watch”

  1951

  * Note: Apparently inadvertently, Gold Star assigned its 1390 catalogue number twice.

  gold star 600 series (blues)

  613

  Lightnin’ Hopkins, “Ida Mae” /“Shining Moon”

  ca. June 1947

  614

  L. C. (Lightnin’ Jr.) Williams,

  ca. July 1947

  “Trying, Trying” /“You’ll Never Miss the Water”

  615

  Thunder Smith, “Cruel Hearted Woman” /

  ca. July 1947

  “Big Stars Are Falling”

  616

  Lightnin’ Hopkins, “Mercy” /“What Can It Be”

  ca. August 1947

  618

  Curtis Amy & His Combo,

  ca. August 1947

  “Realization Blues” /“Sleeping Blues”

  622

  Conrad Johnson & His Orchestra,

  ca. September 1947

  “Howling on Dowling” /“Fisherman’s Blues”

  623

  L. C. Williams, “Hole in the Wall” /“Boogie All the Time”

  1947

  624

  Lightnin’ Hopkins, “Lonesome Blues” /“Appetite Blues”

  ca. October 1947

  626

  Peppermint Nelson [Peppermint Harris],

  ca. October 1947

  “Peppermint Boogie” /“Houston Blues”

  628

  Leroy Ervin, “Rock Island Blues” /“Blue, Black, and Evil”

  ca. November 1947

  632

  Perry Cain/Skippy Brown/Edwin Pickens,

  ca. January 1948

  “All the Way from Texas” /“Cry, Cry”

  633

  Henry Hayes and His Band,

  ca. February 1948

  “Bowlegged Angeline” /“Baby Girl Blues”

  634

  Lightnin’ Hopkins, “Walking Blues” /“Lightning Blues”

  ca. March 1948

  635

  Southland Quartet, “Go ’Long for a Long Time” /“Have a Time” ca. April 1948

  636

  Roy Brown, “Deep Sea Diver” /“Bye Baby Bye”

  ca. July 1948

  637

  Lightnin’ Hopkins, “No Mail Blues” /“Ain’t It a Shame”

  ca. August 1948

  638

  Lil’ Son Jackson, “Roberta Blues” /“Freedom Train Blues”

  ca. August 1948

  640

  Lightnin’ Hopkins, “Tim Moore’s Farm” /“You Don’t Know”

  ca. September 1948

  2 7 0

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  641

  Lightnin’ Hopkins, “Treat Me Kind” /“Somebody’s Got to Go”

  ca. September 1948

  642

  Lil’ Son Jackson, “Ground Hog Blues” /

  ca. October 1948

  “Bad Whiskey, Bad Women”

  644

  Thunder Smith, “Santa Fe Blues” /“Temptation Blues”

  ca. October 1948

  645

  Andy Thomas, “Angel Chile” /“My Baby Quit Me Blues”

  ca. November 1948

  646

  Lightnin’ Hopkins, “Baby Please Don’t Go” /“Death Bells”

  ca. November 1948

  647

  Sherman Williams and His Band,

  ca. December 1948

  “Why Don’t You Tell Me So” /“No One in My Heart”

  648

  L. C. (Lightnin’ Jr.) Williams, “Black Woman” /

  ca. December 1948

  “I Won’t Be Here Long”

  650

  Will Rowland Orchestra, “Cold Blooded Woman” /

  ca. December 1948

  “Run Mr. Rabbit Run”

  651

  Lee Hunter, “Back to Santa Fe” /“Lee’s Boogie”

  ca. January 1949

  652

  Lightnin’ Hopkins, “Mad with You” /“Airplane Blues”

  ca. February 1949

  653

  Lil’ Son Jackson, “Gone with the Wind” /“No Money, No Love”

  ca. March 1949

  656

  Lightnin’ Hopkins, “Mad with You” /“Airplane Blues”

  ca. March 1949

  657

  Will Rowland & His Band, “Reefer Blues” /

  ca. March 1949

  “Don’t Lose Your Mind”

  658

  Jimmie Lee’s Band, “Bobby Sox Bop” /“Club Raven”

  ca. April 1949

  659

  Andy Thomas, “In Love Blues” /“Walking and Crying”

  ca. April 1949

  660

  Buddy Chiles, “Mistreated Blues” /“Jet Black Woman”

  ca. April 1949

  661

  D. C. Washington [D. C. Bender],

  ca. June 1949

  “Rebob Boogie” /“Happy Home Blues”

  662

  Lightnin’ Hopkins, “Jailhouse Blues” /“T-Model Blues”

  ca. July 1949

  663

  Lil’ Son Jackson, “Cairo Blues” /“Evil Blues”

  ca. September 1949

  664

  Lightnin’ Hopkins, “Lightnin’ Boogie” /“Unkind Blues”

  ca. October 1949

  665

  Lightnin’ Hopkins, “Fast Life Woman” /“European Blues”

  ca. October 1949

  666

  Lightnin’ Hopkins, “Automobile” /“Zolo Go”

  ca. late 1949

  667

  L. C. Williams, “Strike Blues” /

  ca. late 1949

  “You Can’t Take It with You Baby”

  668

  Lil’ Son Jackson, “Gambling Blues” /“Homeless Blues”

  ca. early 1950

  669

  Lightnin’ Hopkins, “Old Woman Blues” /“Untrue Blues”

  ca. early 1950

  670

  Link Davis, “Joe Turner” /“Have You Heard the News”

  ca. early 1950

  671

  Lightnin’ Hopkins, “Henny Penny Blues” /“Jazz Blues”

  1950

  673

  Lightnin’ Hopkins, “Jackstropper Blues” /“Grievance Blues”

  1950

  s e l e c t e d d i s c o g r a p h i e s

  2 7 1

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  gold star 100 series (gospel)

  113

  Tex Moon, “In the Garden” /“Near the Cross”

  1947/48

  114

  Elder Bonds, “Prayer for the Sick” /“Can’t Make the Journey”

  1947/48

  115

  Madam Ernestine, “While the Blood Runs Warm” /

  1949

  “I’ll Never Turn Back”

  116

  Elder Bonds, [titles unknown]

  gold star 400 series (mexican american)

  401

  Conjunto de Ma
xie Granados (with Fred Zimmerle, accordion,

  Mike Garza, contrabajo), “Houston Polka” /“Flora Perdida”

  gold star 500 series (square dance)

  501

  Grady Hester and The Texsons,

  “8th of January” /“Give the Fiddler a Dram”

  502

  Russell McKnight, “Sally Goodin’” /“Bill Cheatem”

  ca. 1949

  503–

  Grady Hester And The Texsons,

  505

  [titles unknown]

  gold star 700 series and miscellanea

  711

  Eddie Noack, “Frown on the Moon” /“Unlucky Me”

  712

  Smith Spadachene, “Moving On” /“Spanish Two-Step”

  713

  Woody Vernon, “My Happiness” /Pete Marchiando, “Latin Medley”

  714

  Corman Harris, “Bolero De Diablo” /“Swanee Bolero”

  715

  Buster Dees, “Please, Dear” /“The Moment I Found You”

  1949

  717

  Buster Dees, “White Roses” /“Forgotten”

  1950

  813

  Ray Krenek Orchestra, [titles unknown]

  888

  Leon Jenkins, “Hot Pretzels” /“Green Corn”

  1628

  Tommy Wilson with Sammy Incardona Orchestra, “My Texas Girl” /

  1947

  Little Sammy Incardona and His Orchestra, “You’re Lonesome

  and I’m Blue”

  3131

  Lightnin’ Hopkins, “Short Haired Woman” /“Big Mama Jump” *

  ca. May 1947

  * Note: Lightnin’ Hopkins also recorded scores of additional tracks at Gold Star Studios, not documented here, for release on other labels.

  2 7 2

  h o u s e o f h i t s

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  III. Gold Star Masters, 1953–1963

  In late 1953, Bill Quinn began assigning a sequential numeric code to the masters that he created at Gold Star. The numbering sequence started at 1000 and continued until Quinn’s retirement in 1963. The highest known Gold Star master number is 1699, dating from a session in June 1963. Beginning in 1964, under new management, the studio facility’s mastering numeration started again at 1000.

  The record label and corresponding catalogue number for each entry (if known) is indicated parenthetically. (Note: The Gold Star mastering numbers may or may not be the same as the issuing record companies’ assigned catalogue numbers.) 1953

  1003

  Slim Jones, “Texas Woman”

  Blue Light 1003

  1954

  1004

  V. Cecil Williams, “Two Timin’ Baby”

  Gilbert 1004

  1005

  V. Cecil Williams, “Maurine”

  Gilbert 1005

  1010

  Deacon Anderson, “Daddy’s Waltz”

  Bayou 1010

  1011

  Deacon Anderson, “Just Looking through These Tears”

  Bayou 1011

  1012

  Eddie Noack, “How Does It Feel to Be the Winner”

  TNT 110

  1013

  Eddie Noack, “Too Hot to Handle”

  TNT 110

  1016

  Sonny Corner, “Darling Goodbye”

 

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