"No," he said, opening his eyes. "Nothing more than what you all found."
"Well, it was worth a try," Toni said with a sigh. "Let's go back to my place. We can compare notes, and you can give us the rest of the details about this war in Heaven, Hosea. Though, frankly, if we're going to have to referee something like that, I'm not really sure where to begin."
Chapter Seven:
Chase Around The Windmill
The report on Mr. Dorland was waiting on Ria's desk Thursday afternoon. She had Anita fax it over to Eric's computer, with a note that she'd be out of town over the weekend if he were trying to reach her. She hadn't heard from him since his visit Tuesday night, but she wasn't surprised; Eric would certainly be single-minded in his pursuit of his brother. She made a note in her PDA to call him Monday.
Philip Dorland wasn't the best in his field—which was nice; that meant the best was still available for her to hire—but he was very good, with a sixty percent success rate: astronomically high in the world of missing and runaway children. Of course, Dorland didn't have the advantages of magic to help him hunt, and he was working a month-cold trail. He was probably still checking the Boston area, trying to trace Magnus' movements there.
She'd put an operative on Dorland just as a matter of course; Eric couldn't object to that, and she had no immediate plans to tell him anyway. But it was always best to know what your enemy was doing, and if Eric didn't know that Dorland was the enemy, Ria did.
But for now it was time to turn her attention to other things, and other inquiries.
* * *
Early Friday morning, Ria went down to the garage beneath her new apartment, an overnight bag slung over her shoulder, a set of car keys jingling in her hand. She greeted the garage attendant by name, and walked back to her car.
She'd called down earlier, so they'd already taken the cover off the Jag and made sure it was gassed up and ready to go. A 1964 Jaguar E-Type, British Racing Green, and as temperamental as a skittish elvensteed. But the mechanic had given it a complete check-over just last week, and this would be one of the last times she'd be able to drive it this year. Alas, that was the problem with one of these temperamental mechanical beasties; your mechanic saw it more than you did.
She backed out of her slot—the powerful engine purring like a very large kitten—and nosed out into the street. Threading the car expertly into the morning traffic, she headed north.
Once she was on the Saw Mill, Ria was able to open it up a little—nowhere near the Jag's top speed, which was somewhere around 180, but if she decided to come back to the city tonight there might be a stretch of the Taconic where she could give the old lady her head a bit.
Her destination was Amsterdam County, several hours north of Manhattan, along the eastern bank of the Hudson. Taghkanic College and the Margaret Beresford Bidney Memorial Psychic Science Research Laboratory—to give the Bidney Institute its full unwieldy name—were there, and both worth a look, but neither was her destination today.
Once she'd found out about Parker Wheatley, Ria had started doing her homework, but there'd been no sense limiting her inquiries to this side of the Veil. With Aerune out of commission, Wheatley would obviously be trolling for a new Sidhe padrone, and Ria didn't move in the right Underhill circles to find out whether he had a chance of finding one.
She could, however, locate and hire someone who could.
Inigo Moonlight billed himself as a Confidential Inquiry Agent and Researcher of the Arcane. Ria suspected he'd been doing pretty much the same thing at least since Queen Victoria had ruled the waves—and why not? The man was—or at least seemed to be—a full-blooded Sidhe (not that she'd ever met him in person). If anyone could tell her whether Parker Wheatley was—still—trafficking with the Unseleighe Sidhe, it was Mr. Moonlight.
So she'd hired him, which presented difficulties of its own.
Inigo Moonlight was . . . eccentric. Brilliant—Ria never wasted her time hiring less than the best—but eccentric. He had a phone but didn't, so far as she'd ever been able to determine, answer it, so there was no use in calling him, and he conducted all his business by letter. And why not? He had plenty of time.
Ria did not. If she wanted to know what Mr. Moonlight had unearthed without waiting out an interminable exchange of letters, she'd better go and see him.
Inigo Moonlight lived in an artists' colony named Carbonek just outside of Glastonbury, New York—another oddity. The colony had been there since the turn of the century—the nineteenth century—and unlike most artists' colonies, it valued anonymity and isolation for its inhabitants above all things.
She supposed there was a certain symmetry to the idea of one of the Sidhe—member of a race with no creativity of its own—living in an enclave devoted entirely to creativity. She wondered how he managed it.
Several hours later she'd reached Amsterdam County Road 4, which wound down into the town of Glastonbury. Glastonbury—most of the towns in this area had fanciful names out of myth and literature; there was a Tamerlane on the other side of the river—was a small Hudson River town, too far off the beaten track to be really touristy—and no passenger trains ran on the west side of the Hudson—but thanks to the nearby college, it had a good selection of shops and services. She drove around a bit until she found a cafe-bakery (named, misleadingly, Bread Alone), and treated herself to an early lunch before driving on.
Taghkanic College had been founded in 1714 on the site of an old cider mill, but everything around it had remained farmland for quite some time thereafter. Even now, the pernicious urban sprawl that was eating the Hudson Valley alive had not reached this far north; once Ria was out of Glastonbury and back on the road again, all she saw was trees, apple orchards, and occasional glimpses of the river. Finally, about ten miles outside of town, there was a small sign off to her left, easy to miss: Carbonek.
"I suppose it goes along with Glastonbury," Ria muttered to herself, turning onto the narrow, one-lane road.
The road was barely wide enough for one car, and without shoulders or turnoffs. Though the road was surprisingly good, Ria drove very slowly, mindful of the possibility of other vehicles and of pedestrians—and, for that matter, deer, which were becoming increasingly a problem on the roads. Dense hedges grew right up to the sides of the road, so tall she could see nothing beyond them. If she met anybody coming the other way, one or the other of them had better be prepared to back up for quite a distance.
To her relief, a couple of miles along, the road widened out into a lane and a half, and the high hedges diminished and finally disappeared, to be replaced by a low drystone wall. She could see trees in the field beyond, towering venerable evergreens.
A little farther, and she came to a set of gates.
Two massive fieldstone pillars supported a wrought-metal arch—not iron, Ria noted, but bronze, long weathered to green by time and the elements. The metalwork was in the style of the followers of William Morris, and spelled out one word: "Carbonek."
The Castle of the Grail, which none but the pure in heart and soul might enter. Well, let's give it a shot, shall we?
A brass plaque on one of the pillars announced that this was Private Property. The other said that TRESPASSERS were FORBIDDEN. But the gates—massive things of oak, that looked as if they'd just come from Morris's own workrooms—were standing open, so Ria drove through.
Just inside the gates there was a blacktopped parking area—necessary in a region that required plowing and shoveling several times a winter—and the road did not extend any farther. Ria pulled in and parked. There were a number of vehicles already there, from battered vintage VW bugs, to no-nonsense pickup trucks, to a few nondescript vans and sport utilities.
She got out of the car and stretched, looking around. The air was sharply cold, and she could smell the river, though she could not see it. Ria inhaled deeply, relishing the fresh air. City girl she might be, but it was nice to get out into the countryside every once in a while.
There
was a large building on her right, as anonymous as a barn, and thoroughly locked. No help there, unless she wanted to break in. She turned to the path leading away from the parking lot. It bisected another drystone wall, and beyond that she could see rows of cottages on either side of the path.
They looked anachronistically English, from their slate roofs and whitewashed exteriors, to the white picket fences outside. She walked toward them. She knew from his mailing address that Inigo Moonlight lived in something called Avalon Cottage, which would be right in line with the Arthurian motif of this place.
The cottages were constructed in blocks of four with cross-streets intersecting. Peering between them as she passed, Ria could see that there were large back gardens, and other cottages beyond. And probably, elsewhere in the colony, there were large communal studios for those whose art required large spaces and specialized equipment. And surely—somewhere—perhaps in the barn she'd passed on her way in, there was a place for the residents to receive their mail, because nowhere did she see a mailbox on any of the cottages, nor did she think a postman would relish tramping all over the quaintly retro Carbonek on foot, especially in the winter.
To her relief, each cottage was clearly labeled on an enameled plaque beside the door, its name easy to read from the gate. All of the cottages seemed to have placenames out of the Arthurian mythos—there was a Tintagel, a Camelot (of course), a Badon, a Lyonesse, a Winchester, a Camlann . . .
But no Avalon. Perhaps it came and went, like its namesake.
All the garden plots were neatly kept, though their makeup varied wildly, from a full English "cottage garden" (now bedded down for the winter, of course), to one empty of growing things entirely, where grass had been replaced by colored gravel laid in pleasing patterns, with a boulder or two for decoration.
What they lacked was any rhyme or reason to the naming. She didn't even know how many cottages there were. The residents might value their privacy, but surely this was taking matters to extremes?
"Excuse me, are you looking for someone?"
Busted.
Ria turned at the sound of the voice. A woman had leaned out of the window of Sshalott Cottage. Her long white hair was pinned up in an untidy bun on top of her head, and there was a ferret draped around her neck.
"I'm looking for Avalon Cottage," Ria said, mentally crossing her fingers. Might as well be hung for a sheep as a goat.
But the woman did not seem to be inclined to have Ria flung out as a trespasser. Instead she smiled, looking pleased.
"Ah, you're looking for Mr. Moonlight." The woman reached down out of sight and scooped up another ferret, absently adding it to her living necklace. "Avalon Cottage is all the way down at the end of the lane, past Broceliande and Logres. You'll know it by the roses. He does grow the loveliest roses," she added with a happy sigh. "Good luck!"
Reaching for yet a third ferret—apparently she had an infinite supply of them—the woman turned, her arms full of squirming mustelids, pushing the window closed with an elbow.
Roses? At this time of year? Ria set the question aside for later. She continued down the path, wondering why luck would be called for.
She soon discovered the answer, as the path grew steep, narrow, and twisting. The block of cottages ended, and the trees thinned out as well. The cottages the ferret woman had named were larger than the ones in the cottage-blocks, and each stood alone, surrounded by the ubiquitous white picket fences.
Broceliande's tenant was a sculptor. Ria heard the ring of steel on stone as she approached. He was out in the garden, muffled to the eyes against the cold, hammering away at an enormous block of granite. He did not look up as she walked by. Other sculptures stood about the garden. Ria stopped, and looked, and made a note to find out who he was—and more to the point, who his agent was.
Logres' tenant apparently did not care for plants overmuch. The grass within the yard was neat and very short, and there was nothing else at all within the fence. All the windows were heavily curtained with dark fabric. She had the oddest desire to walk up to the door and demand to know what it was the inhabitant did, and strictly controlled herself. You're far too grown-up to indulge yourself in idle fancies, Ria my girl.
All the same, the desire to know was very strong. Perhaps he—somehow she didn't doubt it was a "he"—was a reclusive writer, working on some odd literary masterpiece. Or perhaps a jeweler, creating small splendid treasures in secret. This place had a peculiar Brigadoonish aura to it, as if it existed outside of time—partly, she was sure, because the cold raw November weather ensured that she saw so few of the colony's inhabitants. She was sure the place would seem very different in summer.
But even in the cold, she smelled Avalon before she saw it.
She made her way carefully down the last of the path—a path by courtesy, now. The Hudson stretched out before her, and the gentle slope of the eastern bank. Here on the western bank, they were hundreds of feet above the surface of the river, and the cottage was perched on the very edge of a sheer drop to the water below. A racket like roaring surf momentarily assailed her ears, accompanied by the lonely wail of a train whistle; a southbound freight train was running on the tracks far below.
The loveliest roses. Indeed.
The fence, and the cottage itself, were covered in roses—red, white, yellow, pink—and every single one of them was in full bloom.
Roses, Ria told the roses firmly, bloom in June, not November.
The roses were unimpressed.
She made her way to the gate. This close, the scent of roses was intoxicating, and Ria could feel the tingle of Elven magic that had coaxed them to bloom out of season. She lifted the latch of the gate and walked inside.
The whole of the garden had been devoted to roses. She was no expert, but it seemed to her that everything here was the older varieties—nothing from later than a century or so ago, at least. These were roses from a time when roses had been prized for their fragrance above all things. The scent was intense enough to drink in like wine.
She walked through the roses and up to the front door. Through the overgrowth of roses, she could barely make out the enamel plaque beside the door: AVALON COTTAGE.
Looks like you've come to the right place.
There was an antique bellpull beside the door, and a brass knocker in the shape of a grinning woodland imp holding a ring in its jaws. She was hesitating between the two when the door swung open.
"Come in, Miss Llewellyn," Inigo Moonlight said. "I have been expecting you."
* * *
"I do hope you didn't have any difficulty finding me?" Mr. Moonlight said, pouring tea.
"None to speak of," Ria said politely, accepting the delicate porcelain cup. She sniffed the sweet scent of oranges and cloves appreciatively. It was herb tea, of course. Inigo Moonlight would as soon drink rat poison as caffeine—sooner, in fact. The rat poison probably wouldn't hurt him.
He had not bothered to cast a glamourie about himself, and appeared before her in his true form, though dressed in mundane, if rather old-fashioned, clothing. He was quite the oldest Sidhe she had ever imagined seeing. All the elves were fair-skinned, but Moonlight's skin was nearly translucent with age. His hair was white in a way that suggested that all color had been bleached from it by time. How old could he be? A thousand? More?
But his eyes were still the intense green of cedars in twilight, and age, whatever cosmetic changes it had wrought, had not enfeebled him.
She was resigned to a certain amount of pleasantry and commonplace, but Moonlight surprised her by coming quickly to the point, once he had settled her with tea and cookies in the parlor overlooking the garden with its splendid view of roses and the river.
"You will be eager to hear my report. And I confess I was preparing to contact you, as there has been an alarming new development in the past week. I shall, of course, at your pleasure, continue to pursue it as well as the other matters you have asked me to consider, but it had occurred to me that it might possibl
y be a problem in a sphere in which you yourself might be better equipped to, shall we say, confront the considerations of the world?"
"Something new?" Ria asked, leaning forward. "With Wheatley?"
"Indeed." Inigo leaned back, setting down his own cup of tea untasted and steepling his fingers. "The complete details are in my report, but—to summarize—Parker Wheatley has not succeeded either in forging a new Underhill alliance or in successfully making an overture to any member of either Court. Nor have he and his Paranormal Defense Initiative captured any member of any Court, Bright or Dark, High or Low."
"That's good news," Ria said.
"What I am about to tell you is not. I have discovered that Wheatley is making ever-so-discreet inquiries about De Rebus Nefandis, a ninth-century grimoire—or, more properly, a book which could be used to construct one. Why this is a matter of particular concern is that De Rebus Nefandus—'Concerning Forbidden Things,' as the title might be rendered in English—describes the ancient spells once known to humans, that could compel the Sidhe. Though he did not write them down in his book, the ancient monk who is the author of this tome described them well enough that a superior magician might—would!—be able to either reconstruct them or create something similar, if he could study the only extant text describing them."
" 'Only'?" Ria asked. "There's only one copy of the book?"
"The only copy that survives is in the Vatican Library," Moonlight said. "Unfortunately, Mr. Wheatley now knows it is there."
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