Then Again

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Then Again Page 56

by Rick Boling


  (Instrumental break)

  A time for making promises

  Initials in a tree

  Dreaming of tomorrow

  And longing to be free

  Children born of innocence

  Like flowers in the wind

  A time filled with beginnings

  Never thinking of the end

  And then a time for growing up

  And hearing nature’s song

  Of quiet days and simple ways

  And time to sing along

  (Instrumental break)

  But Robin’s song

  Is passing with the changing seasons

  Leaving me without a reason

  An echo of June

  That ended too soon

  Fading to a whisper

  Robin’s song

  A memory as my companion

  A river flowing through a canyon

  That’s now running dry

  And I’ll never know why

  We can’t be together

  ’Cause I know I’ve loved before

  Given all I can

  I’m only just a man

  But I‘ve given so much more

  Than anyone could know

  To make this feeling grow . . .

  Sunday Morning Sentinel

  (© 1972 Rix Vaughn)

  Along a dusty pathway past an old abandoned mine

  I found a rustic cabin overgrown with weeds and vines

  And as I stumbled over broken boards and through the door

  I found a yellowed paper lying folded on the floor

  And when I bent to try and read the news

  There must have been 'least fifty years of dust around my shoes

  And it said Sunday Morning Sentinel, as I folded out the crease

  And I recall the biggest word upon the page …

  Was “Peace”

  I wandered out the door again and down the dusty road

  Pulled my coat up high around my ears against the cold

  And deep inside I felt a warmth that I had felt before

  When Mama said that Daddy would be coming home from War

  And as the memories danced inside my head

  I recalled the morning paper and the words that I had read

  And it said Sunday Morning Sentinel, the fighting's going to cease

  And I recall the biggest word upon the page …

  Was “Peace”

  Reality had started to creep up inside my mind

  And the tears I had been looking for, well they weren't hard to find.

  And as I walked into the town, I bowed my head in prayer

  For my brother who was crippled, and my son who was still there

  And I said Lord, Lord, Lord, it isn’t fair

  But as I passed a newsboy on the street

  I saw the headlines on the stack of papers at his feet

  And it said Sunday Morning Sentinel

  It's Over in the East

  And I recall the biggest word upon the page …

  Was “Peace”

  Acknowledgements

  Acknowledgements

  The author wishes to thank the following editors, critical readers, and literary advisors for their patience, suggestions, and uncanny ability to spot my often-egregious errors. Without their careful scrutiny and sometimes painfully-honest evaluations over the more than two years it took me to write this novel, it could never have been completed in a form that even vaguely resembles the story you have just read.

  Elaine Smith, whose decades of experience as a mystery novelist (under the pen name ECS), editor, and creative-writing instructor, continue to prove invaluable in criticizing and correcting my work.

  Burt Kempner, accomplished screen writer and author of the enormously successful Mild Wild Stories series of children’s books, whose intimate knowledge of Native American culture and the worldwide impact of sociopolitical trends contributed greatly to the thematic development of this story.

  Jonni Gill, long-time friend and literary critic, whose willingness to suffer through my fumbling attempts at a first-draft helped me turn a complex idea into an understandable and (I hope) entertaining bit of socially-relevant science fiction.

  Martha Armstrong, childhood friend and emotional confidant, whose expertise in library science and voracious appetite for reading have made her one of my most trusted and reliable critical readers.

  Elizabeth Boleman-Herring, editor/publisher of weeklyhubris.com and author of the erotic novel, The Visitors' Book (or, Silva Rerum), for her help in proofreading portions of the novel.

  My Sister, Diana, whose generosity and encouragement over the years have not only been instrumental in assuring my survival, but have allowed me to continue my creative pursuits in the face of often extremely challenging circumstances.

  Finally, I would like to thank my mother, the late Nina Belle Boling, without whose tolerance of my musical choices and unflagging support I would never have been able to establish the entertainment career from which the novel’s characters and historical realism were derived.

  About The Author

 

 

 


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