The wind was blowing down from the west, pressing the fire in against the garage wall. Flames licked along the base of the wall, but they hadn't taken hold on it. Like the walls of the house, it was made of heavy cedar sheets treated with a fire-retardant chemical. The roof, too, was fire-resistant—a lightweight composition material that resembled shakes. There was enough time to get the blaze under control before it did serious damage to the garage. The only real danger, particularly if the wind shifted, lay in sparks jumping the retaining wall and setting off the dry grass.
Dix ran on a long slant down to the fence. The yard lights and the kitchen lights were on, he realized then. And Cecca was out in the yard, wearing one of his old robes, dragging the garden hose toward the garage. She'd already turned the water on; as soon as she reached the building she lifted the spray nozzle, squeezed out a jet that made a thin hissing noise when it struck the burning debris. He climbed back over the fence, remembered the gun, and pocketed it before he reached her side.
“Don't aim at the fire,” he told her. “The grass above the retaining wall—soak that first. There's another hose out front for me.”
She nodded and he rushed away from her, around the garage to the far front corner. The second hose lay coiled near the stairs to the vegetable garden. He turned the bib on, took the hose atop the retaining wall. Cecca, he saw, was soaking the grass as he'd instructed her. He directed his stream of water onto the prunings and lumber and bags of leaves, most of which had been deliberately clumped together to form a pyre. The fire was still contained there; it hadn't had enough time or fuel to burn hot. Between them, working with the two hoses, they kept it contained and had it out in less than three minutes.
He was amazed to find, then, that none of the neighbors had been aroused. The Bradfords' house was still dark and nobody had come up from below. It had been a frantic few minutes, but his own heightened senses to the contrary, it had all happened without sufficient noise to raise an alarm. The fire had burned in a place where it couldn't be seen except by someone close by and uphill. And the Bradfords' bedroom faced another direction.
He listened for sirens. No sirens. Then he threw the hose down, went back to shut off the bib, scuffed around among the sodden debris to make sure there were no hot spots, and finally joined Cecca.
“Damn lucky the bastard's not an accomplished arsonist,” he said. “Did you call the fire department?”
“I thought about it, but it seemed more urgent to try to keep the fire from spreading.”
“Glad you didn't. I'm not sure my nerves could stand any more upheaval tonight.”
“Shouldn't we report it? To St. John, at least?”
“In the morning.”
“You didn't get a look at him up there, did you?”
“No, dammit. Not even a glimpse. He had his car parked on High Street, on the back side of the hill.”
She hugged herself. “It's freezing out here. Let's go inside.”
He left his wet and blackened slippers on the mat, padded into the hall to turn on the heat. Upstairs, he donned a pair of slipper socks and a warmer robe. When he came back down, Cecca was making coffee in the kitchen.
“Dix … where did you get the gun?”
The question caught him off guard. “Gun?”
“I saw it in your hand when you climbed over the fence. Where did you get it?”
“I bought it.”
“Why?”
“Why? Why do you think?”
“I hate firearms,” she said. “You know how much I hate firearms.”
“I'm not crazy about them either. But this is different. Like it or or not, we have to have some way to protect ourselves.”
“Is that the only reason you bought the gun, for protection?”
“Of course. What kind of question is that?”
“If you'd caught him on the hill, what would you have done? Would you have shot him?”
“Not unless he attacked me. I'd have brought him back here and held him for St. John.”
“Are you sure you wouldn't have just shot him down in cold blood, after all he's done to us? Absolutely sure?”
“Absolutely sure,” he said.
But he wasn't. He wasn't sure at all.
TWENTY-ONE
The buildings that made up the Andersen farm—sixty-year-old one-story house, barn, chicken coop, pumphouse—looked fine from a distance. And from certain angles closer in, too, as in Owen's photographs. The setting was attractive: wooded hill behind the house and barn, eucalyptus-flanked access drive, fields of alfalfa and corn, a ten-tree apple orchard. It was only when you got up close to the buildings that you realized how much repair work needed to be done. The farmhouse wanted paint, a new roof, a new front porch; the barn had gapped and missing boards in two walls and its doors hung crooked from a sagging lintel. The wire on the coop was badly rusted and would have to be replaced, and the coop itself needed shoring up. The fences around the yard and those that bounded the fields and orchard were tumbledown. The fields hadn't been plowed or cultivated in four years, since old Frank Andersen had been diagnosed with cancer. Weeds and grass grew thigh-high under the apple trees.
From a real estate agent's point of view, it had seemed like a white elephant. Tom Birnam had taken on the listing as a favor to Andersen's widow and two daughters, and he'd asked Cecca to handle it as a favor to him. The first time she'd viewed it, ten days ago, she'd thought it was the kind of property that might well take up a lot of her time and effort and never make her a dime's worth of commission—one that would be looked at but not bought by dozens of straightforward clients and bargain hunters, all the while deteriorating more and more from lack of upkeep. One day in the far future, somebody would finally decide to take it on spec at a rock-bottom price, but it might not be her listing anymore—or Better Lands'—when that happened.
So then here came Elliot Messner, the very first prospect she'd shown it to, and it was beginning to look like a quick sale after all. As with the Hagopians, she'd sensed his positive reaction on the first showing; obviously he saw something in the place—a reclamation challenge, maybe—that she didn't and any number of others wouldn't. The fact that he'd asked for this second look was even more encouraging. He was hooked; she was fairly sure of it. If he didn't see anything today to change his mind, she thought he would make an offer as soon as the escrow closed on his Brookside Park property.
She wished she cared.
She didn't seem to care about much of anything today, including the fact that the Hagopians had come in first thing to accept Elliot's counteroffer and sign a purchase agreement. There was an apathy in her that she couldn't seem to shake. On the one hand, it had allowed her to function at the office and to keep her appointment with Elliot that afternoon. On the other hand, she knew how dangerous that sort of feeling could be if she allowed it to continue. Prelude to a breakdown, the inability to function at all. Underneath the layer of indifference, her nerves were like sparking wires: Fray them any more and they would short-circuit.
The dusty yard was deserted when she drove in. She was on time; Elliot was late. She parked near the picket fence fronting the farmhouse, sat there for a minute or two, and then decided to get out. Although she could see the buildings of a neighboring farm less than half a mile away, the place had a desolate, lonely feel. A family's home once, teeming with vitality—now dormant, waiting for somebody to breathe new life into it or else to die. Freda Andersen had moved out as soon as her husband passed away, into the home of one of her daughters in town; the other married daughter lived in Texas. Two goats and the chickens had been sold off. There was nothing left but ghosts.
The wind was strong out of a partly overcast sky; Cecca buttoned her beige linen blazer. Clouds running overhead made irregular shadow patterns on the fields and nearby hills. The only audible sound was the ratchety turning of the blades in a rusted windmill behind the pumphouse. To her, its rhythm was like the beating of a weak heart.
She glanced
at her watch, then out toward Hamlin Valley Road. Still no sign of Elliot. This was the reason she preferred to pick up clients and bring them to a property. But Elliot had had some sort of meeting in San Francisco and insisted on coming here directly from that. Not that it mattered, really, if he was late. She had nothing else she needed or wanted to be doing.
When the wind began to chill her, she slid back inside the station wagon. Sat there with the apathy wrapped around her like a shawl. And yet in her mind's eye she could see again the image of Dix climbing over the fence last night with the gun in his hand. The image made her even colder.
Her fear and loathing of firearms was almost pathological. Why, she didn't know; some phobias even a psychiatrist couldn't explain. She had never been shot at or threatened with a gun; never seen anyone hurt with one; never even touched one. Yet the first time she'd been confronted with a real handgun, her grandfather's target pistol at the age of six, she had reacted with shrieking terror, as if it were a snake coiled to strike at her. Ever since, she couldn't bear anything to do with them. She even shied away from watching make-believe shootouts in films.
She'd urged Dix to get rid of the gun he'd bought; his refusal had led to a brief and futile argument. She could see his point: They had to have some sort of protection. But what if he'd lied to her, or at best evaded her, when he'd said he would not have committed cold-blooded murder last night? What if the opportunity arose again and he did shoot down the tormentor? He would never be the same to her again; she could not love him, be with him. Irrational or not, and no matter what the circumstances, a man who pointed a gun at another human being and pulled the trigger would always be a source of revulsion for her.
The sound of a car laboring in low gear penetrated her awareness. She glanced into the rearview mirror, saw Elliot's dark-blue Lexus jouncing through the ruts toward the farmyard. She waited until he drew up behind the wagon before she stepped out.
“Sorry I'm late, Francesca,” he said. “Meeting took a little longer than I expected.” His smile, boyishly lopsided, went at odds with his professional outfit of a tan corduroy suit and a black pullover sweater. Appropriate. As far as she could tell, that was exactly the way he was—a clashing mixture of the intelligent adult college professor and the irrepressibly horny kid. He and Chet would have got along famously, she thought, at least on the subject of women.
“No problem,” she said.
“Been waiting long?”
“Ten minutes or so.”
“You look tired. Rough night?”
“I didn't sleep very well.”
“Sleeping alone does have its drawbacks.”
He said that offhandedly, through his crooked smile, but his eyes were steady on hers; he wanted a reaction. She didn't give him one. She said, “Where would you like to start? The house?”
“Fine by me.”
He followed her onto the porch and she keyed them in. Cobwebs and dust. Musty smells of old wood, old wallpaper. All of the Andersens' furnishings had been taken away except for oddments here and there that the widow and her daughters hadn't wanted: a couple of chairs, a catchall table, some knickknack shelves, a carpet runner in the front hall. For Cecca, at least, there was a sadness in the leavings, in the dark squares and ovals on the walls where pictures had once hung. Elliot didn't seem affected. He took notice only of what interested him.
In the living room he said, “Look at that fireplace. I'll bet you don't see decorative tile inlays very often anymore.”
“No, you don't.”
In the parlor he said, “I could use this as my study. Plenty of light, view of the hills, no direct sun to fade book jacket spines. What do you think, Francesca?”
“I think it would make a fine study.”
And in the largest of the rooms at the rear he said, “This ought to be big enough for my bed. It's a California king.”
“Uh-huh.”
“Water bed. I wouldn't own anything else.”
“Uh-huh.”
“You have a water bed, Francesca?”
“No.”
“Ever slept in one?”
“A couple of times. I don't care for them.”
“Some aren't very good. Mine's the best they make.”
“I'm sure you wouldn't have settled for less.”
“You ever make love in a water bed?” he asked.
Grinning, looking for a reaction again. This time she gave him one. “That's none of your business, Elliot.”
“No, probably not,” he said cheerfully. “Have you made love in a water bed?”
She turned toward the doorway without answering.
“There's nothing like it,” he said behind her. “It's more comfortable, for one thing. And the motion of the water heightens the pleasure. No kidding, it really does.”
He had succeeded in doing what she hadn't been able to all day: chip through the shell of her apathy. She was angry now; she bit back a sharp rebuke. I do not need this crap, she thought. Today of all days, I do not need to be sexually harassed.
She walked into the kitchen. Half-dinette table, one rickety chair, and on the windowsill over the sink, a Mason jar filled with the dessicated remains of flowers so long dead they were unidentifiable. Elliot was close behind her, like a dog at heel. She turned at the sink to face him.
“The kitchen,” she said flatly. “Is there anything else you'd care to see?”
The boyish leer. “Yes. But not in here.”
“Then we'll go outside—”
He leaned past her to look briefly out the window. When he straightened again he was close to her, too close. She tried to slide away; he caught hold of her arms, turning her so that her hips were against the drainboard.
“Dammit, Elliot, what do you think you're—”
He kissed her. Not roughly or violently, not for long and not using his tongue, but the kiss was far from being gentle. For an instant she was shocked. Then her anger flared into outrage. She would have slapped him except that he still gripped her arms, still had her body pinned.
“Let me go,” she said between clenched teeth.
He was grinning again. “Come on, Francesca, it wasn't that bad, was it? Suppose we try it again.”
“No! Let me go or you'll regret it.”
“You don't mean that. Let's not play any more games.”
“If you think I'm playing a game—”
“We've both been playing games,” he said. “That's over now. It's time to stop playing. Time for it to happen, Francesca.”
Time for it to happen …
He's the one!
The thought was like an eruption in her mind. She recoiled from it, immediately sought to drive it away. It couldn't be Elliot, how could it? He wasn't one of their friends … but he knew Katy, he could have been Katy's lover … but he didn't know Eileen … but he knew Ted, she'd run into him once in Ted's office … but he'd never been inside her house, no one had broken in, how could he have stolen her bra and Amy's panties … key, key, the spare key she'd given Katy long ago, he could have got the key from Katy.…
She looked into his eyes, his leering face—and felt a surge of sick, raw terror.
He's the tormentor!
Dix had just two Friday classes, both in the morning. He thought he could get through them, as tired as he was; Cecca had said she was going to work today, so why shouldn't he? It proved to be the right decision. The campus activity and the routine of teaching distracted him, kept him from brooding.
When he returned to his office after his eleven o'clock, there was a message waiting from St. John. Would he call or stop by sometime today? That was all, so it was nothing urgent. Questions about the fire, probably. He'd reported it before leaving home that morning, not to St. John directly—he hadn't been in—but to the sergeant who'd taken the call.
Face-to-face, St. John had a way of getting under his skin and making him lose his composure. Dix called him instead. The first thing St. John said when he came on the line was that he'd
just returned from investigating “the alleged arson attempt last night at your home.”
“Alleged arson attempt. That means you don't find any evidence that the fire was deliberately set.”
“None. But I don't doubt your version of the incident.”
“Uh-huh. If only I'd gotten a look at him or his car, right?”
St. John let that pass. “Have there been any other harassments?”
Dix saw no point in telling him about the tormentor's call yesterday morning. His relationship with Cecca was none of St. John's business. He said, “No.”
“Well, I do have a little positive news for you. Just so you know I'm doing my job. I spoke to Janet Rice again this morning. Louise Kanvitz's artist friend in Bodega Bay. More than a friend, actually; turns out they were lovers. She admitted lying about buying those last two paintings of your wife's. Ms. Kanvintz asked her to say she had.”
“Did Kanvitz tell her why? Or who did buy the paintings?”
“She says no on both counts. Claims Ms. Kanvitz was secretive about her motives. That lends credence to your blackmail theory.”
Credence, Dix thought. “I don't suppose there was anything at the gallery or among her effects that points to the man?”
“No.”
“And of course there's nothing new on her murder.”
“We still don't know that it was murder.”
“All right, her death.”
“Her nose was broken and there was a bruise on her jaw,” St. John said. “She could have been knocked out first and then thrown down the stairs. Then again, she might have gotten those injuries in an accidental fall. We did find a fingerprint that isn't hers on the newel post. Might be significant; we're running computer checks on it.”
Dix admitted, “That's encouraging.” But not very. “None of the neighbors saw or heard anything?”
“Apparently not. If she was murdered, her killer may have parked his car on the other side of the hill and walked to her house through the trees up there. There's a path kids use from the school over on Highland. It leads right past her backyard.”
Same damn method the bastard had used last night. Crazy but cunning.
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