by Jack Finney
Invasion of The Body Snatchers
Jack Finney
Starred Review. While Miles's patients start remarking about loved ones not seeming to be themselves, he merely chalks it up to paranoia. However, when he becomes witness to a distinct but subtle change in the personality of some townspeople, he and his friends realize something is afoot. Their fears are realized as they stumble upon faceless corpses and strange pods. But the pod people are spreading fast, and Miles is running out of places to hide and people to help him. Finney's classic tale of alien invasion is recreated anew with more terror than the book or the film. Tabori delivers a performance that will chill listeners with his intensity and sense of urgency. His lightly raspy and mature voice works perfectly through the first-person perspective of Miles. He captures the mood and adjusts his pitch, speed and tone accordingly. By the end of this production, listeners will believe they are listening to Miles himself and not just some narrator. A brief interview with Tabori at the end reveals that he's the son of Don Siegel, who directed the original 1957 film Invasion of the Body Snatchers.
Jack Finney
Invasion of The Body Snatchers
Chapter one
I warn you that what you're starting to read is full of loose ends and unanswered questions. It will not be neatly tied up at the end, everything resolved and satisfactorily explained. Not by me it won't, anyway. Because I can't say I really know exactly what happened, or why, or just how it began, how it ended, or if it has ended; and I've been right in the thick of it. Now if you don't like that kind of story, I'm sorry, and you'd better not read it. All I can do is tell what I know.
For me it began around six o'clock, a Thursday evening, August 13, 1953, when I let my last patient – a sprained thumb – out of the side door of my office, with the feeling the day wasn't over for me. And I wished I weren't a doctor, because with me that kind of hunch is often right. I've gone on a vacation certain I'd be back in a day or so; as I was, for a measles epidemic. I've gone to bed staggering-tired, knowing I'd be up in a couple hours driving out to a country call; as I did, have done often, and will again.
Now, at my desk, I added a note to my patient's case record, then I took the medicinal brandy, went to the washroom, and mixed a drink, something I almost never did. But I did that night, and standing at the window behind my desk, staring down at Main Street, I sipped it. I'd had an emergency appendectomy and no lunch that afternoon, and felt irritable. I still wasn't used to being at loose ends, and I wished I had some fun to look forward to that evening, for a change.
So when I heard the light rapping on the outer locked door of my reception room, I just wanted to stand there motionless till whoever it was went away. In any other business you could do that, but not in mine. My nurse had gone – she'd probably raced the last patient to the stairway, winning handily – and now, for a moment or so, one foot on the radiator under the window, I just sipped my drink, looking down at the street and pretending, as the gentle rapping began again, that I wasn't going to answer it. It wasn't dark yet, and wouldn't be for sometime, but it wasn't full daylight any more, either. A few neon lights had come on, and Main Street below was empty – at six, around here, nearly everyone is eating – and I felt lonely and depressed.
Then the rapping sounded again, and I set my drink down, walked out, unlocked the door, and opened it. I guess I blinked a couple of times, my mouth open foolishly, because Becky Driscoll was standing there.
"Hello, Miles." She smiled, pleased at the surprise and pleasure in my face.
"Becky," I murmured, stepping aside to let her in, "it's good to see you. Come on in!" I grinned suddenly, and Becky walked in past me, and on through the reception room toward my office. "What is this," I said, closing the door, "a professional call?" I was so relieved and pleased that I got excited and exuberant. "We have a special on appendectomies this week," I called gaily; "better stock up," and she turned to smile. Her figure, I saw, following along after her, was still marvelous. Becky has a fine, beautifully fleshed skeleton; too wide in the hips, I've heard women say, but I never heard a man say it.
"No," – Becky stopped at my desk, and turned to answer my question – "this isn't a professional call exactly."
I picked up my glass, raising it to the light. "I drink all day, as everyone knows. On operating days especially. And every patient has to have one with me – how about it?"
The glass nearly slipped through my fingers, because Becky sobbed, a dry, down-in-the-throat gasp, her breath sucking in convulsively. Her eyes brimmed with sudden bright tears, and she turned quickly away, shoulders hunching, hands rising toward her face. "I could use one" – she could hardly speak.
After a second I said, "Sit down," speaking very gently, and Becky dropped into the leather chair before my desk. I went to the washroom, mixed her a drink, taking my time about it, came back, and set it on the glass-topped desk before her.
Then I walked around the desk and sat down facing her, leaning back in my swivel chair, and when Becky glanced up, I just nodded at her glass, gently urging her to drink, and I took a swallow from mine, smiling at her over the rim, giving her a few moments to get hold of herself. For the first time I really saw her face again. I saw it was the same nice face, the bones prominent and well-shaped under the skin; the same kind and intelligent eyes, the rims a little red just now; the same full, good-looking mouth. Her hair was different; it was shorter, or something; but it was the same rich brown, almost black, thick and wiry, and looking naturally wavy, though I remembered it wasn't. She'd changed, of course; she wasn't eighteen now, but well into her twenties, and looked it, no more and no less. But she was also still the same girl I'd known in high school; I'd dated her a few times in my senior year. "It's good to see you again, Becky," I said, saluting her with my glass and smiling. Then I took a sip, lowering my eyes. I wanted to get her talking on something else, before she got down to whatever the trouble was.
"Good to see you, Miles." Becky took a deep breath and sat back in her chair, glass in hand; she knew what I was doing, and went along with it. "Remember when you called for me once? We were going to a Hi-Y dance, and you had that writing on your forehead."
I remembered, but raised my brows questioningly.
"You had M.B. loves B.D. printed on your forehead in red ink or lipstick or something. Said you were going to the dance that way. I had to get tough before you'd wipe it off."
I grinned. "Yeah, I remember." Then I remembered something else. "Becky, I heard about your divorce, of course; and I'm sorry."
She nodded. "Thanks, Miles. And I've heard about yours; I'm sorry, too."
I shrugged. "Guess we're lodge brothers now."
"Yes." She got down to business. "Miles, I've come about Wilma." Wilma was her cousin.
"What's the trouble?"
"I don't know." Becky stared at her glass for a moment, then looked up at me again. "She has a – " she hesitated; people hate to give names to these things. "Well, I guess you'd call it a delusion. You know her uncle – Uncle Ira?"
"Yeah."
"Miles, she's got herself thinking that he isn't her uncle."
"How do you mean?" I took a sip from my glass. "That they aren't really related?"
"No, no." She shook her head impatiently. "I mean she thinks he's" – one shoulder lifted in a puzzled shrug – "an impostor, or something. Someone who only looks like Ira."
I stared at Becky. I wasn't getting this; Wilma was raised by her aunt and uncle. "Well, can't she tell?"
"No. She says he looks exactly like Uncle Ira, talks just like him, acts just like him – everything. She just knows it isn't Ira, that's all. Miles, I'm worried sick!" The tears sprang to her eyes again.
"Work on that drink," I murmured, nodding at her glass, and I took a big swallow of mine, and sat back in my chair, staring at the ceiling, thinking about this. Wilma had her problems, but she was tough-minded and bright; about thirty-five years old. She was red-cheeked, short, and plump, with no looks at all; she never married, which is too bad. I'm certain she'd have liked to, and I think she'd have made a fine wife and mother, but that's how it goes. She ran the local rental library and greeting-card shop, and did a good job of it. She made a living out of it, anyway, which isn't so easy in a small town. Wilma hadn't turned sour or bitter; she had a shrewd, humorously cynical turn of mind; she knew what was what, and didn't fool herself. I couldn't see Wilma letting mental troubles get to her, but still, you never know. I looked back at Becky. "What do you want me to do?"
"Come out there tonight, Miles." She leaned forward across the desk, pleading. "Right now, if you possibly can, before it gets dark. I want you to look at Uncle Ira, talk to him; you've known him for years."
I had my glass raised halfway to my mouth, but I set it back down on the desk, staring at Becky. "What do you mean? What're you talking about, Becky? Don't you think he's Ira?"
She flushed. "Of course; of course I do!" Suddenly she was biting her lips, shaking her head helplessly from side to side. "Oh, I don't know, Miles, I don't know. Certainly he's Uncle Ira! Of course he is, but… it's just that Wilma's so positive!" She actually wrung her hands, a thing you read about but rarely see. "Miles, I don't know what's going on out there!"
I stood up and came around the desk to stand beside her chair. "Well, let's go see," I said gently. "Take it easy, Becky," and I put a hand on her shoulder comfortingly. Her shoulder, under the summer dress, felt firm and round and warm, and I took my hand off. "Whatever's happening, there's a cause, and we'll find it and fix it. Come on."
I turned, opened the wall closet beside my desk to get my hat, and felt like a fool. Because my hat was sitting where I always keep it, on Fred's head. Fred is a nicely polished, completely articulated skeleton, and I keep it in my closet, together with a smaller, female skeleton; can't have them standing around the office frightening the customers. My father gave them to me one Christmas, my first semester in medical school. They're a fine useful thing for a medical student to have, of course, but I think my father's real reason for giving them to me was because he could – and did – present them in a huge, six-foot-long, tissue-wrapped box, tied with red and green ribbon. Where he got a box that big, I don't know. Now, Fred and his companion are in my office closet, and of course I always hang my hat on his polished, brachycephalic head. My nurse thinks it's a riot, and it got a little smile now from Becky.
I shrugged, picked up my hat, and closed the door. "Sometimes I think I clown around too much; pretty soon people won't trust me to prescribe aspirin for a head cold." I dialled telephone-answering, told them where I was going, and we left the office to go take a look at Uncle Ira.
Just to get the record straight: my full name is Miles Boise Bennell, I'm twenty-eight years old, and I've been practising medicine in Santa Mira, California, for just over a year. Before that I interned, and before that, Stanford Medical College. I was born and raised in Santa Mira, and my father was a doctor here before me, and a good one, so I haven't had too much trouble snaring customers.
I'm five feet eleven inches tall, weigh one-sixty-five, have blue eyes, and black, kind of wavy hair, pretty thick, though already there's the faintest beginning of a bald spot on the crown; it runs in the family. I don't worry about it; nothing you can do about it, anyway, though you'd think the doctors would find something. I play golf and swim whenever I can, so I'm always pretty tanned. Five months earlier I'd been divorced, and now I lived alone in a big old-fashioned frame house, with plenty of big trees and lots of lawn space around it. It was my parents' house before they died, and now it's mine. That's about all. I drive a '52 Ford convertible, one of those fancy green ones, because I don't know of any law absolutely requiring a doctor to drive a small black coupé.
We turned into Dewey Avenue and Uncle Ira was out on the lawn before his home. It's a big, wide, quiet street, all the houses set well apart, and way back from the sidewalk. I had the top down, and when we drew in to the curb, Uncle Ira looked up, saw us, and waved. "Evening, Becky. Hi, Miles," he called, smiling.
We answered, waving back, and got out of the car. Becky went on up the walk to the house, speaking pleasantly to Uncle Ira as she passed. I strolled across the lawn toward him, casually, hands in pockets, just passing the time of day. "Evening, Mr. Lentz."
"How's business, Miles? Kill many today?" He grinned as though this were a brand-new joke.
"Bagged the limit." I smiled, stopping beside him. This was the usual routine between us, whenever we ran into each other around town, and now I stood, looking him in the eyes, his face not two feet from mine.
It was nice out, temperature around sixty-five, and the light was good; not full daylight, but still plenty of sun. I don't know just what I thought I might see, but of course it was Uncle Ira, the same Mr. Lentz I'd known as a kid, delivering an evening paper to the bank every night. He was head teller then – he's retired, now – and was always urging me to bank my huge profits from the newspaper route. Now he looked just about the same, except that it was fifteen years later and his hair was white. He's big, well over six feet, a little shambling in his gait now, but still a vigorous, shrewd-eyed, race old man. And this was him, no one else, standing there on the lawn in the early evening, and I began to feel scared about Wilma.
We chatted about nothing much – local politics, the weather, business, the new state highway through town they'd been surveying for – and I studied every line and pore of his face, listened to each tone and inflection of his voice, alert to every move and gesture. You can't really do two things at once, though, and he noticed. "You worried or something, Miles? Seem a little absent-minded tonight."
I smiled and shrugged. "Just taking my work home with me, I guess."
"Mustn't do that, boy; I never did. Forgot all about the bank the minute I put my hat on at night. Course you don't get to be president that way." He grinned. "But the president's dead now, and I'm still alive."
Hell, it was Uncle Ira, every hair, every line of his face, each word, movement, and thought, and I felt like a fool. Becky and Wilma came out of the house and sat down on the porch swing, and I waved to them, then walked on up to the house.
Chapter two
Wilma sat waiting on the swing with Becky, smiling pleasantly till I reached the steps, then she said quietly, "I'm glad you've come, Miles."
"Hello, Wilma; nice to see you." I sat down, facing them on the wide porch rail, my back against the white pillar.
Wilma watched me questioningly, then glanced out at her uncle, who'd begun puttering around the lawn again. "Well?" she said.
I glanced at Ira too, then looked at Wilma. I nodded. "It's him, Wilma. It's your uncle, all right."
She just nodded, as though expecting exactly that answer. "It's not;" she murmured, but she said it quietly – not arguing, just asserting a fact.
"Well," I said, leaning my head back against the pillar, "let's take this a little at a time. After all, you could hardly be fooled; you've lived with him for years. How do you know he isn't Uncle Ira, Wilma? How is he different?"
For a moment her voice shot up, high and panicky. "That's just it!" But she quieted down instantly, leaning toward me. "Miles, there is no difference you can actually see. I'd hoped you might find one, when Becky told me you were here – that you'd see some sort of difference. But of course you can't, because there isn't any to see. Look at him."
We all glanced out at the lawn again; Uncle Ira was idly kicking with the side of his foot at a weed or pebble or something imbedded in the lawn. "Every little move, everything about him is exactly like Ira's." Her face still red-cheeked and round as a circle, but lined now with anxiety, Wilma sat staring at me, eyes intense. "I've been waiti
ng for today," she whispered. "Waiting till he'd get a haircut, and he finally did." Again she leaned toward me, eyes big, her voice a hissing whisper. "There's a little scar on the back of Ira's neck; he had a boil there once, and your father lanced it. You can't see the scar," she whispered, "when he needs a haircut. But when his neck is shaved, you can. Well, today – I've been waiting for this! – today he got a haircut – "
I sat forward, suddenly excited. "And the scar's gone? You mean – "
"No!" she said, almost indignantly, eyes flashing. "It's there – the scar – exactly like Uncle Ira's!"
I didn't answer for a moment. Staring down at the tip of my shoe, I didn't dare glance at Becky, and for a moment I couldn't look at poor Wilma. Then I raised my head, looking her squarely in the eyes, and said it: "Then look, Wilma, he is Uncle Ira. Can't you see that? No matter how you feel, he is – "
She just shook her head and sat back on the swing. "He's not."
For a moment I was stuck, rattled; I couldn't think of anything else to say. "Where's your Aunt Aleda?"
"It's all right; she's upstairs. Just be sure he doesn't hear."
I sat chewing my lip, trying to think. "What about his habits, Wilma?" I said then. "Little mannerisms?"
"All the same as Uncle Ira's. Exactly."
Of course I shouldn't have, but for an instant I lost my patience. "Well, what is the difference, then? If there isn't any, how can you tell – " I quieted right down, and tried to be constructive. "Wilma, what about memories? There must be little things only you and Uncle Ira would know."
Pushing her feet against the floor, she began gently rocking the swing, gazing out at Uncle Ira, who was staring up at a tree now, as though wondering if it didn't need pruning. "I've tested that, too," she said quietly. "Talked to him about when I was a child." She sighed, trying uselessly, and knowing it was useless, to make me understand.