Song of the Sparrow

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Song of the Sparrow Page 12

by Lisa Sandell

red blood.

  I begin to wretch,

  and I am crying too.

  Get up, Elaine! she screams.

  Gwyn — Gwynivere?

  I cannot speak but to

  whisper her name.

  Elaine, stand up! she snaps.

  And I stand.

  My knees still shake,

  but I am up on two legs,

  and the world is spinning like mad.

  Suddenly all is still, and I

  am moving fast,

  faster than a wildcat,

  and I leap at dirty Yellow Hair,

  my fingers claws,

  tearing at his beard

  and ropy locks,

  an animal scream curls from my throat,

  and I am breathing and snorting,

  and blood is rushing through my head,

  down my arm.

  I see a river of red run down

  the side of his face,

  a river of blood,

  red like my hair on the muddy ground.

  He yelps and clutches his cheek.

  I am kicking and

  screaming and scratching,

  and Gwynivere

  is attacking the others,

  and we are a tangle of yellow

  and red and scratches and

  arms and fingernails.

  The knife clatters to the ground.

  One of the men grabs me,

  forces my arms to my sides.

  I am breathing and writhing.

  A beast caught in a snare.

  Another has taken hold of Gwynivere,

  her arms pinned to her sides also.

  The men bark at each other

  in their ugly language that sounds

  like coughs and choking,

  ugly words issuing

  from spit-flecked lips,

  yellow teeth flashing dangerously.

  I am shaking with hate and

  fury, and they begin to walk,

  Yellow Hair pushing me ahead

  of him, the others following,

  with Gwynivere in the middle.

  We march silently, though I can

  hear Gwynivere breathing heavily.

  Is she crying?

  My tears have stopped, perhaps

  I have cried my eyes dry.

  The scenery passes too quickly,

  all mottled

  green and grey; a cloud seems

  to have settled over my sight.

  A sorry collection of flaccid,

  ash-colored tents lies ahead,

  and beyond them,

  a steep hill. This must be the hill

  called Badon.

  I twist my head back to look at

  Gwynivere. Her head hangs low,

  her flaxen hair covering her face.

  Is she hurt?

  We approach the tents, and

  more filthy men clad in

  leather jerkins, with limp,

  dirty skins and furs swinging

  from their waists, appear.

  Our captors grunt to them,

  the others grunt back,

  staring at Gwynivere and me

  in a way that makes my skin

  creep and shudder.

  I know what Saxons do to women.

  What will happen to us?

  One man steps forward to

  greet our party. He and Yellow Hair

  speak, and I do not understand

  a word they utter.

  Then, the man from the tents bends

  down to look in my eyes.

  Sister of Arthur, we will hold you

  prisoner, and we will keep you

  until this battle is won.

  Then, Arthur will pay for you.

  No harm will come to you.

  For now …

  He grins a terrible grin,

  yellow-and-black teeth

  gleaming dully, and he turns

  swiftly, and our captors push us

  after him.

  We stop in front of one of

  the tents, the stink of dead animal

  filling my nostrils,

  filling my mouth with sour bile.

  I wretch and vomit again.

  A sharp shove from behind,

  and Yellow Hair screams angrily,

  my vomit has fallen on his boots,

  and I am tumbling into the tent.

  Gwynivere stumbles in after me,

  and Yellow Hair snarls at the man

  who was holding her, and he follows us

  into the tent, grabbing my wrist and

  Gwynivere’s, and dragging us to the center

  pole. He forces us to the floor,

  twisting my hand painfully. I try not

  to make a sound, but a pitiful yelp

  escapes, and he grabs my other wrist,

  dropping Gwynivere’s, and binds my hands

  to the support pole.

  My injured arm is throbbing, and my wrist

  burns. Gwynivere is thrown down opposite

  me, and her hands are also tied to the pole.

  We are left to face each other, mute

  with horror and fear.

  The Saxons leave, their harsh laughter

  echoing behind them.

  I cannot help it.

  A scream, a scream for all the

  anguish and fear and hate

  is surging up from my chest,

  tumbling over itself in its haste to get out,

  and I scream and scream, a baby,

  an animal.

  Gwynivere stares at me in shock.

  Her hair, tangled with leaves and

  dirt, hangs over her eyes.

  What if I led them to Arthur?

  To Father and all the people

  I have and love in this world?

  I am still screaming.

  I cannot stop.

  Then hands cover my hands,

  warm and soft,

  like a butterfly’s wings.

  And the screams stop.

  My chest is empty.

  Even my heart, my little

  sparrow, seems to have left me.

  I am bereft and frightened.

  Are you — are you all right?

  Gwynivere asks, her eyes wide.

  Your arm, I mean.

  I — I am fine, I mutter.

  My throat is raw and

  it smarts with each word.

  Each breath.

  Suddenly my rage is only for her.

  What are you doing here?

  Why did you follow me? I chastise.

  What were you thinking?

  I want to hurt her.

  Gwynivere turns her head and rests it on her arm.

  What was I thinking? she shouts back at me.

  I am not the one who got caught.

  If you were not so careless, this would

  never have happened. But you

  follow the men like a pathetic puppy dog.

  Why would they ever want to see you? she snarls.

  Her words sting, as much as my throat

  and the wound on my arm.

  But I am grateful for these piercing

  breaths, each one a reminder, a gift.

  I live, yet.

  Why would they want to see me? I laugh,

  disbelieving her arrogance.

  I can heal them; when they are wounded,

  they look to me! I scream at her.

  How dare she!

  They look to you, ha! Her voice and face

  are filled with scorn.

  But they want to look at me.

  Not at young pups, she spits.

  I feel as though I have been slapped.

  Every time, her slings and insults

  assail me anew.

  Fool, I mutter.

  Yes, I am a fool. But you are a bigger one,

  she mocks.

  The time creeps past, and the light

  outside the tent grows w
eaker.

  Gwynivere grows restless, her legs

  twitching and rustling beneath her skirts.

  They will not hurt us,

  Gwynivere remarks tonelessly.

  That Saxon pig is afraid of Arthur.

  A savage grin twists her coral lips.

  How can you be so certain? I ask.

  Because I know men. You’re

  bleeding all over me, she snaps.

  I — I am sorry, I murmur. It will stop soon.

  We are silent.

  She knows men.

  She knows how to manipulate men.

  This is why Arthur will marry her.

  Why Lancelot trails after her

  as though he has been enchanted.

  Why I shall remain alone.

  How can she still be so cruel,

  even now, when we are here,

  trapped, together?

  Yet —

  yet, she tried to save me.

  The realization gives me a start.

  Yes, she tried to rescue me.

  When she saw the Saxons seize me,

  she flew from the trees like a lioness

  protecting her cub.

  She does not hate me.

  She pretends.

  Gwynivere, I begin.

  I am sorry. Sorry that you

  became entangled in this mess

  with me.

  She picks up her head and looks at me.

  I do believe her eyes soften,

  but she does not speak.

  The minutes pass slowly, achingly.

  My arm continues to bleed, and I

  am beginning to feel faint.

  My head spins, and my eyes

  start to roll back in my head.

  Elaine! Gwynivere screams.

  Her hands hit mine, and she is

  shaking my wrists frantically.

  My — there are some herbs, I whisper,

  leaves in the pouch that

  hangs about my neck.

  If — if I lean toward you,

  can you reach it?

  I open my eyes and sway sickeningly,

  as I try to inch toward Gwynivere,

  craning my neck. She wiggles

  her hands in their ropes, and reaches

  for the tiny leather pouch.

  I — I think I can, she murmurs,

  her brow wrinkled as she pushes as

  far forward as she can.

  The ropes are straining at her wrists,

  biting into the white flesh, but she does

  not even flinch.

  I have it! she crows happily.

  My head feels cloudy,

  like I could float away, leave

  my body behind, on the floor of this

  dirty tent.

  Elaine, Gwynivere growls, Elaine,

  do not faint. Do not! Tell me what to do!

  She is shaking me again.

  Gwyn — Gwynivere, take the milfoil —

  The what? she interrupts. I do not know

  what that is. There are flowers, leaves

  in here. Tell me which one to take!

  There is an edge of

  mania behind her words.

  The milfoil, the feathery green leaves,

  those will help the blood to clot.

  Do you see it? I am so tired, so weak.

  Yes, yes — this? she asks, holding up the

  needlelike leaves.

  Yes, that is the one, I reply.

  Press them into the wound,

  here on my arm. I indicate

  the knife wound with my chin.

  Can you reach? I ask.

  Can you move closer to me? she urges.

  I slide closer to her, and the scent

  of roses stirs me from the sleepy

  state I am entering, as I grow

  weak from blood loss.

  I wince as she prods the

  cut, and the leaves fill the wound,

  stanching the blood.

  Her fingers are surprisingly gentle,

  moving quickly and softly,

  like a hummingbird.

  I bite my lip, teeth sinking into

  flesh, as the burning overwhelms

  me for an instant, then dulls.

  Thank you, I whisper. That is better.

  And everything goes black.

  The sound of quiet weeping

  wrests me from my sleep.

  As my eyes slowly open, I am

  startled to remember where I am,

  tied up in a cavelike tent,

  Gwynivere bound and beside me.

  Her chin is on her chest, and her shoulders

  shake with tears.

  Gwynivere?

  She lifts her head quickly.

  You — you are alive! she breathes.

  I thought you had died.

  And tears fill her cornflower eyes and

  course down her cheeks.

  I was so frightened. I thought you had

  left me alone, she says.

  I am sorry to have given you a fright,

  I tell her. It is all right. I will live.

  Gwynivere meets my grin with her own,

  and we both begin to giggle blackly.

  I will live, but who knows for how long?

  Silence descends upon us once more.

  Darkness has fallen outside, and

  the tent is filled with shadows, the

  only light coming from a single lantern

  near the flaps. The Saxons must have

  come while I slept.

  I watch the orange flame dance and

  flicker. I wonder if my father and brothers

  sit beside a fire, too, tonight.

  I wonder if they live.

  I wonder if I led the Saxons to them.

  If they have been slaughtered like sheep,

  or if they have already met in combat.

  Dread and fear take root in my belly,

  growing like a vine up into my chest,

  my throat.

  I am sure they are quite safe,

  Gwynivere breaks into my thoughts.

  W-what? I ask.

  I am sure your father and brothers are safe,

  she responds. There has not been any fighting

  yet. I overheard the pigs talking.

  You can understand them? I ask, incredulous.

  Just bits. There are Saxons living in the

  summer lands of my father.

  But they expect to meet Arthur in battle

  in the morning, by the rise

  of the sun, she answers.

  How did you know what I was thinking?

  I whisper, still shocked by her intuition.

  My father is out there too, she replies simply.

  And I worry as well.

  I am sorry, I whisper. Of course

  you are worried too.

  I wonder if I can begin to know her.

  Neither of us speaks, but a question

  is burning my tongue.

  Why do you hate me? Why have you hated

  me since you arrived at Caerleon?

  Gwynivere’s head snaps up, her

  mouth snaps open and closes again.

  Then she looks down again,

  huddling her knees close to her chest.

  I — I do not hate you, she stammers softly.

  Then she looks at me directly,

  her face regal and eyes frosty again.

  You think you are better than everyone.

  The way you run around the camp

  like a — a heathen. Well, you are not

  better. Gwynivere’s eyes slant.

  A fox, with teeth bared.

  I do not think myself better

  than anyone, Gwynivere. That is not true,

  I reply. And I think you know it to be false.

  Gwynivere shrugs her shoulders

  as though she does not care either way.

  And this time the sil
ence is heavy;

  it weighs on my shoulders, my aching

  arm, and on my eyelids.

  Soon, my eyes are too heavy to

  keep open, and I feel myself drifting

  off to sleep. Before they close

  a final time, I see Gwynivere is

  already asleep.

  The hammering of boots

  on earth, of sticks on drums,

  of swords on shields wakes me.

  The drums beat fiercely now,

  and tremors ripple through

  the ground.

  It has begun.

  They have been fighting since

  dawn. Gwynivere’s tone is flat,

  her eyes flat too.

  How far away are they? I ask,

  shaking my head, rubbing my

  wrists. My hands and arms have

  not woken up yet, my injured shoulder

  throbs dully.

  At least it does not feel inflamed.

  I do not know, she replies.

  If I cock my head and strain,

  I can hear cries of pain and death

  riding on the wind.

  Whose are they?

  I fight down the panic that rises

  from my belly.

  But I have witnessed too many

  battles to get scared again.

  I have listened to too many

  war stories to be frightened

  by this, the workings of men.

  Yet I cannot force the terrible thoughts

  from my mind.

  What if I never see Lancelot again?

  What if I never feel my father’s embrace

  again? What if I never hear Tirry’s

  comforting words again? What if I never feel the

  tug of Lavain’s sly hands on my braids again?

  What if I never talk with Arthur again?

  Or laugh with Tristan, and feel the glow

  of his friendship again?

  The tears threaten once more.

  I blink to fight them back,

  but one slips down my cheek anyway.

  You are right, Gwynivere, I was

  a fool, I chastise myself.

  Such a stupid fool. What did I hope

  to achieve? Now I have gotten us

  caught, like foxes in a snare,

  and Arthur will have to

  pay dearly to win us back.

  I am so stupid.

  He was right….

  I am a child.

  Suddenly Gwynivere’s hands

  are on mine.

  No, Elaine, do not berate

  yourself. Your intentions

  were noble, and if you had met

  with Arthur’s men, you would have

  done well to nurse the wounded.

  You are brave, while I, I am nothing

  but a jealous peahen. I was jealous,

  Elaine — that is why I followed you.

  She looks down at the floor.

  I saw how all the men look on you,

  with admiration and as a friend.

  All of them — Lancelot, Arthur,

  Gawain. No man has ever looked

  at me but to see my figure, my face.

  I hate them for it. But mostly, I hate

  myself, because I am nothing more than

  a seashell, beautiful on the outside,

 

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