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The Man In the Rubber Mask

Page 30

by Robert Llewellyn


  After about twenty minutes we went back to the hotel and got de-Dwarfed. I don’t think I’ve ever had the make-up on for less time, even when we’ve done make-up tests and camera tests I have it on longer. Doug, Craig, Chris and I, plus what seemed like twenty other people, then crammed in another room and did a few interviews over a speakerphone. We had a very hurried supper and headed for the Prince Charles Cinema where the first episode was going to be shown to a packed house. I had quite a few friends attending, Nigel Planer, Lisa Rogers and many other people I’d worked with were in the auditorium, but I never saw them. It was all a bit busy.

  The preview went down a storm, everyone seemed to love it, we did a short question and answer session afterwards. I was immensely grateful Doug was there, as many of the questions about plot development and storylines were dealt with by ‘the man who knows’. I just waffle when I’m asked. My son and his supermodel girlfriend were in the audience, she’d never seen Red Dwarf before and she said she loved it. Nice. I asked my son what he thought. ‘Yeah, not bad, can you lend me twenty quid, Dad?’ Nice.

  The following night I sat down with my daughter and watched the episode as it went out. We’d had a takeaway curry beforehand, I’d helped her do her history homework about Pitt the Younger and George III’s influence over parliament in 1785, but by nine o’clock we were ready. My daughter laughed, she actually laughed, when Kryten gets a bit angry with the droid shopping channel customer service complaints department. ‘That was actually funny, Dad,’ she said and gave me a pat on the back. Nice.

  So, what next for the small rouge one? I don’t know. I thought it was all over after series three back in 1989, so I’m keeping my options open.

  This ebook edition first released in 2012

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  All rights reserved © Robert Llewellyn, 2012

  The right of Robert Llewellyn to be identified as the author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988.

  No part of this publication may be copied, reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.

  Cover design by Mark Ecob

  Cover photograph courtesy of UKTV

  A CIP record for this book is available from the British Library

  ISBN 978-1-908717-77-1

 

 

 


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