by Otto Penzler
V
“I don’t say it wasn’t straight, and yet I don’t say it was straight. It was business.”
Mary, at the words, lifted her head with a start, and looked intently at the speaker.
When, half an hour before, a card with “Mr. Parvis” on it had been brought up to her, she had been immediately aware that the name had been a part of her consciousness ever since she had read it at the head of Boyne’s unfinished letter. In the library she had found awaiting her a small sallow man with a bald head and gold eyeglasses, and it sent a tremor through her to know that this was the person to whom her husband’s last known thought had been directed.
Parvis, civilly, but without vain preamble—in the manner of a man who has his watch in his hand—had set forth the object of his visit. He had “run over” to England on business, and finding himself in the neighbourhood of Dorchester, had not wished to leave it without paying his respects to Mrs. Boyne; and without asking her, if the occasion offered, what she meant to do about Bob Elwell’s family.
The words touched the spring of some obscure dread in Mary’s bosom. Did her visitor, after all, know what Boyne had meant by his unfinished phrase? She asked for an elucidation of his question, and noticed at once that he seemed surprised at her continued ignorance of the subject. Was it possible that she really knew as little as she said?
“I know nothing—you must tell me,” she faltered out; and her visitor thereupon proceeded to unfold his story. It threw, even to her confused perceptions, and imperfectly initiated vision, a lurid glare on the whole hazy episode of the Blue Star Mine. Her husband had made his money in that brilliant speculation at the cost of “getting ahead” of some one less alert to seize the chance; and the victim of his ingenuity was young Robert Elwell, who had “put him on” to the Blue Star scheme.
Parvis, at Mary’s first cry, had thrown her a sobering glance through his impartial glasses.
“Bob Elwell wasn’t smart enough, that’s all; if he had been, he might have turned round and served Boyne the same way. It’s the kind of thing that happens every day in business. I guess it’s what the scientists call the survival of the fittest—see?” said Mr. Parvis, evidently pleased with the aptness of his analogy.
Mary felt a physical shrinking from the next question she tried to frame: it was as though the words on her lips had a taste that nauseated her.
“But then—you accuse my husband of doing something dishonourable?”
Mr. Parvis surveyed the question dispassionately. “Oh, no, I don’t. I don’t even say it wasn’t straight.” He glanced up and down the long lines of books, as if one of them might have supplied him with the definition he sought. “I don’t say it wasn’t straight, and yet I don’t say it was straight. It was business.” After all, no definition in his category could be more comprehensive than that.
Mary sat staring at him with a look of terror. He seemed to her like the indifferent emissary of some evil power.
“But Mr. Elwell’s lawyers apparently did not take your view, since I suppose the suit was withdrawn by their advice.”
“Oh, yes; they knew he hadn’t a leg to stand on, technically. It was when they advised him to withdraw the suit that he got desperate. You see, he’d borrowed most of the money he lost in the Blue Star, and he was up a tree. That’s why he shot himself when they told him he had no show.”
The horror was sweeping over Mary in great deafening waves.
“He shot himself? He killed himself because of that?”
“Well, he didn’t kill himself, exactly. He dragged on two months before he died.” Parvis emitted the statement as unemotionally as a gramophone grinding out its “record.”
“You mean that he tried to kill himself, and failed? And tried again?”
“Oh, he didn’t have to try again,” said Parvis grimly.
They sat opposite each other in silence, he swinging his eyeglasses thoughtfully about his finger, she, motionless, her arms stretched along her knees in an attitude of rigid tension.
“But if you knew all this,” she began at length, hardly able to force her voice above a whisper, “how is it that when I wrote you at the time of my husband’s disappearance you said you didn’t understand his letter?”
Parvis received this without perceptible embarrassment: “Why, I didn’t understand it—strictly speaking. And it wasn’t the time to talk about it, if I had. The Elwell business was settled when the suit was withdrawn. Nothing I could have told you would have helped you to find your husband.”
Mary continued to scrutinise him. “Then why are you telling me now?”
Still Parvis did not hesitate. “Well, to begin with, I supposed you knew more than you appear to—I mean about the circumstances of Elwell’s death. And then people are talking of it now; the whole matter’s been raked up again. And I thought if you didn’t know you ought to.”
She remained silent, and he continued: “You see, it’s only come out lately what a bad state Elwell’s affairs were in. His wife’s a proud woman, and she fought on as long as she could, going out to work, and taking sewing at home when she got too sick—something with the heart, I believe. But she had his mother to look after, and the children, and she broke down under it, and finally had to ask for help. That called attention to the case, and the papers took it up, and a subscription was started. Everybody out there liked Bob Elwell, and most of the prominent names in the place are down on the list, and people began to wonder why——”
Parvis broke off to fumble in an inner pocket. “Here,” he continued, “here’s an account of the whole thing from the Sentinel—a little sensational, of course. But I guess you’d better look it over.”
He held out a newspaper to Mary, who unfolded it slowly, remembering, as she did so, the evening when, in that same room, the perusal of a clipping from the Sentinel had first shaken the depths of her security.
As she opened the paper, her eyes, shrinking from the glaring headlines, “Widow of Boyne’s Victim Forced to Appeal for Aid,” ran down the column of text to two portraits inserted in it. The first was her husband’s, taken from a photograph made the year they had come to England. It was the picture of him that she liked best, the one that stood on the writing-table up-stairs in her bedroom. As the eyes in the photograph met hers, she felt it would be impossible to read what was said of him, and closed her lids with the sharpness of the pain.
“I thought if you felt disposed to put your name down——” she heard Parvis continue.
She opened her eyes with an effort, and they fell on the other portrait. It was that of a youngish man, slightly built, with features somewhat blurred by the shadow of a projecting hat-brim. Where had she seen that outline before? She stared at it confusedly, her heart hammering in her ears. Then she gave a cry.
“This is the man—the man who came for my husband!”
She heard Parvis start to his feet, and was dimly aware that she had slipped backward into the corner of the sofa, and that he was bending above her in alarm. She straightened herself, and reached out for the paper, which she had dropped.
“It’s the man! I should know him anywhere!” she persisted in a voice that sounded to her own ears like a scream.
Parvis’s answer seemed to come to her from far off, down endless fog-muffled windings.
“Mrs. Boyne, you’re not very well. Shall I call somebody? Shall I get a glass of water?”
“No, no, no!” She threw herself toward him, her hand frantically clutching the newspaper. “I tell you, it’s the man! I know him! He spoke to me in the garden!”
Parvis took the journal from her, directing his glasses to the portrait. “It can’t be, Mrs. Boyne.
It’s Robert Elwell.”
“Robert Elwell?” Her white stare seemed to travel into space. “Then it was Robert Elwell who came for him.”
“Came for Boyne? The day he went away from here?” Parvis’s voice dropped as hers rose. He bent over, laying a fraternal hand on her, as if to coax
her gently back into her seat. “Why, Elwell was dead! Don’t you remember?”
Mary sat with her eyes fixed on the picture, unconscious of what he was saying.
“Don’t you remember Boyne’s unfinished letter to me—the one you found on his desk that day? It was written just after he’d heard of Elwell’s death.” She noticed an odd shake in Parvis’s unemotional voice. “Surely you remember!” he urged her.
Yes, she remembered: that was the profoundest horror of it. Elwell had died the day before her husband’s disappearance; and this was Elwell’s portrait; and it was the portrait of the man who had spoken to her in the garden. She lifted her head and looked slowly about the library.
The library could have borne witness that it was also the portrait of the man who had come in that day to call Boyne from his unfinished letter. Through the misty surgings of her brain she heard the faint boom of half-forgotten words—words spoken by Alida Stair on the lawn at Pangbourne before Boyne and his wife had ever seen the house at Lyng, or had imagined that they might one day live there.
“This was the man who spoke to me,” she repeated.
She looked again at Parvis. He was trying to conceal his disturbance under what he probably imagined to be an expression of indulgent commiseration; but the edges of his lips were blue. “He thinks me mad; but I’m not mad,” she reflected; and suddenly there flashed upon her a way of justifying her strange affirmation.
She sat quiet, controlling the quiver of her lips, and waiting till she could trust her voice; then she said, looking straight at Parvis: “Will you answer me one question, please? When was it that Robert Elwell tried to kill himself?”
“When—when?” Parvis stammered.
“Yes; the date. Please try to remember.”
She saw that he was growing still more afraid of her. “I have a reason,” she insisted.
“Yes, yes. Only I can’t remember. About two months before, I should say.”
“I want the date,” she repeated.
Parvis picked up the newspaper. “We might see here,” he said, still humouring her. He ran his eyes down the page. “Here it is. Last October—the——”
She caught the words from him. “The 20th, wasn’t it?” With a sharp look at her, he verified. “Yes, the 20th. Then you did know?”
“I know now.” Her gaze continued to travel past him. “Sunday, the 20th—that was the day he came first.”
Parvis’s voice was almost inaudible. “Came here first?”
“Yes.”
“You saw him twice, then?”
“Yes, twice.” She just breathed it at him. “He came first on the 20th of October. I remember the date because it was the day we went up Meldon Steep for the first time.” She felt a faint gasp of inward laughter at the thought that but for that she might have forgotten.
Parvis continued to scrutinise her, as if trying to intercept her gaze.
“We saw him from the roof,” she went on. “He came down the lime-avenue toward the house. He was dressed just as he is in that picture. My husband saw him first. He was frightened, and ran down ahead of me; but there was no one there. He had vanished.”
“Elwell had vanished?” Parvis faltered.
“Yes.” Their two whispers seemed to grope for each other. “I couldn’t think what had happened. I see now. He tried to come then; but he wasn’t dead enough—he couldn’t reach us. He had to wait for two months to die; and then he came back again—and Ned went with him.”
She nodded at Parvis with the look of triumph of a child who has worked out a difficult puzzle. But suddenly she lifted her hands with a desperate gesture, pressing them to her temples.
“Oh, my God! I sent him to Ned—I told him where to go! I sent him to this room!” she screamed.
She felt the walls of books rush toward her, like inward falling ruins; and she heard Parvis, a long way off, through the ruins, crying to her, and struggling to get at her. But she was numb to his touch, she did not know what he was saying. Through the tumult she heard but one clear note, the voice of Alida Stair, speaking on the lawn at Pangbourne.
“You won’t know till afterward,” it said. “You won’t know till long, long afterward.”
CONSEQUENCES
Willa Cather
A TRULY AMERICAN WRITER of the first half of the twentieth century, Willa (Sibert) Cather (1873–1947) is probably most associated with the western plains of Nebraska, where she set such classics as O Pioneers! (1913) and My Ántonia (1918), though she was born in Virginia and lived for some years in New York, Pittsburgh, the Southwest, Maine, and, briefly, Europe. One of her only moderately successful and now lesser-known works, One of Ours (1922), won the Pulitzer Prize for fiction in 1923.
Her very traditional themes and precise prose style brought her great success, though the somewhat meandering novels, largely devoid of plot, passion, and surprise, may be a bit challenging to younger readers of the present day.
Cather attended the University of Nebraska, working her way through school as a newspaper correspondent. The experience helped polish her writing skills and she soon turned to poetry and the short story form, selling them to the prestigious McClure’s Magazine, where she accepted the position of managing editor, which she held from 1906 to 1912, though she was no great fan of the magazine’s muckraking activities. In the later part of her career, the conservative views depicted in her fiction were treated unkindly by critics and she became reclusive, destroying her notebooks and correspondence.
“Consequences” was first published in the November 1915 issue of McClure’s Magazine.
Consequences
WILLA CATHER
HENRY EASTMAN, A LAWYER, aged forty, was standing beside the Flatiron building in a driving November rainstorm, signaling frantically for a taxi. It was six-thirty, and everything on wheels was engaged. The streets were in confusion about him, the sky was in turmoil above him, and the Flatiron building, which seemed about to blow down, threw water like a mill-shoot. Suddenly, out of the brutal struggle of men and cars and machines and people tilting at each other with umbrellas, a quiet, well-mannered limousine paused before him, at the curb, and an agreeable, ruddy countenance confronted him through the open window of the car.
“Don’t you want me to pick you up, Mr. Eastman? I’m running directly home now.”
Eastman recognized Kier Cavenaugh, a young man of pleasure, who lived in the house on Central Park South, where he himself had an apartment.
“Don’t I?” he exclaimed, bolting into the car.“I’ll risk getting your cushions wet without compunction. I came up in a taxi, but I didn’t hold it. Bad economy. I thought I saw your car down on Fourteenth Street about half an hour ago.”
The owner of the car smiled. He had a pleasant, round face and round eyes, and a fringe of smooth, yellow hair showed under the rim of his soft felt hat. “With a lot of little broilers fluttering into it? You did. I know some girls who work in the cheap shops down there. I happened to be down-town and I stopped and took a load of them home. I do sometimes. Saves their poor little clothes, you know. Their shoes are never any good.”
Eastman looked at his rescuer. “Aren’t they notoriously afraid of cars and smooth young men?” he inquired.
Cavenaugh shook his head. “They know which cars are safe and which are chancy. They put each other wise. You have to take a bunch at a time, of course. The Italian girls can never come along; their men shoot. The girls understand, all right; but their fathers don’t. One gets to see queer places, sometimes, taking them home.”
Eastman laughed drily. “Every time I touch the circle of your acquaintance, Cavenaugh, it’s a little wider. You must know New York pretty well by this time.”
“Yes, but I’m on my good behavior below Twenty-third Street,” the young man replied with simplicity. “My little friends down there would give me a good character. They’re wise little girls. They have grand ways with each other, a romantic code of loyalty. You can find a good many of the lost virtues am
ong them.”
The car was standing still in a traffic block at Fortieth Street, when Cavenaugh suddenly drew his face away from the window and touched Eastman’s arm. “Look, please. You see that hansom with the bony gray horse—driver has a broken hat and red flannel around his throat. Can you see who is inside?”
Eastman peered out. The hansom was just cutting across the line, and the driver was making a great fuss about it, bobbing his head and waving his whip. He jerked his dripping old horse into Fortieth Street and clattered off past the Public Library grounds toward Sixth Avenue. “No, I couldn’t see the passenger. Someone you know?”
“Could you see whether there was a passenger?” Cavenaugh asked.
“Why, yes. A man, I think. I saw his elbow on the apron. No driver ever behaves like that unless he has a passenger.”
“Yes, I may have been mistaken,” Cavenaugh murmured absent-mindedly. Ten minutes or so later, after Cavenaugh’s car had turned off Fifth Avenue into Fifty-eighth Street, Eastman exclaimed, “There’s your same cabby, and his cart’s empty. He’s headed for a drink now, I suppose.” The driver in the broken hat and the red flannel neck cloth was still brandishing the whip over his old gray. He was coming from the west now, and turned down Sixth Avenue, under the elevated.
Cavenaugh’s car stopped at the bachelor apartment house between Sixth and Seventh Avenues where he and Eastman lived, and they went up in the elevator together. They were still talking when the lift stopped at Cavenaugh’s floor, and Eastman stepped out with him and walked down the hall, finishing his sentence while Cavenaugh found his latch-key. When he opened the door, a wave of fresh cigarette smoke greeted them. Cavenaugh stopped short and stared into his hallway. “Now how in the devil—!” he exclaimed angrily.