In that same instant something skimmed over her head, so close she felt the wind rustling her hair. A half-second later, the reddish-brown bird flapped its wings, then glided up over the house and off into the wood. By that time the geese were already in the far corner of the field. A few white feathers floated down to the ground. She fell to her knees and collapsed sideways in the wet grass. ‘Why am I doing this?’ she said quietly. She spat out what was left of the cigarette. ‘I can’t do it at all.’
*
A couple of hours later she was lying in the claw-foot tub. She studied her fingers, raised her left leg and picked the scab off her instep. The water at the foot of the bath took on a reddish tinge. ‘I can do it,’ she said. She got out of the bath and dried herself. The small mirror above the sink was misted over; she saw her face and upper body as pinkish lumps and took a couple of paracetamol. She draped the towel over the rail on the landing next to some damp clothes. A fire was burning in the fireplace in the study, the desk lamp on the oak table was switched on. She stood in front of the fire. The skin of her thighs and belly felt tight. She ran her hands over her breasts and looked Emily Dickinson straight in her black eyes. ‘It’s easy for you,’ she said. ‘You’re dead.’
19
It wasn’t until a couple of days after she’d abandoned her mobile phone on the ferry that she realised she’d always used it as a watch and calender. She had brought her diary with her; if she really wanted to she could work out the date. Not having a clock – the one on the kitchen wall had probably stopped a long time ago – was not a problem. She ate when she was hungry and went to bed when she was up to it, though never without taking a paracetamol first. No alarm clock.
*
When she came downstairs the next morning, she was able to walk straight out the front door, which was wide open. It was already light and the grass was damp on her bare feet. These are the days when skies put on / The old, old sophistries of June, – / A blue and gold mistake. She wasn’t entirely sure why those lines had popped into her head. November and still so mild. Deceptively mild, perhaps. Blue and gold, but a mistake. There were two rubber boots on the doorstep. She turned round and didn’t close the door. The man was sitting at the kitchen table as if he came for a coffee every morning. He had folded up the map and was calmly drumming his fingers.
‘Bore da,’ he said.
‘What time is it?’ she asked.
He gestured over his shoulder with a thumb.
She looked at the clock: thirteen minutes past nine. She couldn’t remember what time it had been stopped at all these weeks.
‘Have you been here for a quarter of an hour?’
‘Yes.’
All she had on was the baggy T-shirt she used as a nightie. It came down to just above her knees. Was it too late to go back upstairs?
The man stood up and extended a hand. ‘Rhys Jones.’
If he hadn’t stood up, she could have excused herself. She pulled the neck of the T-shirt up a little and held out her other hand. ‘Good morning,’ she said without giving her name. She filled the coffee pot with water and coffee and raised one of the lids on the big cooker. She heard the farmer sit down again, the chair creaked.
‘Indestructible, that is,’ he said.
She looked out of the window. ‘Milk?’ she asked, keeping her back to him.
‘Yes, please. Milk and sugar.’
She raised the second lid, took a plastic milk bottle out of the fridge and poured the milk into a small saucepan. She picked the whisk out of the cutlery tray, which was on the worktop. She saw that her hand was shaking. ‘I’m just going upstairs,’ she said, not budging.
The man didn’t react.
‘I’m going to get dressed. I overslept.’
‘You don’t need to on my account,’ said Rhys Jones.
She faced him. ‘Wasn’t the door locked?’
He reached into his back pocket and pulled out a key, which he laid on the map. ‘I have a key.’
‘Which you are now leaving here?’
‘If you’d rather.’
‘Yes, I’d rather.’ She turned away again to stir the milk with the whisk, feeling her bum rocking slightly beneath the thin T-shirt material. ‘There is cake. Would you like a piece of cake with your coffee?’
‘Lovely.’
The coffee pot started to splutter. ‘Did you write the instructions?’
‘Yes.’
‘You did it very well then. I can manage the Aga now.’
‘The oil tank’s been filled. It’ll last you months.’ He slid the map to one side. ‘Mrs Evans liked the idea of me having a key.’
She poured the coffee into two mugs and added milk to one. Then took the cake out of the fridge, cut two slices and laid them on plates. She slid the cake and coffee over to him and, before sitting down and as inconspicuously as possible, held the hem of her T-shirt against her thighs.
Rhys Jones looked like a caricature of a Welshman: a broad face, thick greasy hair, watery eyes, unshaven. She thought she could detect a faint smell of sheep, but it could have been last night’s beer. The nail of his right thumb was blue and torn. He finished the piece of cake in five bites.
‘You’ve been down with the geese,’ he said.
‘What was the arrangement you had with the woman who lived here before?’
‘Regarding the sheep?’
‘Yes.’
‘Free pasture. Mowing and haymaking once or twice a year. And a lamb in autumn.’
‘A lamb?’
‘Butchered.’
‘And that lamb? I get that too?’
‘That’s right. You’re living here now. My sheep are grazing the land you’re renting. The arrangement’s the same.’
‘And if I don’t like lamb?’
‘You still get it. I can’t supply pork or beef, but the lamb is excellent.’ He stared at her. ‘Zwartbles.’
‘Pardon?’
‘They’re Zwartbles sheep, a Friesian breed. From your own country.’
She looked at her cake and knew she wasn’t going to eat it. Never again would she see this man at nine o’clock in the morning, she thought. ‘Was this Mrs Evans a relation of yours?’
‘No.’
‘Why wasn’t the house sold?’
‘She had no one. I asked an estate agent friend of mine to put it up for rent.’
‘To make sure you can still graze your sheep here?’
‘Amongst other things.’ He slurped what was left of the coffee out of his mug. ‘Meanwhile they’re looking for family. It could take a while.’
‘Another?’ she asked.
‘Lovely.’ He relaxed a little on his chair and stretched his legs out under the table. ‘I arranged her funeral.’
‘Are the geese yours too?’
‘No. They belonged to Mrs Evans.’
‘So now they’re mine?’
‘Yes. More or less.’
She had to stand up to get his mug and walk over to the sink with it. He stared at her as if he knew how difficult her situation was. ‘More or less,’ she said. ‘What does that mean?’
‘They’re rental geese. They don’t belong to you. I’d be guessing you’re not allowed to put a rented goose in the oven for Christmas roast.’
She stood up, staring back at him so that he wouldn’t be tempted to lower his gaze. It worked, he didn’t glance down at her hips until he had handed her his mug. She put the milk pan back on the hotplate and stared outside again, where the grass now looked a little drier. She wished she was out there: digging with the spade, stringing the cord along the path, working on a metaphorical wall unit. She noticed that the three flowering plants on the windowsill needed watering. She was appallingly tired and got a numb feeling in her arm while whisking the milk. But a numb arm was nowhere near as bad as talking to a man who had apparently come to assert his authority over the land and this house.
‘I only counted six by the way.’
‘What?’
&nb
sp; ‘Six geese.’
‘Have you been counting my geese?’
‘Of course.’
Goddomme, she thought.
‘Mrs Evans looked after them well. She fed them bread.’
She refilled the mug with coffee and milk and calculated how long it would take him to drink it. She no longer cared what he thought of her and, after passing him the mug, even bunched the T-shirt up a little to sit down. He started drinking straight away, sliding the key back and forth across the hard cover of the map with his free hand. She pushed away the cake and didn’t say another word.
‘It’s a temporary situation. The house is occupied. You’re happy, I’m happy, the agent’s happy. But the situation can change at any time.’ He bent forwards and pulled her plate over. ‘May I?’
She didn’t answer, but he ate her slice of cake all the same. It disgusted her, the broken thumbnail hovering round his chewing mouth. Silently she watched him gulp down the coffee. Then she stood up. She didn’t know what to say. Maybe he’d work out for himself that he’d spent long enough sitting in her kitchen. She gestured at the living room and the front door.
‘Aye, I’m on my way again,’ he said. He rose and walked slowly to the living room. ‘Easy,’ he said. ‘Having all the furniture, like.’
‘Why isn’t there a bed?’
‘I took it.’
‘And the clock?’
‘Climbing up on a stepladder was completely beyond her. I used to change the battery every now and then.’
She was pleased to see him crossing the room in his socks. A man in socks, and especially a man in socks with holes in them, is hard to take seriously.
At the front door he turned and looked her over from head to toe. ‘Injured?’ he asked.
‘Bitten by a badger.’
‘Impossible.’
‘I still got bitten.’
‘Badgers are shy animals.’ Shy. He stepped over the threshold. ‘I’ll be back then,’ he said, before pulling the door shut behind him.
He doesn’t want me to see him bending to pull on his boots, she thought, and smiled. ‘Goodbye,’ she called through the door when she saw that he was reaching down. She dragged herself upstairs and lay on the divan in the study, closing her eyes. Rhys Jones tore off in his car, which was undoubtedly green. A pickup, probably, with room for a few sheep in the back. Or bales of hay. A double bed. She didn’t feel the slightest inclination to look out of the window. Two hours later she started the day again. Properly, this time.
20
The sun was shining and the grass had dried completely. There was almost no wind. She cut the bamboo poles down to bamboo posts and stuck them in the ground next to the pieces of firewood. She strung cord between the posts. The light brown cows stood in line watching her over the stone wall. The grassy field was at least half a metre higher than the field the cows were in; on their side the wall was much taller. They snorted. With her mind more or less a blank, she used the rusty spade to cut the grass along the line of the cord, then doggedly removed the grass on the path side. She dumped the sods in the wheelbarrow and pushed it along the stream to the back of the house, eventually forming a pile between a couple of shrubs. Afterwards she sat down on top of the mound of crushed slate. She panted, looking around. What could she use to line the path? The geese saw her sitting there and wandered over to the barbed-wire fence, gabbling loudly. She threw lumps of slate at them but they didn’t seem to care. She didn’t have enough strength left in her arm to make it that far.
In the pigsty she found two wooden posts, not nearly enough for the whole path. She descended the concrete steps to the cellar once again and sat down on the bottom step. The tiled floor was a pale green colour. Why was it so clean in here, so freshly swept? It was as if the room were used for something wet. She sniffed; there was nothing about the smell to give her a clue.
The Zuiderbad in autumn, the white changing booths beside the pool, the sandwich she ate on her way back home, the bare shrubs in a blanket of mist in the Rijksmuseum garden, the hum of the canal-side traffic. She thought of her parents in their upstairs flat in De Pijp, saw her mother making her swimming-pool sandwich, boiling potatoes, the window in the narrow kitchen wet with steam, everything lit brightly by the fluorescent light. They still lived there. With central heating now, smooth laminate floors, a new kitchen and a TV that was way too big for the tiny living room. And a message from their daughter. She had kept calling and hanging up until she got the answering machine – her father’s voice, giving only his surname. ‘I’m just letting you know I’m away. There’s no need to worry. Really.’ Thinking about it now, she wasn’t happy with that really. It was completely unnecessary. Homesickness was something you could enjoy, but not always. Sometimes it made you weak, so weak that five concrete steps felt like fifty.
*
Alder branches. The three trees along the stream were alders. She knew because she recognised the small, round cones. It had been a long time since the trees had been pollarded. She knew the word, pollard, even though she’d never used a pruning saw to cut any kind of wood at all. Or did thick ivy stems count as wood? After lying on the divan for a couple of hours, she carried a kitchen chair outside. The chair Rhys Jones had sat on. She set it against one of the trees and climbed onto it in her muddy clogs. It’s a shame I didn’t do this early this morning, she thought. Then he would have had a mucky arse as well as holes in his socks. The saw did its work when she pulled – she felt that – not when she pushed. She also noticed that she had to think carefully about where to stand to make sure a branch didn’t fall on her head. After sawing off five, she felt like she’d done more than enough work for one day and decided to stop. She cut the twigs and thin tops off with the new secateurs and dragged the branches over to the edge of the grass. By removing the sods, she had made a furrow along the path and now she laid the branches in that furrow, one after the other. She sat down on the step. It looked neat. The branches were thick enough to form a real border. Only now did she see that the grassy field was a lawn that someone must have mown relatively recently. The cows were gone. When she stood up, she discovered that they were quite far away. She hadn’t noticed that at all, their walking away. A beautiful way of measuring the passing time: the sun that had suddenly leapt forward and was already quite low, a herd of cows that had silently and serenely relocated. She saw this for the first time and thought of her thesis.
21
Emily Dickinson. Despite her reputation (probably the most loved and certainly the greatest of American poets, according to the back of Habegger’s biography), Dickinson wrote an awful lot of lazy rhyming quatrains, doggerel as far as she was concerned. She leafed through the Collected Poems, earth under her fingernails. It was night, pitch black outside but for the odd light in the distance. She drank a glass of wine and smoked a cigarette. Downstairs, a pan sat on the draining board with quite a bit of food left in it. The fire was burning. Never stung by a single bee, she mused. Bees everywhere: on a gentle breeze or in the clover. She thought of her university office: the cold computer containing all of her Dickinson notes and a very rough plan of her thesis, which was supposed to be about the plethora of lesser poems and Dickinson’s all-too-eager canonisation; the pot plants; the steel filing cabinets; and, through the window, which looked out on a long, narrow street, snow. Habegger’s indigestible biography – a doorstop full of question marks and nonsensical little theories (so exhaustive it even cites a coughing fit Dickinson’s great-great-uncle suffered in the spring of 1837 as a possible explanation for a certain sensibility in her poetry) – had delayed her work for months.
She screwed up the piece of paper on which she had written ‘curtains’ (the window in the small bedroom was still uncovered) and picked up the soft pencil. She imagined herself outside in the daylight with her back to the front door, and sketched the lawn, the gently winding stream, the low stone wall forming an L around the grass, the pigsty diagonally opposite the house, the new, straight path
along the front wall, the three alders and the three shrubs. Pity she didn’t have any coloured pencils. There’d be a new path: from the front door straight through the grass, ending at the wall. There’d be flower beds. She tried to draw a rose arch, which proved much more difficult than she’d imagined. It ruined the sketch and she didn’t have a rubber. She screwed up this piece of paper too. Sticking a new cigarette in her mouth instead, she picked up the Collected Poems and opened it at the contents page. She’d had this book for more than a decade – there were notes in it, the pages were stained, the dust jacket was torn – and now noticed for the first time how short the section titled LOVE was and how long the last, TIME AND ETERNITY. She started to cry.
22
The husband sat in the living room that was too small for the new TV. His wife’s mother sat next to him on the couch, her father on a chair near the TV. Gusty November rain beat against the windows, a street light swung back and forth. The TV was on. It had been on the first time the husband came here, a good few years ago now, and every other occasion he had been here at night. Quite often during the day too, especially at weekends. They had turned the volume down five notches when he had arrived but it was still annoying. There was singing and judging, with blaring ads in between.
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