Age of Myth is a work of fiction. Names, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
Copyright © 2016 by Michael J. Sullivan
Map copyright © 2016 by David Lindroth, Inc.
Excerpt from Age of Swords by Michael J. Sullivan copyright © 2016 by Michael J. Sullivan
All rights reserved.
Published in the United States by Del Rey, an imprint of Random House, a division of Penguin Random House LLC, New York.
DEL REY and the HOUSE colophon are registered trademarks of Penguin Random House LLC.
This book contains an excerpt from the forthcoming book Age of Swords by Michael J. Sullivan. This excerpt has been set for this edition only and may not reflect the final content of the forthcoming edition.
Library of Congress Cataloging-in-Publication Data
Names: Sullivan, Michael J., author.
Title: Age of myth / Michael J. Sullivan.
Description: First edition. | New York : Del Rey, [2016] | Series: Legends of
the First Empire ; book 1
Identifiers: LCCN 2016005246 (print) | LCCN 2016009183 (ebook) | ISBN 9781101965337 (hardcover : acid-free paper) | ISBN 9781101965344 (ebook)
Subjects: | BISAC: FICTION / Fantasy / Epic. | FICTION / Fantasy / Historical. | FICTION / Action & Adventure. | GSAFD: Fantasy fiction. | Adventure fiction
Classification: LCC PS3619.U4437 A74 2016 (print) | LCC PS3619.U4437 (ebook)
| DDC 813/.6—dc23
LC record available at http://lccn.loc.gov/2016005246
ebook ISBN 9781101965344
randomhousebooks.com
Book design by Christopher M. Zucker, adapted for ebook
Cover design: David G. Stevenson
Cover illustration: © Marc Simonetti
v4.1
ep
Contents
Cover
Title Page
Copyright
Author’s Note
Map
Chapter One: Of Gods and Men
Chapter Two: The Mystic
Chapter Three: The God Killer
Chapter Four: The New Chieftain
Chapter Five: Before the Door
Chapter Six: Rumors
Chapter Seven: The Black Tree
Chapter Eight: Asking the Oak
Chapter Nine: Tight Places
Chapter Ten: The Galantians
Chapter Eleven: The Tutor
Chapter Twelve: Gods Among Us
Chapter Thirteen: The Bones
Chapter Fourteen: Into the West
Chapter Fifteen: The Lost One
Chapter Sixteen: Miralyith
Chapter Seventeen: The Boulder
Chapter Eighteen: Healing the Injured
Chapter Nineteen: Waiting on the Moon
Chapter Twenty: The Prince
Chapter Twenty-one: The Full Moon
Chapter Twenty-two: Curse of the Brown Bear
Chapter Twenty-three: The Cave
Chapter Twenty-four: Demons in the Forest
Chapter Twenty-five: Trapped
Chapter Twenty-six: Beneath the Falls
Chapter Twenty-seven: When Gods Collide
Chapter Twenty-eight: The First Chair
Glossary of Terms and Names
Dedication
Acknowledgments
By Michael J. Sullivan
About the Author
Excerpt from Age of Swords
Author’s Note
Welcome to The Legends of the First Empire, my latest fantasy series. If you haven’t read any of my previous work, have no fear. This is a new series, and no knowledge of either The Riyria Chronicles or The Riyria Revelations is necessary to fully enjoy this tale. Also, reading this book won’t expose you to spoilers, so there are no concerns on that front. This series is meant to be a separate entryway into the world of Elan, and if you want to read more—well, there are nine books (told in six volumes) waiting for you.
For those who have read the Riyria books, I should mention that this series is set three thousand years before the events in those novels. You might think you know how the First Empire was formed, or at least have some general ideas about the events. But, having read my books, you probably realize that things aren’t always as they seem. The accounts I’ve revealed through Riyria haven’t been entirely accurate. After all, history is written by the victors. In this series, I can set the record straight, and you’ll know the truth in myths and the lies of legends.
For those unfamiliar with my process, I write sagas in an unusual way. I finish the entire series before publishing the first novel, and these books continue that tradition. Why is this important? Well, there are several reasons. First, it allows me to weave threads throughout the entire narrative. Minor references that seem initially unimportant will usually provide some interesting insights upon re-reading. This is possible because I’m able to spread out details across the entire story line.
Second, writing this way assures me (and my readers) that the books are working toward an ultimate conclusion. Too often, series wander off track, and it’s questionable if the author will be able to rein in everything when all is said and done. I’m honored by the praise The Riyria Revelations’ conclusion has received. The series’ satisfying ending was mostly due to my ability to make tweaks, add characters, or provide foundation support in earlier books when an interesting idea came to me as I wrote a later one. Plus, there is no fear about me being hit by a bus or meeting some other unfortunate end, leaving you hanging and wondering how the full story works out.
Third, writing all the books in advance allows me to tell the story unburdened by the constraints of publishing contracts or business concerns. In fact, when I started this series I had intended a trilogy. But as the plot emerged, it grew into four and then five books. Had I signed a contract with just one book completed, I might have been forced to make some difficult decisions to fit the narrative into a box that was determined by the deal brokered. Without that restriction, I was able to tell the story in the way that makes the most sense for the narrative as a whole.
Fourth, writing the entire series relieves me from deadline pressures. I’ll admit that I hate trying to create on the clock. The muse doesn’t always cooperate on demand, and I really enjoy being able to write the books without the company of a ticking time bomb. Without constraints, I’ll produce the best work possible because a book is finished when I say it is finished rather than when the clock runs out.
Last, but certainly not least, you are guaranteed to get the books in a timely manner. Too often readers are frustrated by constantly wondering when (or if) the next book of a series will appear. Having all the books written eliminates that concern. Sure, there could be publishing concerns regarding when to release a particular title, but my job has been completed, and I can move on to the next project.
One final thing I should note—for any aspiring authors out there—this isn’t how I recommend approaching your own writing. There are many good reasons why most series aren’t produced this way. I’m an outlier by using this method, and while it produces the highest-quality product for me, it could result in years and years of wasted effort when employed by others.
Well, that’s more than enough preamble. I just wanted to give a little peek behind the process to help set expectations. Now turn the page, tap the screen, or adjust the volume—a new adventure awaits.
CHAPTER ONE
Of Gods and Men
In the days of darkness before the war, men were called Rhunes. We lived in Rhuneland or Rhulyn as it was once known. We had little to eat and much to fear. What we fe
ared most were the gods across the Bern River, where we were not allowed. Most people believe our conflict with the Fhrey started at the Battle of Grandford, but it actually began on a day in early spring when two men crossed the river.
—THE BOOK OF BRIN
Raithe’s first impulse was to pray. Curse, cry, scream, pray—people did such things in their last minutes of life. But praying struck Raithe as absurd given that his problem was the angry god twenty feet away. Gods weren’t known for their tolerance, and this one appeared on the verge of striking them both dead. Neither Raithe nor his father had noticed the god approach. The waters of the nearby converging rivers made enough noise to mask an army’s passage. Raithe would have preferred an army.
Dressed in shimmering clothes, the god sat on a horse and was accompanied by two servants on foot. They were men, but dressed in the same remarkable clothing. All three silent, watching.
“Hey?” Raithe called to his father.
Herkimer knelt beside a deer, opening its stomach with his knife. Earlier, Raithe had landed a spear in the stag’s side, and he and his father had spent most of the morning chasing it. Herkimer had stripped off his wool leigh mor as well as his shirt because opening a deer’s belly was a bloody business. “What?” He looked up.
Raithe jerked his head toward the god, and his father’s sight tracked to the three figures. The old man’s eyes widened, and the color left his face.
I knew this was a bad idea, Raithe thought.
His father had seemed so confident, so sure that crossing the forbidden river would solve their problems. But he’d mentioned his certainty enough times to make Raithe wonder. Now the old man looked as if he’d forgotten how to breathe. Herkimer wiped his knife on the deer’s side before slipping it into his belt and getting up.
“Ah…” Raithe’s father began. Herkimer looked at the half-gutted deer, then back at the god. “It’s…okay.”
This was the total sum of his father’s wisdom, his grand defense for their high crime of trespassing on divine land. Raithe wasn’t sure if slaughtering one of the deities’ deer was also an offense but assumed it didn’t help their situation. And although Herkimer said it was okay, his face told a different story. Raithe’s stomach sank. He had no idea what he’d expected his father to say, but something more than that.
Not surprisingly, the god wasn’t appeased, and the three continued to stare in growing irritation.
They were on a tiny point of open meadowland where the Bern and North Branch rivers met. A pine forest, thick and rich, grew a short distance up the slope behind them. Down at the point where the rivers converged lay a stony beach. Beneath a snow-gray blanket of sky, the river’s roar was the only sound. Just minutes earlier Raithe had seen the tiny field as a paradise. That was then.
Raithe took a slow breath and reminded himself that he didn’t have experience with gods or their expressions. He’d never observed a god up close, never seen beech-leaf-shaped ears, eyes blue as the sky, or hair that spilled like molten gold. Such smooth skin and white teeth were beyond reason. This was a being born not of the earth but of air and light. His robes billowed in the breeze and shimmered in the sun, proclaiming an otherworldly glory. The harsh, judgmental glare was exactly the expression Raithe expected from an immortal being.
The horse was an even bigger surprise. Raithe’s father had told him about such animals, but until then Raithe hadn’t believed. His old man had a habit of embellishing the truth, and for more than twenty years Raithe had heard the tales. After a few drinks, his father would tell everyone how he’d killed five men with a single swing or fought the North Wind to a standstill. The older Herkimer got, the larger the stories grew. But this four-hooved tall tale was looking back at Raithe with large glossy eyes, and when the horse shook its head, he wondered if the mounts of gods understood speech.
“No, really, it’s okay,” Raithe’s father told them again, maybe thinking they hadn’t heard his previous genius. “I’m allowed here.” He took a step forward and pointed to the medal hanging from a strip of hide amid the dirt and pine needles stuck to the sweat on his chest. Half naked, sunbaked, and covered in blood up to his elbows, his father appeared the embodiment of a mad barbarian. Raithe wouldn’t have believed him, either.
“See this?” his father went on. The burnished metal clutched by thick ruddy fingers reflected the midday sun. “I fought for your people against the Gula-Rhunes in the High Spear Valley. I did well. A Fhrey commander gave me this. Said I earned a reward.”
“Dureyan clan,” the taller servant told the god, his tone somewhere between disappointment and disgust. He wore a rich-looking silver torc around his neck—both servants did. The jewelry must be a mark of their station.
The gangly man lacked a beard but sported a long nose, sharp cheeks, and small clever eyes. He reminded Raithe of a weasel or a fox, and he wasn’t fond of either. Raithe was also repulsed by how the man stood: stooped, eyes low, hands clasped. Abused dogs exhibited more self-esteem.
What kind of men travel with a god?
“That’s right. I’m Herkimer, son of Hiemdal, and this is my son Raithe.”
“You’ve broken the law,” the servant stated. The nasal tone even sounded the way a weasel might talk.
“No, no. It’s not like that. Not at all.”
The lines on his father’s face deepened, and his lips stretched tighter. He stopped walking forward but held the medal out like a talisman, his eyes hopeful. “This proves what I’m saying, that I earned a reward. See, I sort of figured we”—he gestured toward Raithe—“my son and I could live on this little point.” He waved at the meadow. “We don’t need much. Hardly anything, really. You see, on our side of the river, back in Dureya, the dirt’s no good. We can’t grow anything, and there’s nothing to hunt.”
The pleading in his father’s voice was something Raithe hadn’t heard before and didn’t like.
“You’re not allowed here.” This time it was the other servant, the balding one. Like the tall weasel-faced fellow, he lacked a proper beard, as if growing one were a thing that needed to be taught. The lack of hair exposed in fine detail a decidedly sour expression.
“But you don’t understand. I fought for your people. I bled for your people. I lost three sons fighting for your kind. And I was promised a reward.” Herkimer held out the medal again, but the god didn’t look at it. He stared past them, focusing on some distant, irrelevant point.
Herkimer let go of the medal. “If this spot is a problem, we’ll move. My son actually liked another place west of here. We’d be farther away from you. Would that be better?”
Although the god still didn’t look at them, he appeared even more annoyed. Finally he spoke. “You will obey.”
An average voice. Raithe was disappointed. He had expected thunder.
The god then addressed his servants in the divine language. Raithe’s father had taught him some of their tongue. He wasn’t fluent but knew enough to understand the god didn’t want them to have weapons on this side of the river. A moment later the tall servant relayed the message in Rhunic. “Only Fhrey are permitted to possess weapons west of the Bern. Cast yours into the river.”
Herkimer glanced at their gear piled near a stump and in a resigned voice told Raithe, “Get your spear and do as they say.”
“And the sword off your back,” the tall servant said.
Herkimer looked shocked and glanced over his shoulder as if he’d forgotten the weapon was there. Then he faced the god and spoke directly to him in the Fhrey language. “This is my family blade. I cannot throw it away.”
The god sneered, showing teeth.
“It’s a sword,” the servant insisted.
Herkimer hesitated only a moment. “Okay, okay, fine. We’ll go back across the river, right now. C’mon, Raithe.”
The god made an unhappy sound.
“After you give up the sword,” the servant said.
Herkimer glared. “This copper has been in my family for generat
ions.”
“It’s a weapon. Toss it down.”
Herkimer looked at his son, a sidelong glance.
Although he might not have been a good father—wasn’t as far as Raithe was concerned—Herkimer had instilled one thing in all his sons: pride. Self-respect came from the ability to defend oneself. Such things gave a man dignity. In all of Dureya, in their entire clan, his father was the only man to wield a sword—a metal blade. Wrought from beaten copper, its marred, dull sheen was the color of a summer sunset, and legend held that the short-bladed heirloom had been mined and fashioned by a genuine Dherg smith. In comparison with the god’s sword, whose hilt was intricately etched and encrusted with gems, the copper blade was pathetic. Still, Herkimer’s weapon defined him; enemy clans knew him as Coppersword—a feared and respected title. His father could never give up that blade.
The roar of the river was cut by the cry of a hawk soaring above. Birds were known to be the embodiment of omens, and Raithe didn’t take the soaring wail as a positive sign. In its eerie echo, his father faced the god. “I can’t give you this sword.”
Raithe couldn’t help but smile. Herkimer, son of Hiemdal, of Clan Dureya wouldn’t bend so far, not even for a god.
The smaller servant took the horse’s lead as the god dismounted.
Raithe watched—impossible not to. The way the god moved was mesmerizing, so graceful, fluid, and poised. Despite the impressive movement, the god wasn’t physically imposing. He wasn’t tall, broad, or muscled. Raithe and his father had built strong shoulders and arms by wielding spear and shield throughout their lives. The god, on the other hand, appeared delicate, as if he had lived bedridden and spoon-fed. If the Fhrey were a man, Raithe wouldn’t have been afraid. Given the disparity between them in weight and height, he’d avoid a fight, even if challenged. To engage in such an unfair match would be cruel, and he wasn’t cruel. His brothers had received Raithe’s share of that particular trait.
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