by Robert Burns
When on the 13th June he went to live on his farm, he had, as there was no proper dwelling-house on it, to leave Jean and her one surviving child behind him at Mauchline, and himself to seek shelter in a mere hovel on the skirts of the farm. “I remember the house well,” says Cunningham, “the floor of clay, the rafters japanned with soot, the smoke from a hearth-fire streamed thickly out at door and window, while the sunshine which struggled in at those apertures produced a sort of twilight.” Burns thus writes to Mrs. Dunlop, “A solitary inmate of an old smoky spence, far from every object I love or by whom I am beloved; nor any acquaintance older than yesterday, except Jenny Geddes, the old mare I ride on, while uncouth cares and novel plans hourly insult my awkward ignorance and bashful inexperience.” It takes a more even, better-ordered spirit than Burns’ to stand such solitude. His heart, during those first weeks at Ellisland, entirely sank within him, and he saw all men and life coloured by his own despondency. This is the entry in his commonplace book on the first Sunday he spent alone at Ellisland:— “I am such a coward in life, so tired of the service, that I would almost at any time, with Milton’s Adam, ‘gladly lay me in my mother’s lap, and be at peace.’ But a wife and children bind me to struggle with the stream, till some sudden squall shall overset the silly vessel, or in the listless return of years its own craziness reduce it to wreck.”
The discomfort of his dwelling-place made him not only discontented with his lot, but also with the people amongst whom he found himself. “I am here,” he writes, “on my farm, but for all the pleasurable part of life called social communication, I am at the very elbow of existence. The only things to be found in perfection in this country are stupidity and canting.... As for the Muses, they have as much idea of a rhinoceros as a poet.”
When he was not in Ayrshire in bodily presence, he was there in spirit. It was at such a time that looking up to the hills that divide Nithsdale from Ayrshire, he breathed to his wife that most natural and beautiful of all his love-lyrics, —
Of a’ the airts the wind can blaw
I dearly like the west,
For there the bonnie lassie lives,
The lassie I lo’e best.
His disparagement of Nithsdale people, Allan Cunningham, himself a Dumfriesshire man, naturally resents, and accounts for it by supposing that the sooty hovel had infected his whole mental atmosphere. “The Maxwells, the Kirkpatricks, and Dalzells,” exclaims honest Allan, “were fit companions for any man in Scotland, and they were almost his neighbours; Riddell of Friars Carse, an accomplished antiquarian, lived almost next door; and Jean Lindsay and her husband, Patrick Miller, the laird of Dalswinton, were no ordinary people. The former, beautiful, accomplished, a writer of easy and graceful verses, with a natural dignity of manners which became her station; the latter an improver and inventor, the first who applied steam to the purposes of navigation.” But Burns’s hasty judgments of men and things, the result of momentary feeling, are not to be too literally construed.
He soon found that there was enough of sociality among all ranks of Dumfriesshire people, from the laird to the cotter, indeed, more than was good for himself. Yet, however much he may have complained, when writing letters to his correspondents of an evening, he was too manly to go moping about all day long when there was work to be done. He was, moreover, nerved to the task by the thought that he was preparing the home that was to shelter his wife and children. On the laying of the foundation-stone of his future house, he took off his hat and asked a blessing on it. “Did he ever put his own hand to the work?” was asked of one of the men engaged in it. “Ay, that he did, mony a time,” was the answer, “if he saw us like to be beat wi’ a big stane, he would cry, ‘Bide a wee,’ and come rinning. We soon found out when he put to his hand, he beat a’ I ever met for a dour lift.”
During his first harvest, though the weather was unfavourable, and the crop a poor one, we find Burns speaking in his letters of being industriously employed, and binding every day after the reapers. But Allan Cunningham’s father, who had every opportunity of observing, used to allege that Burns seemed to him like a restless and unsettled man. “He was ever on the move, on foot or on horseback. In the course of a single day he might be seen holding the plough, angling in the river, sauntering, with his hands behind his back, on the banks, looking at the running water, of which he was very fond, walking round his buildings or over his fields; and if you lost sight of him for an hour, perhaps you might see him returning from Friars Carse, or spurring his horse through the hills to spend an evening in some distant place with such friends as chance threw in his way.” Before his new house was ready, he had many a long ride to and fro through the Cumnock hills to Mauchline, to visit Jean, and to return. It was not till the first week of December, 1788, that his lonely bachelor life came to an end, and that he was able to bring his wife and household to Nithsdale. Even then the house at Ellisland was not ready for his reception, and he and his family had to put up for a time in a neighbouring farm-house called the Isle. They brought with them two farm-lads from Ayrshire, and a servant lass called Elizabeth Smith, who was alive in 1851, and gave Chambers many details of the poet’s way of life at Ellisland. Among these she told him that her father was so concerned about her moral welfare that, before allowing her to go, he made Burns promise to keep a strict watch over her behaviour, and to exercise her duly in the Shorter Catechism; and that both of these promises he faithfully fulfilled.
The advent of his wife and his child in the dark days of the year kept dulness aloof, and made him meet the coming of the new year (1789) with more cheerful hopes and calmer spirits than he had known for long. Alas, that these were doomed to be so short-lived!
On New Year’s morning, 1789, his brother Gilbert thus affectionately writes to the poet: “Dear Brother, — I have just finished my New Year’s Day breakfast in the usual form, which naturally makes me call to mind the days of former years, and the society in which we used to begin them; and when I look at our family vicissitudes, ‘through the dark postern of time long elapsed,’ I cannot help remarking to you, my dear brother, how good the God of seasons is to us, and that, however some clouds may seem to lower over the portion of time before us, we have great reason to hope that all will turn out well.” On the same New Year’s Day Burns addressed to Mrs. Dunlop a letter, which, though it has been often quoted, is too pleasing to be omitted here. “I own myself so little a Presbyterian, that I approve set times and seasons of more than ordinary acts of devotion for breaking in on that habituated routine of life and thought, which is so apt to reduce our existence to a kind of instinct, or even sometimes, and with some minds, to a state very little superior to mere machinery. This day — the first Sunday of May — a breezy, blue-skied noon some time about the beginning, and a hoary morning and calm sunny day about the end, of autumn — these, time out of mind, have been with me a kind of holiday.... We know nothing, or next to nothing of the substance or structure of our souls, so cannot account for those seeming caprices in them, that we should be particularly pleased with this thing, or struck with that, which on minds of a different cast makes no extraordinary impression. I have some favourite flowers in spring, among which are the mountain-daisy, the harebell, the fox-glove, the wild-brier rose, the budding birch, and the hoary hawthorn, that I view and hang over with particular delight. I never hear the loud, solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of gray plovers in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing? Are we a piece of machinery, which, like the Æolian harp, passive, takes the impression of the passing accident? Or do these workings argue something within us above the trodden clod? I own myself partial to such proofs of those awful and important realities — a God that made all things — man’s immaterial and immortal nature — and a world of weal or woe beyond death and the grave!”
On reading this beautiful and suggestive le
tter, an ornithologist remarked that Burns had made a mistake in a fact of natural history. It is not the ‘gray plover,’ but the golden, whose music is heard on the moors in autumn. The gray plover, our accurate observer remarks, is a winter shore bird, found only at that season and in that habitat, in this country.
It was not till about the middle of 1789 that the farm-house of Ellisland was finished, and that he and his family, leaving the Isle, went to live in it. When all was ready, Burns bade his servant, Betty Smith, take a bowl of salt, and place the Family Bible on the top of it, and, bearing these, walk first into the new house and possess it. He himself, with his wife on his arm, followed Betty and the Bible and the salt, and so they entered their new abode. Burns delighted to keep up old-world freits or usages like this. It was either on this occasion, or on his bringing Mrs. Burns to the Isle, that he held a house-heating mentioned by Allan Cunningham, to which all the neighbourhood gathered, and drank, “Luck to the roof-tree of the house of Burns!” The farmers and the well-to-do people welcomed him gladly, and were proud that such a man had come to be a dweller in their vale. Yet the ruder country lads and the lower peasantry, we are told, looked on him not without dread, “lest he should pickle and preserve them in sarcastic song.” “Once at a penny wedding, when one or two wild young lads quarrelled, and were about to fight, Burns rose up and said, ‘Sit down and —— , or else I’ll hang you up like potatoe-bogles in sang to-morrow.’ They ceased, and sat down as if their noses had been bleeding.”
The house which had cost Burns so much toil in building, and which he did not enter till about the middle of the year 1789, was a humble enough abode. Only a large kitchen, in which the whole family, master and servants, took their meals together, a room to hold two beds, a closet to hold one, and a garret, coom-ceiled, for the female servants, this made the whole dwelling-house. “One of the windows looked southward down the holms; another opened on the river; and the house stood so near the lofty bank, that its afternoon shadow fell across the stream, on the opposite fields. The garden or kail-yard was a little way from the house. A pretty footpath led southward along the river side, another ran northward, affording fine views of the Nith, the woods of Friars Carse, and the grounds of Dalswinton. Half-way down the steep declivity, a fine clear cool spring supplied water to the household.” Such was the first home which Burns found for himself and his wife, and the best they were ever destined to find. The months spent in the Isle, and the few that followed the settlement at Ellisland, were among the happiest of his life. Besides trying his best to set himself to farm-industry, he was otherwise bent on well-doing. He had, soon after his arrival in Ellisland, started a parish library, both for his own use and to spread a love of literature among his neighbours, the portioners and peasants of Dunscore. When he first took up house at Ellisland, he used every evening when he was at home, to gather his household for family worship, and, after the old Scottish custom, himself to offer up prayer in his own words. He was regular, if not constant, in his attendance at the parish church of Dunscore, in which a worthy minister, Mr. Kirkpatrick, officiated, whom he respected for his character, though he sometimes demurred to what seemed to him the too great sternness of his doctrine.
Burns and his wife had not been long settled in their newly-built farm-house, when prudence induced him to ask that he might be appointed Excise officer in the district in which he lived. This request Mr. Graham of Fintray, who had placed his name on the Excise list before he left Edinburgh, at once granted. The reasons that impelled Burns to this step were the increase of his family by the birth of a son in August, 1789, and the prospect that his second year’s harvest would be a failure like the first. He often repeats that it was solely to make provision for his increasing family that he submitted to the degradation of —
Searching auld wives’ barrels, —
Och, hon! the day!
That clarty barm should stain my laurels,
But — what ‘ill ye say?
These movin things, ca’d wives and weans,
Wad move the very hearts o’ stanes.
That he felt keenly the slur that attached to the name of gauger is certain, but it is honourable to him that he resolved bravely to endure it for the sake of his family.
“I know not,” he writes, “how the word exciseman, or the still more opprobrious gauger, will sound in your ears. I, too, have seen the day when my auditory nerves would have felt very delicately on this subject; but a wife and children are things which have a wonderful power in blunting this kind of sensations. Fifty pounds a year for life, and a provision for widows and orphans, you will allow, is no bad settlement for a poet.”
In announcing to Dr. Blacklock his new employment, he says, —
But what d’ye think, my trusty fier,
I’m turned a gauger — peace be here!
Parnassian queans, I fear, I fear,
Ye’ll now disdain me!
And then my fifty pounds a year
Will little gain me.
* * * * *
Ye ken, ye ken
That strang necessity supreme is
‘Mang sons o’ men.
I hae a wife and twa wee laddies,
They maun hae brose and brats o’ duddies;
Ye ken yoursels my heart right proud is,
I need na vaunt,
But I’ll sned besoms, thraw saugh woodies,
Before they want.
He would cut brooms and twist willow-ropes before his children should want. But perhaps, as the latest editor of Burns’ poems observes, his best saying on the subject of the excisemanship was that word to Lady Glencairn, the mother of his patron, “I would much rather have it said that my profession borrowed credit from me, than that I borrowed it from my profession.”
In these words we see something of the bitterness about his new employment, which often escaped from him, both in prose and verse. Nevertheless, having undertaken it, he set his face honestly to the work. He had to survey ten parishes, covering a tract of not less than fifty miles each way, and requiring him to ride two hundred miles a week. Smuggling was then common throughout Scotland, both in the shape of brewing and of selling beer and whiskey without licence. Burns took a serious yet humane view of his duty. To the regular smuggler he is said to have been severe; to the country folk, farmers or cotters, who sometimes transgressed, he tempered justice with mercy. Many stories are told of his leniency to these last. At Thornhill, on a fair day, he was seen to call at the door of a poor woman who for the day was doing a little illicit business on her own account. A nod and a movement of the forefinger brought the woman to the doorway. “Kate, are you mad? Don’t you know that the supervisor and I will be in upon you in forty minutes?” Burns at once disappeared among the crowd, and the poor woman was saved a heavy fine. Another day the poet and a brother gauger entered a widow’s house at Dunscore and seized a quantity of smuggled tobacco. “Jenny,” said Burns, “I expected this would be the upshot. Here, Lewars, take note of the number of rolls as I count them. Now, Jock, did you ever hear an auld wife numbering her threads before check-reels were invented? Thou’s ane, and thou’s no ane, and thou’s ane a’out — listen.” As he handed out the rolls, and numbered them, old-wife fashion, he dropped every other roll into Jenny’s lap. Lewars took the desired note with becoming gravity, and saw as though he saw not. Again, a woman who had been brewing, on seeing Burns coming with another exciseman, slipped out by the back door, leaving a servant and a little girl in the house. “Has there been ony brewing for the fair here the day?” “O no, sir, we hae nae licence for that,” answered the servant maid. “That’s no true,” exclaimed the child; “the muckle black kist is fou’ o’ the bottles o’ yill that my mither sat up a’ nicht brewing for the fair.”... “We are in a hurry just now,” said Burns, “but when we return from the fair, we’ll examine the muckle black kist.” In acts like these, and in many another anecdote that might be given, is seen the genuine human-heartedness of the man, in strange contrast wi
th the bitternesses which so often find vent in his letters. Ultimately, as we shall see, the exciseman’s work told heavily against his farming, his poetry, and his habits of life. But it was some time before this became apparent. The solitary rides through the moors and dales that border Nithsdale gave him opportunities, if not for composing long poems, at any rate for crooning over those short songs in which mainly his genius now found vent. “The visits of the muses to me,” he writes, “and I believe to most of their acquaintance, like the visits of good angels, are short and far between; but I meet them now and then as I jog through the hills of Nithsdale, just as I used to do on the banks of Ayr.”
Take as a sample some of the varying moods he passed through in the summer and autumn of 1789. In the May-time of that year an incident occurs, which the poet thus describes:— “One morning lately, as I was out pretty early in the fields, sowing some grass-seeds, I heard the burst of a shot from a neighbouring plantation, and presently a poor little wounded hare came hirpling by me. You will guess my indignation at the inhuman fellow who could shoot a hare at this season, when all of them have young ones. Indeed there is something in the business of destroying, for our sport, individuals in the animal creation that do not injure us materially, which I could never reconcile to my ideas of virtue.” The lad who fired the shot and roused the poet’s indignation, was the son of a neighbouring farmer. Burns cursed him, and being near the Nith at the time, threatened to throw him into the river. He found, however, a more innocent vent for his feelings in the following lines: —
Inhuman man! curse on thy barbarous art,
And blasted be thy murder-aiming eye!
May never pity soothe thee with a sigh,
Nor ever pleasure glad thy cruel heart!
Go live, poor wanderer of the wood and field,
The bitter little that of life remains: