Delphi Complete Works of Robert Burns (Illustrated) (Delphi Poets Series)

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Delphi Complete Works of Robert Burns (Illustrated) (Delphi Poets Series) Page 143

by Robert Burns


  Among the friends whom his merits had procured him was Dr. Laurie, a district clergyman, who had taste enough to admire the deep sensibilities as well as the humour of the poet, and the generosity to make known both his works and his worth to the warm-hearted and amiable Blacklock, who boldly proclaimed him a poet of the first rank, and lamented that he was not in Edinburgh to publish another edition of his poems. Burns was ever a man of impulse: he recalled his chest from Greenock; he relinquished the situation he had accepted on the estate of one Douglas; took a secret leave of his mother, and, without an introduction to any one, and unknown personally to all, save to Dugald Stewart, away he walked, through Glenap, to Edinburgh, full of new hope and confiding in his genius. When he arrived, he scarcely knew what to do: he hesitated to call on the professor; he refrained from making himself known, as it has been supposed he did, to the enthusiastic Blacklock; but, sitting down in an obscure lodging, he sought out an obscure printer, recommended by a humble comrade from Kyle, and began to negotiate for a new edition of the Poems of the Ayrshire Ploughman. This was not the way to go about it: his barge had well nigh been shipwrecked in the launch; and he might have lived to regret the letter which hindered his voyage to Jamaica, had he not met by chance in the street a gentleman of the west, of the name of Dalzell, who introduced him to the Earl of Glencairn, a nobleman whose classic education did not hurt his taste for Scottish poetry, and who was not too proud to lend his helping hand to a rustic stranger of such merit as Burns. Cunningham carried him to Creech, then the Murray of Edinburgh, a shrewd man of business, who opened the poet’s eyes to his true interests: the first proposals, then all but issued, were put in the fire, and new ones printed and diffused over the island. The subscription was headed by half the noblemen of the north: the Caledonian Hunt, through the interest of Glencairn, took six hundred copies: duchesses and countesses swelled the list, and such a crowding to write down names had not been witnessed since the signing of the solemn league and covenant.

  While the subscription-papers were filling and the new volume printing on a paper and in a type worthy of such high patronage, Burns remained in Edinburgh, where, for the winter season, he was a lion, and one of an unwonted kind. Philosophers, historians, and scholars had shaken the elegant coteries of the city with their wit, or enlightened them with their learning, but they were all men who had been polished by polite letters or by intercourse with high life, and there was a sameness in their very dress as well as address, of which peers and peeresses had become weary. They therefore welcomed this rustic candidate for the honour of giving wings to their hours of lassitude and weariness, with a welcome more than common; and when his approach was announced, the polished circle looked for the advent of a lout from the plough, in whose uncouth manners and embarrassed address they might find matter both for mirth and wonder. But they met with a barbarian who was not at all barbarous: as the poet met in Lord Daer feelings and sentiments as natural as those of a ploughman, so they met in a ploughman manners worthy of a lord: his air was easy and unperplexed: his address was perfectly well-bred, and elegant in its simplicity: he felt neither eclipsed by the titled nor struck dumb before the learned and the eloquent, but took his station with the ease and grace of one born to it. In the society of men alone he spoke out: he spared neither his wit, his humour, nor his sarcasm — he seemed to say to all— “I am a man, and you are no more; and why should I not act and speak like one?” — it was remarked, however, that he had not learnt, or did not desire, to conceal his emotions — that he commended with more rapture than was courteous, and contradicted with more bluntness than was accounted polite. It was thus with him in the company of men: when woman approached, his look altered, his eye beamed milder; all that was stern in his nature underwent a change, and he received them with deference, but with a consciousness that he could win their attention as he had won that of others, who differed, indeed, from them only in the texture of their kirtles. This natural power of rendering himself acceptable to women had been observed and envied by Sillar, one of the dearest of his early comrades; and it stood him in good stead now, when he was the object to whom the Duchess of Gordon, the loveliest as well as the wittiest of women — directed her discourse. Burns, she afterwards said, won the attention of the Edinburgh ladies by a deferential way of address — by an ease and natural grace of manners, as new as it was unexpected — that he told them the stories of some of his tenderest songs or liveliest poems in a style quite magical — enriching his little narratives, which had one and all the merit of being short, with personal incidents of humour or of pathos.

  In a party, when Dr. Blair and Professor Walker were present, Burns related the circumstances under which he had composed his melancholy song, “The gloomy night is gathering fast,” in a way even more touching than the verses: and in the company of the ruling beauties of the time, he hesitated not to lift the veil from some of the tenderer parts of his own history, and give them glimpses of the romance of rustic life. A lady of birth — one of his must willing listeners — used, I am told, to say, that she should never forget the tale which he related of his affection for Mary Campbell, his Highland Mary, as he loved to call her. She was fair, he said, and affectionate, and as guileless as she was beautiful; and beautiful he thought her in a very high degree. The first time he saw her was during one of his musing walks in the woods of Montgomery Castle; and the first time he spoke to her was during the merriment of a harvest-kirn. There were others there who admired her, but he addressed her, and had the luck to win her regard from them all. He soon found that she was the lass whom he had long sought, but never before found — that her good looks were surpassed by her good sense; and her good sense was equalled by her discretion and modesty. He met her frequently: she saw by his looks that he was sincere; she put full trust in his love, and used to wander with him among the green knowes and stream-banks till the sun went down and the moon rose, talking, dreaming of love and the golden days which awaited them. He was poor, and she had only her half-year’s fee, for she was in the condition of a servant; but thoughts of gear never darkened their dream: they resolved to wed, and exchanged vows of constancy and love. They plighted their vows on the Sabbath to render them more sacred — they made them by a burn, where they had courted, that open nature might be a witness — they made them over an open Bible, to show that they thought of God in this mutual act — and when they had done they both took water in their hands, and scattered it in the air, to intimate that as the stream was pure so were their intentions. They parted when they did this, but they parted never to meet more: she died in a burning fever, during a visit to her relations to prepare for her marriage; and all that he had of her was a lock of her long bright hair, and her Bible, which she exchanged for his.

  Even with the tales which he related of rustic love and adventure his own story mingled; and ladies of rank heard, for the first time, that in all that was romantic in the passion of love, and in all that was chivalrous in sentiment, men of distinction, both by education and birth, were at least equalled by the peasantry of the land. They listened with interest, and inclined their feathers beside the bard, to hear how love went on in the west, and in no case it ran quite smooth. Sometimes young hearts were kept asunder by the sordid feelings of parents, who could not be persuaded to bestow their daughter, perhaps an only one, on a wooer who could not count penny for penny, and number cow for cow: sometimes a mother desired her daughter to look higher than to one of her station: for her beauty and her education entitled her to match among the lairds, rather than the tenants; and sometimes, the devotional tastes of both father and mother, approving of personal looks and connexions, were averse to see a daughter bestow her hand on one, whose language in religion was indiscreet, and whose morals were suspected. Yet, neither the vigilance of fathers, nor the suspicious care of aunts and mothers, could succeed in keeping those asunder whose hearts were together; but in these meetings circumspection and invention were necessary: all fears were to be lulled b
y the seeming carelessness of the lass, — all perils were to be met and braved by the spirit of the lad. His home, perhaps, was at a distance, and he had wild woods to come through, and deep streams to pass, before he could see the signal-light, now shown and now withdrawn, at her window; he had to approach with a quick eye and a wary foot, lest a father or a brother should see, and deter him: he had sometimes to wish for a cloud upon the moon, whose light, welcome to him on his way in the distance, was likely to betray him when near; and he not unfrequently reckoned a wild night of wind and rain as a blessing, since it helped to conceal his coming, and proved to his mistress that he was ready to brave all for her sake. Of rivals met and baffled; of half-willing and half-unconsenting maidens, persuaded and won; of the light-hearted and the careless becoming affectionate and tender; and the coy, the proud, and the satiric being gained by “persuasive words, and more persuasive sighs,” as dames had been gained of old, he had tales enow. The ladies listened, and smiled at the tender narratives of the poet.

  Of his appearance among the sons as well as the daughters of men, we have the account of Dugald Stewart. “Burns,” says the philosopher, “came to Edinburgh early in the winter: the attentions which he received from all ranks and descriptions of persons, were such as would have turned any head but his own. He retained the same simplicity of manners and appearance which had struck me so forcibly when I first saw him in the country: his dress was suited to his station; plain and unpretending, with sufficient attention to neatness: he always wore boots, and, when on more than usual ceremony, buckskin breeches. His manners were manly, simple, and independent; strongly expressive of conscious genius and worth, but without any indication of forwardness, arrogance, or vanity. He took his share in conversation, but not more than belonged to him, and listened with apparent deference on subjects where his want of education deprived him of the means of information. If there had been a little more of gentleness and accommodation in his temper, he would have been still more interesting; but he had been accustomed to give law in the circle of his ordinary acquaintance, and his dread of anything approaching to meanness or servility, rendered his manner somewhat decided and hard. Nothing perhaps was more remarkable among his various attainments, than the fluency and precision and originality of language, when he spoke in company; more particularly as he aimed at purity in his turn of expression, and avoided more successfully than most Scotsmen, the peculiarities of Scottish phraseology. From his conversation I should have pronounced him to have been fitted to excel in whatever walk of ambition he had chosen to exert his abilities. He was passionately fond of the beauties of nature, and I recollect he once told me, when I was admiring a distant prospect in one of our morning walks, that the sight of so many smoking cottages gave a pleasure to his mind, which none could understand who had not witnessed, like himself, the happiness and worth which cottages contained.”

  Such was the impression which Burns made at first on the fair, the titled, and the learned of Edinburgh; an impression which, though lessened by intimacy and closer examination on the part of the men, remained unimpaired, on that of the softer sex, till his dying-day. His company, during the season of balls and festivities, continued to be courted by all who desired to be reckoned gay or polite. Cards of invitation fell thick on him; he was not more welcome to the plumed and jewelled groups, whom her fascinating Grace of Gordon gathered about her, than he was to the grave divines and polished scholars, who assembled in the rooms of Stewart, or Blair, or Robertson. The classic socialities of Tytler, afterwards Lord Woodhouslee, or the elaborate supper-tables of the whimsical Monboddo, whose guests imagined they were entertained in the manner of Lucullus or of Cicero, were not complete without the presence of the ploughman of Kyle; and the feelings of the rustic poet, facing such companies, though of surprise and delight at first, gradually subsided, he said, as he discerned, that man differed from man only in the polish, and not in the grain. But Edinburgh offered tables and entertainers of a less orderly and staid character than those I have named — where the glass circulated with greater rapidity; where the wit flowed more freely; and where there were neither highbred ladies to charm conversation within the bounds of modesty, nor serious philosophers, nor grave divines, to set a limit to the license of speech, or the hours of enjoyment. To these companions — and these were all of the better classes, the levities of the rustic poet’s wit and humour were as welcome us were the tenderest of his narratives to the accomplished Duchess of Gordon and the beautiful Miss Burnet of Monboddo; they raised a social roar not at all classic, and demanded and provoked his sallies of wild humour, or indecorous mirth, with as much delight as he had witnessed among the lads of Kyle, when, at mill or forge, his humorous sallies abounded as the ale flowed. In these enjoyments the rough, but learned William Nicol, and the young and amiable Robert Ainslie shared: the name of the poet was coupled with those of profane wits, free livers, and that class of half-idle gentlemen who hang about the courts of law, or for a season or two wear the livery of Mars, and handle cold iron.

  Edinburgh had still another class of genteel convivialists, to whom the poet was attracted by principles as well as by pleasure; these were the relics of that once numerous body, the Jacobites, who still loved to cherish the feelings of birth or education rather than of judgment, and toasted the name of Stuart, when the last of the race had renounced his pretensions to a throne, for the sake of peace and the cross. Young men then, and high names were among them, annually met on the pretender’s birth-day, and sang songs in which the white rose of Jacobitism flourished; toasted toasts announcing adherence to the male line of the Bruce and the Stuart, and listened to the strains of the laureate of the day, who prophesied, in drink, the dismissal of the intrusive Hanoverian, by the right and might of the righteous and disinherited line. Burns, who was descended from a northern race, whoso father was suspected of having drawn the claymore in 1745, and who loved the blood of the Keith-Marishalls, under whose banners his ancestors had marched, readily united himself to a band in whose sentiments, political and social, he was a sharer. He was received with acclamation: the dignity of laureate was conferred upon him, and his inauguration ode, in which he recalled the names and the deeds of the Grahams, the Erskines, the Boyds, and the Gordons, was applauded for its fire, as well as for its sentiments. Yet, though he ate and drank and sang with Jacobites, he was only as far as sympathy and poesie went, of their number: his reason renounced the principles and the religion of the Stuart line; and though he shed a tear over their fallen fortunes — though he sympathized with the brave and honourable names that perished in their cause — though he cursed “the butcher, Cumberland,” and the bloody spirit which commanded the heads of the good and the heroic to be stuck where they would affright the passer-by, and pollute the air — he had no desire to see the splendid fabric of constitutional freedom, which the united genius of all parties had raised, thrown wantonly down. His Jacobitism influenced, not his head, but his heart, and gave a mournful hue to many of his lyric compositions.

  Meanwhile his poems were passing through the press. Burns made a few emendations of those published in the Kilmarnock edition, and he added others which, as he expressed it, he had carded and spun, since he passed Glenbuck. Some rather coarse lines were softened or omitted in the “Twa Dogs;” others, from a change of his personal feelings, were made in the “Vision:” “Death and Doctor Hornbook,” excluded before, was admitted now: the “Dream” was retained, in spite of the remonstrances of Mrs. Stewart, of Stair, and Mrs. Dunlop; and the “Brigs of Ayr,” in compliment to his patrons in his native district, and the “Address to Edinburgh,” in honour of his titled and distinguished friends in that metropolis, were printed for the first time. He was unwilling to alter what he had once printed: his friends, classic, titled, and rustic, found him stubborn and unpliable, in matters of criticism; yet he was generally of a complimental mood: he loaded the robe of Coila in the “Vision,” with more scenes than it could well contain, that he might include in th
e landscape, all the country-seats of his friends, and he gave more than their share of commendation to the Wallaces, out of respect to his friend Mrs. Dunlop. Of the critics of Edinburgh he said, they spun the thread of their criticisms so fine that it was unfit for either warp or weft; and of its scholars, he said, they were never satisfied with any Scottish poet, unless they could trace him in Horace. One morning at Dr. Blair’s breakfast-table, when the “Holy Fair” was the subject of conversation, the reverend critic said, “Why should

  ‘ —— Moody speel the holy door With tidings of salvation?’

  if you had said, with tidings of damnation, the satire would have been the better and the bitterer.” “Excellent!” exclaimed the poet, “the alteration is capital, and I hope you will honour me by allowing me to say in a note at whose suggestion it was made.” Professor Walker, who tells the anecdote, adds that Blair evaded, with equal good humour and decision, this not very polite request; nor was this the only slip which the poet made on this occasion: some one asked him in which of the churches of Edinburgh he had received the highest gratification: he named the High-church, but gave the preference over all preachers to Robert Walker, the colleague and rival in eloquence of Dr. Blair himself, and that in a tone so pointed and decisive as to make all at the table stare and look embarrassed. The poet confessed afterwards that he never reflected on his blunder without pain and mortification. Blair probably had this in his mind, when, on reading the poem beginning “When Guildford good our pilot stood,” he exclaimed, “Ah! the politics of Burns always smell of the smithy,” meaning, that they were vulgar and common.

 

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