This is going nowhere, fast, he thought.
He launched into a second line of attack, which promised to be much more difficult.
Starting in 1917, the date that Enoch Leng abandoned his Doyers Street laboratory, Smithback began paging forward, looking for any murders that fit the profile. There were 365 editions of the Times every year. In those days, murders were a rare enough occurrence to usually land on the front page, so Smithback confined himself to perusing the front pages—and the obituaries, looking for the announcement of Leng’s death which would interest O’Shaughnessy as well as himself.
There were many murders to read about, and a number of highly interesting obituaries, and Smithback found himself fascinated—too fascinated. It was slow going.
But then, in the September 10, 1918, edition, he came across a headline, just below the fold: Mutilated Body in Peck Slip Tenement. The article, in an old-fashioned attempt to preserve readers’ delicate sensibilities, did not go into detail about what the mutilations were, but it appeared to involve the lower back.
He read on, all his reporter’s instincts aroused once again. So Leng was still active, still killing, even after he abandoned his Doyers Street lab.
By the end of the day he had netted a half-dozen additional murders, about one every two years, that could be the work of Leng. There might have been others, undiscovered; or it might be that Leng had stopped hiding the bodies and was simply leaving them in tenements in widely scattered sections of the city. The victims were always homeless paupers. In only one case was the body even identified. They had all been sent to Potter’s Field for burial. As a result, nobody had remarked on the similarities. The police had never made the connection among them.
The last murder with Leng’s modus operandi seemed to occur in 1930. After that, there were plenty of murders, but none involving the “peculiar mutilations” that were Leng’s signature.
Smithback did a quick calculation: Leng appeared in New York in the 1870s—probably as a young man of, say, thirty. In 1930, he would have been over eighty. So why did the murders cease?
The answer was perfectly obvious: Leng had died. He hadn’t found an obituary; but then, Leng had kept such a low profile that an obituary would have been highly unlikely.
So much for Pendergast’s theory, thought Smithback.
And the more he thought about it, the more he felt sure that Pendergast couldn’t really believe such an absurd thing. No; Pendergast was throwing this out as a red herring for some devious purpose of his own. That was Pendergast through and through—artful, winding, oblique. You never knew what he was really thinking, or what his plan was. He would explain all this to O’Shaughnessy the next time he saw him; no doubt the cop would be relieved to hear Pendergast hadn’t gone off the deep end.
Smithback scanned another year’s worth of obituaries, but nothing on Leng appeared. Figures: the guy just cast no shadow at all on the historical record. It was almost creepy.
He checked his watch: quitting time. He’d been at it for ten straight hours.
But he was off to a good start. In one stroke, he’d uncovered another half-dozen unsolved murders which could likely be attributed to Leng. He had maybe two more days before his editor started demanding results. More, if he could show his work was turning up some nuggets of gold.
He eased himself out of the comfortable chair, rubbed his hands together. Now that he’d combed the public record, he was ready to take the next step: Leng’s private record.
One thing the day’s research had revealed was that Leng had been a guest researcher at the Museum. Smithback knew that, back then, all visiting scientists had to undergo an academic review in order to gain unfettered access to the collections. The review gave such details as the person’s age, education, degrees, fields of specialty, publications, marital status, and address. This might lead to other treasure troves of documents—deeds, leases, legal actions, so forth. Perhaps Leng could hide from the public eye—but the Museum’s records would be a different story.
By the time Smithback was done, he would know Leng like a brother.
The thought gave him a delicious shudder of anticipation.
FOUR
O’SHAUGHNESSY STOOD ON the steps outside the Jacob Javits Federal Building. The rain had stopped, and puddles lay here and there in the narrow streets of lower Manhattan. Pendergast had not been at the Dakota, and he was not here, at the Bureau. O’Shaughnessy felt an odd blend of emotions: impatience, curiosity, eagerness. He’d been almost disappointed that he couldn’t show his find to Pendergast right away. Pendergast would surely see the value of the discovery. Maybe it would be the clue they needed to break the case.
He ducked behind one of the building’s granite pillars to inspect the journals once again. His eye ran down the columned pages, the countless entries of faded blue ink. It had everything: names of purchasers, lists of chemicals, amounts, prices, delivery addresses, dates. Poisons were listed in red. Pendergast was going to love this. Of course, Leng would have made his purchases under a pseudonym, probably using a false address—but he would have had to use the same pseudonym for each purchase. Since Pendergast had already compiled a list of at least some of the rare chemicals Leng had used, it would be a simple matter to match that with the purchases in this book, and, through that, discover Leng’s pseudonym. If it was a name Leng used in other transactions, this little book was going to take them very far indeed.
O’Shaughnessy glanced at the volumes another minute, then tucked them back beneath his arm and began walking thoughtfully down Broadway, toward City Hall and the subway. The volumes covered the years 1917 through 1923, antedating the fire that burned the chemist’s shop. Clearly, they’d been the only things to survive the fire. They had been in the possession of the grandfather, and the father had had them rebound. That was why the antiques dealer hadn’t bothered to examine them: they looked modern. It had been sheer luck that he himself had—
Antiques dealer. Now that he thought about it, it seemed suspicious that some dealer just happened to walk into the store a few weeks after the old man’s death, interested in the safe. Perhaps that death hadn’t been an accident, after all. Perhaps the copycat killer had been there before him, looking for more information on Leng’s chemical purchases. But no—that was impossible. The copycat killings had begun as a result of the article. This had happened before. O’Shaughnessy chastised himself for not getting a description of the dealer. Well, he could always go back. Pendergast might want to come along himself.
Suddenly, he stopped. Of their own accord, his feet had taken him past the subway station to Ann Street. He began to turn back, then hesitated. He wasn’t far, he realized, from 16 Water Street, the house where Mary Greene had lived. Pendergast had already been down there with Nora, but O’Shaughnessy hadn’t seen it. Not that there was anything to see, of course. But now that he was committed to this case, he wanted to see everything, miss nothing. He thought back to the Metropolitan Museum of Art: to the pathetic bit of dress, the desperate note.
It was worth a ten-minute detour. Dinner could wait.
He continued down Ann Street, then turned onto Gold, whistling Casta Diva from Bellini’s Norma. It was Maria Callas’s signature piece, and one of his favorite arias. He was in high spirits. Detective work, he was rediscovering, could actually be fun. And he was rediscovering something else: he had a knack for it.
The setting sun broke through the clouds, casting his own shadow before him, long and lonely down the street. To his left lay the South Street Viaduct and, beyond, the East River piers. As he walked, office and financial buildings began giving way to tenements—some sporting re-pointed brick facades, others vacant and hollow-looking.
It was growing chilly, but the last rays of the sun felt good on his face. He cut left onto John Street, heading toward the river. Ahead lay the rows of old piers. A few had been asphalted and still in use; others tilted into the water at alarming angles; and some were so decayed they were no
thing more than double rows of posts, sticking out of the water. As the sun dipped out of sight, a dome of afterglow lay across the sky, deep purple grading to yellow against a rising fog. Across the East River, lights were coming on in the low brownstones of Brooklyn. He quickened his pace, seeing his breath in the air.
It was as he passed Pearl Street that O’Shaughnessy began to feel that he was being followed. He wasn’t sure why, exactly; if, subliminally, he had heard something, or if it was simply the sixth sense of a beat cop. But he kept walking, not checking his stride, not turning around. Administrative leave or no, he had his own .38 Special strapped under his arm, and he knew how to use it. Woe to the mugger who thought he looked like an easy target.
He stopped, glancing along the tiny, crooked maze of streets that led down to the waterfront. As he did so, the feeling grew stronger. O’Shaughnessy had long ago learned to trust such feelings. Like most beat cops, he had developed a highly sensitive street radar that sensed when something was wrong. As a cop, you either developed this radar fast, or you got your ass shot off and returned to you, gift-wrapped by St. Peter in a box with a nice pretty red ribbon. He’d almost forgotten he had the instinct. It had seen years of disuse, but such things died hard.
He continued walking until he reached the corner of Burling Slip. He turned the corner, stepping into the shadows, and quickly pressed himself against the wall, removing his Smith & Wesson at the same time. He waited, breathing shallowly. He could hear the faint sound of water lapping the piers, the distant sound of traffic, a barking dog. But there was nothing else.
He cast an eye around the corner. There was still enough light to see clearly. The tenements and dockside warehouses looked deserted.
He stepped out into the half-light, gun ready, waiting. If somebody was following, they’d see his gun. And they would go away.
He slowly reholstered the weapon, looked around again, then turned down Water Street. Why did he still feel he was being followed? Had his instincts rung a false alarm, after all?
As he approached the middle of the block, and Number 16, he thought he saw a dark shape disappear around the corner, thought he heard the scrape of a shoe on pavement. He sprang forward, thoughts of Mary Greene forgotten, and whipped around the corner, gun drawn once again.
Fletcher Street stretched ahead of him, dark and empty. But at the far corner a street lamp shone, and in its glow he could see a shadow quickly disappearing. It had been unmistakable.
He sprinted down the block, turned another corner. Then he stopped.
A black cat strolled across the empty street, tail held high, tip twitching with each step. He was a few blocks downwind of the Fulton Fish Market, and the stench of seafood wafted into his nostrils. A tugboat’s horn floated mournfully up from the harbor.
O’Shaughnessy laughed ruefully to himself. He was not normally predisposed to paranoia, but there was no other word for it. He had been chasing a cat. This case must be getting to him.
Hefting the journals, he continued south, toward Wall Street and the subway.
But this time, there was no doubt: footsteps, and close. A faint cough.
He turned, pulled his gun again. Now it was dark enough that the edges of the street, the old docks, the stone doorways, lay in deep shadow. Whoever was following him was both persistent and good. This was not some mugger. And the cough was bullshit. The man wanted him to know he was being followed. The man was trying to spook him, make him nervous, goad him into making a mistake.
O’Shaughnessy turned and ran. Not because of fear, really, but because he wanted to provoke the man into following. He ran to the end of the block, turned the corner, continuing halfway down the next block. Then he stopped, silently retraced his steps, and melted into the shadow of a doorway. He thought he heard footsteps running down the block. He braced himself against the door behind him, and waited, gun drawn, ready to spring.
Silence. It stretched on for a minute, then two, then five. A cab drove slowly by, twin headlights lancing through the fog and gloom. Cautiously, O’Shaughnessy eased his way out of the doorway, looked around. All was deserted once again. He began making his way back down the sidewalk in the direction from which he’d come, moving slowly, keeping close to the buildings. Maybe the man had taken a different turn. Or given up. Or maybe, after all, it was only his imagination.
And that was when the dark figure lanced out of an adjacent doorway—when something came down over his head and tightened around his neck—when the sickly sweet chemical odor abruptly invaded his nostrils. One of O’Shaughnessy’s hands reached for the hood, while the other convulsively squeezed off a shot. And then he was falling, falling without end…
The sound of the shot reverberated down the empty street, echoing and reechoing off the old buildings, until it died away. And silence once more settled over the docks and the now empty streets.
FIVE
PATRICK O’SHAUGHNESSY AWOKE VERY SLOWLY. His head felt as if it had been split open with an axe, his knuckles throbbed, and his tongue was swollen and metallic in his mouth. He opened his eyes, but all was darkness. Fearing he’d gone blind, he instinctively drew his arms toward his face. He realized, with a kind of leaden numbness, that they were restrained. He tugged, and something rattled.
Chains. He was shackled with chains.
He moved his legs and found they were chained as well.
Almost instantly, the numbness fled, and cold reality flooded over him. The memory of the footsteps, the cat-and-mouse in the deserted streets, the smothering hood, returned with stark, pitiless clarity. For a moment, he struggled fiercely, a terrible panic bubbling up in his chest. Then he lay back, trying to master himself. Panic’s not going to solve anything. You have to think.
Where was he?
In a cell of some sort. He’d been taken prisoner. But by whom?
Almost as soon as he asked this question, the answer came: by the copycat killer. By the Surgeon.
The fresh wave of panic that greeted this realization was cut short by a sudden shaft of light—bright, even painful after the enveloping darkness.
He looked around quickly. He was in a small, bare room of rough-hewn stone, chained to a floor of cold, damp concrete. One wall held a door of rusted metal, and the light was streaming in through a small slot in its face. The light suddenly diminished, and a voice sounded in the slot. O’Shaughnessy could see wet red lips moving.
“Please do not discompose yourself,” the voice said soothingly. “All this will be over soon. Struggle is unnecessary.”
The slot rattled shut, and O’Shaughnessy was once again plunged into darkness.
He listened as the retreating steps rang against the stone floor. It was all too clear what was coming next. He’d seen the results at the medical examiner’s office. The Surgeon would come back; he’d come back, and…
Don’t think about that. Think about how to escape.
O’Shaughnessy tried to relax, to concentrate on taking long, slow breaths. Now his police training helped. He felt calmness settle over him. No situation was ever hopeless, and even the most cautious criminals made mistakes.
He’d been stupid, his habitual caution lost in his excitement over finding the ledgers. He’d forgotten Pendergast’s warning of constant danger.
Well, he wouldn’t be stupid any longer.
All this will be over soon, the voice had said. That meant it wouldn’t be long before he’d be coming back. O’Shaughnessy would be ready.
Before the Surgeon could do anything, he’d have to remove the shackles. And that’s when O’Shaughnessy would jump him.
But the Surgeon was clearly no fool. The way he’d shadowed him, ambushed him: that had taken cunning, strong nerves. If O’Shaughnessy merely pretended to be asleep, it wouldn’t be enough.
This was it: do or die. He’d have to make it good.
He took a deep breath, then another. And then, closing his eyes, he smashed the shackles of his arm against his forehead, raking them laterally f
rom left to right.
The blood began to flow almost at once. There was pain, too, but that was good: it kept him sharp, gave him something to think about. Wounds to the forehead tended to bleed a lot; that was good, too.
Now he carefully lay to one side, positioning himself to look as if he’d passed out, scraping his head against the rough wall as he slumped to the floor. The stone felt cold against his cheek; the blood warm as it trickled through his eyelashes, down his nose. It would work. It would work. He didn’t want to go out like Doreen Hollander, torn and stiff on a morgue gurney.
Once again, O’Shaughnessy quelled a rising panic. It would be over soon. The Surgeon would return, he’d hear the footsteps on the stones. The door would open. When the shackles were removed, he’d surprise the man, overwhelm him. He’d escape with his life, collar the copycat killer in the process.
Stay calm. Stay calm. Eyes shut, blood trickling onto the cold damp stone, O’Shaughnessy deliberately turned his thoughts to opera. His breathing grew calmer. And soon, in his mind, the bleak walls of the little cell began to ring with the exquisitely beautiful strains of O Isis Und Osiris, rising effortlessly toward street level and the inviolate sky far above.
SIX
PENDERGAST STOOD ON the broad pavement, small brown package beneath one arm, looking thoughtfully up at the brace of lions that guarded the entrance to the New York Public Library. A brief, drenching rain had passed over the city, and the headlights of the buses and taxis shimmered in countless puddles of water. Pendergast raised his eyes from the lions to the facade behind them, long and imposing, heavy Corinthian columns rising toward a vast architrave. It was past nine P.M., and the library had long since closed: the tides of students, researchers, tourists, unpublished poets and scholars that swirled about its portals by day had receded hours before.
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