Stuck stubbornly in his sub-consciousness (which was an unusually lively one) was an unspeakable certainty that there was something still unexplained. This sense that had clung to him all day could not be fully explained by his fancy about “looking-glass land.” Somehow he had not seen the real story, but some game or masque. And yet people do not get hanged or run through the body for the sake of a charade.
As he sat on the steps of the landing-stage ruminating he grew conscious of the tall, dark streak of a sail coming silently down the shining river, and sprang to his feet with such a backrush of feeling that he almost wept.
“Flambeau!” he cried, and shook his friend by both hands again and again, much to the astonishment of that sportsman, as he came on shore with his fishing tackle. “Flambeau,” he said, “so you’re not killed?”
“Killed!” repeated the angler in great astonishment. “And why should I be killed?”
“Oh, because nearly everybody else is,” said his companion rather wildly. “Saradine got murdered, and Antonelli wants to be hanged, and his mother’s fainted, and I, for one, don’t know whether I’m in this world or the next. But, thank God, you’re in the same one.” And he took the bewildered Flambeau’s arm.
As they turned from the landing-stage they came under the eaves of the low bamboo house, and looked in through one of the windows, as they had done on their first arrival. They beheld a lamp-lit interior well calculated to arrest their eyes. The table in the long dining-room had been laid for dinner when Saradine’s destroyer had fallen like a stormbolt on the island. And the dinner was now in placid progress, for Mrs. Anthony sat somewhat sullenly at the foot of the table, while at the head of it was Mr. Paul, the major domo, eating and drinking of the best, his bleared, bluish eyes standing queerly out of his face, his gaunt countenance inscrutable, but by no means devoid of satisfaction.
With a gesture of powerful impatience, Flambeau rattled at the window, wrenched it open, and put an indignant head into the lamp-lit room.
“Well,” he cried. “I can understand you may need some refreshment, but really to steal your master’s dinner while he lies murdered in the garden—”
“I have stolen a great many things in a long and pleasant life,” replied the strange old gentleman placidly; “this dinner is one of the few things I have not stolen. This dinner and this house and garden happen to belong to me.”
A thought flashed across Flambeau’s face. “You mean to say,” he began, “that the will of Prince Saradine—”
“I am Prince Saradine,” said the old man, munching a salted almond.
Father Brown, who was looking at the birds outside, jumped as if he were shot, and put in at the window a pale face like a turnip.
“You are what?” he repeated in a shrill voice.
“Paul, Prince Saradine, A vos ordres,” said the venerable person politely, lifting a glass of sherry. “I live here very quietly, being a domestic kind of fellow; and for the sake of modesty I am called Mr. Paul, to distinguish me from my unfortunate brother Mr. Stephen. He died, I hear, recently—in the garden. Of course, it is not my fault if enemies pursue him to this place. It is owing to the regrettable irregularity of his life. He was not a domestic character.”
He relapsed into silence, and continued to gaze at the opposite wall just above the bowed and sombre head of the woman. They saw plainly the family likeness that had haunted them in the dead man. Then his old shoulders began to heave and shake a little, as if he were choking, but his face did not alter.
“My God!” cried Flambeau after a pause, “he’s laughing!”
“Come away,” said Father Brown, who was quite white. “Come away from this house of hell. Let us get into an honest boat again.”
Night had sunk on rushes and river by the time they had pushed off from the island, and they went down-stream in the dark, warming themselves with two big cigars that glowed like crimson ships’ lanterns. Father Brown took his cigar out of his mouth and said:
“I suppose you can guess the whole story now? After all, it’s a primitive story. A man had two enemies. He was a wise man. And so he discovered that two enemies are better than one.”
“I do not follow that,” answered Flambeau.
“Oh, it’s really simple,” rejoined his friend. “Simple, though anything but innocent. Both the Saradines were scamps, but the prince, the elder, was the sort of scamp that gets to the top, and the younger, the captain, was the sort that sinks to the bottom. This squalid officer fell from beggar to blackmailer, and one ugly day he got his hold upon his brother, the prince. Obviously it was for no light matter, for Prince Paul Saradine was frankly ‘fast,’ and had no reputation to lose as to the mere sins of society. In plain fact, it was a hanging matter, and Stephen literally had a rope round his brother’s neck. He had somehow discovered the truth about the Sicilian affair, and could prove that Paul murdered old Antonelli in the mountains. The captain raked in the hush money heavily for ten years, until even the prince’s splendid fortune began to look a little foolish.
“But Prince Saradine bore another burden besides his blood-sucking brother. He knew that the son of Antonelli, a mere child at the time of the murder, had been trained in savage Sicilian loyalty, and lived only to avenge his father, not with the gibbet (for he lacked Stephen’s legal proof), but with the old weapons of vendetta. The boy had practised arms with a deadly perfection, and about the time that he was old enough to use them Prince Saradine began, as the society papers said, to travel. The fact is that he began to flee for his life, passing from place to place like a hunted criminal; but with one relentless man upon his trail. That was Prince Paul’s position, and by no means a pretty one. The more money he spent on eluding Antonelli the less he had to silence Stephen. The more he gave to silence Stephen the less chance there was of finally escaping Antonelli. Then it was that he showed himself a great man—a genius like Napoleon.
“Instead of resisting his two antagonists, he surrendered suddenly to both of them. He gave way like a Japanese wrestler, and his foes fell prostrate before him. He gave up the race round the world, and he gave up his address to young Antonelli; then he gave up everything to his brother. He sent Stephen money enough for smart clothes and easy travel, with a letter saying roughly: ‘This is all I have left. You have cleaned me out. I still have a little house in Norfolk, with servants and a cellar, and if you want more from me you must take that. Come and take possession if you like, and I will live there quietly as your friend or agent or anything.’ He knew that the Sicilian had never seen the Saradine brothers save, perhaps, in pictures; he knew they were somewhat alike, both having grey, pointed beards. Then he shaved his own face and waited. The trap worked. The unhappy captain, in his new clothes, entered the house in triumph as a prince, and walked upon the Sicilian’s sword.
“There was one hitch, and it is to the honour of human nature. Evil spirits like Saradine often blunder by never expecting the virtues of mankind. He took it for granted that the Italian’s blow, when it came, would be dark, violent and nameless, like the blow it avenged; that the victim would be knifed at night, or shot from behind a hedge, and so die without speech. It was a bad minute for Prince Paul when Antonelli’s chivalry proposed a formal duel, with all its possible explanations. It was then that I found him putting off in his boat with wild eyes. He was fleeing, bareheaded, in an open boat before Antonelli should learn who he was.
“But, however agitated, he was not hopeless. He knew the adventurer and he knew the fanatic. It was quite probable that Stephen, the adventurer, would hold his tongue, through his mere histrionic pleasure in playing a part, his lust for clinging to his new cosy quarters, his rascal’s trust in luck, and his fine fencing. It was certain that Antonelli, the fanatic, would hold his tongue, and be hanged without telling tales of his family. Paul hung about on the river till he knew the fight was over. Then he roused the town, brought th
e police, saw his two vanquished enemies taken away forever, and sat down smiling to his dinner.”
“Laughing, God help us!” said Flambeau with a strong shudder. “Do they get such ideas from Satan?”
“He got that idea from you,” answered the priest.
“God forbid!” ejaculated Flambeau. “From me! What do you mean!”
The priest pulled a visiting-card from his pocket and held it up in the faint glow of his cigar; it was scrawled with green ink.
“Don’t you remember his original invitation to you?” he asked, “and the compliment to your criminal exploit? ‘That trick of yours,’ he says, ‘of getting one detective to arrest the other’? He has just copied your trick. With an enemy on each side of him, he slipped swiftly out of the way and let them collide and kill each other.”
Flambeau tore Prince Saradine’s card from the priest’s hands and rent it savagely in small pieces.
“There’s the last of that old skull and crossbones,” he said as he scattered the pieces upon the dark and disappearing waves of the stream; “but I should think it would poison the fishes.”
The last gleam of white card and green ink was drowned and darkened; a faint and vibrant colour as of morning changed the sky, and the moon behind the grasses grew paler. They drifted in silence.
“Father,” said Flambeau suddenly, “do you think it was all a dream?”
The priest shook his head, whether in dissent or agnosticism, but remained mute. A smell of hawthorn and of orchards came to them through the darkness, telling them that a wind was awake; the next moment it swayed their little boat and swelled their sail, and carried them onward down the winding river to happier places and the homes of harmless men.
The Hammer of God
The little village of Bohun Beacon was perched on a hill so steep that the tall spire of its church seemed only like the peak of a small mountain. At the foot of the church stood a smithy, generally red with fires and always littered with hammers and scraps of iron; opposite to this, over a rude cross of cobbled paths, was “The Blue Boar,” the only inn of the place. It was upon this crossway, in the lifting of a leaden and silver daybreak, that two brothers met in the street and spoke; though one was beginning the day and the other finishing it. The Rev. and Hon. Wilfred Bohun was very devout, and was making his way to some austere exercises of prayer or contemplation at dawn. Colonel the Hon. Norman Bohun, his elder brother, was by no means devout, and was sitting in evening dress on the bench outside “The Blue Boar,” drinking what the philosophic observer was free to regard either as his last glass on Tuesday or his first on Wednesday. The colonel was not particular.
The Bohuns were one of the very few aristocratic families really dating from the Middle Ages, and their pennon had actually seen Palestine. But it is a great mistake to suppose that such houses stand high in chivalric tradition. Few except the poor preserve traditions. Aristocrats live not in traditions but in fashions. The Bohuns had been Mohocks under Queen Anne and Mashers under Queen Victoria. But like more than one of the really ancient houses, they had rotted in the last two centuries into mere drunkards and dandy degenerates, till there had even come a whisper of insanity. Certainly there was something hardly human about the colonel’s wolfish pursuit of pleasure, and his chronic resolution not to go home till morning had a touch of the hideous clarity of insomnia. He was a tall, fine animal, elderly, but with hair still startlingly yellow. He would have looked merely blonde and leonine, but his blue eyes were sunk so deep in his face that they looked black. They were a little too close together. He had very long yellow moustaches; on each side of them a fold or furrow from nostril to jaw, so that a sneer seemed cut into his face. Over his evening clothes he wore a curious pale yellow coat that looked more like a very light dressing gown than an overcoat, and on the back of his head was stuck an extraordinary broad-brimmed hat of a bright green colour, evidently some oriental curiosity caught up at random. He was proud of appearing in such incongruous attires—proud of the fact that he always made them look congruous.
His brother the curate had also the yellow hair and the elegance, but he was buttoned up to the chin in black, and his face was clean-shaven, cultivated, and a little nervous. He seemed to live for nothing but his religion; but there were some who said (notably the blacksmith, who was a Presbyterian) that it was a love of Gothic architecture rather than of God, and that his haunting of the church like a ghost was only another and purer turn of the almost morbid thirst for beauty which sent his brother raging after women and wine. This charge was doubtful, while the man’s practical piety was indubitable. Indeed, the charge was mostly an ignorant misunderstanding of the love of solitude and secret prayer, and was founded on his being often found kneeling, not before the altar, but in peculiar places, in the crypts or gallery, or even in the belfry. He was at the moment about to enter the church through the yard of the smithy, but stopped and frowned a little as he saw his brother’s cavernous eyes staring in the same direction. On the hypothesis that the colonel was interested in the church he did not waste any speculations. There only remained the blacksmith’s shop, and though the blacksmith was a Puritan and none of his people, Wilfred Bohun had heard some scandals about a beautiful and rather celebrated wife. He flung a suspicious look across the shed, and the colonel stood up laughing to speak to him.
“Good morning, Wilfred,” he said. “Like a good landlord I am watching sleeplessly over my people. I am going to call on the blacksmith.”
Wilfred looked at the ground, and said: “The blacksmith is out. He is over at Greenford.”
“I know,” answered the other with silent laughter; “that is why I am calling on him.”
“Norman,” said the cleric, with his eye on a pebble in the road, “are you ever afraid of thunderbolts?”
“What do you mean?” asked the colonel. “Is your hobby meteorology?”
“I mean,” said Wilfred, without looking up, “do you ever think that God might strike you in the street?”
“I beg your pardon,” said the colonel; “I see your hobby is folk-lore.”
“I know your hobby is blasphemy,” retorted the religious man, stung in the one live place of his nature. “But if you do not fear God, you have good reason to fear man.”
The elder raised his eyebrows politely. “Fear man?” he said.
“Barnes the blacksmith is the biggest and strongest man for forty miles round,” said the clergyman sternly. “I know you are no coward or weakling, but he could throw you over the wall.”
This struck home, being true, and the lowering line by mouth and nostril darkened and deepened. For a moment he stood with the heavy sneer on his face. But in an instant Colonel Bohun had recovered his own cruel good humour and laughed, showing two dog-like front teeth under his yellow moustache. “In that case, my dear Wilfred,” he said quite carelessly, “it was wise for the last of the Bohuns to come out partially in armour.”
And he took off the queer round hat covered with green, showing that it was lined within with steel. Wilfred recognised it indeed as a light Japanese or Chinese helmet torn down from a trophy that hung in the old family hall.
“It was the first hat to hand,” explained his brother airily; “always the nearest hat—and the nearest woman.”
“The blacksmith is away at Greenford,” said Wilfred quietly; “the time of his return is unsettled.”
And with that he turned and went into the church with bowed head, crossing himself like one who wishes to be quit of an unclean spirit. He was anxious to forget such grossness in the cool twilight of his tall Gothic cloisters; but on that morning it was fated that his still round of religious exercises should be everywhere arrested by small shocks. As he entered the church, hitherto always empty at that hour, a kneeling figure rose hastily to its feet and came towards the full daylight of the doorway. When the curate saw it he stood still with surprise.
For the early worshipper was none other than the village idiot, a nephew of the blacksmith, one who neither would nor could care for the church or for anything else. He was always called “Mad Joe,” and seemed to have no other name; he was a dark, strong, slouching lad, with a heavy white face, dark straight hair, and a mouth always open. As he passed the priest, his moon-calf countenance gave no hint of what he had been doing or thinking of. He had never been known to pray before. What sort of prayers was he saying now? Extraordinary prayers surely.
Wilfred Bohun stood rooted to the spot long enough to see the idiot go out into the sunshine, and even to see his dissolute brother hail him with a sort of avuncular jocularity. The last thing he saw was the colonel throwing pennies at the open mouth of Joe, with the serious appearance of trying to hit it.
This ugly sunlit picture of the stupidity and cruelty of the earth sent the ascetic finally to his prayers for purification and new thoughts. He went up to a pew in the gallery, which brought him under a coloured window which he loved and always quieted his spirit; a blue window with an angel carrying lilies. There he began to think less about the half-wit, with his livid face and mouth like a fish. He began to think less of his evil brother, pacing like a lean lion in his horrible hunger. He sank deeper and deeper into those cold and sweet colours of silver blossoms and sapphire sky.
In this place half an hour afterwards he was found by Gibbs, the village cobbler, who had been sent for him in some haste. He got to his feet with promptitude, for he knew that no small matter would have brought Gibbs into such a place at all. The cobbler was, as in many villages, an atheist, and his appearance in church was a shade more extraordinary than Mad Joe’s. It was a morning of theological enigmas.
The Blue Cross Page 17