Tales from Earthsea (earthsea)

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Tales from Earthsea (earthsea) Page 12

by Ursula K LeGuin


  "I have thought some about it," said the boy, in his husky voice.

  "And?"

  "Well, I," said Diamond, and stuck.

  "I'd always counted on your going into the family business," Golden said. His tone was neutral, and Diamond said nothing. "Have you had any ideas of what you want to do?"

  "Sometimes."

  "Did you talk at all to Master Hemlock?"

  Diamond hesitated and said, "No." He looked a question at his father.

  "I talked to him last night," Golden said. "He said to me that there are certain natural gifts which it's not only difficult but actually wrong, harmful, to suppress."

  The light had come back into Diamond's dark eyes.

  "The Master said that such gifts or capacities, untrained, are not only wasted, but may be dangerous. The art must be learned, and practiced, he said."

  Diamond's face shone.

  "But, he said, it must be learned and practiced for its own sake."

  Diamond nodded eagerly.

  "If it's a real gift, an unusual capacity, that's even more true. A witch with her love potions can't do much harm, but even a village sorcerer, he said, must take care, for if the art is used for base ends, it becomes weak and noxious…. Of course, even a sorcerer gets paid. And wizards, as you know, live with lords, and have what they wish."

  Diamond was listening intently, frowning a little.

  "So, to be blunt about it, if you have this gift, Diamond, it's of no use, directly, to our business. It has to be cultivated on its own terms, and kept under control — learned and mastered. Only then, he said, can your teachers begin to tell you what to do with it, what good it will do you. Or others," he added conscientiously.

  There was a long pause.

  "I told him," Golden said, "that I had seen you, with a turn of your hand and a single word, change a wooden carving of a bird into a bird that flew up and sang. Pre seen you make a light glow in thin air. You didn't know I was watching. I've watched and said nothing for a long time. I didn't want to make too much of mere childish play. But I believe you have a gift, perhaps a great gift. When I told Master Hemlock what I'd seen you do, he agreed with me. He said that you may go study with him in South Port for a year, or perhaps longer."

  "Study with Master Hemlock?" said Diamond, his voice up half an octave.

  "If you wish."

  "I, I, I never thought about it. Can I think about it? For a while- a day?"

  "Of course," Golden said, pleased with his son's caution. He had thought Diamond might leap at the offer, which would have been natural, perhaps, but painful to the father, the owl who had — perhaps — hatched out an eagle.

  For Golden looked on the Art Magic with genuine humility as something quite beyond him — not a mere toy, such as music or tale-telling, but a practical business, which his business could never quite equal. And he was, though he wouldn't have put it that way, afraid of wizards. A bit contemptuous of sorcerers, with their sleights and illusions and gibble-gabble, but afraid of wizards.

  "Does Mother know?" Diamond asked.

  "She will when the time comes. But she has no part to play in your decision, Diamond. Women know nothing of these matters and have nothing to do with them.

  You must make your choice alone, as a man. Do you understand that?" Golden was earnest, seeing his chance to begin to wean the lad from his mother. She as a woman would cling, but he as a man must learn to let go. And Diamond nodded sturdily enough to satisfy his father, though he had a thoughtful look.

  "Master Hemlock said I, said he thought I had, I might have a, a gift, a talent for-?"

  Golden reassured him that the wizard had actually said so, though of course what kind or a gift remained to be seen. The boy's modesty was a great relief to him.

  He had half-consciously dreaded that Diamond would triumph over him, asserting his power right away — that mysterious, dangerous, incalculable power against which Golden's wealth and mastery and dignity shrank to impotence.

  "Thank you, Father," the boy said. Golden embraced him and left, well pleased with him.

  THEIR MEETING PLACE was in the sallows, the willow thickets down by the Amia as it ran below the smithy. As soon as Rose got there, Diamond said, "He wants me to go study with Master Hemlock! What am I going to do?"

  "Study with the wizard?"

  "He thinks I have this huge great talent. For magic."

  "Who does?"

  "Father does. He saw some of the stuff we were practicing. But he says Hemlock says I should come study with him because it might be dangerous not to. Oh," and Diamond beat his head with his hands.

  "But you do have a talent."

  He groaned and scoured his scalp with his knuckles. He was sitting on the dirt in their old play-place, a kind of bower deep in the willows, where they could hear the stream running over the stones nearby and the clang-clang of the smithy further off. The girl sat down facing him.

  "Look at all the stuff you can do," she said. "You couldn't do any of it if you didn't have a gift."

  "A little gift," Diamond said indistinctly. "Enough for tricks."

  "How do you know that?"

  Rose was very dark-skinned, with a cloud of crinkled hair, a thin mouth, an intent, serious face. Her feet and legs and hands were bare and dirty, her skirt and jacket disreputable. Her dirty toes and fingers were delicate and elegant, and a necklace of amethysts gleamed under the torn, buttonless jacket. Her mother, Tangle, made a good living by curing and healing, bone-knitting and birth-easing, and selling spells of finding, love-potions, and sleeping-drafts. She could afford to dress herself and her daughter in new clothes, buy shoes, and keep clean, but it didn't occur to her to do so. Nor was housekeeping one of her interests. She and Rose lived mostly on boiled chicken and fried eggs, as she was often paid in poultry. The yard of their two-room house was a wilderness of cats and hens. She liked cats, toads, and jewels. The amethyst necklace had been payment for the safe delivery of a son to Golden's head forester. Tangle herself wore armfuls of bracelets and bangles that flashed and crashed when she flicked out an impatient spell. At times she wore a kitten on her shoulder. She was not an attentive mother. Rose had demanded, at seven years old, "Why did you have me if you didn't want me?"

  "How can you deliver babies properly if you haven't had one?" said her mother.

  "So I was practice," Rose snarled.

  "Everything is practice," Tangle said. She was never ill-natured. She seldom thought to do anything much for her daughter, but never hurt her, never scolded her, and gave her whatever she asked for, dinner, a toad of her own, the amethyst necklace, lessons in witchcraft. She would have provided new clothes if Rose had asked for them, but she never did. Rose had looked after herself from an early age; and this was one of the reasons Diamond loved her. With her, he knew what freedom was. Without her, he could attain it only when he was hearing and singing and playing music.

  "I do have a gift," he said now, rubbing his temples and pulling his hair.

  "Stop destroying your head," Rose told him.

  "I know Tarry thinks I do."

  "Of course you do! What does it matter what Tarry thinks? You already play the harp about nine times better than he ever did."

  This was another of the reasons Diamond loved her.

  "Are there any wizard musicians?" he asked, looking up.

  She pondered. "I don't know."

  "I don't either. Morred and Elfarran sang to each other, and he was a mage. I think there's a Master Chanter on Roke, that teaches the lays and the histories. But I never heard of a wizard being a musician."

  "I don't see why one couldn't be." She never saw why something could not be.

  Another reason he loved her.

  "It always seemed to me they're sort of alike," he said, "magic and music. Spells and tunes. For one thing, you have to get them just exactly right."

  "Practice," Rose said, rather sourly. "I know." She flicked a pebble at Diamond. It turned into a butterfly in midair. He
flicked a butterfly back at her, and the two flitted and flickered a moment before they fell back to earth as pebbles. Diamond and Rose had worked out several such variations on the old stone-hopping trick.

  "You ought to go, Di," she said. "Just to find out."

  "I know."

  "What if you got to be a wizard! Oh! Think of the stuff you could teach me! Shapechanging — We could be anything. Horses! Bears!"

  "Moles," Diamond said. "Honestly, I feel like hiding underground. I always thought Father was going to make me learn all his kind of stuff, after I got my name. But all this year he's kept sort of holding off. I guess he had this in mind all along. But what if I go down there and I'm not any better at being a wizard than I am at bookkeeping? Why can't I do what I know I can do?"

  "Well, why can't you do it all? The magic and the music, anyhow? You can always hire a bookkeeper."

  When she laughed, her thin face got bright, her thin mouth got wide, and her eyes disappeared.

  "Oh, Darkrose," Diamond said, "I love you."

  "Of course you do. You'd better. I'll witch you if you don't."

  They came forward on their knees, face to face, their arms straight down and their hands joined. They kissed each other all over their faces. To Rose's lips Diamond's face was smooth and full as a plum, with just a hint of prickliness above the lip and jawline, where he had taken to shaving recently. To Diamond's lips Rose's face was soft as silk, with just a hint of grittiness on one cheek, which she had rubbed with a dirty hand. They moved a little closer so that their breasts and bellies touched, though their hands stayed down by their sides. They went on kissing.

  "Darkrose," he breathed in her ear, his secret name for her.

  She said nothing, but breathed very warm in his ear, and he moaned. His hands clenched hers. He drew back a little. She drew back. They sat back on their ankles.

  "Oh Di," she said, "it will be awful when you go."

  "I won't go," he said. "Anywhere. Ever."

  BUT OF COURSE he went down to Havnor South Port, in one of his father's carts driven by one of his father's carters, along with Master Hemlock. As a rule, people do what wizards advise them to do. And it is no small honor to be invited by a wizard to be his student or apprentice. Hemlock, who had won his staff on Roke, was used to having boys come to him begging to be tested and, if they had the gift for it, taught. He was a little curious about this boy whose cheerful good manners hid some reluctance or self-doubt. It was the father's idea, not the boy's, that he was gifted. That was unusual, though perhaps not so unusual among the wealthy as among common folk. At any rate he came with a very good prenticing fee paid beforehand in gold and ivory. If he had the makings of a wizard Hemlock would train him, and if he had, as Hemlock suspected, a mere childish flair, then he'd be sent home with what remained of his fee. Hemlock was an honest, upright, humorless, scholarly wizard with little interest in feelings or ideas. His gift was for names. "The art begins and ends in naming," he said, which indeed is true, although there may be a good deal between the beginning and the end.

  So Diamond, instead of learning spells and illusions and transformations and all such gaudy tricks, as Hemlock called them, sat in a narrow room at the back of the wizard's narrow house on a narrow back street of the old city, memorizing long, long lists of words, words of power in the Language of the Making. Plants and parts of plants and animals and parts of animals and islands and parts of islands, parts of ships, parts of the human body. The words never made sense, never made sentences, only lists. Long, long lists.

  His mind wandered. «Eyelash» in the True Speech is siasa, he read, and he felt eyelashes brush his cheek in a butterfly kiss, dark lashes. He looked up startled and did not know what had touched him. Later when he tried to repeat the word, he stood dumb.

  "Memory, memory," Hemlock said. "Talent's no good without memory!" He was not harsh, but he was unyielding. Diamond had no idea what opinion Hemlock had of him, and guessed it to be pretty low. The wizard sometimes had him come with him to his work, mostly laying spells of safety on ships and houses, purifying wells, and sitting on the councils of the city, seldom speaking but always listening. Another wizard, not Roke-trained but with the healer's gift, looked after the sick and dying of South Port. Hemlock was glad to let him do so. His own pleasure was in studying and, as far as Diamond could see, doing no magic at all. "Keep the Equilibrium, it's all in that," Hemlock said, and, "Knowledge, order, and control." Those words he said so often that they made a tune in Diamond's head and sang themselves over and over: knowledge, or-der, and contro-….

  When Diamond put the lists of names to tunes he made up, he learned them much faster; but then the tune would come as part of the name, and he would sing out so clearly- for his voice had re-established itself as a strong, dark tenor — that Hemlock winced. Hemlock's was a very silent house.

  Mostly the pupil was supposed to be with the Master, or studying the lists of names in the room where the lorebooks and wordbooks were, or asleep. Hemlock was a stickler for early abed and early afoot. But now and then Diamond had an hour or two free. He always went down to the docks and sat on a pierside or a waterstair and thought about Darkrose. As soon as he was out of the house and away from Master Hemlock, he began to think about Darkrose, and went on thinking about her and very little else. It surprised him a little. He thought he ought to be homesick, to think about his mother. He did think about his mother quite often, and often was homesick, lying on his cot in his bare and narrow little room after a scanty supper of cold pea-porridge — for this wizard, at least, did not live in such luxury as Golden had imagined. Diamond never thought about Darkrose, nights. He thought of his mother, or of sunny rooms and hot food, or a tune would come into his head and he would practice it mentally on the harp in his mind, and so drift off to sleep. Darkrose would come to his mind only when he was down at the docks, staring out at the water of the harbor, the piers, the fishing boats, only when he was outdoors and away from Hemlock and his house.

  So he cherished his free hours as if they were actual meetings with her. He had always loved her, but had not understood that he loved her beyond anyone and anything. When he was with her, even when he was down on the docks thinking of her, he was alive. He never felt entirely alive in Master Hemlock's house and presence. He felt a little dead. Not dead, but a little dead.

  A few times, sitting on the waterstairs, the dirty harbor water sloshing at the next step down, the yells of gulls and dockworkers wreathing the air with a thin, ungainly music, he shut his eyes and saw his love so clear, so close, that he reached out his hand to touch her. If he reached out his hand in his mind only, as when he played the mental harp, then indeed he touched her. He felt her hand in his, and her cheek, warm-cool, silken-gritty, lay against his mouth. In his mind he spoke to her, and in his mind she answered, her voice, her husky voice saying his name, "Diamond…."

  But as he went back up the streets of South Port he lost her. He swore to keep her with him, to think of her, to think of her that night, but she faded away. By the time he opened the door of Master Hemlock's house he was reciting lists of names, or wondering what would be for dinner, for he was hungry most of the time. Not till he could take an hour and run back down to the docks could he think of her.

  So he came to feel that those hours were true meetings with her, and he lived for them, without knowing what he lived for until his feet were on the cobbles, and his eyes on the harbor and the far line of the sea. Then he remembered what was worth remembering.

  The winter passed by, and the cold early spring, and with the warm late spring came a letter from his mother, brought by a carter. Diamond read it and took it to Master Hemlock, saying, "My mother wonders if I might spend a month at home this summer."

  "Probably not," the wizard said, and then, appearing to notice Diamond, put down his pen and said, "Young man, I must ask you if you wish to continue studying with me."

  Diamond had no idea what to say. The idea of its being up to him had not occu
rred to him. "Do you think I ought to?" he asked at last.

  "Probably not," the wizard said.

  Diamond expected to feel relieved, released, but found he felt rejected, ashamed.

  "I'm sorry," he said, with enough dignity that Hemlock glanced up at him.

  "You could go to Roke," the wizard said.

  "To Roke?"

  The boy's drop-jawed stare irritated Hemlock, though he knew it shouldn't. Wizards are used to overweening confidence in the young of their kind. They expect modesty to come later, if at all. "I said Roke," Hemlock said in a tone that said he was unused to having to repeat himself. And then, because this boy, this soft-headed, spoiled, moony boy had endeared himself to Hemlock by his uncomplaining patience, he took pity on him and said, "You should either go to Roke or find a wizard to teach you what you need. Of course you need what I can teach you. You need the names. The art begins and ends in naming. But that's not your gift. You have a poor memory for words. You must train it diligently. However, it's clear that you do have capacities, and that they need cultivation and discipline, which another man can give you better than I can." So does modesty breed modesty, sometimes, even in unlikely places. "If you were to go to Roke, I'd send a letter with you drawing you to the particular attention of the Master Summoner."

  "Ah," said Diamond, floored. The Summoner's art is perhaps the most arcane and dangerous of all the arts of magic.

  "Perhaps I am wrong," said Hemlock in his dry, flat voice. "Your gift may be for Pattern. Or perhaps it's an ordinary gift for shaping and transformation. I'm not certain."

  "But you are — I do actually —»

  "Oh yes. You are uncommonly slow, young man, to recognize your own capacities." It was spoken harshly, and Diamond stiffened up a bit.

  "I thought my gift was for music," he said.

  Hemlock dismissed that with a flick of his hand. "I am talking of the True Art," he said. "Now I will be frank with you. I advise you to write your parents — I shall write them too — informing them of your decision to go to the School on Roke, if that is what you decide; or to the Great Port, if the Mage Restive will take you on, as I think he will, with my recommendation. But I advise against visiting home. The entanglement of family, friends, and so on is precisely what you need to be free of. Now, and henceforth."

 

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