They were technical questions, mage to mage. Heleth hesitated before answering.
“I learned about this from Ard,” he said, and paused again.
He had never told Ogion anything about his first teacher, a sorcerer of no fame, even in Gont, and perhaps of ill fame. There was some mystery or shame connected with Ard. Though he was talkative, for a wizard, Heleth was silent as a stone about some things. Ogion, who respected silence, had never asked him about his teacher.
“It's not Roke magic,” the old man said. His voice was dry, a little forced. “Not to do with the Old Powers, either. Nothing of that sort. Nothing sticky.”
That had always been his word for evil doings, spells for gain, curses, black magic: “sticky stuff.”
After a while, searching for words, he went on: “Dirt. Rocks. It's a dirty magic. Old. Very old. As old as Gont Island.”
"The Old Powers?" Ogion murmured.
Heleth said. "I'm not sure."
“Will it control the earth itself?"
“More a mater of getting in with it, I think." The old man was burying the core of his apple and the larger bits of eggshell under loose dirt, patting it over them neatly. “Of course I know the words, but I'll have to learn what to do as I go. That's the trouble with the big spells, isn't it? You learn what you're doing while you do it. No chance to practice. "Ah—there! You feel that?"
Ogion shook his head.
“Straining,” Heleth said, his hand still absently, gently patting the dirt as one might pat a scared cow. “Quite soon now, I think. Can you hold the Gates open, my dear?"
“Tell me what you'll be doing—”
But Heleth was shaking his head: “No,” he said, “no time. Not your kind of thing.” He was more and more distracted by whatever it was he sensed in the earth or air, and through him Ogion felt that gathering, intolerable tension.
They sat unspeaking. The crisis passed. Heleth relaxed a little and even smiled. “Very old stuff,” he said, “what I'll be doing. I wish now I'd thought about it more. Passed it on to you. But it seemed a bit crude. Heavy-handed… She didn't say where she'd learned it. Here, of course… There are different kinds of knowledge, after all."
“She?"
“Ard. My teacher.” Heleth looked up, his face unreadable, its expression possibly sly. “You didn't know that? No, I suppose I never mentioned it. But it doesn't make much difference, after all. Since we none of us have any sex, us wizards, do we? What matters is whose house we live in. It seems we may have left out a good deal worth knowing. This kind of thing—There! There again—"
His sudden tension and immobility, the strained face and inward look, were like those of a woman in labor when her womb contracts. That was Ogion's thought, even as he said, “What did you mean, "in the Mountain'?"
The spasm passed; Heleth answered, “Inside it. There at Yaved.” He pointed to the knotted hills below them. “I'll go in, try to keep things from sliding around, eh? I'll find out when I'm doing it, no doubt. I think you should be getting back to yourself. Things are tightening up.” He stopped again, looking as if he were in intense pain, hunched and clenched. He struggled to stand up. Unthinking, Ogion held out his hand to help him.
“No use,” said the old wizard, grinning, “you're only wind and sunlight. Now I'm going to be dirt and stone. You'd best go on. Farewell, Aihal. Keep the—keep the mouth open, for once, eh?"
Ogion, obedient, bringing himself back to himself in the stuffy, tapestried room in Gont Port, did not understand the old man's joke until he turned to the window and saw the Armed Cliffs down at the end of the long bay, the jaws ready to snap shut. “I will,” he said, and set to it.
“What I have to do, you see,” the old wizard said, still talking to Silence because it was a comfort to talk to him even if he was no longer there, “is get into the mountain, right inside; but not the way a sorcerer-prospector does; not just slipping about between things and looking and tasting. Deeper. All the way in. Not the veins, but the bones. So,” and standing there alone in the high pasture, in the noon light, Heleth opened his arms wide in the gesture of invocation that opens all the greater spells; and he spoke.
Nothing happened as he said the words Ard had taught him, his old witch-teacher with her bitter mouth and her long, lean arms, the words spoken awry then, spoken truly now.
Nothing happened, and he had time to regret the sunlight and the seawind, and to doubt the spell, and to doubt himself, before the earth rose up around him, dry, warm, and dark.
In there he knew he should hurry, that the bones of the earth ached to move, and that he must become them to guide them, but he could not hurry. There was on him the bewilderment of any transformation. He had in his day been fox, and bull, and dragonfly, and knew what it was to change being. But this was different, this slow enlargement. I am vastening, he thought.
He reached out towards Yaved, towards the ache, the suffering. As he came closer to it he felt a great strength flow into him from the west, as if Silence had taken him by the hand after all. Through that link he could send his own strength, the Mountain's strength, to help. I didn't tell him I wasn't coming back, he thought, his last words in Hardic, his last grief, for he was in the bones of the mountain now. He knew the arteries of fire, and the beat of the great heart. He knew what to do. It was in no tongue of man that he said, “Be quiet, be easy. There now, there. Hold fast. So, there. We can be easy.”
And he was easy, he was still, he held fast, rock in rock and earth in earth in the fiery dark of the mountain.
It was their mage Ogion whom the people saw stand alone on the roof of the signal tower on the wharf, when the streets ran up and down in waves, the cobbles bursting out of them, and walls of clay brick puffed into dust, and the Armed Cliffs leaned together, groaning. It was Ogion they saw, his hands held out before him, straining, parting: and the cliffs parted with them, and stood straight, unmoved. The city shuddered and stood still. It was Ogion who stopped the earthquake. They saw it, they said it.
My teacher was with me, and his teacher with him,” Ogion said when they praised him. “I could hold the Gate open because he held the Mountain still.” They praised his modesty and did not listen to him. Listening is a rare gift, and men will have their heroes.
When the city was in order again, and the ships had all come back, and the walls were being rebuilt, Ogion escaped from praise and went up into the hills above Gont Port. He found the queer little valley called Trimmer's Dell, the true name of which in the language of the Making was Yaved, as Ogion's true name was Aihal. He walked about there all one day, as if seeking something. In the evening he lay down on the ground and talked to it. “You should have told me, I could have said goodbye,” he said. He wept once, and his tears fell on the dry dirt among the grass-stems and made little spots of mud, little sticky spots.
He slept there, on the ground. At sunrise he got up and walked by the high road over to Re Albi. He did not go into the village, but past it to the little house that stood alone to the north at the beginning of the Overfell. The door of the house stood open.
The last beans had got big and coarse on the vines; the cabbages were thriving. Three hens came clucking and pecking around the dusty dooryard, a red, a brown, a white; a grey hen was setting her clutch in the henhouse. There were no chicks, and no sign of the cock, the King, Heleth had called him. The king is dead, Ogion thought. Maybe a chick is hatching even now to take his place. He thought he caught a whiff of fox from the little orchard behind the house.
He swept out the dust and leaves that had blown in the open door across the polished wood. He set Heleth's mattress and blanket in the sun to air. “I'll stay here a while,” he thought. “It's a good house.” After a while he thought, “I might keep some goats.”
On the High Marsh
THE ISLAND OF SEMEL lies north and west across the Pelnish Sea from Havnor, south and west of the Enlades. Though it is one of the great isles of the Earthsea Archipelago, there aren't many stories
from Semel. Enlad has its glorious history, and Havnor its wealth, and Paln its ill repute, but Semel has only cattle and sheep, forests and little towns, and the great silent volcano called Andanden standing over all.
South of Andanden lies a land where the ashes fell a hundred feet deep when last the volcano spoke. Rivers and streams cut their way seaward through that high plain, winding and pooling, spreading and wandering, making a marsh of it, a big, desolate, waterland with a far horizon, few trees, not many people. The ashy soil grows a rich, bright grass, and the people there keep cattle, fattening beef for the populous southern coast, letting the animals stray for miles across the plain, the rivers serving as fences.
As mountains will, Andanden makes the weather. It gathers clouds around it. The summer is short, the winter long, out on the high marsh.
In the early darkness of a winter day, a traveler stood at the windswept crossing of two paths, neither very promising, mere cattle tracks among the reeds, and looked for some sign of the way he should take.
As he came down the last slope of the mountain, he had seen houses here and there out in the marshlands, a village not far away. He had thought he was on the way to the village, but had taken a wrong turning somewhere. Tall reeds rose up close beside the paths, so that if a light shone anywhere he could not see it. Water chuckled softly somewhere near his feet. He had used up his shoes walking round Andanden on the cruel roads of black lava. The soles were worn right through, and his feet ached with the icy damp of the marsh paths.
It grew darker quickly. A haze was coming up from the south, blotting out the sky. Only above the huge, dim bulk of the mountain did stars burn clearly. Wind whistled in the reeds, soft, dismal.
The traveler stood at the crossway and whistled back at the reeds.
Something moved on one of the tracks, something big, dark, in the darkness.
"Are you there, my dear?" said the traveler. He spoke in the Old Speech, the Language of the Making. "Come along, then, Ulla," he said, and the heifer came a step or two towards him, towards her name, while he walked to meet her. He made out the big head more by touch than sight, stroking the silken dip between her eyes, scratching her forehead at the roots of the nubbin horns. "Beautiful, you are beautiful," he told her, breathing her grassy breath, leaning against her large warmth. "Will you lead me, dear Ulla? Will you lead me where I need to go?"
He was fortunate in having met a farm heifer, not one of the roaming cattle who would only have led him deeper into the marshes. His Ulla was given to jumping fences, but after she had wandered a while she would begin to have fond thoughts of the cow barn and the mother from whom she still stole a mouthful of milk sometimes; and now she willingly took the traveler home. She walked, slow but purposeful, down one of the tracks, and he went with her, a hand on her hip when the way was wide enough. When she waded a knee-deep stream, he held on to her tail. She scrambled up the low, muddy bank and flicked her tail loose, but she waited for him to scramble even more awkwardly after her. Then she plodded gently on. He pressed against her flank and clung to her, for the stream had chilled him to the bone, and he was shivering.
"Moo," said his guide, softly, and he saw the dim, small square of yellow light just a little to his left.
"Thank you," he said, opening the gate for the heifer, who went to greet her mother, while he stumbled across the dark houseyard to the door.
It would be Berry at the door, though why he knocked she didn't know. "Come in, you fool!" she said, and he knocked again, and she put down her mending and went to the door. "Can you be drunk already?" she said, and then saw him.
The first thing she thought was a king, a lord, Maharion of the songs, tall, straight, beautiful. The next thing she thought was a beggar, a lost man, in dirty clothes, hugging himself with shivering arms.
He said, "I lost my way. Have I come to the villager?" His voice was hoarse and harsh, a beggar's voice, but not a beggar's accent.
"It's a half mile on," said Gift.
"Is there an inn?"
"Not till you'd come to Oraby, a ten-twelve miles on south." She considered only briefly. "If you need a room for the night, I have one. Or San might, if you're going to the village."
"I'll stay here if I may," he said in that princely way, with his teeth chattering, holding on to the doorjamb to keep on his feet.
"Take your shoes off," she said, "they're soaking. Come in then." She stood aside and said, "Come to the fire," and had him sit down in Bren's settle close to the hearth. "Stir the fire up a bit," she said. "Will you have a bit of soup? It's still hot."
"Thank you, mistress," he muttered, crouching at the fire. She brought him a bowl of broth. He drank from it eagerly yet warily, as if long unaccustomed to hot soup.
"You came over the mountain?"
He nodded.
"Whatever for?"
"To come here," he said. He was beginning to tremble less. His bare feet were a sad sight, bruised, swollen, sodden. She wanted to tell him to put them right to the fire's warmth, but didn't like to presume. Whatever he was, he wasn't a beggar by choice.
"Not many come here to the High Marsh," she said. "Peddlers and such. But not in winter."
He finished his soup, and she took the bowl. She sat down in her place, the stool by the oil lamp to the right of the hearth, and took up her mending. "Get warm through, and then I'll show you your bed," she said. "There's no fire in that room. Did you meet weather, up on the mountain? They say there's been snow."
"Some flurries," he said. She got a good look at him now in the light of lamp and fire. He was not a young man, thin, not as tall as she had thought. It was a fine face, but there was something wrong, something amiss. He looks ruined, she thought, a ruined man.
"Why would you come to the Marsh?" she asked. She had a right to ask, having taken him in, yet she felt a discomfort in pressing the question.
"I was told there's a murrain among the cattle here." Now that he wasn't all locked up with cold his voice was beautiful. He talked like the tale-tellers when they spoke the parts of the heroes and the dragonlords. Maybe he was a teller or a singer? But no; the murrain, he had said.
"There is."
"I may be able to help the beasts."
"You're a curer?"
He nodded.
"Then you'll be more than welcome. The plague is terrible among the cattle. And getting worse."
He said nothing. She could see the warmth coming into him, untying him.
"Put your feet up to the fire," she said abruptly. "I have some old shoes of my husbands." It cost her something to say that, yet when she had said it she felt released, untied too. What was she keeping Bren's shoes for, anyhow? They were too small for Berry and too big for her. She'd given away his clothes, but kept the shoes, she didn't know what for. For this fellow, it would seem. Things came round if you could wait for them, she thought. "I'll set em out for you," she said. "Yours are perished."
He glanced at her. His dark eyes were large, deep, opaque like a horse's eyes, unreadable.
"He's dead," she said, "two years. The marsh fever. You have to watch out for that, here. The water. I live with my brother. He's in the village, at the tavern. We keep a dairy. I make cheese. Our herd's been all right," and she made the sign to avert evil. "I keep em close in. Out on the ranges, the murrain's very bad. Maybe the cold weather'll put an end to it."
"More likely to kill the beasts that sicken with it," the man said. He sounded a bit sleepy.
"I'm called Gift," she said. "My brother's Berry."
"Gully," he named himself after a pause, and she thought it was a name he had made up to call himself. It did not fit him. Nothing about him fit together, made a whole. Yet she felt no distrust of him. She was easy with him. He meant no harm to her. She thought there was kindness in him, the way he spoke of the animals. He would have a way with them, she thought. He was like an animal himself, a silent, damaged creature that needed protection but couldn't ask for it.
"Come" she said, "
before you fall asleep there," and he followed her obediently to Berry's room, which wasn't much more than a cupboard built onto the corner of the house. Her room was behind the chimney. Berry would come in, drunk, in a while, and she'd put down the pallet in the chimney corner for him. Let the traveler have a good bed for a night. Maybe he'd leave a copper or two with her when he went on. There was a terrible shortage of coppers in her household these days.
He woke, as he always did, in his room in the Great House. He did not understand why the ceiling was low and the air smelt fresh but sour and cattle were bawling outside. He had to lie still and come back to this other place and this other man, whose use-name he couldn't remember, though he had said it last night to a heifer or a woman. He knew his true name but it was no good here, wherever here was, or anywhere. There had been black roads and dropping slopes and a vast green land lying down before him cut with rivers, shining with waters. A cold wind blowing. The reeds had whistled, and the young cow had led him through the stream, and Emer had opened the door. He had known her name as soon as he saw her. But he must use some other name. He must not call her by her name. He must remember what name he had told her to call him. He must not be Irioth, though he was Irioth. Maybe in time he would be another man. No; that was wrong; he must be this man. This man's legs ached and his feet hurt. But it was a good bed, a feather bed, warm, and he need not get out of it yet. He drowsed a while, drifting away from Irioth.
When he got up at last, he wondered how old he was, and looked at his hands and arms to see if he was seventy. He still looked forty, though he felt seventy and moved like it, wincing. He got his clothes on, foul as they were from days and days of travel. There was a pair of shoes under the chair, worn but good, strong shoes, and a pair of knit wool stockings to go with them. He put the stockings on his battered feet and limped into the kitchen. Emer stood at the big sink, straining something heavy in a cloth.
Tales from Earthsea (earthsea) Page 16